Today, American black metallers Black Eucharist premiere the new track “Ziziphus Paliurus”. The track is the second to be revealed from the band’s highly anticipated debut album, Inn of the Vaticide, set for international release on June 23rd via Stygian Black Hand. Hear Black Eucharist ‘s “Ziziphus Paliurus” in its entirety here:
Originally under the moniker Black Ejaculate, Black Eucharist began in 2018 with the sole purpose of blasphemy and ridicule of Nazareth’s infamous liar who shat himself upon the cross. After a name change in 2021, Black Eucharist return with darkness and evil to continue where they left off, following in the footsteps of their USBM predecessors Profanatica, Demoncy, VON, and Masochist among others: Biblical dejection, phallic corruption, and holy profanation manifest in the utterings of this treacherous triumvirate.
At long last unleashing their first full-length, Inn of the Vaticide, the power-trio of drummer Shemhamforash (Blood Ouroboros, Graven Hag), vocalist/guitarist Infestor (Demiser, Primitive Warfare), and bassist Gravepisser (Demiser) proceed to blow the floodgates open with a vile stream of viscera and effluvium. As a debut album, Inn of the Vaticide does what it should: carrying forward the sound & style as set forth on a demo and then adding new vulgarity & violence, hammering home the message with both authority and daresay swagger. Truly, Black Eucharist add to and elevate their noble influences, stylistically slotting among the aforementioned but never fully feasting on the corpse of the past. Imagination and perversity are in equal supply here.
So, all deviants and perverts, antagonists and maniacs: witness the debut full-length of Black Eucharist as they revile the scum-born charlatan whose treachery still befouls his flock! A full 40 minutes of profanation, desecration, and impiety will flood your ears with the lamentation of the “virgin” and her duplicitous progeny! Inn of the Vaticide is a VICIOUS MOCKERY OF THE MEEK!
Also hear the previously revealed “Deflowering Jerusalem” HERE at Stygian Black Hand‘s Bandcamp, where the album can also be preordered. Cover and tracklisting are as follows:
Tracklisting for Black Eucharist (USA)’s Inn of the Vaticide 1. Black Ejaculate 2. Deflowering Jerusalem 3. Drowned Flock 4. Inn of the Vaticide 5. The Soiled Crucifix 6. Broken Staff of the Shepherd 7. Ziziphus Paliurus 8. A Foul Stench Lingers at Peor
Today, Helter Skelter Productions (distributed & marketed by Regain Records) announces July 28th as the international release date for En La Niebla‘s striking debut album, El Limbo de Los Callados, on CD and vinyl LP formats.
Hailing from the rising Argentinian stoner scene – from which labelmates Mephistofeles, Fulanno, Sahara, The Crooked Whispers, and Serpent Cobra sprang – En La Niebla are a power-trio carrying forward their country’s prevailing paradigm. Uniquely in light of their no-less-distinguished contemporaries, the band sing entirely in their native tongue, lending a foreign-yet-familiar element that makes their diabolism hit that much harder.
Released digitally during the final days of 2022, El Limbo de Los Callados confidently introduces En La Niebla‘s moody, bluesy style of stoner doom. Short but definitely very sweet, the album’s five tracks in nearly a half-hour plod with a downtrodden swagger, but frequently dip into (very slightly) quieter moments that almost seem jammy. The bluesy licks then hypnotize with hazy majesty as the volume & intensity continue to dip, heightening the tension (and darkness) before the BIG diabolic crush of traditional doom riff. Simple-yet-sublime pleasures, and with personality to spare: En La Niebla begin their journey into the beyond with El Limbo de Los Callados.
In the meantime, stream the entirety of El Limbo de Los Callados here:
Cover and tracklisting are as follows:
Tracklisting for En La Niebla’s El Limbo de Los Callados
1. El Sendero del Druida [3:10] 2. Evocando el Ritual [5:54] 3. Cabras Negras [6:36] 4. Las Brujas [7:16] 5. El Limbo de Los Callados [6:30]
On July 28th, Countess Erzsebet will self-release her self-titled mini-album on CD and vinyl LP formats.
