Month: August 2018

Milwaukee Black Metallers PREZIR Release Lyric Video for “As Rats Devour Lions”

Milwaukee black metal group PREZIR have released a lyric video for the title track from forthcoming album As Rats Devour Lions. Check it out at:

PREZIR will release As Rats Devour Lions on September 17 through Godz ov War Productions. Pre-orders are available now at this location.

The follow up to 2017 debut EP Contempt, As Rats Devour Lions delivers a scornful blow to the wasteland of safe metal modernity. A contemptuous rebuke of all extremist ideologies, both present and historical, PREZIR epitomizes black metal ferocity (DESTROYER 666, DAWN, EMPEROR) laden with thrash (MEGADETH, SLAYER) and death metal (MORBID ANGEL, IMMOLATION, DEICIDE) influences. This record is a faster, more melodic, and heavier auditory assault than their previous effort.

Both the title track and second single “Hamatsa Death Ritual” can be streamed at:
prezir.bandcamp.com/album/as-rats-devour-lions

A black metal cyclone, PREZIR features guitarists Rory Heikkila (SHROUD OF DESPONDENCY) and Tyler Okrzesik (SHROUD OF DESPONDENCY), vocalist and lyricist Luka Djordjevic (KHAZADDUM), drummer Brian Serzynski (PIGS BLOOD), and bassist Jerry Hauppa (ARA/NORTHLESS)

As Rats Devour Lions was skillfully recorded and mixed by Shane Hochstetler at Howl Street Recordings. Bass recorded by J.Hauppa; artwork and layout by L.Djordjevic; and photography by David Warner.

Track List
1. As Rats Devour Lions
2. Ideologue Alchemy
3. Janičari
4. Dar al-Harb
5. Serpents in the House of Ra
6. Hamatsa Death Ritual
7. Plagiarized Infamy
8. Oedipus Context

“Another great sounding recording from Prezir. If you are a fan of fast and melodic black metal with elements of death and thrash metal, you should check out this album.”
– Occult Black Metal Zine

Crippled Black Phoenix launch music video for new track “Great Escape (pt I)”

CRIPPLED BLACK PHOENIX are now premiering the third track of their forthcoming new album ‘Great Escape’, which is slated for release on September 14th, 2018. The song, titled “Great Escape (Pt I)” has been released in the form of an artistic music video and can be viewed below.

On the album, Justin Greaves comments: “Sometimes we want to escape from the dark and make a positive change in our life… and yet…Sometimes we simply want to escape this world. Because we’re tired and we’ve had enough… This is what ‘Great Escape’ is. Some parts it’s pure escapism from real life, longing to just shoot straight up and off this planet…. Other parts are born out of frustration at the unjust world we live in. It is.. Escaping from your own broken mind, or from society, or animals escaping from abuse. It’s the escape from the mainstream thought patterns and engrained social conditioning that perpetuates mans destruction of nature. We can be our own ‘Great Escape’ if we want, and it can be however you want to it to be. If you’re not happy then you don’t have to conform, you don’t have to carry on ‘playing the game’.”

CRIPPLED BLACK PHOENIX have previously revealed the artwork for ‘Great Escape’, which can be viewed together with the album details below.

Track-list ‘Great Escape’
1. You Brought It Upon Yourselves (3:43)
2. To You I Give (9:22)
3. Uncivil War (pt I) (2:50)
4. Madman (4:51)
5. Times, They Are A’Raging (11:58)
6. Rain Black, Reign Heavy (5:58)
7. Slow Motion Breakdown (4:34)
8. Nebulas (5:35)
9. Las Diabolicas (3:49)
10. Great Escape (pt I) (7:36)
11. Great Escape (pt II) (13:03)

‘Great Escape’, this beautiful touch of darkness comes hardly as a surprise, when taking into account that CRIPPLED BLACK PHOENIX mastermind Justin Greaves has previously gone public about his personal fight against severe depression. Similar dark themes and traits have already been a hallmark of the UK rockers’ latest full-length, ‘Bronze’ (2016).

CRIPPLED BLACK PHOENIX have always confounded critics trying to pin their style down ever since founder Justin Greaves recorded his first ideas in 2004 – which earned them tagging attempts ranging from “stoner prog” through “freak folk” to “psychedelic doom”. Despite the wide range of musical leanings within their albums, there are a unifying dark streak and somber melancholy running through the songs. Greaves had already made himself a name as drummer for IRON MONKEY and ELECTRIC WIZARD among others. When the multi-instrumentalist finally decided to stand on his own musical feet, CRIPPLED BLACK PHOENIX was born. This involves a changing cast of musicians and live set-ups which mirrored the ever-ongoing evolution of the band, and the fact that the songs were mostly not composed with a live performance on mind.

Between 2007 and 2014, CRIPPLED BLACK PHOENIX released a string of five critically highly acclaimed studio albums – namely ‘A Love of Shared Disasters’ (2007), ‘The Resurrectionists’ (2009), ‘Night Raider’ (2009), ‘(Mankind) The Crafty Ape’ (2012), and ‘White Light Generator’ (2014). This was complemented by EPs ‘I, Vigilante’ (2010), ‘No Sadness or Farewell’ (2012), and ‘Oh’ Ech-oes’ (2015), the live recording ‘Live Poznan’ (2013), and the ‘200 Tons of Bad Luck’ compilation (2009). Their ‘New Dark Age Tour EP 2015 A.D.’ was the band’s first release on Season of Mist and came with an extensive homage to PINK FLOYD. The strong influence of the UK rock giants could also be felt on ‘Bronze’ (2016), yet while CRIPPLED BLACK PHOENIX never denied their roots, this outstanding act has long created their own sonic cosmos.

With last year’s ‘Horrific Honorifics’ offering, the band elegantly payed tribute to great artists and classic songs while making those tracks their own in sound and spirit without compromising the integrity of the original masterpieces.

Now with ‘Great Escape’, CRIPPLED BLACK PHOENIX take you on their new adventure and let you explore their sonic cosmos even further, and where all its emotions are reflected on to this earth. From the angry “Rain Black”, to the unnerving “Madman” and forgiving “Nebulas”, CRIPPLED BLACK PHOENIX arise once more.

www.facebook.com/CBP444

PULVERIZED: Chilean Death Metallers Streaming The Track “Devoción”

Chilean death metal horde Pulverized is coming up with their debut full length via Krucyator Productions in both digital and jewel-case CD editions. The album, aptly titled as “Monuments of Misanthropy”, is slated for worldwide release on October 13, 2018.

“Devoción”, the opening track of the album is currently streaming here

Cover Illustration by Adi Dechristianize of Dechristianize Art

Chilean cadavers PULVERIZED awoke in the city of Santiago in 2006. They perform death metal with a strong American influence from the early ’90s, without leaving aside the essences of the glorious South American extreme metal scene. Their lyrical themes touch the thoughts about life, death, Christianity and its moral decadence in Western Society. Having two demo releases in their discography, they have already illustrated the sign of miasmic assault, that is uncontrollably fierce and absolutely petrifying.

“Monuments of Misanthropy”, the impending debut album, will lay the cornerstone of a new epoch in the band’s history. Featuring lyrics in both Spanish and English, PULVERIZED deploy unholy feelings in veins throughout the six abominably composed furious songs. In terms of sonic landscape, this album stands in a supreme point where viciousness, profanity and primitiveness are in poise.

This striking debut album will see the worldwide release on October 13, 2018 via KRUCYATOR PRODUCTIONS on Jewel Case CD and digitally. The album was recorded, mixed and mastered at DM6 Studio by Pablo Clares. Santiago, Chile.

PRE-ORDER:
Shop: https://goo.gl/KSAE3U
Bandcamp: https://goo.gl/sJT3ff
Digital: http://smarturl.it/pulverized

WITCHES HAMMER (pre-BLASPHEMY) stream full Nuclear War Now album

While toiling in the relative obscurity of an underground scene in British Colombia as its first extreme metal band, Witches Hammer self-produced two demos of evil speed metal in the mid-1980s. Following the second demo, a local label by the name of Subversive Productions offered to release a Witches Hammer 7” EP. The band suggested that a 12” EP would be a better format for both improved audio and visual impact, and the label agreed to the request. In 1987 (that same year), Subversive released the record, packaged in a plain white jacket with the photocopied layout glued to front and back, featuring the artwork of Dax Howell.

