PUTREFIED CORPSE sign to XTREEM MUSIC – first single, cover art, and tracklist revealed

Dutch death metallers Putrefied Corpse have just inked a deal with Xtreem Music for the release of their debut album, to be titled Left to Rot, scheduled for March 19th internationally.
 
Putrefied Corpse was born in 2013, but after going through different stages and changes in its lineup, the band has finally achieved a steady one that includes ex-members of bands like Phlebotomized, Adetar and Death Squad. Throughout the year 2018, the band has been recording their debut album, Left to Rot, which they showed to Xtreem Music, who immediately offered them a deal. The style of Putrefied Corpse is pure death metal the old-school way whose main influences could come from bands like Gorefest, Cannibal Corpse, Autopsy, Obituary, and Massacre.

Release date for Left to Rot will be March 19th through Xtreem Music on CD format. Hear the first single “Procreation of the Rotten Flesh”

Cover and tracklisting are as follows:

Tracklisting for Putrified Corpse’s Left to Rot
1. Intro I
2. Smashed to Pieces
3. Cordon Bleu of her Curvaceous Body
4. Embrace Death in Solitude
5. Bloodbath
6. Sociopathic Monstrosity
7. Intro II
8. Obliteration of Cerebral Arteriovenous Malformation
9. Procreation of the Rotten Flesh (feat. Per Boder)
10. Necrotopia – Zombie Apocalypse
11. Joyful Repeating Movement
12. Godly Beings (Obituary cover) 

MORE INFO:
www.facebook.com/PutrefiedCorpse

www.xtreemmusic.com
www.facebook.com/xtreemmusic666
www.xtreemmusic.bandcamp.com
www.youtube.com/xtreemmusic
www.twitter.com/xtreemmusic666
www.soundcloud.com/xtreemmusic

Melodic Death/Doom Group COLD COLOURS Release New Single “Nightmare”

Long running Minnesota Death/Doom band COLD COLOURS have released a new single from forthcoming album Northernmost. Stream “Nightmare” below.
COLD COLOURS celebrate their 20th anniversary in 2019 with the February 22 release of fifth full-length album Northernmost. In recognition of the winter solstice, the album’s first blast of freezing wind came in the form of lyric video for new track “Terminal Winter.” Check it out
Pre-order Northernmost coldcoloursmetal.bandcamp.com/album/northernmost
Vocalist/guitarist Brian J. Huebner had this to say about the band’s milestone:
“If 20 years has taught me anything, it’s that you have to believe in what you are doing. No matter how many roadblocks you hit over two decades. I am thrilled that we have ‘Northernmost’ to celebrate 20 years. Our best album so far? Without question, but more importantly, the best representation of who we are and should be. This album is a testament to the chemistry of the band in 2019.”

Long overdue, Northernmost finds COLD COLOURS in top form as they mine the depths of despair on 12 dynamic compositions guaranteed to satisfy devotees, as well as newcomers with a taste for the likes of AMORPHIS, SWALLOW THE SUN, and INSOMNIUM. Recorded and mixed by drummer Mike Andrie, and mastered to perfection by the legendary Dan Swanö at Sweden’s Unisound, Northernmost is nothing short of exquisite. Welcome to 2019; welcome to your Doom! 
“If you like that icy kind of melodic death/doom that hails from Finland, set your GPS to Minneapolis to experience Cold Colours.”  – Dr. Mality’s Dungeon
“This is a really good album and the fact they are ambitious enough to have such a huge sound only adds to it.” [9/10]
 – Abysmal Hymns
“The band is dark, melodic, powerful and moving. The sound is rich and crushing.”
 – Permafrost Today
Track Listing
1. Northernmost I
2. Nightmare
3. A Life Forlorn
4. Northernmost II
5. From This Pain
6. Spirit
7. Northernmost III
8. Terminal Winter
9. Heathen
10. Northernmost IV
11. The Parting
12. The Pale Heart
COLD COLOURS is:
Brian J Huebner – vocals, guitar
Matt Hamilton – lead guitar
Mike Andrie – drums
Jaden Adair – vocals, bass
Jon Rayl – keyboards

coldcoloursmetal.bandcamp.com
www.facebook.com/coldcoloursmetal  
www.instagram.com/coldcoloursband/ 

1349 discuss Munch inspired single “Dødskamp”

Norwegian black metallers 1349 recently unleashed  their new single “Dødskamp”. The song has been written for a project by the organizations Innovation Norway, Visit Norway and the Munch Museum, called ‘Munch + Music’. Four Norwegian artists within four different genres of music were asked to interpret their angle on a freely selected work by the famous painter Edvard Munch.

