Black Metal

Norway’s UNHOLY CRAFT set release date for new PURITY THROUGH FIRE album, reveal first track – features members of SOLUS GRIEF, KVAD, HJEMSØKT+++

Today, Purity ThroughFire announces June 21st as the international release date for the highly anticipated third album of Norway’s Unholy Craft, Saa Mørkt, Saa Mektig, on CD and vinyl LP formats.

Despite only forming in 2023, Norway’s Unholy Craft have already released two full-lengths as well as a split with Vorgfang – all in their first year. Such feverish activity, however, is not all that surprising when it comes to Peregrinus, who also numbers such concurrent cults (and labelmates) Solus Grief, Kvad, Hjemsøkt, and most recently Heraldic Blaze among his many endeavors. As always with Unholy Craft, the intention is to play super-traditional Scandinavian black metal as it was performed (“exclusively”) during the glorious 1990s.

And so, unsurprisingly (thankfully!), that is what one gets with Unholy Craft‘s third full-length, Saa Mørkt, Saa Mektig…or is it? A relatively unique entry in Unholy Craft‘s canon, Saa Mørkt, Saa Mektig features more fleshed-out songwriting transposed onto the band’s rawest soundfield to date. Indeed, where their previous records featured that cold & clipped style of production endemic to Norway in the mid ’90s, Saa Mørkt, Saa Mektig maintains a muffled, daresay warmer style of recording which helps elevate these more anguished & yearning compositions far beyond those treading the “raw black metal” Bandcamp boards. Deft shifts in tempo further help these eight new tracks hit harder, and when a simultaneously ascending / descending riff yawns forth from that void, the sum effect is stultifying. Thus, all told, while Unholy Craft continue to add to the hallowed tradition of Darkthrone’s Peaceville trilogy, Hat-fronted Gorgoroth, and the first Ancient album – or, going deeper, the very cult likes of Kvist, Sorhin, and Fimbulwinter – Peregrinus and company are taking subtly bolder strides into their own mythical snow with Saa Mørkt, Saa Mektig.

“So cold and full of splendor retracing steps to that which once was. Across frozen ground. Towards That which beckons and pulses in darkness. Swayed by that which befell all. Those that dwell beyond the reach of light. Night skies conquering, looming, over bleeding daylight.”

In the meantime, hear the brand-new track “Into the Cold Winter Night”  here:

Cover and tracklisting are as follows:

Tracklisting for Unholy Craft (Norway)’sSaa Mørkt, Saa Mektig
1. Into the Cold Winter night
2. Saa Mørkt, Saa Mektig
3. Jærtegn
4. Evig Er Nattehimmelen
5. Betrayal, Wrath, Judgement
6. Den Siste Lange Sorg
7. La Asken Regne
8. The Nighttime Spear Piercing

MORE INFO:
www.1unholycraft.bandcamp.com 

www.purity-through-fire.com

NOX: new release from NEUROPA – features members of HEMELBESTORMER, ROPE SECT, LHAÄD+++

On June 7th internationally, Neuropa Records will release the striking debut album of pan-international duo Nox, Entity, on CD and vinyl LP formats.

Nox is a brand-new project between Inmesher (Rope Sect) and Lykaios (Hemelbestormer, Lhaäd, Rituals of the Dead Hand). While both men are known for post-punk and metal, respectively, Nox sees them taking their first steps into the wider electro scene, wielding a similar-yet-different darkness to their more-renown bands. Elements of synthwave, industrial, and dubstep are chopped & screwed to their (DARK) design.

Entity is the duo’s debut album, comprising eight songs across 43 minutes of shimmering, mysterious energy. With pulsing but never-overpowering beats, in service of atmosphere as much as songwriting, Nox dive headlong into a mirror world of subtly torched tones – some scavenging among the gravel, even despite being electronic, while others ascend into the ether on wings of mesmerizing melody – where the listener is guided through moonlit back streets, crumbling edifices of modernity, and a strange sense of futurism that feels apocalyptic and enticing in equal measure. Atop it all are the hauntingly soothing vocals of Inmesher, narrating that listener’s journey (or perhaps narrating the hitherto-unexplored regions of his soul) and creating a unique disconnect that separates Nox from so many treading the hard-electro boards; Entity definitely isn’t the usual retrowave / outrun worship. Underlining this crucial link to humanity is the duo’s cover of Placebo’s “The Bitter End,” which is dubstep in form but something sublime in content.