Unlike the previous demos, which had been recorded with sole guitarist Marco Banco, the band had recruited a second guitarist in Mike E. Death for the 12” EP. This addition allowed for a more complete sound since it more readily facilitated both rhythm and lead guitar tracks, the combination of which was not present on the demos. Estimates of the number of copies pressed range from 1500 to 5000, but a house fire in the 1990s destroyed the remaining 500 unsold copies. Following this record’s release, the band continued to play local live shows mostly in support of touring acts, in addition to a brief tour across western Canada. During this time, Witches Hammer gained some exposure and was noticed by, among others, Black Winds from the notorious Blasphemy cult, who later cited the band as a primary inspiration.

In 1988, Witches Hammer returned to the studio to record what it had planned to be its debut full-length album. A total of 12 tracks were recorded, including nine tracks that had been previously recorded for prior releases and three brand-new songs – “Inner Sanctum,” Stretching into Infinity,” and “Captain Breakdown” – which collectively were indicative of the band’s continued progression. As with the preceding 12” EP, the band once again summoned Dax Howell to provide the cover art, which was also used for a t-shirt design. As fate would have it, however, the album was never released as originally intended, and these would prove to be the last songs recorded before the band members went their separate ways over the next couple of years.

Fortunately, Nuclear War Now! unearthed the tracks from the unreleased album and released them along with those from the 12” EP in a collection entitled Stretching into Infinity in 2005. Thirteen years later, NWN! is proud to offer a repress of this compilation, once again on 12” vinyl format.

Whereas the earlier demos collected on Canadian Speed Metal offer a glimpse into the early days of a band once described by Pushead as a “speeded-up Venom,” these subsequent recordings showcase a fully-matured Witches Hammer that harnessed the evil of proto-black metal bands like Sodom and infused it with a heavy dose of unhinged aggression, similar to that of the local hardcore bands it regularly gigged with in the area. In 2018, this sound is as potent as ever and quite worthy of the recognition it never fully received outside of the Vancouver area in the band’s heyday.

MORE INFO:
www.nwnprod.com
www.facebook.com/pages/Nuclear-War-Now-Productions/114864651994141

ARES KINGDOM working on new NUCLEAR WAR NOW! album, reveal tracklist

Kansas City death metal veterans Ares Kingdom have returned to their own Very Metal Sound studio to record their fourth full-length album, By the Light of Their Destruction, for the esteemed Nuclear War Now! Productions – the band’s label home since 2004.

Following up the acclaimed First World War-themed album The Unburiable Dead of 2015 – an album recognized by the National World War I Museum in the USA – By the Light of Their Destruction brings a new focus for Ares Kingdom’s sound on an altogether darker, heavier, and more obscure trajectory.

What was the inspiration behind the pivot to darkness? Guitarist and songwriter Chuck Keller explains: “I was a bit worried about a direction for Ares Kingdom after finishing writing the The Unburiable Dead, but one day during the summer of 2015, I was going through my Vulpecula archive and found a few forgotten and unused ideas I had been outlining before we ended the band in 1999. They reawakened the old Vulpecula fire in me, and I knew it was time to go back to darkness and obscurity.”

“Fourth albums are often more technical and noodling than an ordinary band’s older records, and so are notoriously lacking original fire and fury. Rarely does a band in our position purposely make their approach more primitive, but for us, it was the obvious thing to do,” said bassist/vocalist Alex Blume.

Drummer Mike Miller echoed, “While the new songs and our production style still sound like Ares Kingdom, our focus during rehearsals was on the primal power of the songs. It’s easily the heaviest material we’ve ever come up with.”

By the Light of Their Destruction is slated for release in spring 2019 on LP, CD, picture disc, cassette tape, and digital formats, all courtesy of Nuclear War Now! Productions.

Current tracklisting is as follows:

The Hydra Void
Burn, Antares (Scorpius Diadem)
Dark Waters Eridanus
Radiant and Storm
Eighteen Degrees Beneath
Allegory
The Bones of All Men
Iconologia
A Reward for Sin
Talis Chimera Est

(not actual cover)

MORE INFO:
www.facebook.com/Ares-Kingdom-97935152280

KVLT OF EBLIS Colombian Black Metal premier new single “VUDÚ”

The manifestation of KVLT OF EBLIS took shape in the ancient city of Bogota (Colombia) in the year of 2014 by Metzli and Sargon. The moniker was taken from the Opposer Cult of all Luminous Doctrine. The next year, the sect changed its location to Marinilla (Antioquia), near to Medellin City, and recruited new members to complete the circle.