Find out what inspired 1349 by watching the video streaming on the website of Visit Norway.

Link:
https://www.visitnorway.com/things-to-do/art-culture/edvard-munch/munch-plus-music/1349/
The artwork of ‘Dødskamp’ can be viewed here, together with the track-list.
Tracklist:
1. Dødskamp (05:05)
2. Atomic Chapel (live) (06:54)
When 1349 rose from the ashes of ALVHEIM in 1997, the band was driven by a deep desire to keep the black metal flame burning in all its rebellious glory. The Norwegians set out with the declared aim to remain true to the original spirit of their scene, which they saw heading into all the wrong directions. Conceived around the founding members, which consisted of vocalist and first drummer Ravn, guitarist Tjalve, and Seidemann on bass, 1349 completed their line-up with the addition of guitarist Archaon in 1999 and SATYRICON drum-legend Frost, after the latter recorded a demo and the debut album with the band in 2001. When their debut ‘Liberation’ was finally unleashed in 2003, 1349 took the world by storm with their intense blend of old school black metal soundscapes and ultra-fast aggression. Further assaults followed in rapid succession. ‘Beyond the Apocalypse’ (2004) and ‘Hellfire’ (2005) cemented the Norwegians’ reputation as one of the strongest acts in the already peaked scene, where they managed to carve out a claim for their own. Founding member Tjalve decided to focus on his band PANTHEON I and 1349 have since continued as a four-piece – occasionally adding renowned guest guitarists. Extensive touring aided the growth of a massive following, which started to seriously reach across the Atlantic, when 1349 opened for reunited metal legends Celtic Frost in North America in 2006. In an impressive demonstration that dedication to the origins and early principles of black metal does not have to mean nostalgia and stagnation, 1349 considerably widened their sonic palette with the next full-length ‘Revelations of the Black Flame’ (2009), which was co-mixed by iconic CELTIC FROST mastermind Tom Gabriel “Warrior” Fischer. Their newly found darker and more ambient side, was further explored and interwoven with the earlier sonic approach, which 1349 dub “aural hellfire” on the following ‘Demonoir’ (2010). Extensive touring and performances at prestigious festivals around the globe filled the period from 2010 to 2012. ‘Massive Cauldron of Chaos’ (2013) was the next milestone in the Norwegian’s merciless advance, scoring excellent reviews and sparking more festival shows as well as extended touring, which also brought 1349 for the first time to Australia and New Zealand. Now the band is preparing to unleash more “aural hellfire” onto the expecting world via Season of Mist.
www.facebook.com/1349official

Line-up
Seidemann: bass
Ravn: vocals
Archaon: guitars
Frost: drums

Pre-orders: http://smarturl.it/1349Dodskamp

GOATKRAFT set release date for IRON BONEHEAD debut album, reveal first track

Today, Iron Bonehead Productions sets March 22nd as the international release date for Goatkraft‘s highly anticipated debut album, Sulphurous Northern Bestiality, on CD and vinyl LP formats.

Following a full year from the band’s rapturously received Angel Slaughter EP via Iron Bonehead, Goatkraft‘s
Sulphurous Northern Bestiality says everything it needs to in its title: chokingly sulphurous, beyond bestial in both form and content, and hailing from the northern climes of Norway, a country usually underrepresented in the bestial arts. The power-trio’s full-length debut hardly differs from its shorter predecessor, underlining the band’s commitment to their monochromatic muse, but offers a fuller and fouler expression of the Goatkraft vision.

Crude and rude and completely stripped bare of any remotely excessive adornment, Goatkraft are a study in stark, stultifying minimalism. Their punishing, primitivist surge hearkens back to the almighty Blasphemy, but truly finds its voice within the seething spite of Black Witchery; not for nothing did they conclude Angel Slaughter with a cover of that band’s eternal “Unholy Vengeance of War.” Barbaric black metal is again the order of the day on Sulphurous Northern Bestiality, dutifully redone with nuclear-powered panache, red-eyed and regimented, and a true devotee’s lust for pure form. Indeed, the purity of violence – rabid, roiling, righteous – doesn’t come more distilled and undiluted than
Sulphurous Northern Bestiality. Here continues the whirlwind of Goatkraft.

