Today, Blood Harvest Records announces February 9th, 2024 as the international release date for the highly anticipated second album of Australia’s Contaminated, Celebratory Beheading, on CD, vinyl LP, and cassette tape formats.
Back in 2017, Contaminated announced their arrival – loudly, sickly – onto the international death metal map with their debut album, Final Man, via Blood Harvest. Graced with disturbingly detailed cover art, the Australians approximated the vivid visuals with ichor-dripping DEATH METAL of a most diseased & disgusting hue. At every angle and across every moment, Final Man spewed filth; song titles like “Mired in Shit,” “Boneless Mass,” and “Co-Opted Into Worthless Sludge” soundly proved that content met form. A couple years later, a split 7″ with comrades KUTABARE followed, after which Contaminated were quiet on the recording front. But alas, earlier this spring, a split 7″ with long-running sludge-lords Fistula arrived.
Still, two songs in the past six years is criminal, but Contaminated make up for that quietude with their long-awaited second album, Celebratory Beheading. Upping the disgusting stakes yet again with its cover art, Celebratory Beheading literally explodes into being, blasting its filth fast and free before bringing in stomping-yet-angular breakdowns and a whole host of gut-churning intensity. In many ways, Celebratory Beheading‘s clearly-framed cover mirrors Contaminated‘s sonic shift; whereas Final Man roamed within a malodorous murk, the Aussies’ second full-length sharpens their attack with frightening efficiency. Nevertheless, the latent sensations from that rancid debut remain – rippling disgust, bottomless decay, slipstreaming vomit – only that, now, they’re rendered in impossibly powerful tones. Rarely has a deathgrinding record sounded this plausibly professional whilst retaining an authentically underground vibe.
Prepare to lose your head over Contaminated‘s Celebratory Beheading!
In the meantime, hear the brand-new track “An Unnatural End” here:
Aforementioned cover and tracklisting are as follows:
Tracklisting for Contaminated (Australia)’s Celebratory Beheading 1. Suffer Minutiae 2. Cosmic Shit Show 3. Feral Demise 4. Beneath Empty Sockets 5. An Unnatural End 6. Final Hours 7. …At The End Of A Shank 8. Apex C.H.U.D. 9. Desire For Agony 10. Junkyard Warfare: Celebratory Beheading
HELFRÓ are coming back in from the cold with Tálgröf. The Icelandic duo’s second album is inspired by the myriad dark manifestations of the human mind. Through intense rhythmic passages, sick drummer Ragnar Sverrisson and axeman Simon Thorolfsson delve into the most depraved cavities of the human psyche, while melting their native black metal with traditional, fiery death metal and tortured lyrics.
Tálgröf comes out this Friday, December 1. But you can listen to all nine hell-raising tracks on HELFRÓ‘s new album today, here:
“Tálgröf is a high octane, extremely entertaining album”, according to Metal Sucks, “…the future looks very bright for a band that spends a good portion of their year shrouded in complete darkness”.
Lead single Fláráð Fræði puts a fresh, icy-cold twist on the blackened-death metal that HELFRÓ carved out on their self-titled debut album, with tremolo riffs that rain down with all the fury of a hailstorm.
“Ildi Óhreins Anda” chugs along a melodic groove, though the song is more sinister than it lets on. The lyrics on Tálgröf are based on interviews, journals and features on mass murders. “Traðkandi Blómin í eigin Hjartagarði” is about how these killers would poison themselves with mind-altering substances and sleep deprivation in order to commit heinous crimes that go ahead our very nature, all while reveling in the glorious death metal shredding that Ragnar grew up going to see with his uncle.
HELFRÓ are still as cold and unforgiving as the winters in their home country. But ‘Tálgröf’ is prime to light a fire beneath Icelandic metal.
“…a barrage of killer riffs, crushing blast beats and even some melodies here and there”, writesMetal Injection. “…downright mesmerizing drumming by Ragnar Sverrisson, who puts on a freakin’ clinic on this record”.
Here’s what Ragnar has to say about his band’s new album:
“The gate has opened and unspeakable horrors are now loose! Immerse yourself in the darkest thought patterns of murder and death upon which Tálgröf was conceived. Let the majestic furiosity envelope your very being. Thank you all for joining us on this dark journey. Hail the duality of man.”
8. Traðkandi Blómin í Eigin Hjartagarði (03:21) [WATCH VIDEO]
9. Minning um Morðingja (04:23) Total: 35:25
Formed amidst the haunting landscapes of Iceland, HELFRÓ is a formidable force in the world of blackened death metal. With their relentless aggression, atmospheric soundscapes, and compelling songwriting, they have carved their own path in the metal scene.
