BUNKER 66 and Germany’s LUCIFUGE to release new split mini-album via DYING VICTIMS, reveal first track

Bunker 66 band

On October 21st internationally, Dying Victims Productions will release Of Night and Lust, a special split mini-album between Bunker 66 and Germany’s Lucifuge, on CD and 12” vinyl formats.  Hear Lucifuge‘s “Of Night and Lust” in its entirety here:

Lucifuge band

Both Bunker 66 and Lucifuge should be familiar names to those versed in the dark deeds of Dying Victims: Just earlier this year, Bunker 66 released through the label a split 7” with fellow Italian filth-bangers Hellcrash, as well as their long-awaited (and rightly celebrated) fourth album, Beyond the Help of Prayers, earlier in 2021; for their part, Lucifuge released their equally celebrated fourth album, Infernal Power, through Dying Victims during the spring of 2021. Here on Of Night and Lust, both bands each deliver three exclusive songs, making for 24 minutes of ancient speed metal sleaze and metalpunk ghoulishness

Bunker 66 are up first and show no signs of slowing down, especially so after 15 years as a band now. “Mellhammer” and “Sulphurous Lust” are exemplary displays of their greasy speed-metal surge, and yet subtly exude an eerie aspect that perhaps point the way forward for future recordings. Capping their entry is a faithful cover of Motörhead’s “Doctor Rock,” which both underlines Bunker 66’s roots as well as reverently paying respect to the fallen gods of Lemmy and Würzel. Lucifuge follow with an even-more-blackened iteration of their etched-in-stone metalpunk across the tracks “The Great Unseen” and “In Blood and Dust.” They conclude with a surprising-yet-storming anthem fittingly titled “Warriors of the Night.” While many metal anthems have been attempted under such a title, you’ve truly never heard one as invigorating as this – nor Lucifuge so bright and brassy!

Cover and tracklisting are as follows:

Tracklisting for Of Night and Lust
1. Bunker 66 – Mellhammer [3:31]
2. Bunker 66 – Sulphurous Lust [3:39]
3. Bunker 66 – Doctor Rock [Motörhead cover] [3:47]
4. Lucifuge – The Great Unseen [2:56]
5. Lucifuge – In Blood And Dust [5:13]
6. Lucifuge – Warriors Of The Night [4:03]

www.facebook.com/bunker66

www.facebook.com/lucifugeblackmetal

www.dying-victims.de 

BLACK ORCHID EMPIRE announce European tour dates

UK trio BLACK ORCHID EMPIRE have recently announced new European tour dates for September 2022. The band will be traveling throughout the Netherlands and Germany, including a performance at the prestigious Reeperbahn Festival in Hamburg! A full list of confirmed dates can be found below.

BLACK ORCHID EMPIRE
20 Sep 22 Rotterdam (NL) V11
21 Sep 22 DE (TBA) Cassiopeia
22 Sep 22 Munich (DE) Kranhalle
23 Sep 22 Koln (DE) MTC
24 Sep 22 Hamburg (DE) Reeperbahn
25 Sep 22 Leipzig (DE) Naumanns
  Season of Mist previously announced the signing of BLACK ORCHID EMPIRE. The new album will be released via Season of Mist in 2023.

The band comments: “We’re super excited about our new partnership with Season of Mist! Michael and his dedicated team share our passion for incredible heavy music and have an inspiring vision about where we can take the band. We can’t wait for the next chapter of Black Orchid Empire to unfold.“

For a glimpse of things to come, check out BLACK ORCHID EMPIRE on Spotify HERE

BLACK ORCHID EMPIRE create huge, memorable rock music that combines heavy-hitting savagery with intense melodic beauty. Their technical, fearlessly complex grooves and gigantic sing-along choruses have already earned them a widespread fanbase. 

A ferociously tight live band, BLACK ORCHID EMPIRE have toured Europe and the UK extensively, supporting Skunk Anansie, HED p.e, INME and Black Map as well as festival slots at Download, Standon Calling and Planet Rockstock. Black Orchid Empire have sealed the bands reputation as a force to be reckoned with.

Having released their debut album ‘Archetype’ (2016) to universal acclaim, Black Orchid Empire signed with German label Long Branch Records to release the follow up albums ‘Yugen’ (2018) and ‘Semaphore’ (2020). Both albums received stellar reviews and over 1,000,000+ combined streams.