Trainspotters will already know of Neuropa’s work with the scene stalwarts Carpenter Brut, which serves as a handy reference here, but Nox is equally recommended to fans of Crystal Castles, ADULT., Kavinsky, Sixth June, Kontravoid, or even Nine Inch Nails. Entity is but their first steps on this path…where will it end?

In the meantime, hear the brand-new track “Black Nebula” here:

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Nox (Germany/Belgium)’s Entity
1. Black Nebula
2. Once Now Gone
3. Flesh and Bones
4. Escape the Light
5. Seven Days of Rain
6. The Bitter End (Dream Mix)
7. Broken Circle
8. The Triple Goddess

MORE INFO:
thenoxentity.bandcamp.com
www.facebook.com/thenoxentity

www.neuroparecords.com
www.facebook.com/neuroparecords 

SELBST release “Despondency Chord Progressions”

“After so long I have discovered that some doors are not meant to be opened,
with all this suffering that I could have avoided in sight,
but I concurrently longed…” (‘Chant Of Self-Confrontation‘)

Since 2010, Latin American multi-instrumentalist and composer N. has been meticulously forging tumultuous and alienated Black Metal as SELBST. Following an initial demo tape and various splits/EPs, the band released two remarkable albums: “Selbst” (2017) and DMP-debut “Relatos de angustia” (2020). Now with the release of magnificent third opus, “Despondency Chord Progressions“, SELBST delve deeper still, refining and assertively navigating the complex currents of their already intricate sound.
Stream the album in its entirety through DMP‘s YouTube channel:

SELBST still rain down tumultuous hammer blows – their trademark ‘dissonant’ Black Metal intensity remains – but these now share equal space with elevated songwriting, assured vocal work, richly intricate musicality and mellifluous leads of the highest quality, glued together by a pristine drum performance from Jonathan Heredia (AVERSIO HUMANITATIS, ETERNAL STORM).

Mastermind N. comments on the release:

“I believe that previously my music was a bit more ‘linear.’ Now there is more presence of elements like clean vocals, there’s a track sung entirely in Spanish by myself (something that my first vocalist had done before), and I even dared to make a completely acoustic track (something that I had been considering for a long time). Recording this album was very interesting, and besides what I mentioned earlier, each song represented a different challenge, and the mood for each one was very special. Every release a band makes should be an experience to explore new elements and push their boundaries, in my opinion.“

SELBST‘s third album, “Despondency Chord Progressions,” is released on CD, vinyl, tape, and digital. A new t-shirt design accompanies the launch. Orders are possible through the label’s EU, US (no merch), and Bandcamp stores.

SELBST was formed 2010 in Venezuela by multi-instrumentalist/lyricist N and vocalist Frozen, releasing their initial demo “Veritas Filia Temporis” shortly afterwards. In 2016 N moved to Chile to search out new collaborators and opportunities. The resultant self-titled full-length, featuring vocals by N. Onfray of ANIMUS MORTIS, was released in 2017 to great underground acclaim.In 2018 N became SELBST‘s lead vocalist and the project turned into a fully-fledged live band, taking to the stage for the first time as the next step of their evolution. The band unleashed second album, “Relatos de Angustia“, in 2020 – a universally praised, deep and challenging record which rewarded repeat listens.SELBST subsequently honed their artistry and the band’s evolution into a formidable live act was marked by the 2023 digital release of live album, “Vortex Of Anguish And Death“.As SELBST reaches its 14th year, visionary N is now poised to reveal the band’s third and most compelling album yet. Titled “Despondency Chord Progressions,” this landmark release will emerge on April 19th through Debemur Morti Productions and further refines the intricate, shadowy depths of their already sophisticated sound.

|| Debemur Morti Productions ||

Website | EU shop | US shop

Facebook | Bandcamp | Youtube | Instagram

WINTER ETERNAL set release date for new HELLS HEADBANGERS album

Today, Hells Headbangers announces June 28th as the international release date for Winter Eternal‘s highly anticipated fourth album, Echoes of Primordial Gnosis, on CD, vinyl LP, and cassette tape formats.