Exploring the mystic paths through fire and faith, KVLT OF EBLIS chooses raw energy filled black metal as the medium to demonstrate the black side of Magick. After unerringly reaping the supernatural seeds for over three years, the coven is finally set to conjure up their first opus, “Templo de la Serpiente Negra”, this August 31st. Morbid Skull Records will be unleashing it on jewel case and limited-edition digipak CDs.

KVLT OF EBLIS invites you to explore the deepest abyss of esoteric ocean through “Templo de la Serpiente Negra”.

LINE UP:
Metzli Jiz Rulicum: Voice & Incantations
Sargon Tumus Ladanus: Guitars and Backing Vocals
Ahharu Pacvimun: Bass
Digmun Tufu: Drums

PRE-ORDER:
Bandcamp: https://morbidskull.bandcamp.com/album/templo-de-la-serpiente-negra
USA: https://morbidskullrecords.com/usa/?s=kvlt+of+eblis
El Salvador: https://www.morbidskullrecords.com/sv/?s=kvlt+of+eblis
Germany: https://www.morbidskullrecords.com/de/?s=kvlt+of+eblis

MORE INFO:
https://www.facebook.com/Cultserpent
www.morbidskullrecords.com
www.facebook.com/morbidskullrecords

Cloak release video for “Beyond the Veil”

American blackened rockers CLOAK have revealed a new music video for the track “Beyond the Veil”. The song has been taken from the full-length, ‘To Venomous Depths’, which was released in November 2017 via Season of Mist. Watch the (uncensored) video here.

CLOAK comments: “”Beyond The Veil” is a song that’s grown in meaning and importance the longer it’s been with us. It’s a song about both the fear and comfort of knowing there is something much greater in charge here and the empowerment that it can bring. Regarding the visual aspects, we wanted to work with color this time. Being fans of Dario Argento and classic ‘Hammer Horror’ films, it only felt right to pair the song with rich and powerful colors

CLOAK released their debut album ‘To Venomous Depths’, on Season of Mist in November 2017. The full album can be found at the Season of Mist YouTube Channel.

CLOAK commented about their album: “To us, music is art and art is magic. It is transformative and primal in ways that cannot be simply explained. When we began writing ‘To Venomous Depths’, we knew that we were on to something special; something powerful and fervent. The further we dove into the creative process, the further we ventured into the lowest parts of our consciousness and the highest points of our souls so that every last bit of ourselves bled out into our music. Where we ended up is something that cannot be summarized, it can only be felt. We welcome the listener to join us in that feeling in the hopes that it destroys and revives you just as it has done to us.”

The Artwork of ‘To Venomous Depths’ has been created by Adrian Baxter and can be viewed below.

Track-list

1. To Venomous Depths / Where No Light Shines (7:53)
2. Within the Timeless Black (6:56)
3. The Hunger (6:10)
4. Beyond the Veil (6:42)
5. Death Posture (4:06)
6. In the Darkness, the Path (6:33)
7. Forever Burned (6:12)
8. Passage (2:47)
9. Deep Red (10:05)

Total playing time: 57:24

Atlanta, Georgia in the Deep South of the USA is probably not among the cities named as first suspects for a black metal influenced rock band to emerge. Yet there at the crossing of two old American railroad lines, CLOAK was conceived in the year 2013.

Their debut full-length, ‘To Venomous Depths’ is simply a perfect amalgamation of Nordic black metal with catchy hooks and melodic rock. And while the Americans are not claiming to be reinventing the wheel, their outstanding song-writing is catapulting this album to the top.

CLOAK have named DISSECTION, DEEP PURPLE, and FIELDS OF THE NEPHILIM as main influences, but their harsh yet groove-fuelled sound has invited critics to draw comparisons with such acts as TRIBULATION, WATAIN, and YOUNG AND IN THE WAY.

After spending two years in the rehearsal room carefully preparing their material, CLOAK released a first sign of life in the shape of ‘Demo 2015’, which created an audible buzz in the US underground.

A two-track, self-titled EP followed in 2016, gaining the Americans worldwide attention and critical acclaim. In their short time of existence, CLOAK have already shared stages with renowned acts such as WOLVES IN THE THRONE ROOM, WINDHAND, INTER ARMA, SATAN, and TAAKE.