The band are now looking ahead to the future with their next album, which will be released by Season of Mist, that sees them continue to push the musical envelope.

Line up:
Paul Visser: Vocals / Guitar
Dave Ferguson: Bass / Vocals
Billy Freedom: Drums

Band picture credit: Omar Ahmed

Links:
www.blackorchidempire.com
www.fb.com/blackorchidempire
www.instagram.com/blackorchidempire
www.tiktok.com/@blackorchidempire
www.youtube.com/blackorchidempire
www.open.spotify.com/artist/4TrfxRxjCvOFprX1W2V8k1?si=NOgPoSmSRAiHkvwsWcFHgA


Abysmal Dawn supports Atheist On Massive European Tour

The time has finally come! Los Angeles death metal titans ABYSMAL DAWN will spread their death metal brutality on European soils September 2022.

The ‘Enthralled In Europe’ tour isn’t for the meek! ABYLSMA DAWN will be supporting death/thrash legends ATHEIST and SUICIDAL ANGELS during 25 gigs in 15 different countries, hitting countries like Hungary, Switzerland, Denmark and many more. The tour starts on the 6th of September and meets it’s end on 2nd of October 2022. 

ABYSMAL DAWN comments: “So what can we say? This will be our second time touring in Europe, and the last time we played there was in 2015 with Death To All and Loudblast. Have we been long overdue to come back? Hell yes we are! To say we’re just ‘excited’ to return to your fine continent again with some killer bands, would be a huge understatement. So friends and metal brethren, come out and bang your fucking heads! Let’s make this a tour to remember.”

The full list of confirmed shows can be found below. 

ABYSMAL DAWN
(+Atheist +Suicidal Angels)

01 Sep 22 Kosice (SK) Collosseum
02 Sep 22 Ostrava (CZ) Barrack Club
06 Sep 22 Budapest (HU) Barba Negra
07 Sep 22 Novi Sad (RS) Fabrika
08 Sep 22 Sofia (BG) Mixtape 5
09 Sep 22 Bucharest (RO) Maximum Rock Fest 
10 Sep 22 Cluj Napoca (RO) Flying Circus
11 Sep 22 Vienna (AT) Viper Room
13 Sep 22 Martigny (CH) Sunset Club
14 Sep 22 Milan (IT) Slaughter Club
15 Sep 22 Rome (IT) Traffic Club
18 Sep 22 Weinheim (DE) Café Centra
19 Sep 22 Paris (FR) Glazart
20 Sep 22 Vorselaar (BE) De Dreef
21 Sep 22 Essen (DE) Turock
22 Sep 22 Apeldoorn (NL) Gigant
23 Sep 22 Geleen (NL) Café De Meister

24 Sep 22 Berlin (DE) ORWO Haus
25 Sep 22 Osnabruek (DE) Bastard Club
26 Sep 22 Hamburg (DE) Headcrash
27 Sep 22 Copenhagen (DK) Stengade
28 Sep 22 Cottbus (DE) Gladhouse
29 Sep 22 Warsaw (PL) Proxima
30 Sep 22 Katowice (PL) P23
01 Oct 22 Kosice (SVK) Collosseum
02 Oct 22 Ostrava (CZE) Barrack Club

Abysmal Dawn will play in support of their latest EP ‘Nightmare Frontier’, which is available to order at the Season of Mist E-Shop, Abysmal Dawn Bandcamp, and Abysmal Dawn Store. The single and EP can be streamed via your favorite streaming services HERE.

The artwork for ‘Nightmare Frontier,’ which was created by Par Olofson, can be found below along with the tracklist

Tracklist:
01. A Nightmare Slain (4:43) [WATCH]
02. Blacken The Sky (4:15) [WATCH]
03. Behind Space (3:37)
04. Bewitched (6:43)
Total running time: 00:19:20

For more info on ABYSMAL DAWN regarding bio, releases and many more you can find on our WEBSITE or the PRESSKIT.

Lineup:
Charles Elliott: guitars, vocals
Eliseo Garcia: bass, additional vocals
James Coppolino: drums
Vito Petroni: guitars

Guest Musicians: Orchestral arrangement on “Behind Space” by Craig Peters (Destroying the Devoid, Deeds of Flesh)

Recording Studio:
Tastemaker Audio, Los Angeles, CA (USA) – everything excl. drums
Trench Studios, California (USA) – drums

Shop:https://redirect.season-of-mist.com/AbysmalNightmare

For more on ABYSMAL DAWN, visit their official FACEBOOK, TWITTER, INSTAGRAM, and BANDCAMP.

