ARES KINGDOM working on new NUCLEAR WAR NOW! album, reveal tracklist

Kansas City death metal veterans Ares Kingdom have returned to their own Very Metal Sound studio to record their fourth full-length album, By the Light of Their Destruction, for the esteemed Nuclear War Now! Productions – the band’s label home since 2004.

Following up the acclaimed First World War-themed album The Unburiable Dead of 2015 – an album recognized by the National World War I Museum in the USA – By the Light of Their Destruction brings a new focus for Ares Kingdom’s sound on an altogether darker, heavier, and more obscure trajectory.

What was the inspiration behind the pivot to darkness? Guitarist and songwriter Chuck Keller explains: “I was a bit worried about a direction for Ares Kingdom after finishing writing the The Unburiable Dead, but one day during the summer of 2015, I was going through my Vulpecula archive and found a few forgotten and unused ideas I had been outlining before we ended the band in 1999. They reawakened the old Vulpecula fire in me, and I knew it was time to go back to darkness and obscurity.”

“Fourth albums are often more technical and noodling than an ordinary band’s older records, and so are notoriously lacking original fire and fury. Rarely does a band in our position purposely make their approach more primitive, but for us, it was the obvious thing to do,” said bassist/vocalist Alex Blume.

Drummer Mike Miller echoed, “While the new songs and our production style still sound like Ares Kingdom, our focus during rehearsals was on the primal power of the songs. It’s easily the heaviest material we’ve ever come up with.”

By the Light of Their Destruction is slated for release in spring 2019 on LP, CD, picture disc, cassette tape, and digital formats, all courtesy of Nuclear War Now! Productions.

Current tracklisting is as follows:

The Hydra Void
Burn, Antares (Scorpius Diadem)
Dark Waters Eridanus
Radiant and Storm
Eighteen Degrees Beneath
Allegory
The Bones of All Men
Iconologia
A Reward for Sin
Talis Chimera Est

(not actual cover)

MORE INFO:
www.facebook.com/Ares-Kingdom-97935152280

KVLT OF EBLIS Colombian Black Metal premier new single “VUDÚ”

The manifestation of KVLT OF EBLIS took shape in the ancient city of Bogota (Colombia) in the year of 2014 by Metzli and Sargon. The moniker was taken from the Opposer Cult of all Luminous Doctrine. The next year, the sect changed its location to Marinilla (Antioquia), near to Medellin City, and recruited new members to complete the circle.

Exploring the mystic paths through fire and faith, KVLT OF EBLIS chooses raw energy filled black metal as the medium to demonstrate the black side of Magick. After unerringly reaping the supernatural seeds for over three years, the coven is finally set to conjure up their first opus, “Templo de la Serpiente Negra”, this August 31st. Morbid Skull Records will be unleashing it on jewel case and limited-edition digipak CDs.

KVLT OF EBLIS invites you to explore the deepest abyss of esoteric ocean through “Templo de la Serpiente Negra”.

LINE UP:
Metzli Jiz Rulicum: Voice & Incantations
Sargon Tumus Ladanus: Guitars and Backing Vocals
Ahharu Pacvimun: Bass
Digmun Tufu: Drums

PRE-ORDER:
Bandcamp: https://morbidskull.bandcamp.com/album/templo-de-la-serpiente-negra
USA: https://morbidskullrecords.com/usa/?s=kvlt+of+eblis
El Salvador: https://www.morbidskullrecords.com/sv/?s=kvlt+of+eblis
Germany: https://www.morbidskullrecords.com/de/?s=kvlt+of+eblis

MORE INFO:
https://www.facebook.com/Cultserpent
www.morbidskullrecords.com
www.facebook.com/morbidskullrecords

Cloak release video for “Beyond the Veil”

American blackened rockers CLOAK have revealed a new music video for the track “Beyond the Veil”. The song has been taken from the full-length, ‘To Venomous Depths’, which was released in November 2017 via Season of Mist. Watch the (uncensored) video here.