The journey of HELFRÓ began when guitarist and songwriter Ragnar Sverrisson sought to bring his musical visions to life, Drawing inspiration from the bleakness of Icelandic winters, the mysticism of nature, and the chaos of the human experience. HELFRÓ‘s debut album, aptly titled “Helfró“, was released in 2020, marking the band’s official entry into the world of extreme metal. With a relentless barrage of blast beats, crushing riffs, and haunting melodies, the album showcased their ability to seamlessly blend aggression and atmosphere.
Evolving with the advent of the sophomore album, Tálgröf, listeners can expect even more ferocity as HELFRÓ dives deeper into death metal territory while not straying to far from the signature ice-cold climactic tremolo riffing notable of their previous work. Characterized by its ferocity, the new album also carries introspective and thought-provoking themes, reflecting the band members’ willingness to explore the depths of the human experience. HELFRÓ is destined to leave an impact on the realm of extreme music, captivating audiences with their unique brand of Icelandic metal.
Today, Invictus Productions announces December 1st as the international release date for a brand-new EP from Italy’s Into Darkness, Cassini – Huygens, on 12″ vinyl format.
Formed in 2011, Italy’s Into Darkness have been a work in progress for the last decade-plus. Led by vocalist / guitarist Doomed Warrior from the very beginning, the band have a handful of demos, a couple splits, and now a couple EPs to their name; while all short-lengths, they’re certainly not lacking in quality. And while they’ve experienced a few hiatuses and just as many lineup shuffles, Into Darkness are now poised to make up for lost time Cassini – Huygens.
As suggested by its title, Cassini – Huygens is the latest cosmic tale from the increasingly space-obsessed Into Darkness. But lest one expect this EP to travel among tech-death starts, Doomed Warrior and her space-crew stick to staunchly old-school death metal in the vein of Asphyx, Pentacle, and early Soulburn, brimming with the thematic splendor of space rather than being entirely overrun by it. Totaling 27 minutes of music, the EP’s five tracks encompass a concept based on the Cassini-Huygens space mission to Saturn: an immersive journey in the most exciting interplanetary mission ever done. Blast off and lose thyself in the cosmic maelstrom of Into Darkness‘ Cassini – Huygens!
Stream the EP in its entirety here:
Cover and tracklisting are as follows:
Tracklisting for Into Darkness (Italy)’s Cassini – Huygens 1. The Launch 2. Crossing the Asteroid Belt 3. Journey 4. Huygens Descent 5. Grand Finale
Today, Great White North death metallers Cruel Fate premiere the new track “Descente aux Enfers”. The track is the second to be revealed from the band’s highly anticipated second album, Destin Cruel, set for international release on November 17th via Personal Records. Hear Cruel Fate‘s “Descente aux Enfers” in its entirety here:
Conjured in 2015 in the frozen landscapes of Canada, Cruel Fate released their first demo soon after their inception, followed by a full-length in 2019 (A Quaternary of Decrepit Night Mares), a split album in 2021 with fellow Canuck death-dealers Expunged, and the Live Necropsy live tape in 2022. As impious apostles of the old vanguard, Cruel Fate worships at the altar of ’90s greats such as Unleashed, Grave, Benediction, and Bolt Thrower, while lacing the chalice’s blood with their own blend of ferocious, stomping death metal.
Now wielding the French language as a bludgeoning battle axe, Cruel Fate unleashes their second full-length, Destin Cruel. Cleanly produced yet cold & crushing, Cruel Fate‘s sophomore album is a tour de force of classic death metal songcraft, comprising rolling-tank grooves, judiciously parceled bouts of speed, slipstreaming breakdowns, and a haunting lead or five. Nothing fancy or flashy, nor does it need to be: simply, Destin Cruel quickly makes its point in a half-hour and gets out, devastating the listener in the process. This release is sure to tighten the quartet’s steel grip on the throat of maniacs worldwide.
