Ascend to the Depths with Merrimack’s ‘Of Grace and Gravity’

In the vanguard of the black metal sphere, MERRIMACK returns with their most ambitious and riveting album to date, Of Grace and Gravity. This latest tome from the Parisian conjurors of darkness is a relentless dive into the esoteric, where the lines between sacrilege and sanctity blur in a maelstrom of fervent guitars, thunderous drums, and howling vitriol.

Of Grace and Gravity is a testament to MERRIMACK‘s quarter-century dedication to the black metal art form. With its foundation deeply rooted in the unyielding soil of black metal tradition, the album dares to gaze into the abyss, offering a gripping narrative spun from the threads of heresy and rebellion.

Of Grace and Gravity is out March 8 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

“Behold! Sulphurean Synods not merely plays; it enchants, drawling listeners into a realm where celestial despair and infernal defiance converge.” From the first piercing note, it’s apparent this is no ordinary song. The lyrics, a tapestry of desolation and defiance, echo the overarching theme of a cosmos teetering on the edge of oblivion and rebirth. Musically, the track stands out with its intricate guitar work and atmospheric elements, creating a hauntingly beautiful soundscape. It’s a song that evokes a profound sense of longing, a clarion call to those who find beauty in darkness, resonating deeply with listeners who traverse the shadows.

Track-list
1. Sulphurean Synods (6:42) [WATCH]
2. Sublunar Despondency (7:07)
3. Dead and Distant Clamors (5:35) [LISTEN]
4. Wounds that Heal (6:44)
5. Starving Crowns (8:05)
6. Under the Aimless Spheres (7:01) [LISTEN]
7. Embalmer’s Wine (6:59)
Total runtime: 48:13

MERRIMACK are back with their new album ‘Of Grace and Gravity’. Their third release for Season of Mist arrives after the re-print of their long sold-out debut ‘Ashes of Purification’which followed the sizeable impact that their last album, ‘Omegaphilia’, had on the Black Metal Scene.

MERRIMACK can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), MERRIMACK closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, MERRIMACK were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album ‘Of Grace and Gravity’, an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. MERRIMACK, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier – Guitars
A.K. – Guitars
Blastum – Drums
Vestal – Vocals
Daethorn – Bass

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Links:
Bandcamp: https://merrimack.bandcamp.com/
Facebook: https://www.facebook.com/merrimackofficial
Instagram: https://www.instagram.com/merrimack666/
Deezer: https://www.deezer.com/en/artist/99176
Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal: https://tidal.com/browse/artist/3642745
Apple Music: https://music.apple.com/us/artist/merrimack/41660594
Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8

Available Formats:
Digital Download
CD Digipak
12″ Vinyl Gatefold – Black
12″ Coloured Vinyl Gatefold – Transparent Clear
12″ Coloured Vinyl Gatefold – White
12″ Coloured Vinyl Gatefold – Transparent w/ Black Splatters

MERRIMACK Release Third Single “Under the Aimless Spheres”

Prepare to delve into the abyss of existential turmoil as MERRIMACK unveils their haunting third single, Under the Aimless Spheres. A visceral exploration of existential angst and spiritual dissolution, the track echoing the band’s enigmatic mastery and captivating lyrical depth.

The lyrics, laden with poetic intensity, evoke a journey through the tormented landscapes of the soul. “We hope in her loins for the assumption, The oath is palavered at her breast,” beckons a cryptic exploration of faith and disillusionment, while “Far from the south of descend, We must confront our gravities” challenges the listener to confront the weight of their existence.

With each verse, MERRIMACK navigates the contours of existential despair, casting light on the ferments of stone and the sighs of the earth. Under the Aimless Spheres serves as a poignant approach to the human condition, where the sacred and profane converge in a tumultuous dance of divine contempt and mortal longing.

‘Of Grace and Gravity’ is out March 8, 2024 on Season of Mist: Underground Activists.

Pre-order:https://redirect.season-of-mist.com/MerrimackGraceGravity

Track-list
1. Sulphurean Synods (6:42) [WATCH]
2. Sublunar Despondency (7:07)
3. Dead and Distant Clamors (5:35) [LISTEN]
4. Wounds that Heal (6:44)
5. Starving Crowns (8:05)
6. Under the Aimless Spheres (7:01) [LISTEN]
7. Embalmer’s Wine (6:59)
Total: 48:13

MERRIMACK are back with their new album ‘Of Grace and Gravity’. Their third release for Season of Mist arrives after the re-print of their long sold-out debut ‘Ashes of Purification’which followed the sizeable impact that their last album, ‘Omegaphilia’, had on the Black Metal Scene.

