Month: June 2022

ARMNATT set release date for new SIGNAL REX album, reveal first track

Today, Signal Rex announces August 26th as the international release date for Armnatt‘s highly anticipated fourth album, Immortal Nature, on CD, vinyl LP, and cassette tape formats. The vinyl LP version will follow later this year.

Formed in days and times too clandestine to recall, Armnatt quickly became a touchstone for Portugal’s still-ascendant/descendent raw black metal scene. With their first split coming courtesy of the well-respected Black Gangrene in 2013 and then their debut album, Darkness Times, arriving a year later courtesy of the equally respected Altare, Armnatt‘s cachet was confirmed. And for good reason: the misty-yet-hateful surge the trio conjure speaks of a deeply held (and authentically created) understanding of black metal’s epochal second wave.

In 2020, Armnatt made a blood pact with Signal Rex, which resulted in their second album, Dense Fog, and a long-overdue reissue of Darkness Times. Considering Signal Rex‘s position as Portugal’s premier dispensary of dark & lawless goods, the alignment was fortuitous, to say the very least, and in June 2021 resulted yet another full-length assault on the meek and modest: Eternal Flame.

Dependable, intractable, a year later arrives Armnatt‘s fourth album, Immortal Nature. With yet another simple-yet-elegant title serving as a rallying cry, Immortal Nature bursts and bubbles with that ever-studious primitivism that only Armnatt can deliver. If Eternal Flame saw Armnatt sticking to their guns – no progression, no development, no compromise, no way – then surely, Immortal Nature will disappoint you or even offend. It’s another (HYPNOTIC) spell of destruction, but one that subtly reveals new twists; whether it’s a strangely hummable segment otherwise at odds with “black metal” or more (very relatively) variety of tempos employed or even a scuzzier, more muscular guitar tone, it all still sounds like Armnatt. Which means that Immortal Nature‘s familiarity is almost deceptive, as if in fact a lost relic unearthed from a Bergen bunker decades later: to overstate the obvious, this literally searing simplicity of design can be replicated endlessly, but never faked.


And to add further overstatement, black metal never needed to develop because it was perfect early on. Dependably, intractably, Armnatt again resist change and the ever-shifting sands of “good taste,” and paint their own Dorian Gray with Immortal Nature.

Witness the first brush strokes with the brand-new track “Black Flame” here:

Cover and tracklisting are as follows:

Tracklisting for Armnatt’s Immortal Nature
1. All Is Silent
2. Immortal Nature
3. Imponent Ruins
4. Eternal Entity
5. Black Flame
6. Images Of The Past
7. Wilderness Domain
8. Shadow Dust
9. Infinite Darkness
10. Nature Take Its Course

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ORGREL stream new IRON BONEHEAD mini-album

Today, Italian black metallers Orgrel stream the entirety of their brand-new mini-album, The Oath of the Black Wolf. Set for international release on July 1st via Iron Bonehead Productions, hear Orgrel‘s The Oath of the Black Wolf in its entirety here:

During the autumn of 2021, Orgrel proved that the past was still alive with their debut album, Red Dragon’s Invocation, for Iron Bonehead. A band literally out of time, the Italian power-trio hailed the ancient days of black metal – the days too often forgotten, in the late ’90s, when labels like Solistitium, Sombre, and Drakkar began releasing obsidian gems during the genre’s post-sensationalism fallout. Rich with righteous fury and triumph alike, Red Dragon’s Invocation synthesized mystical splendor and dizzying delirium into a full-length treatise on those too-often-forgotten days, engrossing the listener to the very last: indeed, the album was summarily titled.

Building upon that grand fortress is a four-song/22-minute mini-album likewise truly titled: The Oath of the Black Wolf. Here, Orgrel have gone a-hunting, their ’90s black metal classicism stalking and striking with a hunger only hinted at previously. Still, fueled by this fire they may be, the Italians across this mini manage to maximize their epic side, with the predecessor’s flat-yet-full soundfield now becoming slightly more chromatic in the process. Lead lines portend dark truths, ever building in tension and then grandeur, but the record’s swift-yet-satisfying runtime reveals the darkest, most intrinsic truth: black metal doesn’t need to “become” anything when it already IS. Hail The Oath of the Black Wolf!

Cover and tracklisting are as follows:

Tracklisting for Orgrel’s The Oath of the Black Wolf
1. Hunt
2. Curse
3. Fury
4. Judgment

MORE INFO:
www.facebook.com/orgrelofficial

FURIS IGNIS stream new IRON BONEHEAD mini-album

Today, German black metallers Furis Ignis stream their brand-new mini-album, Turm. Set for international release on July 1st via Iron Bonehead Productions, hear Furis Ignis‘ Turm in its entirety here:

It was but the beginning of 2022 when Furis Ignis emerged from the inky depths with their debut album, Decapitate the Aging World, for Iron Bonehead. Its title something of a call to arms or at least strong signifier of the contents therein, Decapitate the Aging World presented an iron-willed newcomer well versed in the old arts – black metal back before the internet, social media, and other modern trappings. And yet, Furis Ignis weren’t simply playing by-the-numbers “classic” black metal; within their debut full-length lurked a muscular physicality quite at odds with nowadays’ fake(d) rawness. 

Striking while the iron’s red-hot, Furis Ignis return with a five-song/33-minute mini-album titled Turm. The foundation thankfully remains much the same – old Germania in the mold of Moonblood and equally early Desaster and Katharsis, deftly dissected and reassembled, this time spiced with old Abigor and Marduk – and the attack continues to be ghoulish and grim. Compared to the robust swelter of its full-length predecessor, Turm unapologetically maintains a much rawer aspect that nevertheless still clangs, throbs, and thrusts with legitimately live execution. Therefore, even with the blizzard beasts banging on its door, Turm remains an exquisitely gutted and grimy spin, with the spectral fog eventually clearing to reveal something akin to late ’90s (and too-overlooked) Darkthrone residing in a lonely castle.

Cover and tracklisting are as follows:

Tracklisting for Furis Ignis’ Turm
1. Vanguard of Black Years
2. To Trespass the Commandments of Tangible Being
3. From Unremembered Dark Pagan Dreams
4. Turm
5. Die Enthauptung Der Alternden Welten

MORE INFO:
www.facebook.com/furisignis

https://www.facebook.com/IronBoneheadProductions

ESCHATOLOGY stream SHADOW debut mini-album – features members of CRAFT, MGLA, MORDBRAND, MEDICO PESTE, GOD MACABRE++

Today, pan-international black metallers Eschatology stream the entirety of their highly anticipated self-titled debut mini-album. Set for international release on June 30th via Shadow Records (distributed & marketed by Regain Records) on CD and cassette tape formats – the vinyl version will follow later this year – hear Eschatology‘s Eschatology in its entirety here:

Featuring the members J.K. (Craft) and B.L. (Mordbrand, God Macabre [live]) both on guitar & bass and M.S. (Medico Peste, Over the Voids, Mgła [live]) on vocals & drums, Eschatology indeed carry high expectations for a brand-new entity. The prime directive is raw, no-frills black metal, and the band rise to the occasion across the four-song/27-minute Eschatology. It would be reasonable (and at least halfway accurate) to characterize this Eschatology as a sonic summation of the members’ other ongoing bands, but on evidence of their debut mini-album, this entity are striving toward a parallel realm of experience where shards of old & archaic black metal are re-arranged in darker and more dazzling shapes. Their songs are stout yet swirling, pounding with presence but fully enraptured within the moment, hooks mined and then malformed, and the overall attack retaining the requisite rawness and yet never hiding behind it. No, Eschatology absolutely CONFRONTS the listener with its world-eating ways, and then proceeds to devour that listener whole…as in, a black hole. 

No niches, no capes, no fun: This is Eschatology. The past and present are on fire, and those flames are coming for you.

Preorder info can be found HERE at Regain Records‘ Bandcamp. Cover and tracklisting are as follows:

Tracklisting for Eschatology’s Eschatology
1. Cataclysm I
2. Cataclysm II
3. Cataclysm III
4. The Wound

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www.regainrecords.se
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MYSTIC CHARM to release special collection thru PERSONAL RECORDS featuring two cult EPs

On August 26th internationally, Personal Records is proud to present Mystic Charm‘s cult Hell Did Freeze Over EP in an expanded CD edition, including the full session from 1993’s Lost Empire EP.

Founded in Olst, Overijssel, The Netherlands, Mystic Charm was formed in December 1989 by Herwing Schulling and Rini Lipman. Inspired by old Celtic Frost, Black Sabbath, and Trouble, the band started playing heavy doom riffs with many breaks and ultra-rough vocals from female vocalist Rini Lipman.

After some line-up changes, which brought Mystic Charm one-and-a-half year down, it was in January 1992 when they have completed their lineup again with Gerard van Assen on drums and Gerlach Timmer on bass. Due to this, Mystic Charm strongly improved in writing and arranging songs and matured a lot. They recorded a low-budget rehearsal tape to check out the interest in the band and discover that there indeed was a lot of interest in a band like them.
 
Mystic Charm then decided to record a real demo in a professional studio, and the result was the demo Endless Sickness. This demo got them a lot of interest from various people, magazines, and labels, and when the band got offered a 7″ EP deal by Shiver Records, they decided to go with it. They entered the studio again to record a bunch of new tracks, from which two would end up on their debut 7″ Lost Empire. The reactions towards the EP were really positive, praising the band for its talent and musical abilities. The EP showed that Mystic Charm was a very promising and talented band indeed.

After several negotiations between the band and Shiver Records, both parties decided to go for the big thing and Mystic Charm signed a three-album deal with Shiver Records. The band recorded eight new tracks plus an intro for their debut album. Some of the tracks were indeed brand-new, other were also on the demo and EP, but they were heavily changed because the band wrote new arrangements for all these tracks. Not only did this give a new edge to the music, it also made the songs even better than on any of the previous recordings. But not only was their songwriting really great, but Rini Lipman’s vocals were devastating for most ears. That album, Shadows of the Unknown, was released in 1994, and sadly, afterwards did the band split.

In 1999, Herwig Schuiling and Gerlach Timmer tried to make a new start and recorded some of the songs that were written for the successor of Shadows of the Unknown with another lineup. There was interest by record companies and some festivals, so a resurrection seemed like a good idea… Hans Spijker and Rein Doze took care of the drums and vocals back then, and they did a hell of a job, but it never had the real Mystic Charm vibe to it, so Herwig and Gerlach decided to not release this Hell Did Freeze Over EP and call it quits again sometime in 2001.
 
In spring 2017, Mystic Charm re-recorded the Hell Did Freeze Over songs, but this time with Rini back on vocals – truly, Hell DID freeze over! And there again did that elusive Mystic Charm vibe return, in full force, and Personal Records stepped forward to release this cult EP on CD with the full sessions from the Lost Empire EP as bonus tracks, making for a 10-song/48-minute runtime. Ready at long last, this CD edition is a virtual time-warp to the mid ’90s and essential listening for those into CULT doom and death metal!

In the meantime, hear the re-recorded Hell Did Freeze Over track here:

Preorder info can be found HERE. Cover and tracklisting are as follows:


Tracklisting for Mystic Charm’s Hell Did Freeze Over +bonus reissue
1. Hell Did Freeze Over (intro)
2. Beyond The Darkside
3. Bloodshot Eyes
4. Into Thy Hands
5. Recipe Of Fear
6. Lost Empire
7. Endless Sickness
8. Deadly Embrace
9. Crushed Virginity
10. Beyond Darkness

tracks 1-5 = re-recorded Hell Did Freeze Over
tracks 6-10 = full Lost Empire sessions

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HELLFIRE DEATHCULT stream new HELTER SKELTER album

Today, blackgrind barbarians Hellfire Deathcult stream the entirety of their highly anticipated third album, Al Nombre de la Muerte. Set for international release on June 30th via Helter Skelter Productions (distributed & marketed by Regain Records) on CD and cassette tape formats – the vinyl LP version will be released on November 25th – hear Hellfire Deathcult’s Al Nombre de la Muerte in its entirety here:

For nearly a decade now, Chicago’s Hellfire Deathcult have doggedly pursued an uncompromising and fiercely focused vision of blackgrind. From their debut EP, 2014’s Ave Mors – which Helter Skelter reissued in late 2018 – on to two full-lengths as well as prolific assaults on the live front, this power-trio have proven dependable and DEADLY. Theirs is a world-eating sound, and hypnotically so, whose bulldozing physicality recalls classic Archgoat, Goatpenis, Black Witchery, and Morbosidad but with a punishing persona all their own.

Nearly four years on from their last full-length, Hellfire Deathcult return to an ever-cursed world with their third album, Al Nombre de la Muerte. Immediately, the gutted blackgrind is recognizably Hellfire Deathcult – primitive, primordial, powerful – and is encased in a sweltering production that skillfully highlights all the nuance and nous of this uncompromising, unmerciful sound. However, scratch deeper below the barbed-wire surface and one will find that they’ve subtly perfected the art of catchiness across Al Nombre de la Muerte: anchored by gnawing & clawing riffs with a nuclear fuckton of bottom end, Hellfire Deathcult almost effortlessly dole out hummable hymns – but of course, ones that authentically breathe the blackest essence of this arcane art, all through a grimy gasmask. So, while their aesthetic foundation remains firm, with this new record Hellfire Deathcult challenges to be included in that (black)list of (un)hallowed names.

Preorder info can be found HERE at Regain Records‘ Bandcamp. Cover and tracklisting are as follows:

Tracklisting for Hellfire Deathcult’s Al Nombre De La Muerte

1. Grand Invocation Ov Black Death
2. Consumed By The Eternal Darkness Ov Death
3. Devoted To The Order Ov The Black Light
4. Within The Depths Ov The Godless Void
5. Divinity’s Damnation
6. Blessed By The Ritual Fires
7. Goddess Ov The Abyss
8. Beneath The Black Moons Incantation
9. Ritualistic Sacrifice Ov Sacred Blood
10. Black Plague Apocalypse
11. As Above, So Below…Reign Ov Luciferian Light

MORE INFO:
www.facebook.com/HellfireDeathcult

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PERDITION TEMPLE stream new special HELLS HEADBANGERS full-length

On June 24th, Hells Headbangers will release a special new full-length from Perdition Temple, Merciless Upheaval, on CD and cassette tape formats (the vinyl version will follow later this year). Hear Perdition Temple‘s Merciless Upheaval in its entirety here:

In 2020, Perdition Temple blasted back into the spotlight with Sacraments of Descension, the band’s second album for Hells Headbangers (and third overall). While it had been five years since the release of a Perdition Temple full-length, the reinvigorated lineup – vocalist/guitarist Gene Palubicki (Angelcorpse, Malefic Throne, Blasphemic Cruelty), bassist Alex Blume (Ares Kingdom, Blasphemic Cruelty), and drummer Ron Parmer (Malevolent Creation, Bloodmessiah, Brutality) – kept their trademark sound but made it unfathomably more feverish and finessed. Truly, power-trios didn’t come more deadly than this! But, above all, the band’s songwriting across Sacraments of Descension was stronger than ever, and the record rightfully reaped widespread acclaim.

Meanwhile, as the world plummeted further into chaos, Perdition Temple recorded a special full-length, Merciless Upheaval. Comprising four new songs and four covers for a total of 34 fiery minutes, Merciless Upheaval is indeed aptly titled and serves as a fitting, equally feverish counterpart to Sacraments of Descension. Much of that is down to the same lineup being in place, as iron-fisted as ever as they effortlessly unleash cyclones of classic death metal. Each member delivers a masterclass here, much as they did on the record’s predecessor; their crush is chaotic and controlled simultaneously, their precision betraying no small amount of power. Of the four covers, we’re treated to Perdition Temple‘d renditions of Infernal Majesty, Pestilence, Mexico’s Shub Niggurath, and of course Morbid Angel, making for an album-length experience which handily straddles past, present, and future.

Perdition Temple thankfully continue to keep their irons in the fire, so plunge into Merciless Upheaval post-haste!

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Perdition Temple’s Merciless Upheaval
1. Merciless Upheaval
2. Execution Swarm
3. Redemption Abattoir
4. In Thrall of Malevolence
5. Skeletons in the Closet [Infernal Majesty cover]
6. From The Stars, Nyarlathotep [Shub Niggurath cover
7. Blood on My Hands [Morbid Angel cover]
8. Parricide [Pestilence cover]
MORE INFO:
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www.hellsheadbangers.com

Morrigan stream the entirety of their new album “Anwynn”

WEREWOLF RECORDS is proud to present the long-awaited eighth album of Germany’s MORRIGAN, Anwynn, on CD and vinyl LP formats.



PLEASE NOTE: the CD version will be released on June 24th, while the vinyl version will follow later this year.

For those who’ve lurked within the black metal underground for the past two decades (or even longer), the name MORRIGAN should be more than familiar. As Mayhemic Truth from 1992-2000, the band released a steady stream of demos that bowed before the ancient altar of the almighty Bathory. The shimmering darkness that Mayhemic Truth created back then was an untrendy counterpoint to black metal’s increasingly mainstream aspirations during that period, and also served as an oft-overlooked pillar of Germany’s black metal underground. However, when the band changed their moniker to MORRIGAN at the dawn of the new millennium and released their debut album, Plague, Waste and Death, in 2001, changes were afoot – and they were grand. For the rest of the ensuing decade, MORRIGAN moved on from Bathory’s more hard-charging style into the glorious “Viking era” marked most poignantly by the dual classics of Hammerheart and Twilight of the Gods. Their exploration of Quorthon’s pagan ruminations soon became an almost parallel realm of unrecorded Viking Bathory work, both sincerely devoted to those twin tomes and simultaneously expanding upon them, the latter largely through the exploration of Celtic mythology. In short, this was the true sound of MORRIGAN, and they quietly led others into new-yet-old pagan vastlands.

Sadly, the MORRIGAN camp has been quiet since the release of 2013’s Diananns Whisper; only a far-too-short split with fellow Germans Blizzard came the following year. At last, they emerge from darkness and doubt with the surprise full-length Anwynn. The years have been kind to MORRIGAN: not only do they sound utterly invigorated with their solemn, hymnic pagan metal, but the rest of the wider underground has perhaps caught up with how far ahead they were in looking back, now able to appreciate the immensity and poignancy of MORRIGAN in their prime. Indeed, Annwyn is arguably the band at their peak of their powers; from beginning to end, the album magickally reminds of Bathory’s Viking era AND immeasurably adds to it, whisking the listener far away to forgotten realms and high adventure. “Epic” almost seems too cliche of a word to describe the thick-yet-spacious landscape MORRIGAN unfurl here – ominously rippling chords layered mountain-high, the subtle swell of mystical synth and various battle-oriented sound FX, the measured-yet-regal gait of everything, all of it simply HUGE – but it’s pretty much the (mayhemic) truth. As ever, the impassioned voice of founder Beliar imparts a blanching intensity to everything, the man imperfectly pouring his heart out with his clean tenor, but still equally able to utilize a blackened rasp for dramatic effect. Likewise, tempos occasionally dip into (dramatic) blasts, again expanding upon hints hidden within the Viking Bathory paradigm. All told, Anwynn is 53 minutes of classic MORRIGAN: no more and no less, and nothing else needed!

No other words necessary – Quorthon would be proud!

MORE INFO:
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Ohio’s MANTICORE set release date for long-awaited new HELLS HEADBANGERS album

Today, Hells Headbangers announces July 15th as the international release date for the long-awaited fourth album of Ohio’s Manticore, Endless Scourge of Torment, on CD and cassette tape formats. The vinyl LP version will follow later this year.

Formed at the dawn of the new millennium, Manticore have been a persistent and prolific force in the black/death underground, always sticking to their guns and defying convention with quality over quantity. That they released their pivotal Ritual Cleansing of the Whore EP through Judas Iscariot’s late/great Breath of Night label in 2002 should not go understated: from the very beginning, Manticore managed to create a wild ‘n’ warring sound that marries the muscularity of death metal with the graven aura of black metal, all performed with possessed and ritualistic execution. And although they’re just now set to release their fourth full-length, the power-trio have released a treasure trove of splits with the likes of Morbosidad, Bestial Mockery, Grave Upheaval, Sweden’s Kill, Canada’s Necroholocaust, and Obeisance among others, underlining their dedication to the true underground, when tape-trading, zines, and fliers were still king. 

Still, a Manticore album is always a momentous event, and especially more so for the forthcoming Endless Scourge of Torment – the band’s first full-length in ten interminably long years. Indeed, while they did release a split 7″ with the aforementioned Kill last year, Manticore here sound filthier and more refreshed than ever, their pulsing ‘n’ pustulent sound sharper than ever. And therein lies the magic of Manticore in general and Endless Scourge of Torment in particular: for such a gnarly ‘n’ gnawing sound, one inherently drowned deep in the primordial muck, the trio evince a startling clarity, which only serves to make their ever-sturdy songwriting that much stronger. To that, Manticore‘s songwriting here efficiently straddles the line between bursts of angular bestiality and slow ‘n’ swirling doom, the latter perhaps strangely crystalized by a surprise cover of Twisted Sister’s “Captain Howdy.” Elsewhere, Markus Kolar (ex-Kommandant, Forest of Impaled, Sarcophagus etc) provides the album’s intro and subtle orchestration on various songs, and it’s all topped off by nightmarishly detailed cover art courtesy of NetherTemple Design and interior art for each song by Dahmer Art.

“The more things change, the more they stay the same,” or so the cliche goes. That “black/death” underground has undoubtedly changed since the year 2000, but Manticore are still here – still potent, still feral, still very much Manticore. This is the Endless Scourge of Torment the faithful deserve!

In the meantime, hear the recently revealed track “Empty Eyes, Hollow Temples”  here:

Preorder info can be found HERE. Aforementioned cover art and tracklisting are as follows:

Tracklisting for Manticore (Ohio)’s Endless Scourge of Torment
1. The Fields of Torment
2. Thy Seed through the Fire
3. Breath of Plague
4. Empty Eyes, Hollow Temples
5. Halo of Vermin
6. Defiled by Supremecy
7. In Dark We are Enslaved
8. Captain Howdy [Twisted Sister cover]
9. Enveloped In Hatred
10. Requiem for a Worm
11. Abrahamic Obliteration

MORE INFO:
www.facebook.com/manticore666

www.hellsheadbangers.com

MONS VENERIS set release date for new SIGNAL REX album, reveal first track

Today, Signal Rex announces September 11th as the international release date for Mons Veneris‘ highly anticipated fifth album, Inversados d’Um Abismo de Podridão, on CD and cassette tape formats. The vinyl LP version will follow later this year.

For those who know and truly understand actual underground black metal, Mons Veneris require no introduction. For nearly 20 years now, this shadowy and insanely prolific Portuguese cabal have pursued a uniquely vile vision with an unquenchable thirst. From hammering primitivism to medieval melancholy, volcanic drone to chaotic oblivion, nods to the French Black Legions to frequencies far outside of metal, there’s never any guarantee of how Mons Veneris‘ vision will manifest itself – only that they’ll explore a darkness few have the constitution to tread.

And so it goes with their fifth album, Inversados d’Um Abismo de Podridã, which is intended as a homage to the original wave of Portuguese proto-black metal – namely Black Cross, Filii Nigrantium Infernalium, and Summum Malum – and thus is their native tongue invoked here. Mons Veneris full-lengths come when they come, always with countless EPs, splits, and demos in between, but rarely are a summation of what’s come before; for example, see the unsettling experimentalism of 2016’s Sibilando com o Mestre Negro, comprised entirely of classical guitar and violin. And while 2020’s Mistérios Satânicos Disformes Infernais featured two half-hour improv-heavy compositions, Inversados d’Um Abismo de Podridão sees Mons Veneris pursuing more song-based chunks of coruscating violence and primal-scream therapy. In other bands’ hands, such a return to more palatable “songs” would spell insufferable normalcy, but Mons Veneris are not like other bands. Each of the album’s eight songs shimmer with harrowing hues of disgust, dread, and disease; sometimes they headbang, sometimes they’re hummable, and sometimes they implode upon themselves; but most of all, they CHALLENGE the listener to withstand – to withstand not only the “noise” presented, but more so the NOISE within one’s soul, that calls unfalteringly and seductively, truth and taboo devouring each other like the Ouroboros. Or, simply know that Inversados d’Um Abismo de Podridão was not made for you.

No other words needed: this is Mons Veneris. A more righteous and rigorous exploration of black metal’s original unorthodox impulses one will not find nowadays.

Begin exploring those impulses with the brand-new track “Satanás Impera” here:

Cover and tracklisting are as follows:

Tracklisting for Mons Veneris’ Inversados d’Um Abismo de Podridão
1. Crueza Lúgubre
2. As Garras do Velho Escrito
3. Urna da Virgem Desalmada
4. Sê a Minha Morte
5. O do Fosso da Vida
6. Satanás Impera
7. No Trono do Desconhecido
8. Discípulo do Mal

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