Preorder info can be found HERE. Cover and tracklisting are as follows:
Tracklisting for Cruel Fate’s Destin Cruel
1. Triomphe de la Mort 2. Vampire Boréal 3. Destin Cruel 4. Transit Sidéral 5. Descente aux Enfers 6. Feu Christique 7. L’Usurpateur
Today, Indian death metal tyrants Tetragrammacide premiere the new track “Spectral Hyenas of Amenta Howl, the Vulture of Ma’at Descends, and Tahuti Watches Without his Ape”. The track is the second to be revealed from the band’s highly anticipated second album, Typho-Tantric Aphorisms From The Arachneophidian Qur’an, set for international release on November 3rd via Iron Bonehead Productions. Hear Tetragrammacide‘s “Spectral Hyenas of Amenta Howl, the Vulture of Ma’at Descends, and Tahuti Watches Without his Ape” in its entirety here:
Hailing from the ever-thriving and always-interesting Indian metal underground, Tetragrammacide have proven to transcend even such already-superlative boundaries. For over a decade now, the hydra-headed entity has created one of the most genuinely threatening and overwhelmingly violent sounds of modern times, and then they flip the script by becoming clearer and more focused and somehow even more feral. Allied with Iron Bonehead since 2015, Tetragrammacide‘s Typhonian Wormholes: Indecipherable Anti-Structural Formulæ mini-album was a modern classic of blown-out barbarism and in-the-red frequencies, betraying the fact that an accomplished black/death band were simply waiting for an opportune time to reveal a clearer portrait of their sonic holocaust. That then arrived with 2017’s Primal Incinerators of Moral Matrix debut album: an impossibly accomplished display of black/death intensity and density, sharpened to a such a degree that their sensory overload became all the more expansive.
Back to a power-duo – or “cosmic power-zones,” in the band’s own words, “entwined discreetly by unregistered topographical phenomena and invisible distortion of the subtle ontological matrices by a warping of occult space-time!” – Tetragrammacide unveil their sophomore revelation, inarguably their most devastating work from top to bottom: Typho-Tantric Aphorisms From The Arachneophidian Qur’an. Here, the Indian sonic temple expand the extremes latent to their aesthetic, and draw them closer and most distant simultaneously, playing into the head-spinning and ouroboros-eating vortex of the album’s themes itself. While the preceding full-length had its heart fixated on “Srishti Drishti Vada” – doctrine of perception through the creation – this new opus has sprouted itself under the Upanishadic tenets of “Drishti Srishti Vada”: doctrine of the creation through perception and “Ajata Vada” – the radical doctrine of non-creation. State the band, “This way, the phenomena is completely negated, eliminated and rightfully renunciated under all possible situations of any given philosophical, esoteric and religious narratives!”
Between sacred and profane! Between words and silence! Between purna and shunya! Between life and death! Beyond real and illusory! Beyond the being and the non-being!
Totaling 11 songs across 45 minutes and containing perhaps the longest (or at least densest) song titles in metal history, Typho-Tantric Aphorisms From The Arachneophidian Qur’an reaps a whirlwind of pistons-pumping martial death metal made flesh through geysers of kaleidoscopic blood. Riffs bend, bruise, and batter, but not necessarily in that order; they’re always moving, however, and that movement is mesmerizing in its linear-yet-divergent flow. Vocals storm from above and below, world-eating to the extreme. Drums are literally insane, playing with psychotic precision and also fuck-everything barbarity. The production is as powerful and “pro” as any big-league death metal record past or present, hereby underling the fact that Tetragrammacide could challenge (and summarily decimate) any throne-holder or -pretender. This is not strictly an “underground” band nor record, although the roots and authenticity are no doubt there. Casting a wider, more-accurate net, Typho-Tantric Aphorisms From The Arachneophidian Qur’an should be viewed alongside such cyclonic classics as Krisiun’s Conquerors of Armageddon, Angelcorpse’s Exterminate, and Centvrian’s Liber ZarZax. “War metal” ghettoization simply does not apply to Tetragrammacide, and hasn’t for years now.
These transmissions are true. These transmissions are false. These transmissions are both true and false. These transmissions are both not true and not false.
The Kalikshetra-Kairo Consciousness Revival is at hand with Tetragrammacide‘s Typho-Tantric Aphorisms From The Arachneophidian Qur’an!
