BARSHASKETH reveal second track from new W.T.C. album

Today, ascetic black metallers Barshasketh reveal the new track “Lebenswelt Below.” The track is the second to be revealed from the band’s highly anticipated fifth album, Antinomian Asceticism, set for international release on January 9th, 2025 via W.T.C. Productions. Hear Barshasketh‘s “Lebenswelt Below” in its entirety here:

It’s been a long and winding road for Barshasketh – from their earliest days in 2007 as a solo project of Krigeist in his native New Zealand on to his relocation to Scotland and building an actual band, from breakout third album Ophidian Henosis in 2015 on to the even-mightier Barshasketh in 2019 – but even amidst all the lineup shuffles and geographical distance covered, one fact has remained firm: purest BLACK METAL, intentionally free of genre cross-pollination, chiseled and refined with patience and persistence. What stands upon that foundation after all these years is a monument to the boundless darkness and infinite imagination at the core of black metal, vital in 2024 as it would have been in 1994. Torches ablaze, hearts enflamed…eternal strife is the fuel.

Still, even with an iron-clad discography, Barshasketh are not ones to lazily rest on laurels even if considerable time passes between recordings. Witness Antinomian Asceticism, their first full-length in five years – and, eerily, fifth overall. Utterly refreshing upon pressing “play,” even with that time away, Barshasketh immediately explode into a jet-stream of velvety obsidian. It’s not inaccurate to call Antinomian Asceticism their most direct and concise record in many a year, but guiding that finely honed assault is their characteristic nightsky melodicism, which reaches a fever pitch here. Just like its all-too-considerable eponymous predecessor, Antinomian Asceticism‘s melding of mysticism and might evokes authentic, purple-blue visions of the late ’90s as soundly as it stands upon palatably modern ground. The difference here, perhaps, is that Barshasketh slice away some of the corridors of their usually labyrinthine songwriting and head straight toward the essence – austere, awe-inspiring, ASCETIC.

“Why Antinomian Asceticism?” asks guitarist / songwriter GM. “It’s important to disassociate this form of asceticism from Christian forms of asceticism, which are nihilistic (in the original, world-denying sense of the term) as well as the Socratic formulations of asceticism which anticipate St. Paul, St. Augustine, and St. Thomas Aquinas. We reject the moral law, and ascetic practices that might be undertaken in order to satisfy any such Morality. I capitalize Morality here to emphasize that we are not referring to a mere system of values that might be arrived at by rational means, but a type of absolute morality that is received from God as formulated by the Kantian ethical notion of the categorical imperative – in other words, an eternal moral standard that cannot be questioned and applies uniformly across time and space.

“Before we lay out our reasoning as to why an antinomian form of asceticism might be beneficial,” he continues, “we would firstly like to appeal to the Schopenhauerian notion of the metaphysical will, which is a kind of inner essence that resides in all things – an idea which builds on the Kantian ‘thing-in-itself.’ This metaphysical will has certain drives associated with it, most relevant of which in this context is the drive to maintain oneself, replicate oneself, assert oneself (Kant also touched on these and refers to them as ‘inclinations’); these are concepts that anticipate Darwin and something Nietzsche would later build on. Schopenhauer viewed ascetic resignation as a means to make the world good by reaching some kind of status in which we are removed and numbed from it – our sense of the idea is that we need to find some sort of Aristotelian ‘golden mean’ in which we are not led around by our inclinations and metaphysical will, which leads to a shallow, reactive way of living which does not permit deep insight, yet also not radically separated from ‘this world.'”

Concluding, GM states, “Ascetic practice in our conception isn’t a conscious weakening or the self (via fasting, for instance) in order to satisfy a moral obligation, nor is it to enable some vain self-righteousness, but instead, it is a means by which we temporarily withdraw within in order to access insights which then strengthen the liberated individual in the real and this-worldly realm.”

Hear the previously revealed “Radiant Aperture” HERE, also at W.T.C.‘s official YouTube channel. Cover artwork, courtesy of Rodrigo Pereira Salvatierra, and tracklisting are as follows:

Tracklisting for Barshasketh’s Antinomian Asceticism
 I. Radiant Aperture
 II. Nitimur in Vetitum
 III. Lebenswelt Below
 IV. Charnel Quietism
 V. Phaneron Engulf
 VI. Antinomian Asceticism
 VII. Exultation of Ceaseless Defiance

MORE INFO:
www.facebook.com/barshasketh

www.w-t-c.orgwww.facebook.com/W.T.C.Productions

Mörk Gryning Stream Full New Album ‘Fasornas Tid’

Renowned as dark lords of the Swedish black metal scene, MÖRK GRYNING return with their newest opus, Fasornas Tid. This visceral journey into the depths of human psyche is set to shatter boundaries and invoke the raw essence of 90s black metal with a modern ferocity that cements their legacy.

Formed in the chilling embrace of the ’90s, MÖRK GRYNING has always carved their path, paying homage to their forebears while relentlessly pushing forward. Fasornas Tid (The Time of Horrors) delves into themes of inner turmoil, the eternal battle between good and evil, and the insatiable hunger for self-destruction. This album is a potent blend of melodic black metal with death metal ferocity, recorded, mixed, and mastered at Wing Studios by Sverker Widgren, featuring artwork by the enigmatic C-G.

Highlight tracks such as lead single Tornet, with guest vocals from C of AVSLUT, and the title-track Fasornas Tid, showcase apocalyptic harmonies that pierce the soul. With hauntingly beautiful melodies and ferocious riffs, each track paints a dystopian symphony reminiscent of their iconic Tusen år har gått… era, yet unmistakably a product of now—a battle cry for the forsaken.

The full album is streaming now here:

Tracklist:
1. Intro (1:13)
2. The Seer (4:03)
3. Tornet (3:59) [LISTEN]
4. Fasornas Tid (3:34) [WATCH]
5. Before The Crows Have Their Feast (4:26)
6. Savage Messiah (4:37)
7. An Ancient Ancestor Of The Autumn Moon (4:11)
8. Black Angel (3:38) [LISTEN]
9. Barren Paths (1:52)
10. The Serpent’s Kiss (4:19)
11. Det Svarta (3:19)
12. Age Of Fire (4:48)
Total runtime: 44:04

Mörk Gryning was founded in Stockholm, Sweden in 1993 by Goth Gorgon and Draakh Kimera. Two years later they released their debut album “Tusen År Har Gått” (1995), recorded and mixed at Unisound Studios, by legendary producer Dan Swanö and released by No Fashion. The album is one of the milestones of the ‘90s Swedish Black Metal scene.

The group returned to action in November 1996, working at Sunlight Studios together with Tomas Skogsberg and Dismember’s Fred Estby to craft the “Return Fire” album. Over the following years, three more albums were released, for example “Maelstrom Chaos” with new guitarist Avathar, a scene veteran, recorded at the legendary Grieghallen Studios Bergen, Norway.

Ever since the debut album, “Tusen år har gått…”, Mörk Gryning has refused to follow in the footsteps of others and walked their own paths – something which is made very clear on the 2003 release “Pieces of Primal Expressionism”, an experimental and heavy progressive release recorded at Dug Out, produced by Daniel Bergstrand. After a couple of years of touring and festival performances, the band was put on hold.

Returning to the scene again in 2017, the band performed an exclusive live show in Stockholm playing all the songs from the debut album and some other songs from the back catalogue. This ended in releasing the 4-song live record called “Live at Kraken”. During the pandemic the comeback album “Hinsides Vrede” was released to much critical acclaim with many of the songs today being the backbone of their live shows. A new album is scheduled for release in 2024 and the band is more active than ever.

Line-up:
DRAAKH KIMERA – Lead Vocals, Guitar
GOTH GORGON – Bass, Backing vocals, Lead Vocals on “Det Svarta”
S-L – Lead Guitar, Backing Vocals
C-G – Drums
AEON – Keyboards, Backing Vocals

Recording Studio:
Wing Studios, Stockholm, Sweden

Production Credits:
Produced by Sverker Widgren & Mörk Gryning
Mixed & Mastered at Wing Studios, Stockholm by Sverker Widgren

Guest Musician:
C of AVSLUT on “Tornet” & “An Ancient Ancestor Of The Autumn Moon”

Cover Art:
C-G

Pre-save & Pre-order:https://orcd.co/morkgryningfasornastid

Follow Mörk Gryning:
Bandcamp: https://morkgryning.bandcamp.com/
Facebook: https://www.facebook.com/morkgryningband/
Instagram: https://www.instagram.com/morkgryning/
Spotify: https://open.spotify.com/artist/135tanf7FBI7ozrU3RelCX
Apple Music: http://music.apple.com/artist/m%C3%B6rk-gryning/75786010
TIDAL: https://tidal.com/browse/artist/3616372
Deezer: https://www.deezer.com/es/artist/62666

Available Formats:
Digital Download
CD Digipak
1×12″ Vinyl Gatefold – Black
1×12″ Coloured Vinyl Gatefold – Transparent Red
1×12″ Coloured Vinyl Gatefold – Crystal Clear & Silver Marbled

PERDITION’S MIRE stream new HEADKICK MUSIC EP

Today, Danish black metallers Perdition’s Mire stream the entirety of their highly anticipated second EP, Into a Dark Heartland. Set for international release on December 13th via Headkick Music, hear Perdition’s Mire‘s Into a Dark Heartland in its entirety here:

Perdition’s Mire was born from the restless souls of three individuals in Fredericia, Denmark, during the cursed year of 2020. The band’s goal was, and remains, simple: to channel personal darkness through the medium of black metal.

In early 2022, the EP The Doctrine of Losing Life was unleashed in digital and self-released MCD formats, containing six ice-cold hymns of darkness and death. The release was recorded at The Dark Room Studios and engineered, mixed, and mastered by Ralf Rendigs.

A considerable amount of time was then spent crafting new material with greater attention to detail. The culmination of these efforts was another six-track EP, titled Into a Dark Heartland, once again recorded at The Dark Room with Ralf Rendigs. Into a Dark Heartland spits forth the malicious venom of six varied black metal psalms in the old spirit, clocking in at 26 minutes. During this studio session, an exclusive song for a forthcoming Danish compilation LP was also recorded.

The new material presents Perdition’s Mire with sharpened talons and teeth, showcasing more aggressive, personal, and focused songwriting while maintaining a somber and pitch-black atmosphere. A deal was made with Danish label Headkick Music (run by old friend Ustumallagam of Denial of God fame) to unleash this beast on vinyl and CD format on Friday the 13th of December 2024.

No time is wasted, as the band is already hard at work on a full-length album, building on the style presented on Into a Dark Heartland. Silence is golden, and bleak is the future!

***

Headkick Music is an independent label founded in 2020 by Ustumallagam, best known as the vocalist for Denial of God, The Rite, and Mindflesh. Originally established as a platform for the self-release of Mindflesh’s debut album, Vermin, on CD and LP, the label has gradually evolved, with a steady stream of releases reflecting its growing presence in the dark music scene.

Headkick Music is dedicated to releasing music that embodies a unique darkness. The label is not confined to any specific genre; instead, it seeks out authenticity and raw, unfiltered emotion with qualities that transcend fleeting trends.

***

Cover and tracklisting are as follows:

Tracklisting for Perdition’s Mire’s Into a Dark Heartland
1. Pale Light And Settling Dust [4:10]
2. Embers [3:59]
3. Light Torn Asunder [5:36]
4. Abomination’s Boundless Rage [1:59]
5. Nothing Is, Nothing Becomes [5:27]
6. Into A Dark Heartland [4:45]

MORE INFO:
www.facebook.com/perditionsmire
perditionsmire.bandcamp.com


www.facebook.com/headkickmusic 

ASENHEIM stream new DOMINANCE OF DARKNESS album

Today, pagan black metallers Asenheim stream the entirety of their highly anticipated ninth album, Wolkenbrecher. Set for international release on December 10th via Dominance of Darkness Records, hear Asenheim‘s Wolkenbrecher in its entirety here:

Hailing from Germany, Asenheim was founded in 2004 under the original name Sins of Desire. The founding members at the time included Tiwaz on rhythm guitar and vocals and Verdensanskuels on lead guitar and keyboard. Since the lyrical themes increasingly dealt with pagan themes, the name was changed to Asenheim in 2006. Sometime later, Norse Raider joined as bassist. Unfortunately, rehearsals together were far too rare, which is why Asenheim developed into a solo project for Tiwaz. 

After numerous demo recordings, the first Asenheim album, simply self-titled Asenheim, and the mini-album Sehnsucht were created in 2012. Already, here it was clear in which direction the music should develop. The album was musically and lyrically permeated by fantasy elements and old legends. The mini-album, on the other hand, was a confrontation with bitter, cold reality and was also much harder musically. A drum machine was used on all releases at this point.

The stylistic elements of these two releases were combined for the second Asenheim album, wenn die Nacht…. To give the album a livelier sound, Tiwaz was looking for a drummer and came in contact with Valfor. Initially planned as a session drummer, he soon became an integral part of Asenheim and, in addition to playing the drums, took over a large part of the synthesizers and also the mixing of the albums. This was followed by six more albums, a single, and a mini-album. 

Despite such a vast catalog, never has there been a dip in quality; Asenheim are nothing if not dependable. Put another way, Tiwaz and Valfor’s vision has always been focused and firm, and beholding it has become something of a rite of passage. The latest proof of that proud pagan brilliance comes in the form of Wolkenbrecher. Immediately sounding like classic AsenheimWolkenbrecher whisks the listener off to forgotten realms with a folkloric black metal sound securely steeped in the ancient 1990s. But more than being “regressive” or backwards-looking, the duo rather exude the true authenticity of those times and create a canvas for the imagination to roam far and free. As such, Wolkenbrecher tells its own story with every song that has shaped Asenheim over the last 20 years and made them what they are today.

From oldest Teutonic steel to the pagan vastlands of Eastern Europe and even south of Helvete in ancient Hellas, Asenheim‘s black metal is rich in its splendor and multifaceted in its approach. Wolkenbrecher is a 52-minute journey into their rarefied realm, and one you’ll want to remain in for time eternal.

Cover and tracklisting are as follows:

Tracklisting for Asenheim’s Wolkenbrecher

1. Einklang – Blut und Eisen
2. Der Harnischmacher
3. Im Zwielicht (Der Mantel der Dämmerung)
4. Mein Königreich
5. Ein letzter Gruß
6. Zu den Waffen
7. An der Tafel der Toten
8. Wolkenbrecher
9. Die kalte Festung
10. Himmelfahrtskommando
11. Räuberlied

MORE INFO:
www.facebook.com/asenheimblackmetal

www.dod-records.de
www.facebook.com/dominanceofdarkness

A DEAD POEM stream PERSONAL RECORDS debut album

Today, dark metallers A Dead Poem stream the entirety of their highly anticipated debut album, Abstract Existence. Set for international release on December 13th via Personal Records, hear A Dead Poem‘s Abstract Existence in its entirety here:

Hailing from Brazil, A Dead Poem was formed in 2023 by Marlon Combat, with the aim of rescuing the essence and atmosphere of doom / black metal as practiced by Katatonia, October Tide, Finland’s Rapture, and especially Paradise Lost and Rotting Christ during the early ’90s. Starting the compositions for the first record, he invited the experienced multi-instrumentalist Carlos Misanthropic to take over the vocals and other instruments, thus forming a duo with the same goals and with extreme musical harmony.

With that, A Dead Poem gathered enough material to produce the funereal and macabre debut single “Until the Seventh Day,” which is part of their debut EP Absence of Life, first released on digital platforms in November 2023 and then as a limited CD edition in early 2024 via Cold Art Industry Records. Thereafter, the band’s music gained interest from the eclectic Personal Records, who’s now set to release their debut album.

Aptly titled Abstract ExistenceA Dead Poem‘s debut album is a tour de force of vintage vibes – the velvety, incense-choked essence of 1993, when gothic doom, black metal, and melodeath briefly comingled and crossed DNA. One could point to such classics as Paradise Lost’s Gothic, Katatonia’s Dance of December Souls, or indeed Rotting Christ’s later dark-horse A Dead Poem as the firm aesthetic foundation on which the duo build their darkly emotive anthems, but A Dead Poem the band keenly understand subtlety and restraint, allowing each of these seven hypnotic songs to slowly work their spell and drown the listener in a sorrow so deep, you can practically feel the era-authentic black turtleneck closing around you. No more but definitely no less, Abstract Existence is an exercise in purity, of offering tribute to and tastefully embellishing an exclusive canon: mighty times when the subgenre was experiencing the paths to choose, establishing its own dos and don’ts. Sealing that authenticity is the exquisitely mossy ‘n’ dingey production, wringing every last dour note for all its worth.

Personal Records stands for Darkening Metal, and none’s more “darkening” than A Dead Poem‘s Abstract Existence!

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for A Dead Poem’s Abstract Existence

1. In Forgotten Dimensions
2. Abstract Existence
3. Before The Rising Sun
4. Dressed In Black
5. Obedience
6. Prayers To The Void
7. Silent Tears Fall

MORE INFO:
www.facebook.com/adeadpoem.doom

www.personal-records.com
personal-records.bandcamp.com
www.facebook.com/personalrecords666
Instagram.com/personalrecords666

LURING stream new IRON BONEHEAD album

Today, American black metallers Luring stream the entirety of their highly anticipated third album, Malevolent Lycanthropic Heresy. Set for international release on December 13th via Iron Bonehead Productions, hear Luring‘s Malevolent Lycanthropic Heresy in its entirety here:

Belonging to the Order of the Broken Sword circle which includes labelmates Azathoth’s Dream and WuldorgastLuring made their public debut in 2018 with the Interitu Caret Devotione ad Coronam Satanas demo. From there, with the successive full-lengths Victory Fires Ablaze Under the Banner of Lucifer and the Iron Bonehead-released Triumphant Fall of the Malignant Christ last year, Luring have slowly-yet-assuredly become one of the most exciting developments in American black metal of recent years, effortlessly finessing a stridently classicist form that doesn’t point toward preceding idioms too obviously nor overly.

Perhaps reaching their apotheosis of such, Luring now deliver Malevolent Lycanthropic Heresy. The trio’s third album features much of the same foundation as its two LP predecessors – rippling physicality fused with otherworldly texture, inspired by contemporaneously early Abigor and Gorgoroth as equally as turn-of-the-millennium Nocternity and Lunar Aurora – but here do Luring intensify the extremes of their sound. On one hand, that physicality goes a more gutted direction, digging deep into sepulchral catacombs almost deathly. On another hand (and especially as the album plays on), their once-subtle melodicism goes to bolder lengths: some more melancholic, others more triumphant, but always with a fully developed narrative arc. Interestingly, half the album is given to instrumental tracks that aren’t strictly “ambient” in the usual black metal sense(s), imparting haunting / alluring atmospheres that thread seamlessly into Malevolent Lycanthropic Heresy‘s overall sensory experience; however, there are touches of true ambient within the other four, otherwise-black-metal songs. Altogether, and armed with a cleaner and yet still-analog production, Luring render their third full-length a never-belabored masterclass in black metal both authentically ancient and refreshingly modern.

Cover and tracklisting are as follows:

Tracklisting for Luring’s Malevolent Lycanthropic Heresy
1. Ravaged By the Teeth of a Feral God
2. Chalice of Splintered Dreams
3. Born With the Devil’s Marking
4. Black Death Elixir
5. The Odious Gaze of Chronos
6. We Come From the Shadows at His Command
7. Dying Wolf Beneath the Stars
8. Burial Opus

MORE INFO:
www.luring.bandcamp.com 

www.facebook.com/IronBoneheadProductions

NACHASH set release date for new SIGNAL REX album, reveal first track – features members of CELESTIAL BLOODSHED, ASKEREGN, HIDEOUS DEATH, KOSMIK TOMB+

Today, Signal Rex announces January 31st, 2025 as the international release date for Nachash‘s highly anticipated second album, Eschaton Magicks, on CD and vinyl LP formats.

Formed in 2011, Norway’s Nachash have patiently etched out a unique space in the wider metal underground. A power-trio from the very beginning, the band’s members currently play or have played in such bands as Celestial Bloodshed, Askeregn, Knokkelklang, Hideous Death, Kosmik Tomb, and Black Edifice among others. Black metal is the beginning base – unsurprisingly, given their country of origin – but elements of other metallic styles have been intertwined in varying degrees. The goal, ultimately, has been to conjure a dark and aggressive atmosphere yet keeping an epic bent to the music throughout, as well, by drawing on several traditions and styles. Nachash took their first steps toward that goal with 2015’s Conjuring the Red Death Eclipse EP and then accomplished exactly that with their debut album, 2018’s acclaimed Phantasmal Triunity. Now, they’re set to eclipse that estimable full-length with LP#2, Eschaton Magicks.

Once again tellingly titled, Eschaton Magicks builds upon the shocking maturity of Nachash‘s debut album. Some six-plus years removed, it’s understandable that no small amount of growth would occur in the interim, but the trio’s shifting of sonic goalposts – from their earlier “deathened black metal” to a proud declaration of “Norwegian Metal of Death” – has only served to make their sound ever more unique. On the surface, Eschaton Magicks breathes bigger, fuller breaths of atmosphere; the tones are cleaner but not without grit, superficially more “black metal” in that sense. But that’s simply the surface: the songwriting itself is anchored fully to eldritch death metal, still flexing the same muscles as before but with a slightly more ethereal aspect – and as EPIC as ever. As such, the songwriting takes on wilder, more-winding contours compared to the debut’s patient pulse, but Nachash are nothing if not thorough in their thoughtful approach to song construction; riffs flow with poetic ease, alternately haunting and heroic, and the rhythm section suitably roils and tank-rolls with serpentine fervor. 

Past references to the likes of GBK, Ares Kingdom, Mortuary Drape, Varathron, and Sacriphyx are relatively valid, but with Eschaton Magicks serving as their second full-length display of their all-too-considerable powers, Nachash have hereby staked their claim as contemporaries of those esteemed bands – and more so, as heralds of noble heavy metal songcraft.

In the meantime, hear the brand-new track “Sojourner of the Dark Passage”  here:

Cover and tracklisting are as follows:

Tracklisting for Nachash’s Eschaton Magicks
1. Stygian Nightmare
2. Sojourner of the Dark Passage
3. The Scythewielder
4. Eschaton Magicks
5. Death’s Mordant Blaze
6. Empyrean Graves
7. Wherein the Devil Dwell

MORE INFO:
www.facebook.com/nachashnorway

www.signalrex.com
www.facebook.com/signalrex

www.signalrex.bandcamp.com

HELL MILITIA to have cult-classic debut album reissued by DARKNESS SHALL RISE – features members of MÜTIILATION, ARKHON INFAUSTUS, TEMPLE OF BAAL+++

Today, Darkness Shall Rise Productions announces February 27th, 2025 as the international release date for a reissue of Hell Militia‘s cult-classic debut album, Canonisation of the Foul Spirit, on CD, vinyl LP, and cassette tape formats.

Hell Militia – an assemblage of the vilest and most depraved individuals the French underground has spawned who have earned themselves a bad reputation by participating in Mütiilation, Arkhon Infaustus, and Temple of Baal among others – burst onto the scene with their first full-length in 2005. Preceded only by an appearance on a split 7″ and a demo, the aptly titled Canonisation of the Foul Spirit was unleashed to wreak havoc and soil anything pure and holy in utter contempt. The album comprises 10 tracks (Psalms) with a professional but not-too-clean studio production, allowing for each instrument to be easily distinguished from one another without resulting in sounding polished or sterile. The riffs which are not too far removed from what one can hear on some of the albums the members have had a hand in and the quality of the songwriting disclose the fact that Hell Militia are anything but newcomers. The demented vocals that grace jolly carols like “Burning Human Pigs,” “Prophecy from the Mutilated Children,” or “Black Fucking Cancer” are cantillated by none other than Meyhnach from Mütiilation. Listening to him preaching the false gospel and spewing foul bile in his characteristic, unmistakable way of madness is certainly one of the highlights of Canonisation of the Foul Spirit.

Out of print for nearly 20 years, this reissue features an exclusive bonus track. Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Hell Militia’s Canonisation of the Foul Spirit

 1. Psalm I – Burning Human Pigs
2. Psalm II – Torture of the Saints
3. Psalm III – Black Arts of Crime
4. Psalm IV – Prophecy from the Mutilated Children
5. Psalm V – Dead Children‘s Choir
6. Psalm VI – Black Fucking Cancer
7. Psalm VII – Blood from the Pig
8. Psalm VIII – Goathrone
9. Psalm IX – Ritual
10. Psalm X – Years Ago (Alice Cooper cover)
11. Black Arts of Crime (2024 re-recording)


MORE INFO:

www.facebook.com/hellmilitiaofficial

www.darknessshallrise.de
www.facebook.com/darknessshallriseproductions 
www.darknessshallriseproductions.bandcamp.com 

WOLF HEX release ARMAGEDDON LABEL debut album today – features members of DROPDEAD, ULCER, STRAIGHT TO HELL, PAINDRIVER, ADVOCATE+++

Today, Armageddon Label releases Wolf Hex‘s highly anticipated debut album, Profane Heresies, on vinyl LP format.

A group filled with longtime Rhode Island punk/metal veterans, Wolf Hex  announce their first full-length, Profane Heresies: nine tracks that blend old thrash, black, and old-school early death metal. Long in the works, it’s time to unleash this beast and set it free.

From the ashes of Hell Bent, Wolf Hex was formed to carry on in the tradition of brutal old-school death and thrash metal in the vein of Death, Blood Feast, Hellhammer, Bathory, Onslaught, Sodom, Destroyer 666, Venom, and many more. Their music is a unique-yet-familiar approach to extreme metal, with songs about the occult, war, death, regional myths, and folklore. Wolf Hex include current and former members of veteran Rhode Island bands like Dropdead, Ulcer, Straight To Hell, Paindriver, and Advocate.

Stream Profane Heresies in its entirety here:

Cover artwork, courtesy of vocalist Badger, and tracklisting are as follows:

Tracklisting for Wolf Hex’s Profane Heresies
1. Pashupati (The Lord of Beasts)
2. The Blade Never Lies
3. Echelons Of Decadence 
4. Blacc Scucca Hund
5. XVII
6. Piss On Humanity’s Grave    
7. Vycyssitudes Of Vermyn
8. Crucible Of Mammon
9. Profane Heresies (Horned And Unholy)

MORE INFO:
wolfhex.bandcamp.com

http://linktr.ee/armageddonlabel

NECROMANIAC set release date for INVICTUS / AJNA debut album, reveal first track

Invictus Productions in conspiracy with The Ajna Offensive are proud to present Necromaniac‘s long-awaited debut album, Sciomancy, Malediction & Rites Abominable, on CD and vinyl LP formats. Invictus will handle the album’s release for Europe while Ajna will handle its North American release. The CD version is scheduled for release on January 13th, 2025 to coincide with the Wolf Moon, while the LP version will be released at a later date.

Forged in heretical fire while lurking in the darkest shadows of the underground for the past 13 years, this London-based (UK) band formed by Swedish, Spanish, Greek, and Polish musicians has crafted a debut album that’s guaranteed to send cold shivers down your spine. A truly sinister musical journey containing 9 forbidden rites steeped in witchcraft, necromancy, and an overall occult atmosphere, Necromaniac‘s first full-length is everything its weighty title promises…and more! 

Those who were possessed by their 2015 demo tape and 2018 7″ EP don’t need to worry, as the Necromaniac sound of old is reanimated here. Only now it’s given delirious flight on demon wings of ecstasy: blacker, more metal, more epic, more atmospheric, more “mature,” more of MORE. Joining these morbid ghouls on their devilish quest are guests A.A. Nemtheanga of Primordial, Negative Plane’s Nameless Void, and one A Corpse Without a Soul, whose signature throat should not be unknown to astute underground dwellers. The sum effect of Sciomancy, Malediction & Rites Abominable is a sonic bacchanalia informed by the ageless wisdom of Hell’s heavy metal. 

No mercy, no forgiveness, no salvation, no return…MORBID METAL TO THE DEATH!

In the meantime, hear the brand-new track “Swedenborg’s Skull” here:

Cover and tracklisting are as follows:

Tracklisting for Necromaniac’s Sciomancy, Malediction & Rites Abominable
1. Caput Draconis
2. Daemonomantia
3. Grave Mound Oath
4. Calling Forth The Shade
5. Great Is The Thirst Of The Restless Dead
6. Teraphim (Skull Sorcery)
7. Conjuration Of St. Cyprian
8. Swedenborg’s Skull
9. Necromancess / Cauda Draconis

MORE INFO:
www.facebook.com/necromaniacUK 

www.invictusproductions.net
www.facebook.com/invictusproductions

www.theajnaoffensive.com
www.facebook.com/theajnaoffensive