CLOAK comments: “”Beyond The Veil” is a song that’s grown in meaning and importance the longer it’s been with us. It’s a song about both the fear and comfort of knowing there is something much greater in charge here and the empowerment that it can bring. Regarding the visual aspects, we wanted to work with color this time. Being fans of Dario Argento and classic ‘Hammer Horror’ films, it only felt right to pair the song with rich and powerful colors

CLOAK released their debut album ‘To Venomous Depths’, on Season of Mist in November 2017. The full album can be found at the Season of Mist YouTube Channel.

CLOAK commented about their album: “To us, music is art and art is magic. It is transformative and primal in ways that cannot be simply explained. When we began writing ‘To Venomous Depths’, we knew that we were on to something special; something powerful and fervent. The further we dove into the creative process, the further we ventured into the lowest parts of our consciousness and the highest points of our souls so that every last bit of ourselves bled out into our music. Where we ended up is something that cannot be summarized, it can only be felt. We welcome the listener to join us in that feeling in the hopes that it destroys and revives you just as it has done to us.”

The Artwork of ‘To Venomous Depths’ has been created by Adrian Baxter and can be viewed below.

Track-list

1. To Venomous Depths / Where No Light Shines (7:53)
2. Within the Timeless Black (6:56)
3. The Hunger (6:10)
4. Beyond the Veil (6:42)
5. Death Posture (4:06)
6. In the Darkness, the Path (6:33)
7. Forever Burned (6:12)
8. Passage (2:47)
9. Deep Red (10:05)

Total playing time: 57:24

Atlanta, Georgia in the Deep South of the USA is probably not among the cities named as first suspects for a black metal influenced rock band to emerge. Yet there at the crossing of two old American railroad lines, CLOAK was conceived in the year 2013.

Their debut full-length, ‘To Venomous Depths’ is simply a perfect amalgamation of Nordic black metal with catchy hooks and melodic rock. And while the Americans are not claiming to be reinventing the wheel, their outstanding song-writing is catapulting this album to the top.

CLOAK have named DISSECTION, DEEP PURPLE, and FIELDS OF THE NEPHILIM as main influences, but their harsh yet groove-fuelled sound has invited critics to draw comparisons with such acts as TRIBULATION, WATAIN, and YOUNG AND IN THE WAY.

After spending two years in the rehearsal room carefully preparing their material, CLOAK released a first sign of life in the shape of ‘Demo 2015’, which created an audible buzz in the US underground.

A two-track, self-titled EP followed in 2016, gaining the Americans worldwide attention and critical acclaim. In their short time of existence, CLOAK have already shared stages with renowned acts such as WOLVES IN THE THRONE ROOM, WINDHAND, INTER ARMA, SATAN, and TAAKE.

It will not take CLOAK long to capture your interest, but with each new spin ‘To Venomous Depths’ will reveal new details that make their discovery worthwhile. There are no fillers on this debut album, just hits. Let’s rock this cool darkness!

www.facebook.com/cloakofficial

Line-up
Scott Taysom: voice, guitar
Max Brigham: guitar
Matt Scott: bass
Sean Bruneau: drums

MALEPESTE and DYSYLUMN to release split album on GOATHORNED, reveal first tracks

On October 15th, Goathorned Productions is proud to present Ce qui fut, ce qui est, ce qui sera, a special split album between Malepeste and Dysylumn.

Although split albums generally exist as two seperate EPs joined together on one format, sometimes essentially being nothing more than throwaway tracks by both bands involved, Ce qui fut, ce qui est, ce qui sera goes a different route and exists as a work breathing unity of aesthetic and focus in flow. Both Malepeste and Dysylumn are French black metal entities, both with unique and yet also unifying traits. Both bands formed in 2010 and each have an album to their respective names, and more importantly, both Malepeste and Dysylumn share a brotherhood of sorts which sees them performing ritualistic collaborations on the live front.

Now, within the totality of Ce qui fut, ce qui est, ce qui sera, the full sulfurous splendor of Malepeste and Dysylumn is on display. Brimming with light and shade – and darkness, and darker darkness – serpentine songwriting and vitriolic violence, iron-wrought muscularity and beyond-the-shade atmosphere, Ce qui fut, ce qui est, ce qui sera is an album of dualities, of contrasts skillfully harnessed under the banner of black metal. The overt characteristics of French black metal – the robustness of the orthodox/religious school, and the melancholy of its more lonerist school – are fully represented here, but recast in vivid new iterations.

