Hate Eternal release second track of new album ‘Upon Desolate Sands’

HATE ETERNAL are now premiering the second crushing track of their forthcoming new album ‘Upon Desolate Sands’, which is slated for release on October 26th, 2018.

Mastermind Erik Rutan comments: “For years I have wanted to add a heavier and darker element into Hate Eternal, and for years that vibe just never came to me. For this album the inspiration came and the heaviness followed. Using a lower tuning then our norm for a few songs on “Upon Desolate Sands” and going through some personal life experiences, helped create a depth of darkness and sense of despair to inspire me to write “Nothingness of Being”. I never have forced anything when it comes to the writing process, we just let the songs flow naturally and write and play what we feel. Crafting a couple of songs with a completely different tuning really helped direct a different path and direction for the writing process. This song amongst some of the more traditional chaotic tunes on the album helps really create a sense of dynamics in a dramatic way. Every song on this album has its own unique texture creating a vast landscape of musical expression and a multitude of emotions, pushing the envelope in every way we can!”

The spectacular artwork for ‘Upon Desolate Sands’ has been created by renowned artist Eliran Kantor (TESTAMENT, ATHEIST, ARCHSPIRE). Artwork and track-list can be viewed below.

Track-list
1. The Violent Fury (3:55)
2. What Lies Beyond (3:09)
3. Vengeance Striketh (4:39)
4. Nothingness of Being (5:02)
5. All Hope Destroyed (5:45)
6. Portal of Myriad (4:13)
7. Dark Age of Ruin (3:58)
8. Upon Desolate Sands (5:02)
9. For Whom We Have Lost (3:18)
Total playing time: 39:01

HATE ETERNAL faithfully keeps the death metal spirit alive as their long-awaited seventh studio album ‘Upon Desolate Sands’ now uncompromisingly demonstrates!

Founded in St. Petersburg, Florida in the year 1997, HATE ETERNAL is the brainchild of extreme metal luminary Erik Rutan, who created a charging death metal juggernaut. In the United States this style has been virtually synonymous with Florida and especially the Tampa Bay Area for a long time.

More aggressive and technically complex than its Swedish counterpart, Floridian death metal grew out of thrash during the mid-1980’s and was founded by such as the legendary DEATH, OBITUARY, and MORBID ANGEL. While many of its early protagonists went on experimental paths, HATE ETERNAL remains true to the original formula, while continuously pushing the boundaries of this extreme style.

HATE ETERNAL’s new full-length doubles down on their patented, high-velocity assault of dizzying ferocity combined with wide-range dynamics, outstanding songwriting and skull-crushing brutality. HATE ETERNAL delivers extreme music at the highest level. There can be no doubt that ‘Upon Desolate Sands’ will be regarded by many as the best death metal record of 2018!

Line-up
Erik Rutan – vocals, guitar
J.J. Hrubovcak – bass, vocals
Hannes Grossmann – drums

www.facebook.com/Hate.Eternal

AUSTRIAN ATMOSPHERIC BLACK METAL PROJECT, KARG, TO RELEASE ‘DORNENVÖGEL’ ON NOV 16TH

September 6, 2018 – Los Angeles, CA – Austrian atmospheric black metal project Karg will release a long awaited, new album, Dornenvögel, on November 16th with AOP Records.
Today, Karg is ready to unveil the record’s searing new single “Petrichor.”

The record is now available for pre-order at the links below.

“This song is about going to a place I always thought I’d go if there’d be nothing left at home for me worth staying. I always thought I’d go there, to leave it all behind. And so I did. But at least it was not about a farewell or leaving, but about a new chapter of life, or to say it in a quite pathetic way, a rebirth. This led to kinda mixed feelings. On the one hand you have this euphoric and exalted feelings, experiencing life in the back of beyond, thousands of kilometers away from all that trouble. And on the other hand, you must realize after a few days of euphory, that you can’t stay forever and have to leave for home a more soon than faraway day. The past, death and all these negative feelings will get you everywhere, in this case even at the end of this fucking world.” – J.J.

PRE-ORDER DORNENVÖGEL:
AOP Records (US Shop) https://www.indiemerch.com/aoprecords
AOP Records (EU Shop) https://shop.aoprecords.de

For the new record, Karg mastermind J.J. (vocalist of Harakiri For The Sky) recruited a flood of notable musicians as guests on the record, including members from Lunar Aurora, Downfall of Gaia, Ellende, Ancst, Amer, fut and Instant Karma to participate with guest vocals on the album.

Dornenvögel is the project’s most diverse album written to date. It’s a steady up and down of negative and melancholic feelings and short glimpses of hope, recited in a quite hysteric way. Every song is a separate, private “Dornenvogel” (which is a metaphor in this connection) to Karg, in which every song is a different chapter and collection of dramas, one followed by the other.

Karg was founded back in the summer of 2006 as a one-man project. Between 2010 and 2014 Karg was fully formed as a band to play gigs, formally in Germany, Austria and Central Europe. In the years leading to 2018, Karg was a one-man project and released two previous albums. Karg’s 6th studio album Dornenvögel marks the project’s rebirth as a live band for a few special dates in 2018 and 2019.

The musical style of Karg is a furious, hysteric mixture of atmospheric black metal and post-rock, with influences also from grunge, shoegaze and post-punk. Lyrically, Karg was always about the more melancholic side of life, such as broken relationships, lost love, estrangement, drug abuse, loss or suicidal thoughts and depression. In contrast to many other bands Karg’s lyrics are as equally important as its music.

Dornenvögel Tracklisting:
1. Drangsal
2. La tristesse durera toujours
3. Petrichor
4. L’apelle du vide
5. Meine Freiheit war ihr Tod
6. F 19.5
7. Heimat bist du tiefster Winter
8. Advent

Karg Tour Dates:
Nov 24, 2018 – Salzburg, Austria – Dome of Rock 2018 (w/Mantar, Skeletonwitch & more)
Apr 20-21, 2019 – Munich, Germany – Dark Easter Metal Meeting 2019

For More Information:
https://www.facebook.com/kargband/
www.aoprecords.de

XASTHUR RELEASES STUDIO SESSIONS EP, AESTAS PRETIUM MMXVIII, VIA PROPHECY PRODUCTIONS

September 5, 2018 – Los Angeles, CA – Renowned black metal outfit, turned mysterious “doomgrass” precentor Xasthur, has released a studio sessions EP titled Aestas Pretium MMXVIII, through their new label Prophecy Productions. Previously only available physically on the road during the band’s recent month long tour with Wino and Six Organs Of Admittance, the Aestas Pretium MMXVIII EP is now available to all, at digital streaming services.

Stream Aestas Pretium MMXVIII:
Apple Music – https://apple.co/2PKTsEv
Spotify – https://spoti.fi/2ojfiTi

The sessions EP arrives ahead of the band’s upcoming performance at the Shadow Woods IV Fest in Camp Hidden Valley, MD on September 13th. Full lineup and tickets are can be found at http://www.shadowwoodsmetalfest.com/.

Following that Festival appearance, Scott Conner, Chris Hernandez and Rachel Roomian (today known as Xasthur) will enter the studio in October to professionally record their first full-length together, as well as the first of many albums with Prophecy Productions.

Additionally, Xasthur are confirmed to perform at Prophecy Productions’ inaugural Prophecy Fest USA in Brooklyn, NY at Knitting Factory at 8PM on November 2nd.

Aestas Pretium MMXVIII Tracklisting:
Against Your Will
Question The Reflection
Indescribable
Western Spanish
You Lose

Xasthur is:
Scott Conner – guitar, bass, music, lyrics
Chris Hernandez – guitar, bass, vocals
Rachel Roomian – bass

Xasthur US Tour Dates 2018
Thu 9/13 – Camp Hidden Valley, MD – Shadow Woods IV Fest
Fri 11/2 – Brooklyn, NY – Knitting Factory (Prophecy Fest USA)

XASTHUR FACEBOOK:
https://www.facebook.com/Xasthur-acousticunplugged-824188390951258/

Craft re-issue ‘Total Soul Rape’ album

Swedish black metal masters CRAFT will re-issue the highly acclaimed album “Total Soul Rape” (2000) which will hit the stores on October 26, 2018.

“Total Soul Rape” can now be pre-ordered here: http://smarturl.it/CraftTotalSoulRape.

The album is already digitally available and can be listened to here!

The artwork can be viewed below together with the album details.

Track-list
1. World Of Plague (4:12)
2. Death To Planet Earth (4:25)
3. (Desolation) Death (3:48)
4. Kill Everything (3:38)
5. Ultimate Satan (6:01)
6. Past, Present, Dead (3:32)
7. Total Soul Rape (5:39)
8. Vile (4:04)
9. Outro (5:12)
Total: 40:31

CRAFT embodies the black metal virtue of raw spiritual energy expressed through violent, ripping guitar-work and unholy rhythms enhanced by demonic vocals. The Swedes have long enjoyed a massive cult status within underground circles, yet also gained strong acclaim and recognition by mainstream metal media and critics.

CRAFT were spawned by guitarist Joakim, who was joined by a friend on drums in late 1994. Lead guitarist John was added to the roster in 1996 but left in 1998 only to return about a year later. A demo entitled ‘Total Eclipse’ hit the world in 1999, which led to a first record deal. During the recording of their crushing debut ‘Total Soul Rape’ (2000), the Swedes were reinforced by vocalist Nox. This misanthropic album captured the ear of SHINING’s Niklas Kvarforth, who released sophomore opus ‘Terror Propaganda’ in 2002 on his own label. With their extremely dark music the group gained much acclaim by critics and fans alike. CRAFT continued to build and expand their typical hateful and destructive style by adding ‘Fuck the Universe’ (2005) and ‘Void’ (2011) to the list of their albums. Meanwhile bass player Alex had joined and with their completed line-up the band finally became a live entity in September 2014.

With their latest release ‘White Noise and Black Metal’, the Swedes return to strength after a long hiatus following the release of previous full-length, ‘Void’ (2011). The forthcoming album combines the vitriolic virtues of ‘Terror Propaganda’ (2002) with an updated songwriting that is as mature and intelligent as it is razor-sharp. The fast and furious of extreme metal contrasts with dark and depressive passages with added undertones of black ‘n’ roll.

www.facebook.com/craftblackmetal

PROFANATICA reveal first track from forthcoming HELLS HEADBANGERS mini-album – to tour with Watain and Rotting Christ

Today, underground legends Profanatica reveal the new track “Prayer in Eclipse.” The track hails from the band’s forthcoming mini-album, Altar of the Virgin Whore, which will be released this coming November by Hells Headbangers on CD, 12″ vinyl, and cassette tape formats. The mini-album’s release coincides with a European tour alongside Watain and Rotting Christ (dates after the jump). Hear Profanatica’s “Prayer in Eclipse” in its entirety HERE.

Profanatica need no introduction: pioneers of American black metal, masters of barbaric minimalism, desecrators of all that’s pure and clean – and iconoclasts to the very end. Ever since the band’s reformation/reinvigoration with 2007’s Profanatitas de Domonatia, full-length albums have been the preferred format for Paul Ledney and crew. However, going back the band’s beyond-classic Weeping in Heaven in 1991, it could be argued that Profanatica are at their most potent when doing EPs. And that’s precisely what Altar of the Virgin Whore is: 20 minutes of cruel ‘n’ crushing sonic defilement that bears all the bulldozing trademarks of the band post-reformation. No need for further fancy words here; this is simply and totally Profanatica, distilled to its short/sharp/shocked essence and rendered in the rudest and rawest form.

The release of Altar of the Virgin Whore shall be joined by long-awaited vinyl reissues of Profanatica’s first two albums, the aforementioned Profanatitas de Domonatia and 2010’s Disgusting Blasphemies Against God.

In the meantime, hear the new track “Prayer in Eclipse” HERE

Release date and preorder info for Altar of the Virgin Whore to be announced shortly.

Cover art, courtesy of underground legend Chris Moyen, and tracklisting are as follows:

Tracklisting for Profanatica’s Altar of the Virgin Whore
1. Conceived With Sin
2. Prayer in Eclipse
3. Altar of the Virgin Whore
4. Crucifixion Wounds
5. Thorn King
6. Sacred Code Broken
7. Fuck the Messiah
8. He Has Risen