MERRIMACK can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), MERRIMACK closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, MERRIMACK were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album ‘Of Grace and Gravity’, an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. MERRIMACK, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier – Guitars
A.K. – Guitars
Blastum – Drums
Vestal – Vocals
Daethorn – Bass

Recording Studio
Studio Sainte Marthe, Paris, France

Sound, Mixing & Mastering Engineer
Francis Caste

Artwork Artist
Belial Necroarts – Front cover
Opposition Artworks – Inner illustrations
Adrien Bousson – Layout

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Links:
Bandcamp: https://merrimack.bandcamp.com/
Facebook: https://www.facebook.com/merrimackofficial
Instagram: https://www.instagram.com/merrimack666/
Deezer: https://www.deezer.com/en/artist/99176
Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal: https://tidal.com/browse/artist/3642745
Apple Music: https://music.apple.com/us/artist/merrimack/41660594
Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8

Available Formats:
Digital Download
CD Digipak
12″ Vinyl Gatefold – Black
12″ Coloured Vinyl Gatefold – Transparent Clear
12″ Coloured Vinyl Gatefold – White
12″ Coloured Vinyl Gatefold – Transparent w/ Black Splatters

MERRIMACK Delve to Enigmatic Depths on “Dead and Distant Clamors”

Renowned French black metal entity MERRIMACK continues to unravel the enigmatic tapestry of their upcoming album, ‘Of Grace and Gravity’, with the release of their second single, Dead and Distant Clamors.

Diving into the abyss of existential questioning, Dead and Distant Clamors explores themes of cosmic disarray and the profound uncertainty that surrounds our existence. The intense lyrical journey confronts the forces that shape our world and the relentless struggles against the inevitable. MERRIMACK echoes a sonic barrier that mirrors the tumultuous nature of our lives, set against a backdrop of relentless black metal fury.

The lyrics, a poetic manifestation of cosmic chaos, delve into the mysteries of existence and challenge the established norms. Vocals lines like:
  
   “Who proclaims, who decides, who announces the end of the orations?

and:
  
   “Captive of forms that vitrify again this side of reality.

serve as thought-provoking inquiries into the very fabric of our existence as a species.

Dead and Distant Clamors presents MERRIMACK‘s signature blend of atmospheric black metal, intricate compositions, and raw, unbridled energy. The track unfolds like a dark cosmic ballet, invoking emotions that range from despair to defiance.

This new single can now be experienced by all:

‘Of Grace and Gravity’ is out March 8, 2024 on Season of Mist: Underground Activists.

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Here’s what MERRIMACK have to say about the release of Dead and Distant Clamors:

“This song pays tribute to old-school black metal, embracing its desperate atmosphere and incorporating haunting, slow sections reminiscent of a depressive waltz. Guitars engage in a conversation around a hypnotic crescendo, while the vocals articulate the inevitable possibilities of decay. Expect nothing less than a pure homage to the essence of darkness.”

Track-list
1. Sulphurean Synods (6:42) [WATCH]
2. Sublunar Despondency (7:07)
3. Dead and Distant Clamors (5:35) [LISTEN]
4. Wounds that Heal (6:44)
5. Starving Crowns (8:05)
6. Under the Aimless Spheres (7:01)
7. Embalmer’s Wine (6:59)
Total: 48:13

MERRIMACK are back with their new album ‘Of Grace and Gravity’. Their third release for Season of Mist arrives after the re-print of their long sold-out debut ‘Ashes of Purification’, which followed the sizeable impact that their last album, ‘Omegaphilia’, had on the Black Metal Scene.

MERRIMACK can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), MERRIMACK closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, MERRIMACK were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album ‘Of Grace and Gravity’, an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. MERRIMACK, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier – Guitars
A.K. – Guitars
Blastum – Drums
Vestal – Vocals
Daethorn – Bass

Links:
Bandcamp: https://merrimack.bandcamp.com/
Facebook: https://www.facebook.com/merrimackofficial
Instagram: https://www.instagram.com/merrimack666/
Deezer: https://www.deezer.com/en/artist/99176
Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal: https://tidal.com/browse/artist/3642745
Apple Music: https://music.apple.com/us/artist/merrimack/41660594
Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8

Available Formats:
Digital Download
CD Digipak
12″ Vinyl Gatefold – Black
12″ Coloured Vinyl Gatefold – Transparent Clear
12″ Coloured Vinyl Gatefold – White
12″ Coloured Vinyl Gatefold – Transparent w/ Black Splatters

MERRIMACK Journey to the Heart of Darkness on “Sulphurean Synods”

Embark on a descent into the netherworld on MERRIMACK‘s latest revelation, ‘Of Grace and Gravity’, the ensemble’s 6th full-length album. A haunting symphony of cosmic dissonance will be breathed into existence on the 8th of March, 2024.

The ensemble presents the release of their first single, “Sulphurean Synods”. An aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious collusion. MERRIMACK, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes in the mask of the sky. The listener, questioned in their faith of the shadows and occult idols.

Dare believe in the sulfurous whispers echoing through this blackened masterpiece, available for all to hear and see here:

‘Of Grace and Gravity’ is out March 8, 2024 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Here’s what MERRIMACK have to say about the release of their first single:

Sulphurean Synods” is the opening track of our new album, ‘Of Grace and Gravity’: the two opposing forces crossing where the spine of the world emerges. Where one strives to reach the grace, the divine particle, while bounded by gravity and the weight of time.

We have devoted ourselves to emphasize a more natural and authentic expression of our art, in its primitive form.

For this song, D.G. (Misþyrming) has joined Vestal to mock the modern synods and their corrupted faith.

Track-list
1. Sulphurean Synods (6:42) [WATCH]
2. Sublunar Despondency (7:07)
3. Dead and Distant Clamors (5:35)
4. Wounds that Heal (6:44)
5. Starving Crowns (8:05)
6. Under the Aimless Spheres (7:01)
7. Embalmer’s Wine (6:59)
Total: 48:13

MERRIMACK are back with their new album ‘Of Grace and Gravity’. Their third release for Season of Mist arrives after the re-print of their long sold-out debut ‘Ashes of Purification’which followed the sizeable impact that their last album, ‘Omegaphilia’, had on the Black Metal Scene.

MERRIMACK can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), MERRIMACK closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, MERRIMACK were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album ‘Of Grace and Gravity’, an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. MERRIMACK, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier – Guitars
A.K. – Guitars
Blastum – Drums
Vestal – Vocals
Daethorn – Bass

Recording Studio
Studio Sainte Marthe, Paris, France   

Pre-order:https://redirect.season-of-mist.com/MerrimackGraceGravity

Links:
Bandcamp: https://merrimack.bandcamp.com/
Facebook: https://www.facebook.com/merrimackofficial
Instagram: https://www.instagram.com/merrimack666/
Deezer: https://www.deezer.com/en/artist/99176
Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal: https://tidal.com/browse/artist/3642745
Apple Music: https://music.apple.com/us/artist/merrimack/41660594
Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8

Merrimack announce Japanese tour dates with Marduk

MERRIMACK have announced Japanese tour dates in support of their latest album ”Omegaphilia”, which was released on June 09, 2017. The Parisian black metal fanatics will hit the road to Japan in November, where they will join MARDUK for four shows. A full list of confirmed dates can be found below.

MERRIMACK comment on the tour: “9 Years after our successful USA tour with the mighty Marduk, Merrimack will support the Swedish devils again for 4 shows in Japan this November. We are stoked to explore the Nippon territories for the first time, and deliver some pure french Black Metal, played with devotion and faith, to the maniacs there. It’s a brand new experience for us, but it will definitely leave a mark on the Japanese crowd as well!”

MERRIMACK Japan tour
+Marduk
22 Nov 18 Osaka (JP) Fan J Twice
23 Nov 18 Nagoya (JP) Imaike 3 Stars
24 Nov 18 Tokyo (JP) Cyclone
25 Nov 18 Tokyo (JP) Cyclone

MERRIMACK will be playing in support of their latest release ‘Omegaphilia’, which was released on June 9th, 2017 and is streaming in full here!

The cover art of ‘Omegaphilia’, which has been created by Dehn Sora and the album’s track-list can be viewed below.