Also hear the previously revealed “Nuit Arches Over The Neither-Neither City Of Cubes; Hadit Meditates While Hanging Upside Down Inside A Tesseract-Ka’aba” HERE at Iron Bonehead‘s official YouTube channel. Cover artwork, courtesy of Orryelle Defenestrate, and tracklisting are as follows:
Tracklisting for Tetragrammacide’s Typho-Tantric Aphorisms From The Arachneophidian Qur’an 1. Trans-linguistic Utterance Of A Sacred Orgasmal Cry Fills The Lemurian Sky (By The Same Mouth, One True God Crieth Hriliu) 2. Spectral Hyaenas Of Amenta Howl, The Vulture Of Ma’at Descends, And Tahuti Watches Without His Ape 3. Mandelbrot Scarab Of Fractal Manifestation Trapped In The Arachnid Webs, Spun Above The Hidden Pathways Into Non-Euclidean Interbetweenness 4. Fundamental Reconciliation Between Maya And Yama Through Perpetual Okbish-Ouroboric Cunnilingus 5. Nuit Arches Over The Neither-Neither City Of Cubes; Hadit Meditates While Hanging Upside Down Inside A Tesseract-Ka’aba 6. Kalikshetra-Kairo Consciousness Revival (Alogical Exegesis Of The Sandhipada-Sarisreepa Continuum Vigyaan) 7. Thanatos And Eros Wrestle Forever, Folding And Unfolding From The Substratum Of Supreme Voidness Of S’lba 8. Intoxicated Bees Of Sekhet-Aarhu Circumambulate The Abode Of Self Beheaded One Who Forever Danceth In Her Shaktisexual Ecstasy 9. One Who Weaves The Chthonic Garland Of 52 Skullphabets Severed By The Sword Of Neti-Neti 10. Golden Ontological Embroideries Of Pythagorean Meta-Geometries Sewn On The Blue Veil Surface Of Nought 11. Fifteen Streams of Lunar Kalas Secrete From The Quaking Yoni Of The Goddess Sixteen (Tantric Alchemy Of The Cascading Nectars Of Sodashi)
Today, Australian death metal barbarians Cemetery Urn premiere the new track “Suffer the Fallen”. The track is the second to be revealed from the band’s highly anticipated fifth album, Suffer the Fallen, set for international release on October 27th via Hells Headbangers. Hear Cemetery Urn‘s title track “Suffer the Fallen” in its entirety here:
By now, Cemetery Urn require no introduction. Pillars of Australia’s now-legendary extreme metal scene, for nearly 20 years have these barbaric death metallers pursued their strict ‘n’ staunch vision of absolute ultraviolence – and ultraviolence with poise and daresay class. Though lineup shuffles have always been a part of the band’s picture, through it all, erstwhile Abominator founder Andrew Gillon (guitar, sometimes-bass) has steered their turbulent ship and rendered four equally punishing full-length tomes: each one immediately recognizably Cemetery Urn, but each one subtly expanding their sound with no compromise and no quarter. That seven years separated their second and third albums and five years have passed since their fourth matter not; dread deeds are always bubbling within Gillon’s cauldron, and he’s now assembled another deadly lineup, resulting in another deadly LP.
Titled Suffer the Fallen, Cemetery Urn now see the arrival of drum god Brandon Gawith (Eskhaton, Hobbs Angel of Death, Vahrzaw), bassist Joel Westbrook, and fellow Abominator founder Chris Volcano on vocals. Wasting no time, Suffer the Fallen kicks in and proceeds to scorch all and sundry. Once again, Cemetery Urn exude their trademark poise and, yes, CLASS; pulverizing and often operating at unsafe speeds, the quintet still put proper songwriting at the forefront, and color it with a payload of devilish details and deft shifts in tempo and texture. To the uninitiated, Suffer the Fallen will stun and likely sound overwhelming, but those who already drink deeply of the extreme arts will perhaps be surprised at how lithe Cemetery Urn‘s characteristic barbarism has become. Sharpening that attack to an enviable degree is the clear ‘n’ cutting production courtesy of Adam Calaitzis at Toyland Studio, resulting in a fortuitous first partnership. Same goes for the stark cover artwork courtesy of scene legend Mark Riddick – Suffer the Fallen indeed!
Given Cemetery Urn‘s deep roots in the Australian scene and their preceding history, both in Abominator and Gillon’s late-days work in the influential Bestial Warlust, it’s with no small amount of fanfare that original vocalist Damon Bloodstorm – of course, former frontman for both Bestial WarlustandAbominator – is resurrected from the grave on the vinyl-only bonus track “Mass Graves of Blood,” an unreleased track from 2007 which also features original bassist Squiz and thus marks the final time that the original Cemetery Urn lineup was together. Altogether, eight tracks in 35 minutes of pure Australian Barbaric Death Metal: Suffer the Fallen and none survive!