(Dysylumn)

Malepeste are up first, and bewitch right from the beginning notes of the accurately titled “Prologue.” From there, the stench of brimstone is potent, weaving a spell most serpentine, breathtakingly capturing their live essence, where the sense of ceremony is of the utmost importance: incense and candles, bones and hangings, total and utter austerity. Indeed, Malepeste’s half of Ce qui fut, ce qui est, ce qui sera are litanies to the fall of man, sprung forth from minds dedicated to the mysteries of the beyond. Then, Dysylumn follow with four tracks of their own, and with equal potency and intensity. Complementary in their bewitching swirl, Dysylumn take an altogether more wounded path, shot through with a sense of suffering that’s blanching to behold. True to their aims, the band was initially formed as a solitary project of ex-Antropofago guitairst Sébastien Besson as a tribute to a loved one who decided to walk on the path of death; here, their evolution through the years takes flight by paradoxically probing the depths, concluding with the split album’s “Épilogue.”

Translated into English as “what once was, what it is, what it will be,” Ce qui fut, ce qui est, ce qui sera artfully lives up to its title, securing both Malepeste and Dysylumn’s rising status in the international black metal underground.

Hear for yourself with two new tracks from the split album: Malepeste’s “Atropos,” which can be heard HERE,

and Dysylumn’s “Decima,” which can be heard HERE.

Cover and tracklisting are as follows:

Tracklisting for Ce qui fut, ce qui est, ce qui sera
1. Prologue
2. Clotho
3. Lachésis
4. Atropos
5. Nona
6. Decima
7. Morta
8. Épilogue

tracks 1-4 = Malepeste
tracks 5-8 = Dysylumn

SONY DSC

(Malepeste + Dysylumn live collaboration)

MORE INFO:
www.facebook.com/malepeste
www.facebook.com/dysylumn

Hate Eternal release first track and album details of new album ‘Upon Desolate Sands’

HATE ETERNAL are now premiering the first crushing track of their forthcoming new album ‘Upon Desolate Sands’, which is slated for release on October 26th, 2018.
The death metal extremists are now streaming “What Lies Beyond”

The spectacular artwork for ‘Upon Desolate Sands’ has been created by renowned artist Eliran Kantor (TESTAMENT, ATHEIST, ARCHSPIRE). Artwork and track-list can be viewed below.

Track-list
1. The Violent Fury (3:55)
2. What Lies Beyond (3:09)
3. Vengeance Striketh (4:39)
4. Nothingness of Being (5:02)
5. All Hope Destroyed (5:45)
6. Portal of Myriad (4:13)
7. Dark Age of Ruin (3:58)
8. Upon Desolate Sands (5:02)
9. For Whom We Have Lost (3:18)
Total playing time: 39:01

HATE ETERNAL faithfully keeps the death metal spirit alive as their long-awaited seventh studio album ‘Upon Desolate Sands’ now uncompromisingly demonstrates!

Founded in St. Petersburg, Florida in the year 1997, HATE ETERNAL is the brainchild of extreme metal luminary Erik Rutan, who created a charging death metal juggernaut. In the United States this style has been virtually synonymous with Florida and especially the Tampa Bay Area for a long time.

More aggressive and technically complex than its Swedish counterpart, Floridian death metal grew out of thrash during the mid-1980’s and was founded by such as the legendary DEATH, OBITUARY, and MORBID ANGEL. While many of its early protagonists went on experimental paths, HATE ETERNAL remains true to the original formula, while continuously pushing the boundaries of this extreme style.

HATE ETERNAL’s new full-length doubles down on their patented, high-velocity assault of dizzying ferocity combined with wide-range dynamics, outstanding songwriting and skull-crushing brutality. HATE ETERNAL delivers extreme music at the highest level. There can be no doubt that ‘Upon Desolate Sands’ will be regarded by many as the best death metal record of 2018!

Line-up
Erik Rutan – vocals, guitar
J.J. Hrubovcak – bass, vocals
Hannes Grossmann – drums

www.facebook.com/Hate.Eternal

MORBID MESSIAH set release date for MEMENTO MORI debut, reveal first track

In their endless quest to push and support current underground acts that perpetuate the odor of vintage death metal, on October 22nd, Memento Mori is proud to present Morbid Messiah’s highly anticipated debut album, Demoniac Paroxysm. Memento Mori will be handling the album’s CD release, while Unholy Prophecies shall be handling the vinyl version (release date TBA).

Hailing from Mexico, Morbid Messiah was formed in 2015 after Anubis Sandoval (drums) moved from Cancun to Guadalajara, and teamed up with Roberto Trejo (guitar) and Jose Rivas (vocals). All three young musicians shared a burning passion for the authentic sound of underground death metal that blossomed during the late ’80s and early ’90s, and felt compelled to give shape to a brand-new, iniquitous entity that would follow in the gods of yore’s footsteps. Morbid Messiah played their first live show a few months later and then proceeded to record their debut EP, suitably titled In the Name of True Death Metal, which was self-released in October 2016 on CD format. Guillermo Lopez (bass) had already joined their ranks by then, solidifying the lineup for depraved endeavors yet to come. Fast forward to April 2017 and the Polish label Godz ov War Productions gave the EP the tape treatment, and all 100 copies sold out shortly after.

To depict Morbid Messiah’s approach to the Metal of Death is no laborious chore, for it is nothing more – but certainly nothing less – than a dank, impenetrable, lightless, decimating, and unadorned concoction of the finest, heaviest and vilest elements of bands such as Sadistic Intent, Possessed, Incantation, Grotesque, Mortem, Death and Imprecation, as well as those prevalent in the early works of their countrymates Cenotaph and Shub Niggurath. Thus girded with such proud ‘n’ powerful influences, Demoniac Paroxysm thus invokes its very title, whipping the listener into a fury of rotten, sewer-dwelling possession. Rubbed raw and blasted about like a boombox from the bowels of Hell, this is DEATH METAL in all caps, and forever be it so: Morbid Messiah are not recommended for trendy ears nor those with weak stomachs. But if the flame burns true within you, by all means, take this torch NOW!

Naturally, for a record so foul and filthy, it’s only fitting that Demoniac Paroxysm is gracelessly graced with classic cover artwork courtesy of the esteemed Mark Riddick. Bow down and pray to Morbid Messiah!

Begin praying with the new track “Howling From the Grave” HERE

. Cover and tracklisting are as follows:

Tracklisting for Morbid Messiah’s Demoniac Paroxysm
1. Rise of the Rottenness
2. Charred Devastation
3. Graveyard Headhunter
4. Devoured by Darkness
5. Breath of the Ominous
6. Crawling in Guts
7. Fetid Bloodbath
8. Howling from the Grave
9. Morbid Messiah/Morbid Invocation

MORE INFO:
www.facebook.com/morbidmessiahofficial
www.memento-mori.es
www.facebook.com/memento.mori.label

SHAIDAR LOGOTH: US Black Metal – LP Release Announcement

US Elusive Black Metal Monstrosity Issue Long Lost “The Ritualist” Album for the First Time Ever on Vinyl.

Sentient Ruin (US) and Clavis Secretorum (EU) are honored to announce the first ever release on vinyl for a true long lost masterpiece of USBM – Shaidar Logoth’s Chapter II: The Ritualist

Originally released in 2015 by cult tape label Sol Y Nieve on a limited run of tapes, Shaidar Logoth’s towering and imposing black metal masterpiece Chapter II: The Ritualist went all but unnoticed and now finally sees its first ever release on vinyl through a staggering audio-visual presentation customized to fit the utter majesty and uniqueness of the music. With The Ritualist Shaidar Logoth have unchained a black metal beast of utmost dread and unshackeled it of any form or restraint to let its turbulent and primordial instinct roam free to find its inevitable fate in inexorable chaos and destruction. Within these four vast movements of sickeningly magnificent atmospherics and dismal aural torment the listener will face the same infernal hallucinations and blood-chilling premonitions of horror and afflcition which have famously plagued other secretive and reticent black metal projects like Leviathan, Katharsis, Blut Aus Nord, S.V.E.S.T., Skaphe etc.

Always enigmatic, withdrawn, and rigorously shadow-dwelling, Shaidar Logoth silently emerged in Minnesota in late 2010 from a vision of mastermind and multi-instrumentalist Steven Henningsgard. Henningsgard set out to write and record years of ideas and riffs completely on his own, enlisting vocalist Adam Clemans (of Wolvhammer, Noose Rot, Skeletonwitch fame etc.) to help him complete his wretched vision. The result materialized as their hideous and foul debut demo/EP Chapter I: The Peddler – 30 minutes of raw and unforgiving black metal which viciously showcased the band’s own plagued extreme metal formula made of ancestral and pestilent Scandinavian black metal fused with modern and unorthodox elements ranging from trance-inducing vortex-like passages, to progressive/psychedelic dirges, and obscure ambient ritualism.

Their proper debut album Chapter II: The Ritualist surfaced four years later in 2015 through a tape release from Sol Y Nieve revealing a massive evolution and broad improvement across their already magnificently detrimental sound architecture, with their songwriting and their sound especially now hinting at beast-like traits. Across its massive four tracks The Ritualist explored every notion of aural misery imaginable, tormenting the listener with lengthly and winding flailings of venomous black metal punctuated with dismal drone and dark ambient passages and thick layers of infernal and hallucinatory atmospherics.

Chapter II: The Ritualist can be now purchased from Sentient Ruin on our store and Bandcamp, as well as from Clavis Secretorum in the EU. The LP is available only in black vinyl and comes housed in a custom folder heavy black cardboard cover + insert printed with Pantone metallic silver.

PROPHECY PRODUCTIONS RELEASES ‘DUSK IN AMERICA’ COMP AHEAD OF PROPHECY FEST USA

August 10, 2018 – Los Angeles, CA – In celebration of their recent expansion in the USA, Prophecy Productions has released a new compilation today called Dusk In America, which showcases North American bands on the label. The collection features music rising and notable bands like Khôrada, Xasthur, 1476, Finnr’s Cane and more.

Dusk In America is now available at BandCamp to stream and purchase at a “name your own price.” https://prophecy-de.bandcamp.com/album/dusk-in-america

Dusk In America Tracklisting:
Khôrada – “Seasons of Salt”
1476 – “Odessa”
Xasthur – “Question The Reflection”
The Dark Red Seed – “Diana and Ouroboros Dance”
Year of the Cobra – “The Siege”
Silence In The Snow – “Silence In The Snow”
Eye of Nix – “Wound & Scar”
Crowhurst – “Take This Pain Away”
Völur – “Breaker of Skulls (I. Boast)”
Lotus Thief – “The Book of the Dead”
Finnr’s Cane – “Willow”

The compilation arrives ahead of Prophecy Fest USA, which is presented by Stardust NYC and will take place at The Knitting Factory in Brooklyn, NY on November 2nd and 3rd. The inaugural event will feature performances by Alcest, Xasthur, November’s Doom, So Hideous and more. Those who purchase tickets to the Fest will receive a special edition 2xCD Prophecy Compilation. Two day tickets are available now at http://us.prophecy.de/prophecy-fest/prophecy-fest-us-ticket.html.

Watch the trailer for Prophecy Fest USA:

Follow the label at the links below for additional news and information.

http://en.prophecy.de/
https://www.facebook.com/prophecyproductions/
https://www.instagram.com/prophecypro/
https://twitter.com/ProphecyProd
https://www.youtube.com/user/prophecyBC

TEMPLE NIGHTSIDE set release date for special IRON BONEHEAD album, reveal first track – to play Never Surrender fest in November

Today, Iron Bonehead Productions sets November 1st as the international release date for a special recording from Temple Nightside, Recondemnation, on CD and vinyl LP formats. It shall be released in conjunction with the Iron Bonehead / Nuclear War Now!-curated Never Surrender Festival set to take place in Berlin on November 1-3. Temple Nightside will be giving an exclusive performance at this fest.

By now, Australia’s Temple Nightside require little to no introduction. In short, they are death metal necromancy of the highest order. Spitting in the face of other such facile attempts by normcore “metal” bands, Recondemnation is less a re-recording of 2013’s Condemnation debut album as it is an actual reimagining.

Descent and re-initiation: a corpse reborn through the womb of its own extinction. The veins cut and re-tethered, bloodthirst paralleled only by the emptiness… The beast rears its face once again, to sup and gnaw, and this is how the limbless move… The crypt is reopened, the dead Recondemned. Here, within, lies Recondemnation.

The crypt has opened and the first track to be revealed is appropriately “Exhumation; Miseries Upon Imprecation,” which can be heard HERE

Cover and tracklisting are as follows:

Tracklisting for Temple Nightside’s Recondemnation
1. Shrine of the Summon
2. Exhumation; Miseries upon Imprecation
3. Abhorrent They Fall
4. Dagger of Necromantic Decay (Eater of Hearts)
5. Ascension of Decaying Forms
6. Miasma
7. Life Eternal

MORE INFO:
www.facebook.com/templenightsidenecromancy
www.facebook.com/NeverSurrenderFestival

Vreid release lyric video for new song “Black Rites in the Black Nights”

VREID have unveiled a lyric video for the second track from the upcoming album ‘Lifehunger’. The new record is slated for release on September 28th, 2018. Watch the lyric video for “Black Rites in the Black Nights”

The band comments: “A new chapter opens, and its a dark one. The eternal rites can never be controled, and khaos will forever conquer. So join the madness and let the fire of creativity burn. “

VREID have previously revealed the artwork for ‘Lifehunger’, which can be viewed together with the album details below.

Track-list
1. Flowers & Blood (1:50)
2. One Hundred Years (5:39)
3. Lifehunger (5:36)
4. The Dead White (4:59)
5. Hello Darkness (4:39)
6. Black Rites in the Black Nights (6:26)
7. Sokrates Must Die (3:29)
8. Heimatt (6:01)
Total playing time: 38:39

VREID have previously announced a string of Norwegian tour dates, together with ENSLAVED and GAAHLS WYRD. A full list of confirmed dates of the ‘Army of the North Star’ tour can be found below.

VREID
+Enslaved +Gaahls Wyrd
03 Nov 18 Oslo (NO) Parkteateret
15 Nov 18 Hamar (NO) Gregers
23 Nov 18 Kristiansand (NO) Kick
24 Nov 18 Stavanger (NO) Folken
30 Nov 18 Bergen (NO) USF Verftet
01 Dec 18 Trondheim (NO) Byscenen

VREID festival 2018
17 Aug 18 Dinkelsbühl (DE) Summer Breeze

VREID were formed in 2004. The Norwegian metal brigade rose from the ashes of WINDIR after the tragic perishing of the “Sognametal” legends with the declared mission of exploring new musical paths.

The Norsemen proved true to their words and have so far delivered 7 albums and one DVD, which each received high praise from critics and fans alike. VREID chose a course of constant evolution that is marked by thematically denoted phases regarding their often historically inspired lyrics.

This became particularly clear with albums ‘I Krig’ (2007) and ‘Milorg’ (2009), which both revolved around concepts dealing with resistance and liberation of Norway during World War II. With their following three records, VREID returned to their Norse roots, especially on latest full-length, ‘Sólverv’ which received high critical acclaim in 2015.

VREID have hammered out their success partly by being a heavily touring band. The four-piece performed more than 500 shows in 25 countries so far. Their everlasting march to conquer new territories has led the Norwegians to headline tours in Europe, North America, Japan, and India.

VREID’s style is often referred to as black ‘n roll and Metal Hammer UK described their music as “a unique time travel in metal” as elements of 70’s rock, 80’s classic metal, and Norwegian black metal are all clearly audible.

Now with eighth album ‘Lifehunger’, black ‘n roll is back! With eight brand new tracks, VREID are ready for the next chapter.

Style: Norwegian Black ‘n Roll

www.facebook.com/vreidofficial

Line-up
Sture: Vocals & guitars
Strom: Guitars
Steingrim: Drums
Hváll- Bass and keys