Reap the first whirlwind with the new track “Spell of Black Pestilence” here :
Cover and tracklisting are as follows:
Tracklisting for Goatkraft’s Sulphurous Northern Bestiality
1. Yawns from the Abyss
2. Hordes of Damnation
3. Goatkrafts Command
4. The Oath
5. Bestial Desecration
6. Imperial Hate
7. Spell of Black Pestilence
8. Invocation to the Lord of Huracanes
9. Blasphemous Sulphur Oppression
10. Deathblade of Plague and Torment
11. Volcanic Orthodox Necromancy

MORE INFO:
www.goatkraft.com

Russian black metal mavericks Ulvdalir premiere new track

Today, Russian black metal mavericks Ulvdalir premiere the new track “Music of Cold Spheres” The track hails from the band’s long-awaited fourth album, …of Death Eternal, set for international release on January 25th, 2019 via Iron Bonehead Productions.

Hear Ulvdalir’s “Music of Cold Spheres” in its entirety HERE.

One of black metal’s best-kept secrets, Ulvdalir belong to the inner circle of Russia’s True Ingrian Black Metal Death, alongside Iron Bonehead labelmates Khashm, with whom they share two members. As such, the sound they’ve patiently crafted since 2001 – and which made its full-length debut in 2008 with TWO albums, Flame Once Lost and Soul Void, both equally aptly titled – likewise bears a tangibly gnarly physicality contrasted by an almost-levitational aspect: truly, an alchemical melding of aggression and atmosphere. And although they’ve kept their profile reasonably visible in the intervening years with myriad split recordings and a compilation unearthing a couple lost EPs, …Of Death Eternal is the first Ulvdalir full-length recording in nearly eight years.

Truly worth the wait, …Of Death Eternal displays the full bloom of Ulvdalir’s rotten, bountiful harvest. Swarming with dire intent and unnervingly precise malice, the quartet’s attack here pushes and pulls, coils and crushes, but always carries an ever-forward momentum. Equally slipstreaming and trance-inducing, their gnarled ‘n’ gnarling style of black metal emits space and shade at every crooked turn, finally enveloping the listener whole within their black hole. And each of the album’s six central songs patiently unfolds their respective black holes across lengthier track times, yet ones never too exhaustingly long; again, malicious precision is the order of the day on …Of Death Eternal. In that regard, and alongside the finessed physicality here, one could slot Ulvdalir alongside the more orthodox black metal movements still coursing through Sweden and Greece, but with a sterner sensibility that’s distinctly Russian.

True Ingrian Black Metal Death reveals its next death-card, and it bears the aspect of Ulvdalir’s …Of Death Eternal. Be dealt the next card here:

The first card has been dealt with the previously revealed “Swords of Belial” HERE

Cover and tracklisting are as follows:

Tracklisting for Ulvdalir’s …Of Death Eternal
1. Intro
2. Awakening
3. Black Flame of Will
4. Swords of Belial
5. Birth of the Beast
6. Music of Cold Spheres
7. Eternal Angel of Death Eternal
8. Outro

More info:

www.facebook.com/IronBoneheadProductions
 

TRIUMVIR FOUL set release date for new INVICTUS/VRASUBATLAT EP, reveal first track

PISS ON THE GODHEAD // WATCH HIM CHOKE IN DESPAIR
Decimating the godhead to its insipid form, on March 29th, Triumvir Foul returns with its third legion of the triumvirate under the Vrasubatlat banner – the Urine of Abomination. This EP is being released in conspiracy with Invictus Productions on CD, 12″ vinyl, and cassette tape formats, with 20 Buck Spin handling manufacturing & distribution in North America.