Also hear the previously revealed “Damnation is in the Blood” HERE at Hells Headbangers‘ official YouTube channel. Preorder info can be found HERE. Cover and tracklisting are as follows:
Tracklisting for Cemetery Urn’s Suffer the Fallen 1. Damnation is in the Blood 2. Kill at a Distance 3. Savage Torment 4. Embers of the Burning Dead 5. Room of Depravity 6. Suffer the Fallen 7. Compulsive Degradation 8. It Will End in Death
On November 17th internationally, Personal Records is proud to present Cruel Fate‘s highly anticipated second album, Destin Cruel, on CD format.
Conjured in 2015 in the frozen landscapes of Canada, Cruel Fate released their first demo soon after their inception, followed by a full-length in 2019 (A Quaternary of Decrepit Night Mares), a split album in 2021 with fellow Canuck death-dealers Expunged, and the Live Necropsy live tape in 2022. As impious apostles of the old vanguard, Cruel Fate worships at the altar of ’90s greats such as Unleashed, Grave, Benediction, and Bolt Thrower, while lacing the chalice’s blood with their own blend of ferocious, stomping death metal.
Now wielding the French language as a bludgeoning battle axe, Cruel Fate unleashes their second full-length, Destin Cruel. Cleanly produced yet cold & crushing, Cruel Fate‘s sophomore album is a tour de force of classic death metal songcraft, comprising rolling-tank grooves, judiciously parceled bouts of speed, slipstreaming breakdowns, and a haunting lead or five. Nothing fancy or flashy, nor does it need to be: simply, Destin Cruel quickly makes its point in a half-hour and gets out, devastating the listener in the process. This release is sure to tighten the quartet’s steel grip on the throat of maniacs worldwide.
In the meantime, hear the brand-new title track “Destin Cruel”
Preorder info can be found HERE. Cover and tracklisting are as follows:
Tracklisting for Cruel Fate’s Destin Cruel
1. Triomphe de la Mort 2. Vampire Boréal 3. Destin Cruel 4. Transit Sidéral 5. Descente aux Enfers 6. Feu Christique 7. L’Usurpateur
After releasing the ambient Timewave Zero record last year to critical acclaim, the cosmic death metal outfit returns with Luminescent Bridge, a 12” maxi single that features a brutal and epic metal track on Side A and an ethereal, cosmic instrumental composition on Side B, with a total running time of nearly 20 minutes.
Tracklisting: Side A – ‘Obliquity of the Ecliptic’ (08:55) Side B – ‘Luminescent Bridge’ (09:39)
Both tracks were recorded at Rocky Mountain Recorders Studio (Denver, Colorado) with Chris McNaughton and mixed as well as mastered by Arthur Rizk (Kreator, Cavalera Conspiracy, Power Trip). The cover artwork was made by Steve R. Dodd.
‘Luminescent Bridge’ (12” maxi single) is out today worldwide and comes in the following format variants:
BLACK 12” MAXI SINGLE (AVAILABLE AT ALL OUTLETS)
TRANSP. LIGHT BLUE 12” MAXI SINGLE (LIMITED TO 500 | AVAILABLE AT UPCOMING NORTH AMERICAN TOUR WITH CANNIBAL CORPSE/MAYHEM/GORGUTS)
The band is also proud to share the official music video for “Obliquity of the Ecliptic” (Side A) today!
The video was filmed by Mirko Witzki (www.witzki.vision) at legendary Meistersaal at Hansa Studios (Berlin) and completed with visual effects by Miles Skarin (Crystal Spotlight / www.crystalspotlight.com) who is already familiar with Blood Incantation’s video for ‘Inner Paths (to Outer Space)’.
BLOOD INCANTATION ill also bring their cosmic fused death metal to North America in September and October along with metal legends CANNIBAL CORPSE, MAYHEM, and GORGUTS!
Today, Chilean tech-death metallers Blood Oath stream the entirety of their highly anticipated debut album, Lost in Eternal Silence. Set for international release on September 15th via Caligari Records and Raise the Dead Records – Caligari will handle the CD and cassette tape versions while Raise the Dead will handle the vinyl version – hear Blood Oath‘s Lost in Eternal Silence in its entirety here:
Formed in 2015, Chile’s Blood Oath have been a study in patience and persistence. During their first year of existence, the band released a rehearsal recording as well as a two-song promo EP. A couple more years would follow before Blood Oath would release their official debut, an EP titled The Line Between. Initially, that EP would be released domestically on cassette, but later in the year did Unspeakable Axe pick it up for CD release. Here, the then-quintet displayed a brazen mastery of technical death metal, but the darkest and more barbaric extremes of such. If one could imagine Death’s Human meeting Sextrash’s Sexual Carnage, Blood Oath possessed that potential.