November 2 – Copenhagen, Denmark @ Byhaven Pumpehuset
November 3 – Leipzig, Germany @ Hellraiser
November 4 – Warsaw, Poland @ Progresja
November 6 – Prague, Czech Republic @ MeetFactory
November 7 – Budapest, Hungary @ Barba Negra Music Club, Budapest
November 9 – Munich, Germany @ Backstage
November 10 – Zug, Switzerland @ Chollerhalle
November 11 – Trezzo sull’Adda, Italy @ Live Club
November 12 – Colmar, France @ Le Grillen
November 14 – Barcelona, Spain @ Razzmatazz 2
November 15 – Madrid, Spain @ Changó
November 16 – Limoges, France @ Centre Culturel John Lennon
November 17 – Paris, France @ Le Trabendo
November 18 – Oignies, France @ Tyrant Fest
November 20 – Saarbrücken, Germany @ Garage
November 21 – Mannheim, Germany @ Ms Connexion Complex
November 22 – Berlin, Germany @ Astra Kulturhaus
November 23 – Borgerhout, Belgium @ TRIX Centrum voor Muziek
November 24 – Bochum, Germany @ Matrix
November 25 – Nijmegen, Netherlands @ Doornroosje

MORE INFO:
www.profanatica.com
www.facebook.com/profanaticausa
www.hellsheadbangers.com
www.facebook.com/hellsheadbangers

Australia’s TEMPLE NIGHTSIDE announce special recording, Recondemnation,

IRON BONEHEAD PRODUCTIONS is proud to present a special recording from TEMPLE NIGHTSIDE, Recondemnation, on CD and vinyl LP formats. It shall be released on November 1st, in conjunction with the IRON BONEHEAD / Nuclear War Now!-curated Never Surrender Festival set to take place in Berlin on November 1-3. TEMPLE NIGHTSIDE will be giving an exclusive performance at this fest.

By now, Australia’s TEMPLE NIGHTSIDE require little to no introduction. In short, they are death metal necromancy of the highest order. Spitting in the face of other such facile attempts by normcore “metal” bands, Recondemnation is less a re-recording of 2013’s Condemnation debut album as it is an actual reimagining.

Descent and re-initiation: a corpse reborn through the womb of its own extinction. The veins cut and re-tethered, bloodthirst paralleled only by the emptiness… The beast rears its face once again, to sup and gnaw, and this is how the limbless move… The crypt is reopened, the dead Recondemned. Here, within, lies Recondemnation.

MORE INFO:
http://www.facebook.com/templenightsidenecromancy
http://www.ironbonehead.de
http://ironboneheadproductions.bandcamp.com
http://www.facebook.com/IronBoneheadProductions

ARCHGOAT reveal “The Luciferian Crown (Venom Of God)” lyric video

After “The Messiah Of Pigs” and “The Obsidian Flame (From My Depths)”, ARCHGOAT reveal, “The Luciferian Crown (Venom Of God)”, a praise to Samael, The Angel of Death and Temptation.

This new slab of Angelslaying Black Metal features :
01. Intrantation
02. Jesus Christ Father of Lies
03. Jezebels Black Mass Orgy
04. Messiah of Pigs
05. Darkness has Returned
06. Sorcery and Doom
07. Star of Darkness and Abyss
08. The Obsidian Flame (From My Depths)
09. The Luciferian Crown (Venom Of God)
10. I Am Lucifer’s Temple

Illustrations were drawn by legendary Chris Moyen and the layout was crafted by Kontamination Design.

“The Luciferian Crown” will be out on September 14th and is available for pre-order right now Gatefold Picture 12” LP, Gatefold 12″ LP, Digipack CD and Digital Download. New merch is also available !

Furthermore, the Finnish horde will embark on a European tour with MARDUK this coming November/December. Dates to be revealed shortly.

Nuclear War Now! Productions reissue rarely heard 1989 BLASPHEMY rehearsal recording,

Following the recent reissue campaign, Nuclear War Now! Productions is honored to present the first official release of a rarely heard 1989 rehearsal recording, Blood Upon the Soundspace.

This crude open-air mic recording captures the unvarnished vigor of Blasphemy in a way that the contemporaneous studio recordings cannot. The rehearsal took place in Blasphemy’s practice space sometime following the release of the Blood Upon the Altar demo as the Desecraters were writing material that would later appear on the 1990 debut LP, Fallen Angel of Doom. Four of the five tracks feature songs that would be recorded for the album, with “War Command” being the only exception.

The live performance of these tracks in the band’s rehearsal space is devastating and showcases a side of Blasphemy that many have never previously heard. The unified front of the instrumentation—the blunt force of Black Winds’ bass assault, the wicked precision of Black Priest’s rhythm guitar, Black Hearts’ furious drumming—is undeniably powerful. Black Winds’ raw vocals, raspier than on the studio recordings, drive the intensity of the performance, while Caller’s renegade solos are characteristically unhinged and frantic.