It was but the dawn of summer 2021 when Winter Eternal released their breakthrough album, Land of Darkness. The band’s third album overall and first with Hells Headbangers, Land of Darkness truly launched the name Winter Eternal onto the worldwide metal map with their absolutely authentic synthesis of 1997-vintage melodicism and mysticism. “Melodic black metal” before it became a dirty word, mainman Soulreaper proved that his heart pumped the blood of the ancients, recalling both ’90s Swedish and Hellenic scenes (the band originally formed in Greece, but later relocated to Scotland) but now with charisma and personality to spare. Above all, Land of Darkness bristled with stellar songwriting and impassioned playing – timeless black metal songcraft that can stacked alongside those old, hallowed tomes rather than simply drawing influence from them.

Now, two years later, Winter Eternal return with their boldest record yet: Echoes of Primordial Gnosis. While immediately recognizable as the same Winter Eternal that delivered the preceding modern classic, Echoes of Primordial Gnosis just-as-prominently displays a greater usage of dynamics, particularly those revolving around acoustic and clean-stringed instruments such as cello. Similarly, the still-impassioned playing has been giving an uptick in intensity and analog spirit through session drums by V. Nuctemeron (Sacral Rage, Chainsaw), lending warmth – nay, burning desire! – to the band’s ever-characteristic attack. Soulreaper, for his part, gives a masterclass in spiraling, twilit melodicism: hammering and mesmerizing at first, but his riffs become rippling layers of majesty and mayhem that seemingly echo back on each other, proving that there’s indeed complexity in simplicity of design. Add to this his anguished & emotive vocals, with guest clean vocals courtesy of Macabre Omen mainman Alexandros and Hildr Valkyrie, and the album’s overall concept fully comes into focus: calling forth the spirits of ancient gods and legendary heroes around the world, paying tribute to their timeless powers, with each song thematically focused on one such god or hero. Form meeting content, in every sense – and likewise for Mars Triumph’s symbolic cover artwork.

No longer the black metal underground’s best-kept secret, Winter Eternal step fully into the halls of greatness with Echoes of Primordial Wisdom.

In the meantime, hear the recently revealed track “The Serpent’s Curse” here:

Also hear the previously revealed “Two Heavens as One” HERE, also at Hells Headbangers‘ official YouTube channel. Preorder info can be found HERE. Aforementioned cover artwork and tracklisting are as follows:

Tracklisting for Winter Eternal’s Echoes of Primordial Wisdom
1. Echoes of Primordial Wisdom (Goddess Athena – Greece)
2. Two Heavens as One (Miyamoto Musashi – Japan)
3. Battle Cry (William Wallace – Scotland)
4. The Serpent’s Curse (God Bida – Uganda)
5. Voices (instrumental)
6. Bending the Fabric of Reality (Common Human)
7. Sacrifice for Glory (Iphigenia – Greece)
8. The Keeper of Sorrows (Goddess Oizys – Greece)

MORE INFO:
www.facebook.com/WinterEternalBand

www.hellsheadbangers.com
www.facebook.com/hellsheadbangers 

CULT OF ERINYES set release date for new AMOR FATI album

Today, Amor Fati Productions announces May 24th as the international release date for Cult of Erinyes‘ highly anticipated fifth album, Metempsychosis, on CD and vinyl LP formats.

Cult of Erinyes comes back with Metempsychosis, an album to set the band as a main force of inspired and unique black metal. As a conceptual album based on the delirum and the introspection one can live in front of Death, Metempsychosis contains only two pieces, but together clock to more than 43 minutes of relentless darkness.

The Cult makes a statement that will resonate throughout the older generations, but newer ones, as well: vicious leads; perfect dissonance; blastbeats by the beast himself, Ahephaïm from Sabathan; and one of (if not) the best vocal performances from Belgian madman Déhà. Corvus, once again, shows his genius in complex compositions, from violent black metal to “noir ambient,” that will bring you to the brink of Death.

Cult of Erinyes is not just one black metal band amongst others; it is a true force to be reckoned with. And Metempsychosis hammers the nails down. Cover and tracklisting are as follows:

Tracklisting for Cult of Erinyes’ Metempsychosis

1. Death and the Voyage [22:23]
2. Eternity in a Second [21:09]


MORE INFO:
www.facebook.com/cult.erinyes

www.amor-fati-productions.de 
www.amorfatiproductions.bandcamp.com
www.facebook.com/amorfatiprod

Mystical black metallers Magistraal stream the entirety of their highly anticipated debut EP

Today, mystical black metallers Magistraal stream the entirety of their highly anticipated debut EP, Fantoom van de Deemsterburcht. To be digitally self-released on April 16th – the EP will also be available through Zwaertgevegt on vinyl format as one half of a split release – hear Magistraal‘s Fantoom van de Deemsterburcht in its entirety  here:

Magistraal: a jet-black concoction sprung from the depths of the Shadow Mountains, fashioned in the gruesome sight of the eight hateful eyes of Shelob and beautified by the enchanting fingers of Fëanor, maestro of architecture. Cultivated by two opposing, ancient powers: she is mistress of the cold, dark, drizzly existence and embittered by a lonely exile, cast into a darkness where her shrill voice was banished for an eternity; he was a powerful designer of splendor, an inventor of works of art and a superior preserver of light, a perfectionist whose work proved to be a refuge for the apostate.