Countess Erzsebet is the work of Rachel Bloodspell Moongoddess, who’s previously played bass for a number of bands but more recently Xasthur, where she did three tours playing acoustic bass and was on the Aestas Pretium MMXVIII EP. A guitar/bass-maker learning the luthier trade, Rachel plays in Countess Erzsebet her own electric bass and guitar she both built. All instrumentation in the band – guitar, bass, organ, vocals, and programming – is handled by Rachel, with four of the upcoming mini-album’s songs featuring drums by Steve Peacock of Spirit Possession and Pandiscordian Necrogenesis. Trained in classical piano and jazz bass and guitar as a child, Rachel’s unique upbringing is subtly interwoven into Countess Erzsebet.
Previously monikered Erzsebet and having digitally released the nearly-album-length Black Spell in 2017, Rachel’s rebirth as Countess Erzsebet marks a clear, new epoch for the one-woman band. Whereas that previous recording was more than half acoustic and largely instrumental, Countess Erzsebet builds a grimier and ghastlier soundworld where the likes of Goblin, Ved Buens End, Mercyful Fate, Coven, Leviathan, and Bathory all bubble in a murky, mysterious cauldron – and what emerges sounds entirely unique, and entirely Countess Erzsebet. Olde-worlde and unorthodox, Rachel here harkens to lonelier, more vanguard days for black metal, brimming with a bounty of ideas that seem strange on the surface, but all eventually are threaded together with bedeviling witchcraft. With Hammer-horror organ and her whisper-to-a-scream vocals at the forefront, Countess Erzsebet here creates a remarkably varied canvas where each track holds its own identity – be it primitive gutter pulse or wandering-in-the-woods ethereality, ultra-minimalist doom or occultic torch song – and they’re then sequenced in a manner that creates an all-consuming experience. And one, above all, that is HAUNTING beyond belief: Rachel’s own music videos and plans for using the mini-album as the soundtrack to an independent short film no doubt render Countess Erzsebet a cinematic work.
Out of the dungeons and into the woods, spells cast and the Self recast, Countess Erzsebet displays a bold & brazen landscape on which to roam with Countess Erzsebet.
In the meantime, hear the brand-new track “Glorification of the Profane” here:
Cover and tracklisting are as follows:
Tracklisting for Countess Erzsebet’s Countess Erzsebet 1. In the Blood of Virgins 2. Glorification of the Profane 3. 666 4. Pray to the Devil 5. Obliteration of Thine Enemy 6. Exile Into Depravity
Today, Armageddon Label announces June 30th as the international release date for a brand-new album from the singular Bastard Noise, Incineration Prayer / Self Righteous Suicide, on vinyl LP format.
There is refuge in sound, especially when it collides with the critical human spirit. In desperate times (as the world is facing even more fervently), sound can truly be a weapon of awareness. Nothing makes this case more “black and white” and apparent than the most recent full-length by Bastard Noise: Incineration Prayer / Self Righteous Suicide.
Created exclusively with organic handmade ROARAFC caveman electronics (built by Barnes of Man is the Bastard, Bastard Noise, and Amps for Christ), “Incineration Prayer” (Side A of the album) is a dire message to take heed that the earth mother is bleeding and turning into a furnace at the hands of “mancruel.” Full-blown cosmic attack and next-level desperation-based vocals/lyrics that reflect the power of nature rebelling in the face of death: “Incineration Prayer” is a single cutting-edge, long-form composition that sees hope in danger and crisis.
“Self Righteous Suicide” (Side B of the album) spans four separate tracks of sound and vision highlighting without regret the endless misery the animals of the world face at the hand of dirty, ignorant, and selfish humans. Using TROGOTRONIC electronics solely on this side, the listener is brought to the “front lines” of animal liberation consciousness and the “David vs. Goliath”-based existence we face every day at the hands of the global factory-farm “murder machine.” “Self Righteous Suicide” is a humble B Side statement that “rocks the boat” for all (even the unwilling) to see and hear.
This a complex and destitute (in its attack-based violence) sound document that pushes low-end energy and visceral, naked high frequencies into the red. It is dedicated to all who help heal the earth and for those incarcerated for liberating sentient beings across the world in vivisection laboratories, factory farms, and fur farms.
Preorder info can be found HERE at Armageddon Label‘s Bandcamp. Cover and tracklisting are as follows:
Tracklisting for Bastard Noise’s Incineration Prayer / Self Righteous Suicide Side 1: “Incineration Prayer” 1) Incineration Prayer
Side 2: “Self Righteous Suicide” 1) Simulated Kindness 2) Her Milk Is Not Yours Asshole 3) The Holocaust No One Cares About 4) Earth Without Man (The Only Unspoiled Time)
Today, reanimated Quebecois black metallers Miserere Luminis premiere the new track “Le Sang des Rêves”. The track is the first to be revealed from the band’s long-awaited comeback album, Ordalie, set for international release on June 24th via Sepulchral Productions. Hear Miserere Luminis’ “Le Sang des Rêves” in its entirety here:
Nearly 15 years after the release of the debut album of their collaborative project, Gris’ Icare and Neptune as well as Sombre Forêts’ Annatar are back with a long-awaited second Miserere Luminis album! Despite the very long time between the two albums, fans of the band will find there everything that made their first opus so striking: dissonant and atmospheric guitars, complex song structures, tortured vocals, and that ever-present flair for the dramatic! Dark and beautiful at the same time, Ordalie will take you through a journey unlike any other, crafted by legends of Québec’s atmospheric black metal scene…
Preorder info can be found HERE. Cover and tracklisting are as follows:
Tracklisting for Miserere Luminis’ Ordalie 1. Noir fauve 2. Le sang des rêves 3. La fêlure des anges 4. Les couleurs de la perte 5. De venin et d’os
Today, Greek black/death cult Hate Manifesto reveal the new track “Chains of the Oppressor pt II.” The track is the second to be revealed from the band’s highly anticipated second album, ΑΠΟΣΤΑΤΗΣ, now set for international release on June 9th via Helter Skelter Productions (distributed & marketed by Regain Records). Hear Hate Manifesto‘s “Chains of the Oppressor pt II” in its entirety here:
One of Greece’s best-kept secrets, Hate Manifesto formed in 2003 but, so far, have an extremely sparse discography. However, what they lack in quantity, they more than double-up on in quality. To Those Who Glorified Death, their debut album from 2017 – which Helter Skelter rereleased on a worldwide scale in early 2018 – displayed the shockingly extreme force with which Hate Manifesto could create their whirlwind of martial black/death. In 2019 came the aptly titled Herald of Triumph EP, which fully displayed the armament of their potential. Comprising four fierce ‘n’ fiery tracks in a swift ‘n’ decisive 17 minutes, Herald of Triumph was full-on shock & awe – CRUSH, KILL, DESTROY – with Hate Manifesto‘s chosen weapons being the iron-fisted surge of black metal and the muscular swarm of death metal, all rendered in rich, devastating tones. Of course, none of this should’ve come as a surprise given that the band is yet another work of the extremely prolific W.S.P., who also numbers such Helter Skelter cults as Caedes Cruenta, Black Blood Invocation, and Walpurgia among many others.
Now W.S.P. returns Hate Manifesto to the front with the full-length ΑΠΟΣΤΑΤΗΣ, and he’s joined by drum-god Simon “Bloodhammer” Schilling (Marduk, Eucharist). Picking up the pieces left behind by Herald of Triumph – or rather, the wreckage from the battlefield – ΑΠΟΣΤΑΤΗΣ (“Apostate” in English) is an immediately obliterating spin. Across eight songs in 38 minutes, the duo continue to create a martial sort of black/death that’s strict, cruel, and caustic. Is it “blackened death metal” or even “deathened black metal”? Appellations matter not when faced with this sort of iron-fisted attack, for its strength lies in the songwriting: W.S.P.’s riffs flow like acidic mercury, and Schilling’s drums race with deft dynamics. Indeed, for however harsh and austere Hate Manifesto‘s aesthetic is here, there’s a remarkably streamlined sensibility that lends infinite memorability to ΑΠΟΣΤΑΤΗΣ – and repeatability, as you’ll be compelled to press “play” and submit to their onslaught again and again. And when the rare burst of guitar solos come in? MADNESS!
Simultaneously classic and modern, Hate Manifesto continue their campaign of cruelty with ΑΠΟΣΤΑΤΗΣ!
Continue the march with the previously revealed “Poison Infliction” HERE, also at Regain Records‘ official YouTube channel. Preorder info can be found HERE. Cover and tracklisting are as follows:
Tracklisting for Hate Manifesto’s ΑΠΟΣΤΑΤΗΣ 1. Inauguration of Triumphal Ascension 2. Extinction Ordained 3. Poison Infliction 4. Purging the Seeds of Pestilence 5. Sworn to Hatred 6. Decimation Order 7. Deconstructing the Assemblage of Deception 8. Chains of the Oppressor pt II
On June 24th internationally, Sepulchral Productions is proud to present Sacrenoir‘s highly anticipated debut album, Comme des Revenants Parmi les Ruines.
Two pioneers of the Québec black metal scene, Athros (Brume d’Automne, Forteresse) and Monarque (Monarque, Forteresse) revisit the very early days of black metal on Sacrenoir’s raging debut album. Falling in somewhere their respective bands and old Darkthrone and Gorgoroth or even Bathory, Comme des Revenants Parmi les Ruines is cold, raw, classic black metal, the likes of which has seldom been heard within the Québécois scene. For fans who will never get enough of that early ’90s sound, this is an album you cannot afford to miss!
First track premiere to be revealed shortly. Preorder info can be found HERE. Cover and tracklisting are as follows:
Tracklisting for Sacrenoir’s Comme des Revenants Parmi les Ruines 1. Mille nuits ont passé 2. Portail vampirique 3. Étouffés par les flammes 4. The blade of Satan 5. Épuration 6. Le puits du diable 7. Aux portes de l’enfer 8. Vers d’autres mondes 9. Parmi les ruines
Black Metal legends TSJUDER are ready to release ‘Prestehammeren’ to the world! ‘Prestehammeren’ (which means The Priest’s Hammer) is taken from their new album “Helvegr”, which will be released worldwide on June 23, 2023 via Season of Mist.
TSJUDER is releasing ‘Prestehammeren’ in a form of a visualiser video, envisioning the concept of this raw, aggressive, and uncompromising song. The new track is available here:
TSJUDER comments: “This is Prestehammeren. The second track on our forthcoming album Helvegr. Torture and Revenge!”
Pre-orders for “Helvegr” are available HERE, while the album can be pre-saved HERE. (Some vinyl’s are already sold out)
The album will be released on various physical formats, such as cd digipack and coloured vinyl, but also limited edition clamshell box (cd) and LTD vinyl box. These limited edition come with a bonus album “Scandinavian Black Metal Attack” in which TSJUDER pays a special ode to BATHORY.
Artwork: Jonas Svensson and Laura Nardelli
Track-list: 1. Iron Beast (3:37) [WATCH HERE] 2. Prestehammeren (4:01) [WATCH HERE] 3. Surtr (6:59) 4. Gamle-Erik (3:46) 5. Chaos Fiend (4:02) 6. Gods of Black Blood (5:19) [WATCH HERE] 7. Helvegr (7:36) 8. Faenskap og Død (3:08) 9. Hvit Død (2:52)
Since their inception in 1993, Oslo’s TSJUDER have been responsible for some of the most hate-filled ferocity perpetrated under the banner of TRUE NORWEGIAN BLACK METAL.
The band’s unholy fire was initially lit when founding members NAG (vocals/bass), BERSERK (guitar) and DRAUGLUIN (guitar) grew weary of playing death metal and sought out engorged levels of extremity to sate their increasingly profane ambitions. The time was ripe to inaugurate a ceaseless campaign committed to an uncompromising strain of brutally raw black metal, influenced by the primal thrash blasts of Sodom, Kreator, Destruction, Sarcófago and early Sepultura; black metal first wave trailblazers such as Bathory and Hellhammer; and, most vitally, Mayhem’s seminal Deathcrush, and Darkthrone’s game-changer, A Blaze in the Northern Sky.
Assuming the TSJUDER name, a moniker plundered from a mythical, murderous Northern tribe, various embryonic line-ups gathered around the all-conquering core of Nag and Draugluin, laying the fearsome foundations for what was to follow with two demos – Ved Ferdens Ende and Possessed – recorded between 1995-96. But it was with 1997’s EP, Throne of the Goat, that the black metal underground really began to sit up and take notice, the release establishing TSJUDER’s reputation as a blasphemous bulldozer hellbent on crushing the insipid and nostalgic in relentless blizzards of sub-zero riffage, punitive blast beats and blood-curdling screams.
Recordings for an inaugural full-length in 1999 were lost to a computer virus, but from the scavenged remnants of these sessions would emerge the Atum Nocturnem demo, an obnoxious foretaste of the group’s debut album, Kill For Satan, an international breakthrough slathered in slime-encrusted sacrilege. That damnable release saw the aptly-named ANTI-CHRISTIAN open his TSJUDER account, the drummer blasting a succession of gateways though the underworld, pulverising a punitive march to the band’s malevolent maelstroms. Demonic Possession (2002) and Desert Northern Hell (2004) sustained the band’s focus on death, devils and destruction, while ratcheting up the production levels on a barbaric brace of flesh-strippers conjuring a landscape of frost-bitten wastes and foul abyssal realms. With the music press busy dishing out plaudits, the band’s burgeoning confederacy of fanatics were becoming desperate for some TSJUDER live action. Heeding the clarion, the band embarked on a full European tour with fellow countrymen Carpathian Forest. They also recorded a pair of gloriously powerful live performances in 2005, in Norway, which would subsequently be documented on the group’s NorwegianApocalypse DVD.
TSJUDER would take a deserved hiatus in 2006, with members finding other musical outlets for their creativity; Nag launching heretical black metal outfit KRYPT; Draugluin and Anti-Christian doing time with the thrashier TYRANN.
But it wouldn’t be long before the irresistible call of TSJUDER would exert itself once more. The band reconvened, reenergised and eager to make up for lost time, returning to live performances in 2010 before finally unleashing the mighty Legion Helvete (2011), a typically uncompromising comeback interspersed with pronounced Motörhead influences on punkish hyper-blasters such as ‘Slakt’. It would be another four years before TSJUDER issued the merciless Antiliv (2015), a snarling lycanthropic howl of a record, heavy-loaded with vindictive black’n’roll swagger and lashings of buzzsaw guitar.
TSJUDER quickly set about creating the follow-up to Antiliv, but musical differences and protracted disputes led to a parting of the ways, with Anti-Christian bowing out after an impressive 20-year tenure with the group. Undaunted, Nag and Draughluin enlisted doyen tub-thumper JON RICE to provide the requisite drum artillery and continued to work on new recordings – fine-tuning guitar tones and sharpening mixes.
Then COVID-19 struck, the pandemic further stymieing the album’s release as the world tumbled from its fragile axis. But humanity is now benignly settling into its most chronic phase of perpetual abnormality and TSJUDER are steeled again to hoist their inverted cross above the barricades of conciliation. Their latest opus, Helvegr, is a devastatingly savage offering, one which fully adheres to the band’s eternal credo of “NO FUCKING COMPROMISE”.
Recording Line-up: Nag – Bass & Vocals Draugluin – Guitars & Vocals Jon Rice – Drums
Guest musicians: Guitar solo on ‘Gamle Erik’ by Pål Emanuelsen Guest vocals on ‘Gods of Black Blood’ by Seidemann (1349)
After the departure of Anti-Christian, Jon Rice and Eivin Brye has shared the drum duties on TSJUDER ‘s live performances.
On June 24th internationally, Sepulchral Productions is proud to present Miserere Luminis‘ long-awaited comeback album, Ordalie.
Nearly 15 years after the release of the debut album of their collaborative project, Gris’ Icare and Neptune as well as Sombre Forêts’ Annatar are back with a long-awaited second Miserere Luminis album! Despite the very long time between the two albums, fans of the band will find there everything that made their first opus so striking: dissonant and atmospheric guitars, complex song structures, tortured vocals, and that ever-present flair for the dramatic! Dark and beautiful at the same time, Ordalie will take you through a journey unlike any other, crafted by legends of Québec’s atmospheric black metal scene…
First track premiere to be revealed shortly. Preorder info can be found HERE. Cover and tracklisting are as follows:
Tracklisting for Miserere Luminis’ Ordalie 1. Noir fauve 2. Le sang des rêves 3. La fêlure des anges 4. Les couleurs de la perte 5. De venin et d’os
The Brazilian black metal underground stalwarts of MYSTIFIER will return to Europe in June and July 2023 for a run of festivals and club shows! The ‘Primitive Black Magic Dynasty tour’ will kick off on June 10th at the Nada Festival in Beja (PT) and the rampage ends at the Cassiopeia venue in Berlin (DE) on the 23rd of July. A full list of dates can be found below.
MYSTIFIER 10 Jun 23 Beja (PT) Nada Festival 11 Jun 23 Stockholm (SE) Klubb Fredagsmangel 13 Jun 23 Kassel (DE) Goldgrubbe 14 Jun 23 Munich (DE) Backstage 15 Jun 23 Abtenau (AT) Neudegg Alm 16 Jun 23 Oberhausen (DE) Helvete 17 Jun 23 Amsterdam (NL) Occii 18 Jun 23 Charleroi (BE) MCP Apache 19 Jun 23 Bristol (UK) Dareshack 20 Jun 23 Glasgow (UK) Audio 21 Jun 23 Newcastle (UK) Trillians Rock Bar 22 Jun 23 London (UK) Underworld 23 Jun 23 Thessaloniki (GR) Eightball 24 Jun 23 Athens (GR) Temple 26 Jun 23 Bilbao (ES) Gaztetxe Zorrotza
27 Jun 23 Madrid (ES) Sala Silikona 28 Jun 23 Zaragoza (ES) Sala Utopia 29 Jun 23 Barcelona (ES) Espai Zowie 01 Jul 23 Erba (IT) Centrale Rock Pub 02 Jul 23 Bologna (IT) Freakout 03 Jul 23 Liestal (CH) A_Way 04 Jul 23 Toulouse (FR) L’usine a Musique 05 Jul 23 Paris (FR) Le Klub 06 Jul 23 Hengelo (NL) Innocent 07 Jul 23 Hamburg (DE) Bambi Galore 08 Jul 23 Fredericia (DK) Metal Magic Fest 09 Jul 23 Copenhagen (DK) Beta 11 Jul 23 Oslo (NO) Vaterland 12 Jul 23 Gothenburg (SE) The Abyss 13 Jul 23 Malmo (SE) Plan B 15 Jul 23 Torgau (DE) In Flammen Festival 16 Jul 23 Dresden (DE) Chemiefabrik 17 Jul 23 Prague (CZ) Modra Vopice 18 Jul 23 Zagreb (HR) Mocvara 19 Jul 23 Hodmezovasarhely (HU) Lowland Festival 20 Jul 23 Vienna (AT) Escape Metal Corner
21 Jul 23 Bratislava (SK) Pink Whale 22 Jul 23 Crispendorf (DE) Chaos Descends Festival 23 Jul 23 Berlin (DE) Cassiopeia
MYSTIFIER will be touring in support of their latest album ‘Protogoni Mavri Magiki Dynasteia’, which was released in 2019. The album is now streaming via the official Season of Mist YouTube channel HERE.
Track-list 1. Protogoni Mavri Magiki Dynasteia (4:34) 2. Weighing Heart Ceremony (5:05) 3. Witching Lycanthropic Moon (5:27) 4. Akhenaton (Son Mighty Sun) (4:48) 5. Six Towers of Belial’s Path (4:14) 6. Demoler las Torres del Cielo (en nombre del Diablo) (4:12) 7. Soultrap Sorcery of Vengeance (5:26) 8. (Introcucione d’la Melodia Mortuoria) Thanatopraxy (6:14) 9. Al Nakba (666 days of War) (5:03) 10. Chiesa dei Bambini Molestati (5:02) Total: 50:05
Brazilian act MYSTIFIER was formed by lead guitarist and bassist Beelzeebubth, drummer Lucifuge Rofocale, guitarist Behemoth, and vocalist Meugninousouan in Salvador, Bahia in 1989. The band created an aggressive, fast, and malignant sound within the classic black metal style, which makes them veterans of their scene.
A first demo tape, which was entitled ‘Tormenting the Holy Trinity’ came out in November 1989 and secured the band several shows all over Brazil. The 7″ debut single ‘The Evil Ascension Returns’, as well as a second demo entitled ‘Aleister Crowley’, led to widespread underground recognition for MYSTIFIER in 1990.
MYSTIFIER‘s debut full-length, ‘Wicca’ was already released worldwide in 1992 and the Brazilians managed to cement their reputation with each following record and accompanying tour. ‘Göetia’ hit the streets in 1993, ‘The World Is So Good That Who Made It Does Not Live Here’ followed in 1996, and ‘Profanus’ came out in 2001. In the wake of the deluxe box ‘Baphometic Goat Worship’ (2008), MYSTIFIER performed at the NWN Festival ll in Berlin, Germany and several other festivals around the globe.
As time went by, MYSTIFIER underwent some radical line-up changes. Vocalist Leandro Kastyphas was replaced by the exceptional Diego Sorcerer Do’Urden from INFESTED BLOOD, and drummer Alex Rocha (POISONOUS) handed his sticks over to Edward WarMonger (formerly of MEDICINE DEATH), who brought much experience and maturity to the group’s compositions.
Having wrecked stages throughout South and North America, Europe and other places with several sold-out shows during the ‘Bloodshed Rituals’ tour in support of ROTTING CHRIST, MYSTIFIER are now proudly presenting their newest offering ‘Protogoni Mavri Magiki Dynasteia’!