The band only produced a handful of these rehearsal tapes for distribution to close associates. This version of the recording is taken from a tape Black Winds sent to Metalion (Slayer Magazine) in May of 1989—one of the only known extant copies—and is newly mastered by James Plotkin to enhance the audio where possible. (Note that the first track, “Darkness Prevails,” is noticeably more distorted than the rest of the recording.) To maintain the authenticity of this release, the cover features original artwork created in 1988 by Black Priest and screenshots taken from a video recording at the Blasphemy rehearsal space during the same era

MORE INFO:
www.nwnprod.com
www.facebook.com/pages/Nuclear-War-Now-Productions/114864651994141

PROPHECY PRODUCTIONS ANNOUNCES LINEUP/SET TIMES FOR PROPHECY FEST USA

This November, Prophecy Productions invites fans to attend the inaugural Prophecy Fest USA, presented by Stardust NYC and Invisible Oranges. Taking place in Brooklyn, NY at Knitting Factory on November 2nd & 3rd, the Fest will showcase the label’s recent North American signings, as well as special guests and the triumphant return of French blackgaze legends, Alcest, playing Kodama in its entirety – possibly for the last time. Today, the label has revealed the complete lineup and set times for the festival, as found below.

Purchase tickets to Prophecy Fest USA: http://us.prophecy.de/prophecy-fest/prophecy-fest-us-ticket.html.

Friday, November 2nd
7-7:30 || Völur
8-8:30 ||1476
9-9:30 || Year of the Cobra
10-10:45 || So Hideous
11:15-End || Novembers Doom

Saturday, November 3rd
7-7:30 || Kayo Dot
8-8:30 || Xasthur
9-9:30 || Crowhurst
10-10:45 || Eye Of Nix
11:15-End || Alcest

In conjunction with Prophecy Fest USA, the label will be distributing a free 2018 2CD compilation to ticket holders upon entry to the festival. The compilation is limited edition, unavailable to stream or purchase, and features a wide array of artists (worldwide) seasoned and newly signed from the label’s roster.

Additionally, Prophecy Productions has created a special digital compilation, Dusk In America 2018, that showcases the label’s North American based acts. It’s available to stream for free via Bandcamp and/or to purchase at your own price. Check it out now at https://prophecy-de.bandcamp.com/album/dusk-in-america.

Follow the label at the links below for additional news and information.
http://en.prophecy.de/
https://www.facebook.com/prophecyproductions/
https://www.instagram.com/prophecypro/
https://twitter.com/ProphecyProd
https://www.youtube.com/user/prophecyBC

Sólstafir embark on Australian tour with Enslaved

SÓLSTAFIR are about to kick off their Australian tour in support of ENSLAVED tonight at the Rosemount Hotel in Perth. The band will perform 3 more shows in Sydney, Brisbane and Melbourne. A full list of confirmed shows can be found below.

In previous news, SÓLSTAFIR have added more dates to their already announced European tour in support of their latest release ‘Berdreyminn’ this December. Their massive road-trip will kick off at Poland’s B90 in Gdansk on November 20, and run through 17 more countries before the final curtain falls at the Voodoo Lounge in Dublin, Ireland on the 22nd of December.

SÓLSTAFIR Australian tour
+ENSLAVED
29 Aug 18 Perth (AU) Rosemount Hotel
30 Aug 18 Sydney (AU) Factory Theatre
31 Aug 18 Brisbane (AU) The Zoo
01 Sep 18 Melbourne (AU) Max Watts

SÓLSTAFIR European tour
20 Nov 18 Gdansk (PL) B90
21 Nov 18 Warsaw (PL) Progresja
22 Nov 18 Vilnius (LT) Loftas
23 Nov 18 Riga (LV) Melna Vilnius
24 Nov 18 Tallinn (EE) Tapper
29 Nov 18 Gothenburg (SE) Sticky Fingers
30 Nov 18 Oslo (NO) Vulkan Arena
01 Dec 18 Copenhagen (DK) Lille Vega
02 Dec 18 Leipzig (DE) Taubchenthal
03 Dec 18 Stuttgart (DE) Im Wizeman
04 Dec 18 Winterthur (CH) Salzhaus
05 Dec 18 Marseille (FR) Jas Rod
06 Dec 18 Biarritz (FR) Atabal
07 Dec 18 Madrid (ES) Madrid Is The Dark Festival
08 Dec 18 Lisbon (PT) Under The Doom
09 Dec 18 Porto (PT) Hard Club
11 Dec 18 Cognac (FR) West Rock
12 Dec 18 Audincourt (FR) Le Moloco
13 Dec 18 Lille (FR) Aeronef
14 Dec 18 Eindhoven (NL) Eindhoven Metal Meeting
15 Dec 18 Istanbul (TR) Garajistanbul
16 Dec 18 Athens (GR) Fuzz Club

