American black-doom magickians Worm stream the entirety of their new album

Today, American black-doom magickians Worm stream the entirety of their highly anticipated second album, Gloomlord. Set for international release on January 24th via Iron Bonehead Productions, hear Worm‘s Gloomlord in its entirety here:
Hailing from the swampy recesses of Florida, originally as the work of one mysterious Fantomslaughter, Worm released two demos – The Deep Dark Earth Underlines All (2014) and Nights in Hell (2016) – before expanding to a duo alongside one Equimanthorn and releasing their debut album, Evocation of the Black Marsh, through Iron Bonehead in 2017. Fully distilling their foul ‘n’ fetid aesthetic, Worm‘s first full-length reaped a bounty of unsettling atmosphere and ancient-style songwriting, presenting a clanging, blown-out appropriation of early Goatlord and Mortuary Drape but with a screws-loose personality that hails unorthodoxy endlessly.

While those influences undoubtedly remain, Worm strike back with a bolder assertion of their own, now-unique identity with Gloomlord. Ever aptly titled, Gloomlord is an altogether more solemn and stately descent into the swamps, both spiritually and physically. With five epic songs spread across an impossibly vast 42 minutes, Worm‘s second album pounds forward with ominous intent, but slowly-evaporating melodies rise from the muck ‘n’ mildew and bewitch the listener with devastation and doom. Indeed, it’s the lattermost element – DOOM – where the duo expand the Worm aesthetic, dynamically exploring the crevasse between light and shade, in a sense evoking the early ’90s canon of classic UK doom-death as well as funeral doom progenitors Unholy, Thergothon, and especially Disembowelment; in fact, the lattermost-named band held the biggest influence on the stylistic shift across Gloomlord. Elsewhere, surprising twists of speed indeed twist the knife more cruelly, only to pull it back out – slowly – as that eerily reverberating melodicism takes center stage. The sum effect is drowning in that very same swamp, over and over but horrifically different from the last, ad infinitum and hypnotically so. Or, as the band themselves coin it, “Floridian Funeral Doom,” and that sum effect is indeed unique, and uniquely Floridian.

Cover and tracklisting are as follows:
Tracklisting for Worm (USA)’s Gloomlord
1. Putrefying Swamp Mists at Dusk (Intro)
2. Rotting Spheres of Sentient Black
3. Apparitions of Gloom
4. Melting in the Necrosphere
5. Abysmal Dimensions
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American black metal cult WORM stream IRON BONEHEAD debut

Today, American black metal cult Worm stream the entirety of their highly anticipated debut album, Evocation of the Black Marsh. Now set for international release on November 3rd via Iron Bonehead Productions, hear Worm’s Evocation of the Black Marsh in its entirety HERE.

Hailing from the swampy recesses of Florida, Worm is the work of one mysterious Fantomslaughter. To date, he’s done two rare demos, The Deep Dark Earth Underlines All (2014) and Nights in Hell (2016), but now as a duo alongside one Equimanthorn, Worm present the fullest distillation of their foul ‘n’ fetid aesthetic in Evocation of the Black Marsh.

Ever aptly titled, Evocation of the Black Marsh comprises eight hymns to the spiritual swamp lurking in every listener. With titles like “Evil in the Mire,” “Altar of Black Sludge,” and especially “The Slime Weeps” and “Swamp Ghoul,” it would be fair to assume that Worm would worship at the altar of Varathron’s classic His Majesty at the Swamp. However, while faint traces of those Greek gods can be detected, across the 42-minute LP is a clanging, blown-out appropriation of early Goatlord and Mortuary Drape, but strewn with a screws-loose personality that hails unorthodoxy endlessly. It’s a harsh and unsettling listener, but done with the authenticity and purity of black metal’s earliest, pre-tabloid days – and where else would something harsh and unsettling end but at the swamp?

Submerge into the slime and prepare for a true Evocation of the Black Marsh.

Cover and tracklisting are as follows:

Tracklisting for Worm (USA)’s Evocation of the Black Marsh
1. Altar Of Black Sludge
2. Winged Beast Of The Phantom Crypt
3. Gravemouth
4. Evil In The Mire
5. Evocation Of The Black Marsh
6. Swamp Ghoul
7. Rotting Semblance
8. The Slime Weeps

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WORM set release date for IRON BONEHEAD debut, reveal first track

Today, Iron Bonehead Productions sets September 29th as the international release date for Worm’s debut album, Evocation of the Black Marsh, on vinyl LP and cassette tape formats.

Hailing from the swampy recesses of Florida, the American Worm is the work of one mysterious Fantomslaughter. To date, he’s done two rare demos, The Deep Dark Earth Underlines All (2014) and Nights in Hell (2016), but now as a duo alongside one Equimanthorn, Worm present the fullest distillation of their foul ‘n’ fetid aesthetic in Evocation of the Black Marsh.

Ever aptly titled, Evocation of the Black Marsh comprises eight hymns to the spiritual swamp lurking in every listener. With titles like “Evil in the Mire,” “Altar of Black Sludge,” and especially “The Slime Weeps” and “Swamp Ghoul,” it would be fair to assume that Worm would worship at the altar of Varathron’s classic His Majesty at the Swamp. However, while faint traces of those Greek gods can be detected, across the 42-minute LP is a clanging, blown-out appropriation of early Goatlord and Mortuary Drape, but strewn with a screws-loose personality that hails unorthodoxy endlessly. It’s a harsh and unsettling listener, but done with the authenticity and purity of black metal’s earliest, pre-tabloid days – and where else would something harsh and unsettling end but at the swamp? Submerge into the slime and prepare for a true Evocation of the Black Marsh.

Cover and tracklisting are as follows:

Tracklisting for Worm (USA)’s Evocation of the Black Marsh
1. Altar Of Black Sludge
2. Winged Beast Of The Phantom Crypt
3. Gravemouth
4. Evil In The Mire
5. Evocation Of The Black Marsh
6. Swamp Ghoul
7. Rotting Semblance
8. The Slime Weeps