Triumvir Foul returns after their short lull from Spiritual Bloodshed with a four-song exhibition showcasing their more caustic elements to date. Again slightly departing in theme, the Urine of Abomination takes a direct approach in discussing the obliteration of the godhead and humiliating him in piss. Sonically, Urine of Abomnination carries on the sound of Triumvir Foul‘s more traditional death metal tendencies found on their demo An Oath of Blood and Fire and fuses it with more bestial black/death destruction. Urine of Abomination is the amalgamation of aural hell and fetishistic indignation – admonish the godhead and drown it in piss.
THE URINE OF ABOMINATION
TEARING THE CERVIX OF CREATION
WITH RAPE OF VISCERAL TOMENT

PISS ON THE FACE OF GOD
WATCH ITS LAST BREATH DECAY
AND SUCCUMB TO THE URINE OF ABOMINATION
In the meantime, hear the new track “Urine of Abomination I” here:
The CD version of Urine of Abomination will include An Oath of Blood and Fire as bonus tracks. Cover and tracklisting are as follows:

Tracklisting for Triumvir Foul’s Urine of Abomination
1. Urine of Abomination I
2. Urine of Abomination II
3. Urine of Abomination III
4. Urine of Abomination IV
MORE INFO:
www.vrasubatlat.com
www.vrasubatlat.bandcamp.com

Deströyer 666 announce European dates with Nocturnal Graves

DESTRÖYER 666 have announced new European tour dates together with label mates NOCTURNAL GRAVES in the fall of 2019. The metal wolf-pack will embark on the ‘Sons of Rebellion’ tour on October 24 at the Viper Room in Vienna (AT), and travel trough out 8 more countries before a final curtain the the Proxima venue in Wasaw (PL). A full list of confirmed shows can be found below. 
DESTRÖYER 666
+NOCTURNAL GRAVES +DEAD CONGREGATION +INCONCESSUS LUX LUCIS
24 Oct 19 Vienna (AT) Viper Room
25 Oct 19 Ljubljana (SI) Orto Bar
26 Oct 19 Arci Mu Parma (IT) Circolo
27 Oct 19 Villeurbanne (FR) CCO
28 Oct 19 Paris (FR) Petit Bain
29 Oct 19 London (UK) The Underworld
30 Oct 19 Leiden (NL) Gebr de Nobel
01 Nov 19 Mannheim (DE) MS Connexion Complex
02 Nov 19 Zwickau (DE) Club Seilerstraße
03 Nov 19 Krakow (PL) Kwadrat
04 Nov 19 Prague (CZ) Futurum
05 Nov 19 Munich (DE) Backstage
06 Nov 19 Oberhausen (DE) Helvete
08 Nov 19 Rostock (DE) Zwischenbau
09 Nov 19 Poznan (PL) U Bazyla
10 Nov 19 Warsaw (PL)

DESTRÖYER 666 Russia
25 Jan 19 Moscow (RU) Aglomerat
26 Jan 19 St. Petersburg (RU) MOD

DESTRÖYER 666 will be touring in support of their latest EP ‘Call of the Wild’ which can be heard in full here. The Artwork and details can be found below.

Track-list
1. Violence Is Golden (4:30)
2. Stone by Stone (3:37)
3. Call of the Wild (4:46)
4. Trialed by Fire (7:02)
Total: 19:55
DESTRÖYER 666 continue to do what they are best at: kicking ass and hammering out heavy metal that is slamming straight into the face. No compromise, no sell out, no bullshit!

The Australians fill the gap between albums with the hard-hitting EP, ‘Call of the Wild’ that comes with a distinct taste of an unrepentantly classic flavour.

DESTRÖYER 666 don’t do whiny nostalgia but simply stick to their old school roots, which are reaching straight down into the golden age of metal while allowing themselves to sound fresh and remain relevant.

The band originally started out as a solo project of BESTIAL WARLUST guitarist KK in Australia in 1994. As early as with debut album ‘Unchain the Wolves’ (1997),  fast-tracked towards international acclaim. The even stronger second full-length, ‘Phoenix Rising’ (2000) had the Australians relocating to Europe to be able to satisfy the soaring demand for touring and festival shows. After a round of line-up changes, third full length ‘Cold Steel… For an Iron Age’ (2002) cemented the band’s excellent reputation. After a hiatus caused among other issues by disenchantment with the business, DESTRÖYER 666 returned with ‘Defiance’ in 2009 and followed up on this success with the rough and gritty ‘Wildfire’ seven years later that saw them touring and performing at all the relevant metal festivals worldwide on a regular basis again.

‘Call of the Wild’ comes with three fresh tracks and the revisited classic, “Trialed by Fire”, which was first published on ‘Terror Abraxas’ (2003). Now come and get yours!