In reality, the duo – originating from the Netherlands – do not want to reveal much about themselves, comparing a presence in the scene to an enigmatic and mystical existence of black metal in the ’90s, reawakened in 2023. Magistraal is an expression of fantasy, dreamscapes, the power of imagination, emotion and kinship, audible in hidden lyrics underpinned by an atmospheric-yet-raw approach to workings in dark music.

The duo’s first expression is the EP Fantoom van de Deemsterburcht, penned and crafted in 2023. Here, Magistraal cultivate a wide arsenal of tempo, rhythm, and instrumental styles for the listener – where the title track “Fantoom van de Deemsterburcht” and the eruption of “Waar leed zich eeuwig voedt” are presented with overwhelming violence, the centerpiece of this allotment of music is a constructive opus of 11 minutes of growing madness in the form of “Mijn branded licht.” Dutch evil produced in three depraved episodes, each embracing its own godless theme, but which merge into a creeping, lugubrious muck.

Cover and tracklisting are as follows:

Tracklisting for Magistraal’s Fantoom van de Deemsterburcht
1. Waar leed zich eeuwig voedt [5:21]
2. Mijn brandend licht [11:29]
3. Fantoom van de Deemsterburcht [4:37]

MORE INFO:
www.magistraal.bandcamp.com

TORTURERS’ LOBBY premiere new track

Today, nasty metallers Torturers’ Lobby premiere the new track “Reptilian Hide”. The track is the second to be revealed from the band’s highly anticipated debut album, Deadened Nerves, which is now set for international release on June 14th: Caligari Records will release the CD and cassette tape versions while Ixiol Productions will release the vinyl version. Hear Torturers’ Lobby‘s “Reptilian Hide” in its entirety here:

Hailing from Tampa, Torturers’ Lobby began as a three-piece band with Tim Anderson on drums, Ryan Conway on bass, and Evan Dawson, on guitar/vocals. After the Again debut demo in 2021, Adam Shaw joined as a dedicated vocalist. With this lineup, the band recorded the Crisis of Faith Rehearsal, which was released later in 2021. The following year, the 7″ EP Man in Zwugzang was released, and Anderson left the band after the subsequent Kinetic Disapproval rehearsal, which featured some early versions of songs that would be on Torturers’ Lobby‘s eventual debut album, Deadened Nerves. Dwane Nihiser replaced him, and that debut album is the first release with him playing drums.

Now at last here and their lineup firm, Deadened Nerves announces Torturers’ Lobby‘s arrival with devastating punctuation. A metal record for metal people, the band’s first full-length doesn’t kowtow to genre conventions – death metal, black metal, thrash, and even juiced-up traditional metal all get diced and sliced into their cranky cauldron – nor does it get overly “clever” and pay lazy lip service to a please-everybody middle ground. No, Torturers’ Lobby simply go for the throat quickly and without compunction, rushing forth with an urgency of approach and physicality that’s tangible – truly, this is a whole band playing together instead of punched-in parts – but soon twist the knife in myriad ways. And that’s perhaps the trump card of Deadened Nerves: violent and off the rails it might often be, but there’s a diabolic logic to the angular shapes Torturers’ Lobby throw, a strive to elevate songwriting to something at once palpitating and mind-bending, careening and in control. RIFFS are aplenty, and the production’s thick and scuzzy yet fully pro, and Shaw’s vocals keep apace with acerbic annunciation. 

“Truly, we just wanted to create unique music we haven’t heard, yet want to listen to,” state the band. “It’s very difficult to nail down what we play, and we like it that way. We worship no specific style, as the greats have already done it, so there is no sense in recreating some watered-down parody of it. We just wanted to be different and pursue something new, a different direction in violent ‘underground’ music. We have jokingly referred to our sound as ‘Florida shitkicker.'”