Track-list
1. Cauterizing Cosmos
2. The Falsified Son
3. Apophatic Weaponry
4. Gutters of Pain
5. Sights in the Abysmal Lure
6. Cesspool Coronation
7. At the Vanguard of Deception
Musicians as any artists can be roughly categorised into different groups by their approach to composing. There are those for example, who come with restless souls and always try to find new ways and break into uncharted territories. Others prefer to evolve within a certain genre, driven by a desire to hone their skills and striving to bring their art to perfection. MERRIMACK as black metal traditionalists obviously belong to the latter circle and their fifth full-length with the apocalyptic title ‘Omegaphilia’ is an impressive demonstration of how far the French band has matured.

MERRIMACK are breathing fresh life into an exhausted genre, not by heaping up epithets such as progressive, post-, and avant-garde, but by razor-sharp songwriting, captivating melodies, and close to perfect arrangements. ‘Omegaphilia’ achieves excellence through hard work and experience that shows through on every single song.

MERRIMACK were founded by guitarist Perversifier in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise, or turn the style into a self-parody.

With a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words. Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’ (2002), the Parisians did not sever their roots with the underground at any time.

‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009) followed and witnessed MERRIMACK closing ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

Following the recording of ‘The Acausal Mass’ (2012) again in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666), MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze and Montreal’s Messe des Morts in Canada.

Having firmly established their black name and message around the globe, MERRIMACK are setting a bold exclamation mark with ‘Omegaphilia’. Be warned, this album is determined to remain in your playlist for a long time.

http://merrimack.satanslegions.com
www.facebook.com/merrimackofficial


French Black Metal Band Merrimack Premier “The Falsified Son” from their forthcoming album

MERRIMACK are now revealing the second crushing song taken from their forthcoming fifth full-length, which bears the title ‘Omegaphilia’ and will be released on June 9th.

MERRIMACK comment: “Our will to create a record that is more rooted in the 90’s era of black metal becomes pretty obvious on ‘The Falsified Son’, which is a straight forward and simple track. Our typical lead guitars, the slightly dissonant end, the addition of a guitar solo, and the mid-tempo middle break make it a strong tune, which has proved to be very well received at our latest live performances. The lyrics deal with the way of life that we have chosen and its consequences – with black metal (which is mentioned in the song) being an immense part of it.”

MERRIMACK have previously unveiled the cover art (by Dehn Sora) and track-list of ‘Omegaphilia’, which can both be viewed below.

Track-list
1. Cauterizing Cosmos
2. The Falsified Son
3. Apophatic Weaponry
4. Gutters of Pain
5. Sights in the Abysmal Lure
6. Cesspool Coronation
7. At the Vanguard of Deception

Musicians as any artists can be roughly categorised into different groups by their approach to composing. There are those for example, who come with restless souls and always try to find new ways and break into uncharted territories. Others prefer to evolve within a certain genre, driven by a desire to hone their skills and striving to bring their art to perfection. MERRIMACK as black metal traditionalists obviously belong to the latter circle and their fifth full-length with the apocalyptic title ‘Omegaphilia’ is an impressive demonstration of how far the French band has matured.

MERRIMACK are breathing fresh life into an exhausted genre, not by heaping up epithets such as progressive, post-, and avant-garde, but by razor-sharp songwriting, captivating melodies, and close to perfect arrangements. ‘Omegaphilia’ achieves excellence through hard work and experience that shows through on every single song.

MERRIMACK were founded by guitarist Perversifier in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise, or turn the style into a self-parody.

With a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words. Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’ (2002), the Parisians did not sever their roots with the underground at any time.

‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009) followed and witnessed MERRIMACK closing ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

Following the recording of ‘The Acausal Mass’ (2012) again in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666), MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze and Montreal’s Messe des Morts in Canada.

Having firmly established their black name and message around the globe, MERRIMACK are setting a bold exclamation mark with ‘Omegaphilia’. Be warned, this album is determined to remain in your playlist for a long time.

http://merrimack.satanslegions.com
www.facebook.com/merrimackofficial

Line-up
Perversifier – guitars
Vestal – vocals
A.K. – guitars
Daethorn – bass
Blastum – drums

Guest musicians
Aldrahn – vocals on “Cesspool Coronation”
Frater Stephane (NKRT) – rituals on “Cauterizing Cosmos”
The Chorale of Cachan – choir on “At the Vanguard of Deception”

Recording, mix, mastering: Andrew Guillotin at Hybreed Studios, France

Cover art: Dehn Sora