Line-up
KK: guitars, vocals
Ro: guitars, vocals
Felipe: bass
Perra: drums

www.facebook.com/destroyer666page
www.destroyer666.uk

SADOKIST sign with HELLS HEADBANGERS, prepare label debut

Today, Hells Headbangers announces the signing of Finnish blackthrash cult Sadokist. The first fruit of this union shall be the band’s highly anticipated second album, Necrodual Dimension Funeral Storms, which will see release through the label later this year on CD and vinyl LP formats.

Sadokist formed in 2007 and have lurked deep in the fertile Finnish underground since 2007, brewing up demos that pronounced its foremost aims: the telltale Evil Sado Fuckin’ Metal in 2008 and 2010’s Horrors From Hell, with a split tape in between with comrades Black Angel fittingly titled Sadomatik Angel Attack. A couple more demos followed in 2012, and all this hard graft eventually culminated in the opus of obscurity now known as Thy Saviour’s Halo, Held by Horns, the band’scult-classic debt album from 2014. Deeply and reverently committed to their classic forebears – from the early Big Three of Teutonic thrash to the first explosions of filth from the ’80s South American underground, not to mention the almighty Bathory and Necrovore – Sadokist nevertheless exude an effervescent elan and caustic, careening charm that immediately put them well beyond mere “retro” retread. In fact, their youthful vibrancy put Thy Saviour’s Halo, Held by Horns over the hump of over-familiarity and into a realm populated by the likes of Nifelheim, Desaster, and Aura Noir, such is the strength of Sadokist‘s songwriting.

Now allied with longtime fans Hells Headbangers, Sadokist are prepared to unleash their second full-length nuclear detonation: Necrodual Dimension Funeral Storms. The album was recorded at the band’s rehearsal space and then finished at Megahammer’s home studio during 2017-2018. Mandatory headbanging shall spill over into total and utter possession; the effect shall be instantaneous as well as long-lasting.

A statement from the band reads: “After our latest album, Thy Saviour’s Halo, Held by Horns, Sadist Stalker got reinforced by seventh new drummer, Sagittariuz Perverzor

and Vorrtexx Armageddon has stayed on his duty as solo guitarist. Werwolf Records got interested in our first album and suggested us to Hells Headbangers, which we are very pleased with. We’ll see how our alliance goes in the future, but until then, unjoy Necrodual Dimension Funeral Storms….”

Release date, cover art, and preorder info to be announced shortly. For more info, consult the links below.


MORE INFO:
www.facebook.com/sadokistband

NORDJEVEL set release date for new OSMOSE album, reveal new video

Norwegian black metallers Nordjevel, whose self-titled debut album was released on Osmose Productions to great critical acclaim three years ago, are back with a vengeance with Necrogenesis, an album which sees the band’s core of founder and vocalist Doedsadmiral (Svartelder, Doedsvangr, Enepsigos) and bassist DzeptiCunt (ex-Ragnarok), being joined by Destruchtor (Myrkskog, ex-Morbid Angel) on guitars and backing vocals and Dominator (ex-Dark Funeral) on drums. 
 
The new arrivals have enabled Nordjevel to expand its musical horizons and produce an album that promises to be more ferocious than its predecessor, as Doedsadmiral explains: “With the addition of Destruchtor and Dominator to the band’s lineup, Nordjevel has never been so strong. Necrogenesis is a much darker and violent album. It is also more varied and mature, both musically and lyrically. We definitely did not want to get stuck in a rut and churn out an identikit version of our debut, and fortunately, we all felt that we wanted to go in the same direction, so we were all able to work together extremely well on the new songs. Having said that, Necrogenesis was a hard bastard of an album to complete, and at times, we felt that the universe was conspiring against us, so it became a very personal album for all of us.”
 
To give fans a taste of what they can expect from Necrogenesis, Nordjevel have released a video for the opening track “Sunset Glow.” The video, by Necrolust Productions, which was filmed during the band’s 2018 appearance at the December Darkness Festival in Sweden, can be seen here:
“Sunset Glow” has also been released as a single, and can be streamed or downloaded HERE at Osmose‘s Bandcamp.

Necrogenesis is set to hit the streets on Osmose Productions on March 29th in CD Jewel Case, Limited Edition CD Digipack (with bonus track), Limited Edition Double Gatefold Vinyl in Blood Red (with bonus track), Limited Edition Double Gatefold Vinyl in Black (with bonus track), Digital, and Limited Edition Audio Tape formats. 

Preorder info can be found HERE.

Recorded at Velvet Recording in Spydeberg, Norway, Necrogenesis was engineered by Nordjevel and Christer Krogh, and mixed and mastered by Patric Darkhyrys at his WSL Studios in France. With artwork and layout by Vincent Fouquet of Above Chaos, cover and tracklisting for Necrogenesis are as follows:
Tracklisting for Nordjevel’s Necrogenesis
1. Sunset Glow
2. Devilry
3. The Idea Of One-Ness
4. Black Lights From The Void
5. Amen Whores
6. The Fevered Lands
7. Nazarene Necrophilia
8. Apokalupsis Eschation
9. Panzerengel
10. Venom Of Serpents (Bonus Track Vinyl, Digipack)
 
MORE INFO:
www.nordjevel.no
www.facebook.com/nordjevelofficial

1349 release new single “Dødskamp”, inspired by an artpiece of Edvard Munch

Norwegian black metal masters 1349 have released a new single, titled ‘Dødskamp’. The song has been commissioned by Innovation Norway, Visit Norway and the Munch Museum, who asked four Norwegian artists within four different genres of music to interpret their angle on a freely selected work by the famous painter Edvard Munch. Naturally, 1349 approached the art of Munch from their black metal perspective.

Regarding the single, 1349 guitarist Archaon comments: “Munch is arguably the biggest Norwegian artist throughout history, together with Edvard Grieg, I suppose. His works are tremendously dark and eerie, reflecting a lot of anxiety, pain and loneliness, in the way I perceive them. So, it suited us perfectly. I chose the work “Dødskamp” which directly translates “Death Struggle” and speaks volumes for itself. It was an emotionally Heavy task, and also a completely new way to compose. As well as some  very long nights, bereaved of sleep. In the end though, it was worth it. This is the soundtrack to the dilemmas of mortality.”
The artwork of ‘Dødskamp’ can be viewed here, together with the track-list.
Tracklist:
1. Dødskamp (05:05)
2. Atomic Chapel (live) (06:54) – only available on EP
When 1349 rose from the ashes of ALVHEIM in 1997, the band was driven by a deep desire to keep the black metal flame burning in all its rebellious glory. The Norwegians set out with the declared aim to remain true to the original spirit of their scene, which they saw heading into all the wrong directions. Conceived around the founding members, which consisted of vocalist and first drummer Ravn, guitarist Tjalve, and Seidemann on bass, 1349 completed their line-up with the addition of guitarist Archaon in 1999 and SATYRICON drum-legend Frost, after the latter recorded a demo and the debut album with the band in 2001. When their debut ‘Liberation’ was finally unleashed in 2003, 1349 took the world by storm with their intense blend of old school black metal soundscapes and ultra-fast aggression. Further assaults followed in rapid succession. ‘Beyond the Apocalypse’ (2004) and ‘Hellfire’ (2005) cemented the Norwegians’ reputation as one of the strongest acts in the already peaked scene, where they managed to carve out a claim for their own. Founding member Tjalve decided to focus on his band PANTHEON I and 1349 have since continued as a four-piece – occasionally adding renowned guest guitarists. Extensive touring aided the growth of a massive following, which started to seriously reach across the Atlantic, when 1349 opened for reunited metal legends Celtic Frost in North America in 2006. In an impressive demonstration that dedication to the origins and early principles of black metal does not have to mean nostalgia and stagnation, 1349 considerably widened their sonic palette with the next full-length ‘Revelations of the Black Flame’ (2009), which was co-mixed by iconic CELTIC FROST mastermind Tom Gabriel “Warrior” Fischer. Their newly found darker and more ambient side, was further explored and interwoven with the earlier sonic approach, which 1349 dub “aural hellfire” on the following ‘Demonoir’ (2010). Extensive touring and performances at prestigious festivals around the globe filled the period from 2010 to 2012. ‘Massive Cauldron of Chaos’ (2013) was the next milestone in the Norwegian’s merciless advance, scoring excellent reviews and sparking more festival shows as well as extended touring, which also brought 1349 for the first time to Australia and New Zealand. Now the band is preparing to unleash more “aural hellfire” onto the expecting world via Season of Mist.
www.facebook.com/1349official

Line-up
Seidemann: bass
Ravn: vocals
Archaon: guitars
Frost: drums

Pre-orders: http://smarturl.it/1349Dodskamp