ADAESTUO announce brand new mini album, Purge of the Night Cloak.

Appearing like a bolt from the blue in 2016 via W.T.C., ADAESTUO’s debut EP, Tacent Semitae, was a startling and profound introduction to this otherwise-unknown band. ADAESTUO was formed as a covenant between three wandering souls at the unhallowed crossroads where the darkest elements of ambient, black metal, and spiritual praxis conjoin. Being a series of audial sigils cast by VJS and P.E.Packain and led in evocation by Hekte Zaren, with Tacent Semitae did ADAESTUO transcend the modern homogeny found among the lower caste of musical initiates. Amazingly, the pan-continental trio eclipsed that feat with a towering full-length monument titled Krew Za Krew. Released by W.T.C. in 2018, Krew Za Krew reaped widespread acclaim and positioned themselves as purveyors of a very special kind of black metal by going BLACKER.

In the cursed year of 2020 came another full-length monument from ADAESTUO bearing the title Manalan virrat, and now they return to the auspices of W.T.C. with a swift-yet-satisfying mini-album presciently titled Purge of the Night Cloak. Indeed, that title forms a sensational foundation for the seared sort of frequencies ADAESTUO are exploring here: a casting-off of the old, a revilement of the new, vulgar shapes made beautiful and vice versa. Woven together like one continuous fever dream, the four tracks comprising this 23-minute mini-album assault the listener with a near-overload of information, only to strip it bare, hauntingly and uncomfortably so, building it back up into a hydra-headed abomination from both above and below. Put into more concrete terms, here ADAESTUO fuse classics-minded mystical black metal with dark soundtrack scores, shimmering obsidian racing through the night sky before a (dark) meeting with literally-otherworldly walls of choral atmosphere. It’s something of a “blink and you’ll miss it” experience, or one too frightening(ly expansive) to open one’s eyes to…

More massive than most bands’ regular “albums,” ADAESTUO make most black metal look conservative and small with their Purge of the Night Cloak.

Tracklist
1.Act I
2.Act II
3.The Hydra
4.Act III

ADAESTUO lineup
Hekte Zaren + VJS + P.E.Packain

Notes
Captured at Dirge Forge Between MMXVI-MMXX
Merged and governed by VJS
Music by Adaestuo
Maledictions and script by Horidus
Visuals by Packain, Hekte Zaren, and Amanita Noir

MORE INFO:  
W.T.C.Prod. @ Facebook

Texas’ FLESHROT stream ME SACO UN OJO / DESERT WASTELAND debut

Today, Texas death metallers Fleshrot stream the entirety of their highly anticipated debut album, Unburied Corpse. Set for international release on August 1st – Me Saco Un Ojo Records will handle the album’s release in Europe while Desert Wastelands will handle the USA – hear Fleshrot‘s Unburied Corpse in its entirety

Since forming in 2019, Texas’ Fleshrot have accumulated a steady fanbase with their rancid blend of slowly chugging death metal. With a demo, split, and single under their belts, it is time for their debut album to finally crush the skulls of the collective underground. With an immediately gripping assault of hammering, chunky bass, putrescent guitars, and guttural vocals, the sludgy cacophony of rotten ichor is even more brutal than ever before on this record; it does not take much time to figure that out. From Neanderthaloid riffing and belching breaks, the lumbering juggernaut of heaviness has a groove that even the most primitive mind can bang their head to, scattering loose brain matter as the bludgeoning and lacerating sounds cut through living tissue effortlessly. With some bonus savagery borrowed from grindcore but played at hideously slow pace, this album cannot be accused of being anything other than some of the filthiest and heaviest death metal you will ever hear. Equally, there is nothing trendy or bandwagon-jumping in sight: Fleshrot have their own sound, and deliver it with a scathing performance that is convincing in its own right. 

If progression and technical nuance is what you seek, steer clear, for this is a sub-30-minute slab of pure butchery that is not for the self-proclaimed audio genius (read: pretentious); this is violent, visceral, and somehow stinks of rotting meat. With a production that allows seeping guitar wounds in the thick, tarry bass lines while retaining the snappy drums and not allowing the bellowed vocals to overshadow anything, this is a dense and swampy cut of morbid death metal that will puke itself forth into your ears, defiling and degrading all it comes into contact with. If you can withstand the putrefied sonic fruits bared by Fleshrot, then commend your stomach and ears’ strength because most will falter before the mighty and malicious blows landed by Unburied Corpse in all of its lurking, squelching, and squalid splendor. (text by Jørgen Sven Kirby, Nattskog webzine)  

 Cover and tracklisting are as follows:

Tracklisting for Fleshrot (Texas)’ Unburied Corpse
1. Wrapped In Entrails
2. Intricate Dissection
3. Draining The Liquified Remains
4. Unburied Corpse
5. Post Burial Extractions
6. In Filth and Pain
7. Haunted Visions of Sick Depravities

MORE INFO:www.facebook.com/fleshrottx

www.mesacounojo.com
www.mesacounojo.bandcamp.com



FIRTAN set release date for new AOP RECORDS album, reveal first video

Today, AOP Records announces September 30th as the international release date for Firtan‘s highly anticipated third album, Marter, on CD and vinyl LP formats. To coincide with the announcement, a brand-new video for the first single “Amor Fati” is revealed here:

Since their fortuitous formation in 2010, Firtan have been dedicated to a unique strain of extreme metal and have steadily built an enraptured audience across countless shows in their native Germany and abroad. Granted, the band’s roots lay in black metal, particularly those pivotal days of the 1990s, but over the course of two acclaimed albums – 2014’s Niedergang and especially 2018’s Okeanos – Firtan have effortlessly integrated an eclecticism that has become more self-contained and increasingly kaleidoscopic. Now, they arguably deliver their masterwork: Marter.

Immediately, the trademark Firtan sound is felt – riffing that’s raging yet gorgeous, atmosphere that’s autumnal yet cliche-free, compositions that span epic lengths yet remain judiciously compact – and Marter stuns after first listen. However, delve deeper and you’ll find that Firtan have become more daring in their soundfield, incorporating more acoustics, synths, and strings to flesh out that always-poignant atmosphere. Amazingly, the band never busy up that soundfield; everything sounds rich and robust but in its proper place, every tone resounding endlessly through the soul. That Firtan take Marter in sometimes diametrically opposed directions – violent vs. restrained, explosive vs. placid, righteously black metal vs. something approaching neoclassical – often all during the course of a song, speaks to the band’s masterful approach to songwriting. Some might even liken Marter to “post-black metal,” which is okay with them: Firtan are simply performing their own interpretation of black metal. 

Fittingly, the theme of Marter deals with the isolation of the modern individual who finds himself torn between spiritual hope and existential failure – and Firtan vividly paint this panorama in their most dazzling hues yet. And just like its massive predecessor, Marter was recorded at the esteemed studio Klangschmiede E with Markus Stock of The Vision Bleak/Empyrium. Completed by grandiose cover art courtesy of Władysław Podkowiński, Marter is a milestone of the dynamic German black metal scene – and Firtan have arrived as reigning kings.

Aforementioned cover art and tracklisting are as follows:

Tracklisting for Firtan’s Marter
1. Faðir
2. Amor Fati
3. Labsal
4. Lethe
5. Parhelia
6. Odem
7. Menetekel
8. Peraht
9. Medomai (bonus track*)
*available on vinyl and CD boxset

MORE INFO:
www.facebook.com/firtanofficial

www.aoprecords.de

SARCOPHAGUM set release date for NUCLEAR WINTER debut EP, reveal first track – features members of GOLGOTHAN REMAINS

Today, Nuclear Winter Records announces September 12th as the international release date for Sarcophagum‘s striking debut EP, Conduits to the Underworld, on CD and cassette tape formats.

Sarcophagum spawned to life in the early half of 2021, during the time of the plague, as a side-project of Golgothan Remains members past and present. Their purpose? To provide a channel to explore new ideas and sounds in a studio-only setting. The dark death metal realm remains their primary influence, and the forthcoming debut EP, Conduits to the Underworld, is just the first taste of further impending death to come.

And what a taste it is: malevolent, martial, mesmerizing. Truly, this is twisted ‘n’ terrorizing death metal seemingly sent from a sepulchral cosmos, both impossibly massive in suffocating scope whilst eerily atmospheric, almost airy in its serpentine swirl. As such, Sarcophagum sound familiar and foreign simultaneously; death metal is undoubtedly the template, but the pieces binding it together are of a strange (and scourging) material. Each of the record’s three tracks emit epic sensations and yet almost race by with a palpitating swiftness, creating an engaging headfuck – Conduits to the Underworld, indeed!

In the meantime, hear the brand-new track “Pits of Hate” here:

Cover and tracklisting are as follows:

Tracklisting for Sarcophagum’s Conduits to the Underworld
1. Pits of Hate [5:04]
2. Netherengines [4:43]
3. Between Two Worlds [6:41]

www.nuclearwinterrecords.com
www.nuclearwinterrecords.bandcamp.com
www.facebook.com/martyrdoomproductions

MEDIEVAL DEMON set release date for new HELLS HEADBANGERS album, reveal cover and tracklisting

Today, Hells Headbangers announces September 16th as the international release date for Medieval Demon‘s highly anticipated fourth album, Black Coven, on CD format. The vinyl LP version will follow later this year.

By now, Medieval Demon should require little introduction. Formed in that fateful year of 1993, Medieval Demon remained one of the cultest entities of the immortal Greek black metal scene, releasing a handful of demos during the mid ’90s and then their lost-classic debut album, Demonolatria, in 1998. Not long after, the band receded into the shadows, in vampiric slumber, until awakening from the crypt in 2018 with the majestic comeback album, Medieval Necromancy, through longtime fans Hells Headbangers, followed two years later by the equally acclaimed Arcadian Witchcraft.

Continuing that enviable momentum compared to most “old” bands who tiredly rehash long-faded glories, Medieval Demon light another new full-length torch with Black Coven. Just as its esteemed predecessors sounded like those glorious ’90s never ended, so, too, does Black Coven burn with an authentically eldritch fire by those who truly LIVED IT. Much as canonical Hellenic black metal always prized heavy metal classicism at the heart of black METAL, Medieval Demon once again synthesize such with equally-classic horror and high drama, making Black Coven arguably their most widescreen record yet. The production, in kind, gives robust crunch to that heavy metalized songwriting, along with highlighting the band’s always-captivating synth work. Indeed, the album sounds EXACTLY as it should for something titled Black Coven: the ancient spirits are legion, and unbound!

As founding drummer/keyboardist/composer Lord Apollyon explains, “For the composition of Black Coven, there were used methods and practices of the ancient Greek theory of music, which were also used to the Middle Ages – in the name of Satan. Composition in black metal presupposes to live in real time the process that includes all the elements involved in this kind of black art. We moved into an isolated village inside the forest, a place where ancient Greek sorcery and death magic was born. Ritualism and ancient black metal are parts of our eternally black souls.”

Specifically, opening track “Where Witches Dwell and Labyrinths Confuse” was written as tribute to the deceased Andrea Meyer of Norway’s cult Aghast. Likewise, the unabashed use of saxophone was in tribute to founding Greek forebears Necromantia, who entered the crypt of time eternal last year. And of course, the influence of Italian gods Goblin is never far away from Medieval Demon, even if that influence is more spiritual rather than literal. Any way you cut it (and try not getting mesmerized by the choirs here!), Black Coven is cinematic black art at its very finest. Last word, then, to Lord Apollyon: DEATH TO THOSE WHO BETRAY THE SECRET CULT!”

In the meantime, hear the previously revealed title track “Black Coven”  here:

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Medieval Demon’s Black Coven
1. Where Witches Dwell and Labyrinths Confuse [5:48]
2. Black Coven [8:21]
3. Nocturnal Sacrilege [5:49]
4. Sylvestris Deus (Protector of the Forests) [4:01]
5. Baptismal Blood [5:27]
6. Katavythisis [5:00]
7. The Grave Dwellers [6:38]

MORE INFO:
www.facebook.com/MedievalDemonOfficial

www.hellsheadbangers.com

Modern vampiric black metal kings Wampyric Rites premiere new track

Today, modern vampiric black metal kings Wampyric Rites premiere the new track “Captive in a Desolate Castle”. The track is the second to be revealed from the band’s highly anticipated second album, The Wolves Howl to the Moon, set for international release on August 26th via Signal Rex on CD and cassette tape formats; the vinyl LP version will follow later this year. Hear Wampyric Rites‘ Captive in a Desolate Castle” in its entirety here:

Wampyric Rites hail from the ever-rising Ecuadorian black metal underground, and have had a major hand in shaping its prominence and notoriety across countless short-length releases since 2019. However, it was last year’s full-length The Eternal Melancholy of the Wampyre where Wampyric Rites displayed the full gait of their potential: classic (and unapologetic) vampiric black metal deeply rooted in the idiom’s earliest days whilst evincing a spectral aura all their own. The duo may belong to the Pure Raw Underground Black Metal Plague, which includes now-labelmates Winterstorm and Ründgard, but Wampyric Rites truly had found the cosmic keys to their creations and times.

Eclipsing that feat is their brand-new second album, The Wolves Howl to the Moon. Immediately, the record sounds like Wampyric Rites – shimmering surge, velvety synths, hysteric shrieks across a dungeon deep – but the attack soon takes on deft dynamics, skillfully balancing robust physicality (often, headbangingly straightforward) and stained-glass sensitivity. The latter element is perhaps the boldest move here, as a variety of synth sounds – medieval organ, stargazing swirl, or even just the faintest daubing upon ripped-raw guitar – often play a prominent role in each of the album’s five component songs. Yet, it’s never done in a gaudy or gimmicky manner; it’s but another layer to lose oneself in, as the songwriting itself allows the mind to wander and palpably experience the landscape as The Wolves Howl to the Moon. What’s more, Wampyric Rites incorporate shockingly beautiful acoustics, albeit sparingly, making their seemingly strictured canvas far vaster than otherwise suggested by vampiric BM standards. 

All told, The Wolves Howl to the Moon sets new standards for (true) vampiric black metal. Wampyric Rites stoke the fires of the imagination, and seemingly are only getting started.

Begin getting started with the previously revealed “The Ancient Tyrant Returns from the Deep Forgotten Crypts” HERE at Signal Rex‘s official YouTube channel. Cover artwork, courtesy of Ainul Iblis, and tracklisting are as follows:

Tracklisting for Wampyric Rites’ The Wolves Howl to the Moon
1. The Ancient Tyrant Returns from the Deep Forgotten Crypts [8:10]
2. Rites Under the Fullmoon [6:06]
3. Amidst the Fog of Eternity [2:47]
4. The Wolves Howl to the Moon [9:58]
5. Captive in a Desolate Castle [8:25]

MORE INFO:
wampyricrites1.bandcamp.com

www.signalrex.com
www.facebook.com/signalrex

Finland’s BLOOD CHALICE set release date for new WEREWOLF album, reveal first track

Today, Werewolf Records sets September 9th as the international release date for the highly anticipated second album of Finland’s Blood Chalice, The Blasphemous Psalms of Cannibalism, on CD and cassette tape formats. The vinyl LP version will follow later this year.

Formed in 2015, Blood Chalice feature among their ranks a number of Finnish metal veterans, spanning a slew of extreme styles. However, in Blood Chalice, the goal has always remained firm: uncompromising, closeminded BLACK/DEATH savagery. The first strike as such came in 2016 with a self-titled demo, followed the next year by the gutsfucking debut album Sepulchral Chants of Self-Destruction. Diehards hailed the album; the rest recoiled in horror. Typical “Finnish black metal” this was not…

And Blood Chalice further drive home that point, five years later, with their second full-length, The Blasphemous Psalms of Cannibalism. Indeed, they honor ancient Finnish roots by (gutsfuckingly) leaning on the noble foundation laid forth by early Impaled Nazarene, Archgoat, Belial, and even Mythos, so muscular and still-death-metalled is Blood Chalice‘s thrust. And, just like those scene legends did so long ago, Blood Chalice keep memorability at a maximum – nearly as much as the savagery itself, which reaches critical mass on The Blasphemous Psalms of Cannibalism – and evince a short/sharp/shocked style of songwriting gleaned from those pillars’ grounding in early grindcore. No more but certainly no less, this is trend-free OLD black metal brewed with disdain for the nowadays scene.

Take it or leave it, Blood Chalice don’t care. Drink deeply of The Blasphemous Psalms of Cannibalism.

Begin drinking deeply of the brand-new track “From the Grave of Livyatan” here:

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Blood Chalice (Finland)’s The Blasphemous Psalms of Cannibalism
1. The Black Mass
2. The Last Supper of Insects
3. Antichristian War Declaration
4. Matanbuchus
5. Burned Faith
6. Celestial Destroyer
7. The Blasphemous Psalms of Cannibalism
8. Blood Worship
9. Hate Meditation
10. Temet Nosce
11. From the Grave of Livyatan
12. The Rise of Iconoclast

MORE INFO:
www.facebook.com/bloodchaliceofficial

www.werewolf.fi