NECROFIER shares third single of forthcoming album

Texan black metal outlaws NECROFIER will be releasing their second full-length ‘Burning Shadows in the Southern Night’ on June 2, 2023 via Season of Mist Underground Activists

In celebration, the band is now sharing the vicious new single “Forbidden Light of the Black Moon” along with a music video! The song and video can be found here:

The album was recorded at legendary Studio G in Brooklyn, NY by  6x Grammy nominated and 1x Latin Grammy nominated engineer, producer and musician Joel Hamilton (UNSANE, IGGY POP, TOM WAITS). The album will follow up the band’s debut record ‘Prophecies of Eternal Darkness’ which was released in October of 2021.

‘Burning Shadows in the Southern Night’ is available for pre-order HERE and can be pre-saved on various streaming services HERE.

The cover artwork for ‘Burning Shadows in the Southern Night’ was created by Burney and can be found below along with the tracklist.

Track-list:
1. The Fall from Heaven (3:24) 
2. Total Southern Darkness (5:43) 
3. To the Wolves (3:54) [WATCH]
4. Forbidden Light of the Black Moon (5:20) [WATCH]
5. Destroying Angels (5:09) 
6. Whispers That Burn in the Dark (4:40) 
7. The All Seeing shadows (4:44) 
8. On Wings of Death We Burn the Sky (3:50) 
9. Call to the Beyond (4:29) 
10. Burnt by the Sacred Flame (6:00) [WATCH]
Total: 47:12

Deep within the scorching cauldron of Texas, the alchemists of Necrofier have brewed another potent dose of American black metal with their sophomore full-length, ‘Burning Shadows in the Southern Night.’ The Houston four-piece honors the time-tested virtues of traditional black and heavy metal, even taking an organic sonic approach, tapping seven-time Grammy-nominated producer and engineer Joel Hamilton (Unsane, Tom Waits, Tyler Bryant & The Shakedown, etc.) to lend his magic touch for a natural sound. 

“The goal going into the new record was to start setting ourselves apart from our contemporaries,” explains Necrofier drummer Dobber Beverly. “One of those ways was changing what the record sounded like. Moving away from the clinical and sterile nature that most productions suffer from and back into a real room with real instruments and performances. Our friend and esteemed producer/engineer Joel Hamilton had expressed interest in venturing back into the metal world and offered to make the record with us at his facility, Studio G Brooklyn. With a full vintage Neve front end and a host of Telefunken and Neumann microphones we tracked a record the old way, mostly. The results will speak for themselves hopefully, as this record breathes and spits fire wherever it’s played.” 

“Joel is one of the world’s best engineers,” adds Necrofier guitarist and vocalist Bakka. “Dobber and Joel have become good friends since they recorded the last Oceans of Slumber album with him. After that, Joel wanted to record something heavy, so we made the trip to New York City to record in his legendary studio. It was an amazing experience in a great studio; besides having all the gear, he also created an environment where we challenged ourselves and brough everything up to the next level.” 

‘Burning Shadows in the Southern Night’ doesn’t just simply pick off where Necrofier’s debut album left off, but displays a conscientious effort to double down on the elements that made ‘Prophecies of Eternal Darkness’ successful. The solos are more plentiful and intricate, the hooks are more anthemic, and the overall musicianship is bolder and more daring. Speaking of the band’s evolution, Bakka explains, “I think this collection of songs represents us very well. We have grown together as a band and it shows in the new songs. Also, for this record we flew to NYC and recorded all day long for 10 days straight. I love recording this way because it captures a certain magic. The whole band is immersed in the process and it’s all we would think, do, live and breathe during the process.” 

Another core facet of Necrofier’s allure is being a black metal band from Texas. “Where you live always helps shape someone,” says Bakka. “It helps shape our style and tone in ways, it’s hot most of the year, so as we burn, it gives us warmer tones and more of a heavy metal influence than when compared to our brothers from the North. Also, Texas has a style all of its own; everything is heavier, louder and we are always trying to outdo the rest of the world.” 

To that avail, Necrofier isn’t your typical black metal band, and so this isn’t your typical black metal record as there’s a healthy amount of traditional metal influences, particularly within the guitar work. While conceptually, the band doesn’t heavily rely on Satanic themes, exploring deeper human philosophies and the occult like burning for your dreams or spiraling out on a psychedelic trip and exploring the beyond. “While there isn’t overt satanic worship in the lyrics, I would still say that he is a friend of ours,” Bakka cheekily says. “There are Occult themes on this record, but at the same time, it does take a philosophical approach.” 

Further illustrating the influence of their environment, Necrofier also heavily explores one of Southern America’s most fabled myths. “The new record touches on selling your soul at the crossroads,” adds Bakka. “I like to take a different approach and touch on the elements of the esoteric world and dive into the forbidden or hidden that surrounds us in our lives every day.” 

As the Texan black metal outlaws saddle up for record two, they are leading the charge as one of the contemporary purveyors of black metal revivalism. ‘Burning Shadows in the Southern Night’ is certain to elicit a sense of nostalgia for those who dare to lay ears on this vicious new offering.  

Lineup:
Bakka – Vocals, Guitar
Semir Ozerkan – Guitars
Dobber Beverly – Drums
Mat Valentine – Bass

Guest Musicians:
Cammie Beverly (Oceans of Slumber) – Vocals on “The All Seeing Shadows” and “The Fall From Heaven”

Links:
https://www.facebook.com/Necrofier 
https://twitter.com/necrofier 
https://www.instagram.com/necrofier/ 
https://necrofier.bandcamp.com

Producer/Sound Engineer/Mixing: Joel Hamilton at Studio G (New York)
Mastering: Maor Appelbaum at Maor Appelbaum Mastering

Pre-save: https://orcd.co/necrofierbsitsn
Pre-sales: https://redirect.season-of-mist.com/NecrofierBSitSN

Formats:
Digital
Digipak
Vinyl in various colours

COFFIN MULCH set release date for MEMENTO MORI debut, reveal first track

In their endless quest to push and support current underground acts that deliver the goods unaware of trends and hypes, on June 30th internationally, Memento Mori is proud to present Coffin Mulch‘s highly anticipated debut album, Spectral Intercession.

Hailing from Scotland, Coffin Mulch formed in 2018 and quickly set to work on their debut demo, Coffin Mulch, which was released a year later. Two years later came the Septic Funeral EP, both of which have garnered widespread acclaim in the death metal underground. Although undeniably a DEATH METAL band, the quartet come from a diverse musical background, having played in a variety of different bands throughout the years, but started Coffin Mulch to play old-school, heavy & pounding death metal influenced by late ’80s / early ’90s gods like Entombed, Autopsy, Massacre, Death, and Bolt Thrower. They’re all punks at heart, though, and the DIY ethic and aesthetic is just as important to them as the tunes.

And “tunes” they indeed have across their full-length debut, Spectral Intercession. With gutted tones just on the right side of raw and a horrifying intro to set the scene, Coffin Mulch lurch and crunch forward with ominous intent. Each of the album’s eight tracks offers ample proof of the potency of traditional, turn-of-the-’90s death metal – especially so, when it’s done with this much passion and intensity. Indeed, no matter the tempo employed (and quite often, the band stick to a headbanging gallop), Coffin Mulch make you feel every mangled riff, every ragged drum-hit, every tortured tonsil…the songwriting may be simple, but it’s not simplistic, and it’s their execution that truly puts over Spectral Intercession. Nevertheless, they’re not afraid to put a little twist here and there, whether it’s a fleeting (and subtly employed) guitar effect or an intentionally askew transition, and the rare guitar solo really hits with soul-searing aplomb. Or witness the eerie, climactic closer “Eternal Enslavement,” where a doomed morass opens up and swallows the listener whole.

There’s no shortage of “old school” death metal records these days, but it’s rare to find one with such personality that’s unselfconscious and not belabored. Coffin Mulch find that sweet spot with Spectral Intercession!

In the meantime, hear the brand-new track “Into the Blood” here:

Cover and tracklisting are as follows:

Tracklisting for Coffin Mulch’s Spectral Intercession
1. Spectral Intercession
2. Into the Blood
3. Mental Suicide
4. In the Grip of Death
5. Fall of Gaia
6. Gateway to the Unseen
7. Infernal Mass
8. Eternal Enslavement

 MORE INFO:
www.facebook.com/coffinmulch

www.memento-mori.es

SERPENT CORPSE set release date for TEMPLE OF MYSTERY debut, reveal first track

Today, Temple of Mystery Records announces July 5th as the international release date for Serpent Corpse‘s striking debut album, Blood Sabbath, on CD and vinyl LP formats

Hailing from the ever-rising Montreal death metal scene, Serpent Corpse are at once foreign and familiar. Blood Sabbath, their full-length debut following a demo in 2021, on first glance feels resolutely old school: straightforward songwriting, analog production, little flash but full fire. And indeed, Serpent Corpse do show noble influence from the very early ’90s – foremost among them, the world-eating enormity of classic Bolt Thrower and vigorous D-beating of early Entombed – but along with another set of tweaked influences and, more so, a maniacal manner in which to pursue them, the Canadian quartet prove that the idea of traditional all-caps DEATH METAL is undying and infinite. The further one steps into the ichor of Blood Sabbath, the more those tweaks take shape – Darkthrone during their death metal days, Seance skewing death ‘n’ roll, the DM-in-glue of classic Cianide, or especially Autopsy’s transition into Abscess – and the more the exemplary songwriting truly begins to shine…or ROT, as it were! For this nine-song/39-minute album sounds as slimy as it does headbanging – and those singed ‘n’ seared leads are the definition of haunting! Coupled with powerfully clear annunciation from vocalist/guitarist Andrew Haddad and mesmerizing cover art courtesy of Lucas Korte, Serpent Corpse deliver one of the most essential death metal debuts of recent memory. A festering death awaits!

In the meantime, hear the brand-new track “Nemesis” here:

Serpent Corpse will be playing an album-release party on July 15th  at La Sotterenea in Montreal; event info can be found HERE. Aforementioned cover art and tracklisting are as follows:

Tracklisting for Serpent Corpse’s Blood Sabbath
1. Spell Of The Eternal Serpent
2. Electric Eye
3. Nemesis
4. Let The Rats Feed
5. Land Of Rot And Misfortune
6. Crucifxion Shrine
7. Swallowed Whole By The Abyss
8. Dreams of Crows
9. Blood Sabbath

Preorder info

https://serpentcorpse.bandcamp.com/album/blood-sabbath (EU/Asia/North America)
https://templeofmystery.ca/product-category/serpent-corpse/ (Asia/North America only)

MORE INFO:
www.serpentcorpse.bandcamp.com

www.templeofmystery.ca

GRAFVITNIR set release date for new SHADOW album, reveal first track

Today, Shadow Records (distributed & marketed by Regain Records) announces June 30th as the international release date for Grafvitnir‘s highly anticipated ninth album, Into the Outer Wilderness, on CD and vinyl LP formats.

By now, Grafvitnir require no introduction. Since their fiery birth in 2007 and successive NâHásh debut album in 2012, this still-mysterious Swedish formation have dependably – and provocatively – stoked the fires of ancient black metal, becoming veritable royalty by the end of the decade. From that fiery beginning, Grafvitnir‘s aesthetic has been firm and unyielding: exquisitely and restlessly melodic, its sulfurous fire paradoxically as cryogenic as it comes, medieval in atmosphere and literally bewitching in feel and fury. To suggest that the band harken back to a time when Dissection sired countless clones – but, crucially, each one of them as satisfying and significant as the next – is to underline the gravitas of Grafvitnir‘s particular vision of black metal: a steadfast and enduring classicism that’s timeless then, now, and forever into the future.

And so it goes with Grafvitnir‘s ninth album, Into the Outer Wilderness. No compromise, no quarter: this is Grafvitnir further distilled into 43 minutes of menace and majesty. But the title Into the Outer Wilderness is telling, as the duo here evoke that sensation of plunging into a clandestine world of witchcraft and sacred rites, spun into a delirium through somehow shimmering and even sparkling melodicism. And yet, for however organic their productions have always sounded – rough and raw, sure, but most importantly, human – there’s conspicuously more grit here on Into the Outer Wilderness as well as clarity, making for a unique entry into Grafvitnir‘s nigh-untouchable catalog. Elsewhere, it’s righteously ripping songwriting as only these Swedes can deliver, entrancing and enervating as ever; there is only one Grafvitnir then, now, and especially forever. Venture forth Into the Outer Wilderness!

Begin venturing with the brand-new track “Through the Witchcraft Door” here:

. Cover and tracklisting are as follows:

Tracklisting for Grafvitnir’s Into the Outer Wilderness
1. Conjuring the Serpent Flames (Intro)
2. Into the Outer Wilderness
3. Venomous Incantations
4. Lycanthropic Litany
5. Där köldvindar skriker av hat
6. From a Thousand Ages Lost
7. Through the Witchcraft Door
8. Urtidens becksvarta arv
9. Seekers of Fire


MORE INFO:
www.grafvitnir.bandcamp.com 

www.shadowrecords.se
www.regainrecords.se
www.facebook.com/shadowrecords.se

MIDDEN stream ETERNAL DEATH debut demo – features members of TARE+++

On May 5th internationally, Eternal Death is proud to present the debut demo of MiddenDemo 2023, on cassette tape format. And today, they stream of their demo in its entirety. