Germany’s WARLUST premiere new track, set release date for new DYING VICTIMS album

On September 27th internationally, Dying Victims Productions is proud to present the highly anticipated third album of Germany’s WarlustSol Invictus In Umbrae Satanae, on CD and vinyl LP formats. And today, they premiere the new track “…Of Gallows & Absurdity.” Hear Warlust’s “…Of Gallows & Absurdity” in its entirety here:

Once one of the metal underground’s best-kept secrets, Warlust began their assault on the false in 2012. The title of their debut demo, 2014’s Unholy Attack, said everything it needed to: here was blackthrashing METAL, steeped in the spirits of old and with genuinely evil blood coursing through its veins. However, it was 2017’s Morbid Execution debut album where Warlust first truly took flight – on burning wings of flame! More intense, more epic, more heavy fucking metal, Morbid Execution carried on the noble work started by founding fathers Desaster in their homeland and Deströyer 666, Zemial, and Aura Noir abroad. Still, more swords were to be sharpened, and they were held aloft in glorious might on Warlust’s second album (and first for Dying Victims), 2020’s Unearthing Shattered Philosophies. Unshackling themselves from a strict(er) blackthrash template, the band’s songwriting blossomed on their sophomore assault alongside an increased understanding (and usage) of dynamics. Meanwhile, Warlust’s simultaneously cryogenic / burning-hot melodicism heighten comparisons to classic Dissection and Necrophobic and justifiably garnered a wealth of acclaim upon its release.

That noble trajectory continues, four years later, on Warlust’s Sol Invictus In Umbrae Satanae. That title serves as a clarion call for those who heed the call of Hell’s heavy metal – eternal, unyielding, suffused with strength and vigor in times of terror and triumph, melancholy and malevolence. Taking a wider view of Warlust’s discography, this third album follows logically from its predecessor, making for an equally-cutting counterpart compared to the rougher outlier of the debut. Thankfully, then, little has changed in the band’s arsenal – the narratives are epic but always urgent, the melodicism still surges and sways with maximum evil, muscular chops melded with blackest atmosphere – but if there’s one uptick to be said for Sol Invictus In Umbrae Satanae, it’s how HUGE the whole record sounds. Much of that can be attributed to the pronounced integration of marching mid-tempos as well as some tasteful clean tones, but from the brief intro to bristling opener “Serpent Crown” onward, Warlust exude both a tightness and clarity of execution that altogether spell “classy,” and all without any sacrifice of their original black/death fire. Put another way, with the palatably professional production pushing the album atop the uppermost echelon of nowadays evil metal, the Germans sound like they could command the biggest of stages, wielding their weapons of sonic sin with the composure and charisma befitting of total legends. But that legendry is still being written, and Sol Invictus In Umbrae Satanae is no doubt Warlust’s biggest & boldest script yet!  

Cover and tracklisting are as follows:

Tracklisting for Warlust (Germany)’s Sol Invictus In Umbrae Satanae
1. In Concord & Euphoria
2. Serpent Crown
3. Between Apeiron & Plague
4. Sol Invictus In Umbrae Satanae
5. Forgotten Cult Of Chronos
6. The Followless
7. …Of Gallows & Absurdity
8. Legio! Aeterna! Victrix!
9. Black Souls

MORE INFO:
www.facebook.com/warlust666

www.dying-victims.de 
www.facebook.com/dyingvictimsproductions 

DEATHLESS VOID set release date for IRON BONEHEAD debut album, reveal first track

Today, Iron Bonehead Productions announces September 20th as the international release date for Deathless Void‘s highly anticipated debut album, The Voluptuous Fire of Sin, on CD and vinyl LP formats.

Hailing from the resurgent Dutch black metal scene, the then-mysterious Deathless Void made their public debut with a self-titled EP in early 2022, released by Iron Bonehead. Across its three-song / 15-minute runtime was a vacuum of violent, post-modern death energy. Their foundation was undoubtedly black metal, but their vision was not blinkered by the past; if anything, the jet-stream of crushing chaos across Deathless Void was futuristic, albeit a ruined vision of such. 

Reprising two of those EP tracks, The Voluptuous Fire of Sin becomes the penultimate first statement from Deathless Void. Much of that foundation is fortunately still in place – palpitating physicality mutated into cold, cutting, gleaming-yet-bloodstained steel – but the now-quartet have excised some of the noisier crags of that EP in favor of a more organic soundfield, which exceptionally amplifies the latent nightsky melodicism of their black metal. In terms of that EP, one could point to later Katharsis or Antaeus or especially turn-of-the-millennium Thorns as touchstones; on The Voluptuous Fire of Sin, there’s a palpably late ’90s feel in both songwriting and production, such that one could psychically slot the album among the No Fashion Records roster back then. Still, said EP whipped forth its own dread and delirium, and Deathless Void duly maximize that sensation here. The riffs and rhythms may attack in a somewhat-familiar manner, but coursing through their bloodstream is a haunting aspect that hovers both above and below, each texture daubed in nightmarishly psychedelic color – all emanating from BLACK. Not for nothing does the record (violently) begin with “Psychedelic Warfare” on to “Purple Triad,” with “The Ecstasy of Sin” able to be tasted when “Crossing the Threshold” until, finally, there’s a “Curse Upon You”… 

The start of THE END begins again: Deathless Void‘s The Voluptuous Fire of Sin!

In the meantime, hear the brand-new track “Vortex Climax” here:

Cover and tracklisting are as follows:

Tracklisting for Deathless Void’s The Voluptuous Fire of Sin
1. Psychedelic Warfare
2. Vortex Climax
3. The Shattered Realms Of Man Become The Abyss
4. The Ecstasy Of Sin
5. Iside
6. Burning Shapes Without Form
7. Crossing The Threshold
8. Purple Triad
9. Curse Upon You

MORE INFO:
www.facebook.com/Deathless-Void-103576735546776

www.facebook.com/IronBoneheadProductions

1349 Master the Darkness on First Single “Shadow Point” 🔥

Born from the frost-bitten landscapes of Norway, 1349 return to claim the throne of black metal supremacy with their blistering lead single, Shadow Point. This infernal offering, carved from the seething heart of their upcoming album The Wolf and The King, is proof of their unwavering dedication to the genre’s darkest depths.

Shadow Point revisits the infernal pathways 1349 has traversed, enhancing the aural ferocity with unrelenting groove and complex, headbanging riffs that echo the haunting chills of the abyss. This track captures the raw, unfiltered sound that has defined the band’s legacy – a sonic onslaught that commands respect and fear.

The Wolf and The King is a monument of black metal mastery, an eight-track odyssey recorded at Amper Tone in Oslo and New Constellation R.M.P. in Orlando, produced and mixed by the relentless duo Ravn and Jarrett Pritchard. This album does more than just push boundaries; it shatters them, exploring themes of transformation through destruction, liberation, and mind expansion.

Each track is a portal into realms where shadows reign, and chaos is the only order. From the menacing grooves of The God Devourer to the cataclysmic landscapes of Fatalist, every song is imbued with apocalyptic elegance. The previously released Ash of Ages‘ merges thrash influences with black metal intensity, while Inferior Pathways forms an indomitable backbone of unforgiving riffage and demonic rhythms.
Ash of Ages can still be ordered on a 12″ vinyl: https://redirect.season-of-mist.com/1349AshofAges

Prepare for the aural assault – Shadow Point is just the beginning. Embrace the void and succumb to the relentless fury of 1349‘s blackened artistry.

Watch the hellish music video for Shadow Point, directed by Claudio Marino here:

The Wolf and The King is out October 4th via Season of Mist.

➤ Pre-order & Pre-save: https://orcd.co/1349thewolfandtheking

In a union that promises to reshape the contours of black metal, Norwegian titans 1349 will be joining forces with the revered Kampfar for the highly anticipated 1349 & Kampfar – 2024 EU Co-Headline Tour. A ceremonial gathering of black metal’s most fervent apostles, ready to spread the gospel of Aural Hellfire and pagan might across Europe.

1349 & Kampfar Co-Headline – 2024 EU Tour:
01 October: Leipzig, DE @ Anker
02 October: Berlin, DE @ SO36
03 October: Aarhus, DK @ Voxhall
04 October: Gothenburg, SE @ Filmstudion
05 October: Stockholm, SE @ Kolletkivet Livet
07 October: Helsinki, FI @ Aaniwalli
08 October: Tallinn, EE @ Helitehas
09 October: Riga, LV @ Melna Piektdiena
10 October: Warsaw, PL @ Proxima
11 October: Kraków, PL @ Kamienna 12
12 October: Vienna, AT @ Vienna Metal Meeting
13 October: Budapest, HU @ Barba Negra
15 October: Prague, CZ @ Futurum
16 October: Munich, DE @ Backstage
17 October: Milano, IT @ Slaughter Club
18 October: Colmar, FR @ Le Grillen
19 October: Aarburg, CH @ Musigburg
20 October: Oignies, FR @ Tyrant Fest
22 October: Weiher, DE @ Live Music Hall
23 October: Paris, FR @ Le Petit Bain
24 October: Bochum, DE @ Zeche
25 October: Amstelveen, NL @ P60
26 October: Maastricht, NL @ Samhain Festival

Tracklist
1. The God Devourer (5:10)
2. Ash of Ages (5:27) [LISTEN]
3. Shadow Point (3:40) [WATCH]
4. Inferior Pathways (4:28)
5. Inner Portal (5:08)
6. The Vessel and The Storm (5:15)
7. Obscura (3:44)
8. Fatalist (5:51)
Total runtime: 39:01

1349 is not like other bands. It’s not a group of friends who decided to make music together. 1349 is a band formed with a unified vision and specific purpose: To maintain the legacy of black metal.

“I didn’t like the direction that black metal took in the mid part of the ’90s,” 1349 vocalist and mastermind Ravn recalls. “It started losing everything that I liked about black metal—the grimness, the eeriness, the primal emotions that captivated me and brought me into that sphere. You had all these synthesizer-based bands dressing up in pirate shirts and looking like goths. It ruined something that I truly hold close to my heart.”

In 1997, Ravn formed 1349 and recruited bassist Seidemann and, now former, guitarist Tjalve to help him pursue the vision of recapturing the original spirit of black metal. The longstanding lineup of Ravn, Seidemann, guitarist Archaon, and drummer Frost (also of Satyricon) has been in place since 2001. “I found people that felt the same way as me,” Ravn says of his bandmates. “We wanted to bring back the trademark of Norwegian black metal, as it was presented in the early 90s. Every time we release an album, that’s the inspiration and the backdrop.”

The Wolf and the King is the latest sortie in that crusade.1349’s eighth album sees the Oslo-based band harnessing the primordial energy of black metal’s decade-defining second wave and channeling it through ancient mysteries and the relentless global chaos of the 2020s.

The album title comes from a classic alchemical allegory: A wolf devours a king. Then the wolf is devoured by flames, and a new king rises from the ashes. “When I first heard about alchemy when I was young, it was people turning metal into gold,” Ravn says. “Further down the road, through various literatures and magical practices, I realized that what you’re turning into gold is metaphorical. It’s about personal development, basically. You want to be the best you can be, and that’s what we try to do as well. We try to top ourselves, to kill our egos in order to grow as persons. If you don’t do that, you will die. You will not rise from the ashes.”

Lead single “Ash of Ages” combines thrash with extreme metal flourishes and a proper doomsday theme. “The song is based on a story I read about a layer of ash that covered the Earth 12,000 years ago,” Ravn explains. “This layer of ash comes from a meteorite that struck the Earth during the Ice Age. It melted a lot of the ice, which is where the Great Flood came from. The Great Flood is in the Bible, but it was written about in every ancient culture. The theory is that it washed away a lot of other ancient cultures that held a higher intelligence level than those that were found after the flood. So, it possibly set human civilization back many thousands of years.”

Released as a one-sided maxi-12” with a flipside etching by Jordan Barlow—who did all the artwork for The Wolf and the King (as well as the band’s 2019 album, The Infernal Pathway)—“Ash of Ages” is also a warning to check your ego. “To think that you’re important, that you’re anything but an ant down there, is futile,” Ravn points out. “In the end, everything will be washed away, and nothing will be left.”

“Shadow Point” comes complete with a video and revisits the sonic domain of The Infernal Pathway with a classic headbanger groove. “This one references the Star of Algol, or ‘the Demon Star,’” Ravn offers. “It’s actually two stars that revolve around each other, and the small one is devouring the big one. Human beings have seen this star from early ages, and it has had many names over the years. It’s a known part of the magical world, so I wanted to include it in a song.”

Shot through with menace and a snaky groove, album opener “The God Devourer” will also have a video. “The lyrics are based on the alchemical principle of devouring all that you feel is in your way of becoming a better human,” Ravn says. “It sets the ominous tone for the whole album.”

Recorded at Amper Tone in Oslo, Norway, and New Constellation R.M.P. in Orlando, Florida, The Wolf and the King was produced and mixed by Ravn and Jarrett Pritchard (Eulogy, Pulchra Morte), the band’s long-standing sonic wizard who also worked on their previous two albums. The lyrics were written by the band’s longtime wordsmith, Svartalv, who has been working with 1349 for twenty years.

Jordan Barlow’s elaborate artwork for The Wolf and the King reflects the album’s chronological position in 1349’s discography. “This is our eighth album, and the artwork and lyrics are filled with references to this number of infinity,” Ravn explains. “You can basically go on a quest finding references to the number in the artwork.”

All told, The Wolf and the King is the exalted output of the joint force that is 1349. “We all work together to make the best black metal possible every time we release an album,” Ravn says. “This is our common goal. We’re a band on a mission.”
Line-up
Archaon – Guitars
Frost – Drums
Ravn – Vocals
Seidemann – Bass

Recording Studio
Amper Tone (Oslo, Norway) & NEW CONSTELLATION R.M.P. (Orlando, USA)

Production Credits
Produced by Jarrett Prichard & Ravn
Mixed by Jaerrett Prichard & Ravn at NEW CONSTELLATION R.M.P.
Mastered by Jaerrett Prichard at NEW CONSTELLATION R.M.P.

Biography
J. Bennett

Cover Art
Jordan Barlow

Pre-order & Pre-save:https://orcd.co/1349thewolfandtheking

Links/Follow Artist:
Official Website: http://www.legion1349.com/
Bandcamp: http://1349som.bandcamp.com/
Facebook: https://www.facebook.com/1349official
Instagram: http://instagram.com/1349official
Twitter: http://twitter.com/1349official
YouTube: https://www.youtube.com/user/1349auralhellfire
Spotify: https://open.spotify.com/artist/150xbiJGnTy1tSBZ9EFKnT
Deezer: https://www.deezer.com/en/artist/10673
Apple Music: https://music.apple.com/us/artist/1349/79664050
TIDAL: https://tidal.com/browse/artist/22185
Amazon:https://www.amazon.com/1349/e/B001LHI2SI/

Available Formats:
Digital Download
CD ​Digipak
​12″ Vinyl Gatefold – Black
12″ Colored Vinyl Gatefold – Clear
12″ Colored Vinyl Gatefold – Clear & Black
12″ Colored Vinyl Gatefold – Gold & Black
12″ Colored Vinyl Gatefold – Transparent Red & Black

Germany’s SERVANT set release date for new AOP RECORDS album, reveal first track

Today, AOP Records announces September 20th as the international release date of the highly anticipated third album of Germany’s ServantDeath Devil Magick, on CD and vinyl LP formats.

German black metal band Servant have been celebrating their melodic-yet-furious black metal across the underground and beyond since 2021. Their two well-received full-lengths, 2021’s Blessed by The Light of a Thousand Stars and last year’s Aetas Ascensus, shook ground within the metal scene. Now, Servant are set to release their third full-length, Death Devil Magick, via new label home AOP Records.

Death Devil Magick was written, recorded, mixed, and mastered between October 2024 and May 2024. Without lacking in their musical trademarks, Servant continue to evolve on their new record. Melodic guitars combine with furious drums, and powerful basslines go with keys and mighty grooves. On Death Devil Magick, the vocals are clearer than on the previous two albums, giving the words the required power in meaning. All this is put in a powerful soundscape which is aggressive yet very dynamic and tidied up.

The lyrical topics are inspired by poets and philosophers like Charles Baudelaire and Friedrich Nietzsche, but also paintings by Franz von Stuck from the era of symbolism, for example, can be mentioned here. The lyrics discuss conflicts of emotions, beliefs, addiction, and depths of human nature. Death Devil Magick invites the listener to step into the gallery of nine microcosms and witness lust, despair, magick, and ecstasy. 

Moreover, Servant are going to tour Europe as part of the Scherbentour 2024 together with labelmates Ellende and GROZA to spread magick, lust, and ecstasy. Dates follow further below.

In the meantime, hear the brand-new track “Litany” here:

Cover artwork, courtesy of Misanthropic Art Illustrations, and tracklisting are as follows:

Tracklisting for Servant (Germany)’s Death Devil Magick
1. Void
2. Temple
3. Sin
4. Devil
5. Hope
6. Fury
7. Death
8. Litany
9. Magick

MORE INFO:
www.facebook.com/servantmagick 

www.aoprecords.de
www.facebook.com/aoprecords

FIRTAN set release date for new AOP RECORDS album, reveal first video featuring ELLENDE member

Today, AOP Records announces September 13th as the international release date for Firtan‘s highly anticipated fourth album, Ethos, on CD and vinyl LP formats.

For nearly 15 years now, Firtan have been a relentless force in the German extreme metal scene, captivating audiences with their dynamic performances across Europe. Inspired by the raw energy of the ’90s black metal scene, their sound has evolved into a unique, more progressive entity, shedding eclectic influences for a multifaceted and innovative approach.

At the core of Firtan‘s music stands an increasingly aggressive and frenetic sound characterized by powerful guitars and intense, visceral vocals. The haunting presence of the acoustic and electric violin weaves through their compositions with melancholic, experimental, and evocative tones. The incorporation of other acoustic instruments, such as the dulcimer, as well as analogue synthesizers, adds layers of depth. This blend creates a unique tension and complexity, enhancing the band’s intricate riffing and unexpected musical shifts.

With three albums and two EPs to their name, Firtan‘s discography showcases a clear and audible progression. Now, they unveil their fourth album, Ethos, once again through AOP Records. A work that promises to be their deepest, rawest, and heaviest yet, Ethos delves into serious existential themes in an abstract manner, contrasting decline and opportunity within an ambivalent context. This juxtaposition is reflected in the music itself, confronting listeners with the harshness and sonic tension between harmony and dissonance, revealing the meaning and emptiness of existence.

Ethos follows Firtan‘s critically acclaimed Marter from 2022, and stands as a testament to the vibrant dynamics within the German black metal scene. The album will feature guest performances from J.J. (Harakiri for the SkyKarg) and L.G. (Ellende). Expect to be immersed in a world where melody and chaos collide, where unapologetic riffing and haunting melodies guide you through the shadows of the human condition.

In the meantime, see & hear the brand-new video “Wermut hoch am Firmament” featuring guest vocals from Ellende‘s L.G here:

Following the release of EthosFirtan will embark upon a tour with Bucovina, Sojourner, Finsterforst, and Countless Skies. Full list of dates as well as poster art follow after the jump. Cover artwork, courtesy of Nona Limmen, and tracklisting are as follows:

Tracklisting for Firtan’s Ethos
1. Hrenga (feat. guest vocals of J.J. [Harakiri For The Sky / Karg])
2. Zores
3. Contra Vermes
4. Arkanum
5. Wermut hoch am Firmament (feat. guest vocals of L.G. [Ellende])
6. Moloch
7. Ruakh
8. Komm herbei, schwarze Nacht
9. Wenn sich mir einst alle Ringe schließen

September 26 – München, Germany @ Backstage Halle*
September 27 – Erfurt, Germany @ From Hell*
September 28 – Fensch Viking Fest, France @ Complexe de Bétange*
September 29 – Berlin, Germany @ Orwohaus Halle*
September 30 – Hamburg, Germany @ Logo*
October 1 – Oberhausen, Germany @ Resonanzwerk*
October 2 – Arnhem, Netherlands @ Willemeen*
October 3 – Manchester, UK @ Rebellion*
October 4 – London, UK @ The Underworld*
October 6 – Nantes, France @ Le Ferrailleur**
October 8 – Lyon, France @ Rock’n’Eat**
October 10 – Timisoara, Romania @ M2**
October 11 – Vienna Metal Meeting Warmup, Austria @ Viper Room**
October 12 – Praha, Czech Republic @ Storm Club**
October 13 – Krakow, Poland @ Zascianek,**

(*with Finsterforst | **with Sojourner)

Tickets: https://linktr.ee/firtan_tickets

MORE INFO:
www.facebook.com/firtanofficial 

www.aoprecords.de
www.facebook.com/aoprecords

INSINERATEHYMN sign with MEMENTO MORI, prepare third album

In their endless quest to push and support current underground acts that perpetuate the odor of vintage death metal, Memento Mori are extremely thrilled to announce a new signing: Insineratehymn, from the United States.Hailing from Los Angeles, Insineratehymn have managed to position themselves in the taste of underground extreme metal fans with their powerful death metal clearly influenced by classic bands, giving a masterclass in ’90s death metal, from the spiraling vortexes of early Tampa to the sewage to come from New York, through to eerie emanations from Europe and the dissonance at the dawn of the new millennium. Naturally, the band bend those classic tropes in a variety of ways, all of which bespeak their own identity. Scuzzy, slicing, clanging, angular, brutal beatdown, ignorant stomp, or just straightforward killshot: no weapon is left aside. Simply, Insineratehymn are death metal for death metal maniacs, by death metal maniacs who understand and appreciate the rich-yet-codified history of the genre. Handy references to be made include Sadistic Intent, Monstrosity, Suffocation, Grave, Edge of Sanity, Demigod, Sentenced – and of course, Deicide, who provided their namesake.

Insineratehymn‘s third full-length is due for release on October 21st, 2024. Memento Mori will release the CD version while Rotted Life will take care of the vinyl and tape versions. Further details to follow in the coming months. For more info, consult the links below.

MORE INFO:

www.facebook.com/insineratehymnofficial
insineratehymn.bandcamp.com

www.memento-mori.es
www.facebook.com/memento.mori.label

BLUTGOTT reveal second video from new MASSACRE album

Today, BLUTGOTT present “Drachenlegion (Balgeroth Version),” the second single from their upcoming 3CD album Dracul Drakorgoth, set for international release on September 20th via Massacre Records. 

In the encompassing conflict that is called the War of Balgeroth, the entire Trinity of Blood Gods is on Earth for a short while: Balgeroth, Setekh Drakorgaur, and Dracul Drakorgoth. Balgeroth comes to Earth with part of his dragon legion fleets and attacks the entire planet-spanning Imperium of Mankind. His Blood Gods exterminate the human population and cover the land with an all-out war.  The songs from recent albums such as Beasts of Balgeroth and Bloodking played against this backdrop. “Drachenlegion” focuses on the demon machines of the Balgeroth Legion – draconic metal monsters from Hell.

The official video for “Drachenlegion” can be watched here:

THE BLUTGOTT METAL UNIVERSE

DEBAUCHERY– Monster Metal

BLOOD GOD– Hard Rock & Heavy Metal

BALGEROTH– German Metal

Over 20 years, singer and guitarist Thomas Gurrath has created an entire band universe with over 30 CDs spread across more than 17 albums from Debauchery, Blood God, and Balgeroth. He has united this Trinity of Blood Gods under the name BLUTGOTT.

Musically, the band moves across genres somewhere between Judas Priest, Slayer, AC/DC, Rammstein, and Bolt Thrower. There is pounding death metal, classic heavy metal, and groovy hard rock, sometimes with screeching vocals, sometimes with the distinctive monster voice, sometimes clean, and everything in between.

The lyrics – in German and English – deal with the band’s own dark fantasy universe: the World of Blood Gods, named after the Blood Gods – biomechanical vampire dragons with demonic abilities.

The three most infamous are Bal-Geroth, the Bloodking of Knochenheim; Dracul Drakorgoth, the Debauchery Blood God; and Setekh Drakorgaur, the Red Dragon. Together, they form the Trinity of Blood Gods.

In the war zones of the past and future, on Earth, Eden, other planets, and Hell, they fight brutal battles against elves, humans, and dwarves, as well as other demons. The World of Blood Gods has its own miniatures and its own tabletop game, called Kings of Carnage.

Concerts of the various incarnations of the BLUTGOTT Metal Universe have been held throughout Europe, Russia, and Asia. They have performed with Doro, Saxon, Dismember, Napalm Death, Destruction, and many other well-known bands from the metal scene and played at major festivals such as Wacken, Summer Breeze, and Bang Your Head. The albums are regularly in the top 50 of the official German album charts.

The new album Dracul Drakorgoth will be released on September 20th via Massacre Records and contains ten completely new songs each with the Debauchery Monster Voice, once with the German Balgeroth lyrics and also with the Blood God Heavy Metal voice. It will be available as 3CD digipack as  well as limited-edition box, and the Debauchery and Balgeroth versions each as limited-edition vinyl LP. The album was recorded by Dennis Ward (Unisonic, Krokus, Helloween).

In addition, there is the Blutfest Tour with a BLUTGOTT live show for the new album and 20 years of monsters and metal. Dates follow after the jump. Cover and tracklisting are as folllows:

Tracklisting for BLUTGOTT’s Dracul Drakorgoth

CD1 Debauchery Version

1. We Create Metal

2. Dracul Drakorgoth

3. Fire and Steel

4. Crusade Against Humanity

5. Overdrive of Brutality

6. Dragonsteel

7. Blood for Balgeroth

8. Setekh Drakorgaur

9. Blood Demands Blood

10. Drakespawn

CD 2 Balgeroth Version

1. Drachenlegion

2. Dracul Drakorgoth

3. Feuer und Stahl

4. Drachendivision

5. Blutgott Monsterhorde

6. Drachenstahl

7. Blut für Balgeroth

8. Setekh Drakorgaur

9. Blut verlangt Blut

10. Drachenbrut

CD3 Blood God Version

1. We Create Metal

2. Dracul Drakorgoth

3. Fire and Steel

4. Crusade Against Humanity

5. Overdrive of Brutality

6. Dragonsteel

7. Blood for Balgeroth

8. Setekh Drakorgaur

9. Blood Demands Blood

10. Drakespawn
 

BLUTGOTT LIVE
www.blutfest.de

03.08.2024 München – Backstage

05.09.2024 Nürnberg – Hirsch

20.09.2024 Passau – Zauberberg

21.09.2024 Aalen – Rock It

04.10.2024 Oberhausen – Helvete

05.10.2024 Rostock – Zuckerfabrik

01.11.2024 Weinheim – Cafe Central

02.11.2024 Kirchheim (Teck) – Linde – Heimspiel

06.12.2024 Lenzburg – Met-Bar (CH)

07.12.2024 Lindau – Club Vaudeville

12.12.2024 Wien – Viper Room (AT)

13.12.2024 Graz – Explosiv (AT)

31.01.2025 Hannover – Cafe Glocksee

01.02.2025 Hamburg – Logo

15.02.2025 Berlin – Slaughterhouse

08.03.2025 Selb – Rockclub Nordbayern

28.03.2025 Cham – LA
 

BLUTGOTT DISCOGRAPHY

2003 Kill Maim Burn (Debauchery)

2004 Rage of the Bloodbeast (Debauchery)

2005 Torture Pit (Debauchery)

2007 Back in Blood (Debauchery)

2008 Continue to Kill (Debauchery)

2009 Rockers & War (Debauchery)

2010 Hotter than Hell (Big Ball, now called Blood God)

2011 Germany’s next Death Metal (Debauchery)

2012 No Brain But Balls (Blood God / Debauchery)

2013 Kings of Carnage (Debauchery)

2014 Blood is my Trademark (Blood God / Debauchery)

2015 Fuck Humanity/Menschenhass/German Warmachine (Debauchery / Balgeroth / Blood God)

2016 Thunderbeast (Blood God / Debauchery)

2017 Rock’n’Roll Warmachine (Blood God)

2018 In der Hölle spricht man Deutsch / Enemy of Mankind (Balgeroth / Debauchery)

2018 Götter der Vernichtung (Balgeroth)

2019 Blood for the Blood God (Debauchery)

2021 Monster Metal/Böse bis ins Blut/Metal to the Bone (Debauchery/ Balgeroth / Blood God)

2022 Demons of Rock’n’Roll (Blood God / Debauchery)

2023 Respawned in Heavy Metal/Enemy of Mankind/Der Blutgott nagelt dich ans Kreuz(Blood God / Debauchery / Balgeroth)

2024 Dragongods/The Horror of the Forest/Drachenkult (Debauchery / Blood God / Balgeroth)

2024 Dracul Drakorgoth (Debauchery / Balgeroth / Blood God)

BLUTGOTT LINKS
www.blutgott.com
www.facebook.com/blutgott666
www.instagram.com/blutgott666
www.youtube.com/@blutgott666
www.tiktok.com/@blutgott666

BLOODCROSS stream PERSONAL RECORDS debut – features members of ANGELSCOURGE+++

Today, melodic black metallers BloodCross stream the entirety of their highly anticipated debut album, Gravebound. Set for international release on July 5th via Personal Records, hear  BloodCross‘ Gravebound in its entirety here:

BloodCross are a Finnish heavy metal band formed in 2019 that rose from the ashes of black metallers Angelscourge and their lone album, Seraph Impaler. Based in Turku, BloodCross cast their gaze wider to the past and draw inspiration from such old gods as Necrophobic, Dissection, and even Yngwie Malmsteen. 

BloodCross‘ first release was the demo Abyssal Blood in 2021, which featured three ear-piercing songs. At that point, the band had not yet fully introduced their influences from power metal to their already lethal and bloody cocktail of blackened melodic thrash metal.

However, that will all change with their full-length debut, Gravebound. Here, BloodCross boldly broaden their musical expression to soundscapes that are catchier, more melodic, and somehow also crushing soundscapes. Insanely fast at times but exuding a palatable precision, Gravebound is technical and relentless but never forsakes the art of songwriting, remaining mesmerizingly memorable every step of the way, building epic towers of icy, majesty melody and ripping, burn-the-touch intensity. Coupled with the crisp & gleaming production, one could possibly mistake BloodCross for a very young & hungry Children of Bodom, but the band’s late ’90s vibes extend further to such cult names as Swordmaster, Gates of Ishtar, Ablaze My Sorrow, Prophanity, and Raise Hell: in other words, this is melodic black metal par excellence.

Prepare for a new modern classic of meloblack with BloodCross‘ Gravebound!

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for BloodCross’ Gravebound

1. Warbeasts [5:09]
2. Nemesis Reborn [5:46]
3. Beyond Flesh [5:32]
4. Pale Avenger [5:09]
5. Gravebound [5:27]
6. Devil Speed [4:17]
7. Howling Spirits [7:39]

MORE INFO:
www.facebook.com/bloodcrossmetal 

www.personal-records.com
personal-records.bandcamp.com
www.facebook.com/personalrecords666
Instagram.com/personalrecords666

Speed metallers Death Racer premiere the new track “Imola” 

Today, literal speed metallers Death Racer premiere the new track “Imola”. The track is the third to be revealed from the band’s highly anticipated debut album, From Gravel to Grave, set for international release on July 26th via Dying Victims Productions. Hear Death Racer’s “Imola” in its entirety here:

Hailing from Austria, Death Racer are nothing if not thorough. See, the idea for the band was born years ago while philosophizing during listening to Razor’s “Deathrace.”  From there, a wellspring of inspiration followed – and the race was on! 

Death Racer’s debut demo, released in 2020, was appropriately titled Qualifying. Musically, their most important influence, maybe – rawness, straightforwardness, DRIVE – are the same qualities a racecar driver must possess. Without zero fucks given and a will to make devilish sacrifices at times, you were never able to hit the final laps back in the dangerous days of motorsports; a certain backwardness and nostalgia for those days is the most important ingredient overall for Death Racer. In their mind, post-apocalyptic / dystopian movies – with their totalitarian atmosphere and hostile approach against all life – are mirroring in perfect symbolism that of relentless racing.

And so they race forward, more relentless than ever, with their long-awaited debut album, From Gravel to Grave. Also perfectly titled, From Gravel to Grave presents Death Racer as an all-pistons-pumping runaway racecar, chassis gleaming but torched black with exhaust underneath, its very construction pushing the outer limits of safety before all the screws fall loose and a fiery wreck ensues. For sure, it’s not difficult to spot the Austrians’ influences, and they wouldn’t have it any other way – they are transparent as they are thorough, to circle back to the earliest point – so therefore, there’s the obligatory “High Speed Metal” of classic Razor as well as the comparable grit & grime of equally old, raw metal like earliest Slayer, Exciter, Bathory, Hungary’s Tormentor, Bulldozer, true-metal Darkthrone, cult NWOBHM, Violent Force, and of course, erudite Teutonic thrash. 

Still, it’s how Death Racer revs this noble engine that matters most, not how familiar it is (because what ISN’T familiar now?!), and they sneak some nitrous into that engine in the form of hardcore punk attitude and otherworldly black metal atmosphere as well as some touches of chorused guitar from old deathrock. But again, From Gravel to Grave is thorough as it is (filthy) fun, so its lyrics deal with true incidents / accidents on the world’s most demanding and terrifying racetracks (“Nordschleife,” “Imola ’94”) as well as the terrors of “real life” inspired by newspaper articles (“C.F.S.O.D.C”) or just plain fantasy (“Motormentor,” “S.M. Death Worship”) and daily struggles (“Inverted Crossroads,” “Traumatized in Traffic Jam Ejection”). All told, filth and fury and FUN. Death Racer is at the wheel, and you’re going From Gravel to Grave at 666 mph! 

Also hear the previously revealed “Inverted Crossroads” exclusively HERE, courtesy of MetalBite.com, as well as the previously revealed “Nordschleife” exclusively HERE, courtesy of Deaf Forever magazine. Cover and tracklisting are as follows:

Tracklisting for Death Racer’s From Gravel to Grave
1. Motormentor
2. Nordschleife
3. Inverted Crossroads
4. C.F.S.O.D.C
4. Imola ’94 (From Gravel to Grave)
5. Racers of Death
6. Traumatized In Traffic Jam Ejection
7. S.M. Death Worship

MORE INFO:
www.facebook.com/deathracerspeedmetal

www.dying-victims.de 
www.facebook.com/dyingvictimsproductions 

INERTH stream new ABSTRACT EMOTIONS mini-album – features ex-members of LOOKING FOR AN ANSWER+++

Today, throwback extreme metallers Inerth stream the entirety of their highly anticipated new mini-album, Hybris. Set for international release on July 5th via Abstract Emotions on 12″ vinyl format, hear Inerth‘s Hybris in its entirety here:

Inerth was born in Madrid in early 2019 just after the dissolution of their previous band, the acclaimed grindcore act Looking For An Answer. Formed by veteran musicians with 25 years of touring and recording experience, Inerth‘s main idea was to create an amalgam of harsh-but-pondering music designed to reflect a lifelong passion for sounds ranging from death metal to sludge as well as incorporating doomed and industrial soundscapes.
After a self-titled EP debut, Inerth released their debut album, Void, in 2022 through Abstract Emotions, receiving great reviews worldwide and being included on the best albums list at such outlets like Mondo Sonoro, Rock Zone, Aversionline, Ritvual and Metalitalia among others. Taking inspiration from such bands as Godflesh, Napalm Death, Neurosis, Celtic Frost, Amebix, and Killing Joke, on their first full-length did Inerth reclaim the spirit of the 1990s’ most extreme & transgressive sounds.

With HybrisInerth show an evolutionary leap for the band. Unafraid of experimentation and going beyond boundaries, the four new songs here are full of strength and spirit. Inerth are clearly influenced by Godflesh, a band with which they recently toured, but Hybris equally shows their own idiosyncratic style in even-more-powerful form.

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Inerth’s Hybris
1. Midlife Wasteland [3:33]
2. Oblivion [6:05]
3. Fentanyl [3:16]
4. A.I. [5:25]

MORE INFO:
www.inerth.bandcamp.com
www.facebook.com/INERTHband

www.abstractemotions.com
www.facebook.com/abstractemotions1995