SÓLSTAFIR UK/Ireland tour
17 Dec 18 Bristol (UK) The Fleece
18 Dec 18 Birmingham (UK) Hare & Hounds
19 Dec 18 Manchester (UK) Deaf Institute
20 Dec 18 Glasgow (UK) Classic Grand
21 Dec 18 Belfast (UK) Limelight 2
22 Dec 18 Dublin (IR) Voodoo Lounge

The band will be touring in support of the Icelander’s latest album, ‘Berdreyminn’ which is streaming in full here.

Artwork and further information can be found below.

Track-list
1. Silfur-Refur (6:54)
2. Ísafold (4:59)
3. Hula (7:07)
4. Nárós (7:23)
5. Hvít Sæng (7:22)
6. Dýrafjörður (7:32)
7. Ambátt (8:08)
8. Bláfjall (8:00)

Music will always be inspired by the environment in which it is created. With its incredible array of highly diverse landscapes ranging from white glaciers via volcanic bizarreness, moss-green bubble-fields, deep fjords, and frost-cracked mountains to black beaches, Iceland has shaped a host of astonishingly original and fiercely individual bands such as SIGUR RÓS, BJÖRK, and SÓLSTAFIR.

SÓLSTAFIR embody the ever-turning wheel of seasons with their shifting light, darkness, and colours, extreme Northern climate, the stark contrasts, the closeness of beauty and deadly forces of nature, the impressive sceneries that have the bones of ancient gods enshrined in them like hardly any other band in every aspect of their existence.

SÓLSTAFIR are not like any other band. Their latest album, ‘Berdreyminn’ underscores this statement. As its title “a dreamer of forthcoming events” aptly describes, the four Icelanders have taken their already impressive evolution one step further. The band has continued to amalgamate haunting melodies, psychedelic phases, as well as strong undercurrents of classic rock and hard rock with echoes of their metal past. Yet SÓLSTAFIR’s focus is not on style but pure emotion. ‘Berdreyminn’ is eclectic by a conscious choice to make feelings audible and transform taste as well as texture to sound. Genre borders are not broken but simply ignored. Musical influences are gathered from a wide range of sources, re-arranged, and woven into new patterns. Melancholy, longing, anger, joy, pleasure, pain, and other emotions are fulling this album.

Despite leaning clearly towards an expression that can be described as rock today, SÓLSTAFIR have their roots in metal as their debut full-length ‘Í Blóði og Anda’ (2002), which translates as “In Blood and Spirit” still witnesses. Instead of today’s Icelandic gravel throated siren chants, frontman Aðalbjörn Tryggvason spat forth vitriolic crusty vocals and all strings were forged with black metal. Already their next albums ‘Masterpiece of Bitterness’ (2005) and ‘Köld’ (2009) marked stations of a continuous evolution. SÓLSTAFIR went further along their solitary path and obviously left any categorising box with the ground-breaking follow-ups ‘Svartir Sandar’ (2011) and ‘Ótta’ (2014), which received high critical acclaim and attracted new fans in equal measure, while managing the difficult feat of keeping most of their earlier following too.

SÓLSTAFIR have set sails to new horizons with ‘Berdreyminn’. Yet the Icelanders brought their home with them and the silhouette of their vessels remains easily recognisable. Welcome aboard on a new adventurous musical journey into uncharted territories.

Line-up
Aðalbjörn Tryggvason: guitar, vocals
Svavar Austmann: bass
Sæþór Maríus Sæþórsson: guitar
Hallgrímur Jón Hallgrímsson: drums, backing vocals

Guest musicians
Brass, strings, and piano across the tracks

Recording: Sundlaugin Studio (IS), Birgir Jón Birgisson & Jaime Gomez Arellano

Mixing: Orgone Studio (UK), Jaime Gomez Arellano

Mastering: Sterling Mastering (US), Ted Jensen

Cover art: Adam Burke

www.solstafir.net
www.facebook.com/solstafirice