Alas, a hiatus ensued and their lineup pared down to a quartet, but at long last, Blood Oath have arrived with their full-length debut: Lost in an Eternal Silence. Evocatively displayed by its cover artwork courtesy of Daniel Hermosilla / Nox Fragor, Lost in an Eternal Silence is a clandestine plunge into sulfurous, deeply entrenched energies. Upping both the barbarism AND technical wizardry of its EP predecessor, Blood Oath‘s debut album melds mind-melted songwriting – angular, askew, but somehow surprisingly melodic – with a pitch-black atmosphere and utterly gnarly production. That latter element undeniably separates the Chileans from so many squeaky-clean contemporaries, but make no mistake that their attack is superlative in its precision; it’s thankfully/uniquely wrapped in a thick-as-a-brick recording style that suggests an astute understanding of turn-of-the-’90s aesthetics. Cyclonic rhythm work guides the riffing as hauntingly bent leads dot the treacherous landscape, fretless bass eerily often taking center stage, and effects are liberally (and effectively) utilized for further diabolic drama. More than anything, Lost in an Eternal Silence fries synapses with shapeshifting yet always-linear movement, beckoning the listener down into those catacombs…and, if one is of hardy constitution, emerging enlightened.
On evidence of Lost in an Eternal Silence, Blood Oath are a revelation for those into the cultest ends of tech-death. Maniacs of early ’90s Sadus, mid-’90s Cenotaph, or especially the works of The Chasm and Stargazer, meet your new gods!
Preorder info for the CD and tape versions can be found HERE at Caligari‘s Bandcamp. Preorder info for the vinyl version can be found HERE. Aforementioned cover art and tracklisting are as follows:
Tracklisting for Blood Oath (Chile)’s Lost in an Eternal Silence 1. Beyond the Dimensional Gates 2. Sanctuary of Souls 3. Fateful Existence 4. The Sacrifice 5. Singularity 6. Reflections of Darkness 7. The Journey Into the Depths 8. Lost in An Eternal Silence
In their endless quest to push and support current underground acts that perpetuate the odor of vintage death metal, on October 23rd, Memento Mori is proud to present Martyrdoom’s highly anticipated second album, As Torment Prevails.
Conceived in Warsaw back in 2010, Poland’s Martyrdoom went through some lineup changes until they established a solid formation in 2014, consisting of Sociak (vocals), Marol (guitar), Młynar (guitar / vocals), Artur (bass), and Wasyl (drums). With this lineup, in 2017 did they release their debut album, Grievous Psychosis, through Memento Mori. Blending complex, blastbeat-driven, darkened death metal with slow doom passages, the band drew their main influences from the likes of Obituary, Immolation, Rippikoulu, Autopsy, Demilich, Triptykon, Cannibal Corpse, Incantation, Hooded Menace, Grave, Disma, and Dead Congregation, but they spewed all those influences out with renewed vigor. As far as non-musical inspirations go, their lyrics mostly revolved around old-school horror/gore movies, personal struggles, and the works of H.P. Lovecraft.
Bloodthirsty and dripping with menace, Martyrdoom are armed with a thorough knowledge of ancient death metal – still! – and they return to create something vile and unearthly with second album As Torment Prevails. Though six years might’ve passed between full-lengths, these Poles pick up exactly where they left off: eschewing all trends, trudging defiantly, and blasting their noxious blend of death metal and doom. If anything, As Torment Prevails dives deeper into the ancient past, sounding like a lost relic from 1992, including the striking cover art courtesy of Ryszard Wojtyński. And while doom no doubt forms a foundation for their sound, never do Martyrdoom sound sluggish here; their guitar sound alone is GUTTED, and the doom is definitely all in the feeling, for there’s plenty of off-the-charts energy here no matter what the tempo is. Those especially enamored with the ’90s works of Asphyx and Benediction will find tons to love here As Torment Prevails, as well as the early (and equally essential) records of Sinister and Hypocrisy. Concluding with a cover of Autopsy’s “In the Grip of Winter,” Martyrdoom don’t so much as turn back the clock as CRUSH it!
In the meantime, hear the brand-new track “Katatonic Ascension of Cirrhosis” here:
. Aforementioned cover art and tracklisting are as follows:
Tracklisting for Martyrdoom’s As Torment Prevails 1. Voidcreeper 2. 93 3. Katatonic Ascension of Cirrhosis 4. Purtenance 5. Shedding of the Soul 6. Torment 7. Festering Existence 8. Garden of Flesh 9. In the Grip of Winter [Autopsy cover]