It will not take CLOAK long to capture your interest, but with each new spin ‘To Venomous Depths’ will reveal new details that make their discovery worthwhile. There are no fillers on this debut album, just hits. Let’s rock this cool darkness!

www.facebook.com/cloakofficial

Line-up
Scott Taysom: voice, guitar
Max Brigham: guitar
Matt Scott: bass
Sean Bruneau: drums

MALEPESTE and DYSYLUMN to release split album on GOATHORNED, reveal first tracks

On October 15th, Goathorned Productions is proud to present Ce qui fut, ce qui est, ce qui sera, a special split album between Malepeste and Dysylumn.

Although split albums generally exist as two seperate EPs joined together on one format, sometimes essentially being nothing more than throwaway tracks by both bands involved, Ce qui fut, ce qui est, ce qui sera goes a different route and exists as a work breathing unity of aesthetic and focus in flow. Both Malepeste and Dysylumn are French black metal entities, both with unique and yet also unifying traits. Both bands formed in 2010 and each have an album to their respective names, and more importantly, both Malepeste and Dysylumn share a brotherhood of sorts which sees them performing ritualistic collaborations on the live front.

Now, within the totality of Ce qui fut, ce qui est, ce qui sera, the full sulfurous splendor of Malepeste and Dysylumn is on display. Brimming with light and shade – and darkness, and darker darkness – serpentine songwriting and vitriolic violence, iron-wrought muscularity and beyond-the-shade atmosphere, Ce qui fut, ce qui est, ce qui sera is an album of dualities, of contrasts skillfully harnessed under the banner of black metal. The overt characteristics of French black metal – the robustness of the orthodox/religious school, and the melancholy of its more lonerist school – are fully represented here, but recast in vivid new iterations.

(Dysylumn)

Malepeste are up first, and bewitch right from the beginning notes of the accurately titled “Prologue.” From there, the stench of brimstone is potent, weaving a spell most serpentine, breathtakingly capturing their live essence, where the sense of ceremony is of the utmost importance: incense and candles, bones and hangings, total and utter austerity. Indeed, Malepeste’s half of Ce qui fut, ce qui est, ce qui sera are litanies to the fall of man, sprung forth from minds dedicated to the mysteries of the beyond. Then, Dysylumn follow with four tracks of their own, and with equal potency and intensity. Complementary in their bewitching swirl, Dysylumn take an altogether more wounded path, shot through with a sense of suffering that’s blanching to behold. True to their aims, the band was initially formed as a solitary project of ex-Antropofago guitairst Sébastien Besson as a tribute to a loved one who decided to walk on the path of death; here, their evolution through the years takes flight by paradoxically probing the depths, concluding with the split album’s “Épilogue.”

Translated into English as “what once was, what it is, what it will be,” Ce qui fut, ce qui est, ce qui sera artfully lives up to its title, securing both Malepeste and Dysylumn’s rising status in the international black metal underground.

Hear for yourself with two new tracks from the split album: Malepeste’s “Atropos,” which can be heard HERE,

and Dysylumn’s “Decima,” which can be heard HERE.

Cover and tracklisting are as follows:

Tracklisting for Ce qui fut, ce qui est, ce qui sera
1. Prologue
2. Clotho
3. Lachésis
4. Atropos
5. Nona
6. Decima
7. Morta
8. Épilogue

tracks 1-4 = Malepeste
tracks 5-8 = Dysylumn

SONY DSC

(Malepeste + Dysylumn live collaboration)

MORE INFO:
www.facebook.com/malepeste
www.facebook.com/dysylumn

Hate Eternal release first track and album details of new album ‘Upon Desolate Sands’

HATE ETERNAL are now premiering the first crushing track of their forthcoming new album ‘Upon Desolate Sands’, which is slated for release on October 26th, 2018.
The death metal extremists are now streaming “What Lies Beyond”

The spectacular artwork for ‘Upon Desolate Sands’ has been created by renowned artist Eliran Kantor (TESTAMENT, ATHEIST, ARCHSPIRE). Artwork and track-list can be viewed below.

Track-list
1. The Violent Fury (3:55)
2. What Lies Beyond (3:09)
3. Vengeance Striketh (4:39)
4. Nothingness of Being (5:02)
5. All Hope Destroyed (5:45)
6. Portal of Myriad (4:13)
7. Dark Age of Ruin (3:58)
8. Upon Desolate Sands (5:02)
9. For Whom We Have Lost (3:18)
Total playing time: 39:01

HATE ETERNAL faithfully keeps the death metal spirit alive as their long-awaited seventh studio album ‘Upon Desolate Sands’ now uncompromisingly demonstrates!

Founded in St. Petersburg, Florida in the year 1997, HATE ETERNAL is the brainchild of extreme metal luminary Erik Rutan, who created a charging death metal juggernaut. In the United States this style has been virtually synonymous with Florida and especially the Tampa Bay Area for a long time.

More aggressive and technically complex than its Swedish counterpart, Floridian death metal grew out of thrash during the mid-1980’s and was founded by such as the legendary DEATH, OBITUARY, and MORBID ANGEL. While many of its early protagonists went on experimental paths, HATE ETERNAL remains true to the original formula, while continuously pushing the boundaries of this extreme style.

HATE ETERNAL’s new full-length doubles down on their patented, high-velocity assault of dizzying ferocity combined with wide-range dynamics, outstanding songwriting and skull-crushing brutality. HATE ETERNAL delivers extreme music at the highest level. There can be no doubt that ‘Upon Desolate Sands’ will be regarded by many as the best death metal record of 2018!

Line-up
Erik Rutan – vocals, guitar
J.J. Hrubovcak – bass, vocals
Hannes Grossmann – drums

www.facebook.com/Hate.Eternal

MORBID MESSIAH set release date for MEMENTO MORI debut, reveal first track

In their endless quest to push and support current underground acts that perpetuate the odor of vintage death metal, on October 22nd, Memento Mori is proud to present Morbid Messiah’s highly anticipated debut album, Demoniac Paroxysm. Memento Mori will be handling the album’s CD release, while Unholy Prophecies shall be handling the vinyl version (release date TBA).

Hailing from Mexico, Morbid Messiah was formed in 2015 after Anubis Sandoval (drums) moved from Cancun to Guadalajara, and teamed up with Roberto Trejo (guitar) and Jose Rivas (vocals). All three young musicians shared a burning passion for the authentic sound of underground death metal that blossomed during the late ’80s and early ’90s, and felt compelled to give shape to a brand-new, iniquitous entity that would follow in the gods of yore’s footsteps. Morbid Messiah played their first live show a few months later and then proceeded to record their debut EP, suitably titled In the Name of True Death Metal, which was self-released in October 2016 on CD format. Guillermo Lopez (bass) had already joined their ranks by then, solidifying the lineup for depraved endeavors yet to come. Fast forward to April 2017 and the Polish label Godz ov War Productions gave the EP the tape treatment, and all 100 copies sold out shortly after.

To depict Morbid Messiah’s approach to the Metal of Death is no laborious chore, for it is nothing more – but certainly nothing less – than a dank, impenetrable, lightless, decimating, and unadorned concoction of the finest, heaviest and vilest elements of bands such as Sadistic Intent, Possessed, Incantation, Grotesque, Mortem, Death and Imprecation, as well as those prevalent in the early works of their countrymates Cenotaph and Shub Niggurath. Thus girded with such proud ‘n’ powerful influences, Demoniac Paroxysm thus invokes its very title, whipping the listener into a fury of rotten, sewer-dwelling possession. Rubbed raw and blasted about like a boombox from the bowels of Hell, this is DEATH METAL in all caps, and forever be it so: Morbid Messiah are not recommended for trendy ears nor those with weak stomachs. But if the flame burns true within you, by all means, take this torch NOW!

Naturally, for a record so foul and filthy, it’s only fitting that Demoniac Paroxysm is gracelessly graced with classic cover artwork courtesy of the esteemed Mark Riddick. Bow down and pray to Morbid Messiah!

Begin praying with the new track “Howling From the Grave” HERE

. Cover and tracklisting are as follows:

Tracklisting for Morbid Messiah’s Demoniac Paroxysm
1. Rise of the Rottenness
2. Charred Devastation
3. Graveyard Headhunter
4. Devoured by Darkness
5. Breath of the Ominous
6. Crawling in Guts
7. Fetid Bloodbath
8. Howling from the Grave
9. Morbid Messiah/Morbid Invocation

MORE INFO:
www.facebook.com/morbidmessiahofficial
www.memento-mori.es
www.facebook.com/memento.mori.label