Still, there’s no joking around on Deadened Nerves. The lyrics match the severity of its music, focusing on actual events and societal ails. “We do not write silly songs about juvenile notions of ‘evil,’ the ‘occult,’ or fictitious gore,” the band continue. “We strive to turn humanity to face its grotesque reflection and reconcile with its own evil and misguided obsession with cruelty, morbidity, and lack of independent thought. This is a real reflection of the decaying world around us, though we are not seeking to advocate for it.”

Nasty, authentically underground, but not bogged down by too-cool borders, Torturers’ Lobby shitkick past, present, and future with Deadened Nerves.

Also hear the previously revealed “Reaper’s Impunity” HERE at Caligari‘s Bandcamp, where the CD and tape versions can also be preordered. Cover and tracklisting are as follows:

Tracklisting for Torturers’ Lobby’s Deadened Nerves
1. Dawning
2. Barbaric Alchemy
3. Chromosomal Devastation
4. Captured Pieces
5. Reaper’s Impunity
6. Hypnotic Seeds Sown
7. Humanity’s Husk
8. Re-education
9. Enduring Spirit
10. Reptilian Hide

MORE INFO:
www.torturerslobby.bandcamp.com

www.caligarirecords.com
www.facebook.com/caligarirecords
www.caligarirecords.bandcamp.com 

www.ixiol.com 

ANCIENT GUARD set release date for IRON BONEHEAD debut mini-album, reveal first track – features RUNESPELL member

Today, Iron Bonehead Productions announces June 14th as the international release date for Ancient Guard‘s striking debut mini-album, Nightfall Enthroned, on CD and 12″ vinyl formats.

Ancient Guard is a new creation of Nightwolf, renown for pagan black metal vanguard Runespell. As expected, his unmistakable mastery is all across Nightfall Enthroned, Ancient Guard‘s first public work. A surprisingly vast mini-album at four songs in 31 minutes, Nightfall Enthroned is immersive to the extreme and almost soothing in its continually cresting swell of sumptuous black metal mysticism. While Runespell‘s no-less-grandiose sound is oft given to bouts of bloodlust and battle rage, Ancient Guard is pure magisterial march & might as can be expected of such a moniker. And Nighttwolf’s knack for mesmerizing melodicism holds true here, as well, but if one could make distinctions in this regard, it’s that Nightfall Enthroned swirls about to a spacious-yet-thick foundation that’s equal parts stargazing wonder and weight-of-the-universe terror – an infinitely compelling canvas equally suited to adrift dreamers and austere realists alike. Followed by the acoustic lament “Eld,” the synth-heavy epic “A Moonscape Abyss” says exactly everything it needs to about Ancient Guard: awaken to Nightfall Enthroned!

In the meantime, hear the brand-new track “A Moonscape Abyss”  here:

Cover and tracklisting are as follows:

Tracklisting for Ancient Guard’s Nightfall Enthroned
1. Dominion of Primordial Darkness [11:40]
2. Sepulchral Damnation [9:04]
3. A Moonscape Abyss [7:29]
4. Eld [2:45]

www.facebook.com/IronBoneheadProductions

KERASFÓRA set release date for IRON BONEHEAD debut album, reveal first track

Today, Iron Bonehead Productions announces June 14th as the international release date for Kerasfóra‘s highly anticipated debut album, Six Nights Beyond the Serpents Threshold, on CD and vinyl LP formats.

In the summer of 2021, Kerasfóra quietly released their debut EP, Denn die Todten reiten schnell, on CD and cassette in their native Chile. An obsidian gem like few others in the nowadays black metal scene, its mesmerizing mysticism sounded utterly ancient, but it didn’t nod too conspicuously nor too often to any ’90s touchstones. For that reason – and many others, so copious were its charms – Iron Bonehead released it worldwide on vinyl in early 2022.

However, for awe-inspiring as that record often was, Kerasfóra‘s debut album is set to eclipse that and everything else within the wider black metal scene. Titled Six Nights Beyond the Serpents Threshold, indeed does the album comprise six immersive, none-more-mesmerizing songs, each one once again evoking forgotten realms and vast vistas of wonder. And yet, here does the one-man Kerasfóra strike upon bolder or at least more rarefied territory with his inscrutable usage of synths: whereas so many black metal bands, past and present, use synths as a blanket of atmosphere – often unobtrusively, for fear of “un-true” accusations – the selfsame mainman puts them front and center across these Six Nights, carrying each song’s main melody with an almost-demonic lullaby style. It’s difficult, then, to compare that synth usage / prominence to Kerasfóra‘s contemporaries; one would likely have to dig deep into the realm of old psychedelia and krautrock in the ’70s or the first caustic rumblings of post-punk at the dawn of the ’80s to locate a proper analog(ue). Which is all to say that, somehow, Six Nights Beyond the Serpents Threshold manages to be more BLACK METAL than all and sundry: menacing and majestic, wonderfully weird and wildly singular. That Kerasfóra‘s guitar tone is even thicker and his gait grimmer and more lumbering here simply make the album an even grander achievement.

Kerasfóra‘s first EP might’ve evoked the likes of Grimorium Verum, Vobiscum Inferni, and early Hetroertzen as far as displaying a different face for South American black metal brewed in the cauldrons of olde, but with Six Nights Beyond the Serpents Threshold, it’s not unjust to say that the man created a modern classic of spaced-out rawness.

In the meantime, hear the brand-new track “Of Serpent and Return”  here:

Cover and tracklisting are as follows:

Tracklisting for Kerasfóra’s 
Six Nights Beyond the Serpents Threshold
1. Of Night and Fire [6:51]
2. Of Omniscience and Mystery [5:08]
3. Of Consternation and Ecstasy [4:07]
4. Of Enlightenment and Fall [5:06]
5. Of Darkness and Confusion [4:37]
6. Of Serpent and Return [5:34]

MORE INFO:
www.kerasfora.bandcamp.com

www.facebook.com/IronBoneheadProductions

FUNERAL STORM set release date for new HELLS HEADBANGERS album

Today, Hells Headbangers announces May 10th as the international release date for Funeral Storm highly anticipated second album, Chthonic Invocations, on CD and vinyl LP formats.

It was but 2019 when Funeral Storm made their grand entrance onto the international metal stage with their acclaimed debut album, Arcane Mysteries, courtesy of Hells Headbangers. While their history goes back to 2001, activities didn’t begin in earnest until 2012, and hard graft became their watchword. But it was Arcane Mysteries that majestically consolidated all of Funeral Storm‘s considerable promise into one grand statement of classic Greek black metal in an authentically early ’90s style. It certainly didn’t hurt that that debut album featured Varathron founder Necroabyssious on vocals. Two years came a split 7″ with Greek comrades Synteleia, appropriately titled The Ancient Calling, also courtesy of Hells Headbangers.

That split featured a scaled-back lineup of Necroabyssious and guitarist Arcania and founding guitarist / bassist / drum-programmer Wampyrion, and thus fortified does Funeral Storm‘s second full-length follow. Likewise appropriately titled, Chthonic Invocations further explores the steadfast theme of the Cthulhu mythos. More specifically, Funeral Storm‘s second album in general focuses on death, in every form, for Arcania and Wampyrion were totally isolated during the lockdown and Necroabyssious was heavily infected with Covid-19 to a point where the band didn’t know what would happen. However, after he was healed, Necroabyssious delivered an exceptionally aggressive performance, suiting to his bandmates’ more surging yet more mystical music. Truly, Chthonic Invocations sounds like Funeral Storm 666%, and harkens even further into the ancient past: to say that the album could’ve been released in 1993 on Unisound is an understatement to end all understatements. But again, just like its full-length predecessor, Chthonic Invocations easily avoids lazy “throwback” status on both the strength of its songwriting and its era-authentic synths, handled by both Arcania and Wampyrion.

Featuring another awe-inspiring cover courtesy of Markus Vesper (Denial of God, Manilla Road, Attic), with Chthonic Invocations do Funeral Storm once again triumphantly revive atmospheric tartaric black metal in the vein of the old Hellenic scene. The old ones have been summoned!

In the meantime, hear the previously revealed track “The Void”  here:

Preorder info can be found HERE. Aforementioned cover artwork and tracklisting are as follows:

Tracklisting for Funeral Storm’s Chthonic Invocations
1. Whispers From The Beyond
2. Behold The Dark
3. The Void
4. Funeral Pyre
5. The Epitaph Of The Dead
6. The Covenant Of Old
7. Mistress Of The Night (The Gathering Begins)
8. The Calling Of The Father

MORE INFO:
www.facebook.com/funeralstorm666

www.hellsheadbangers.com
www.facebook.com/hellsheadbangers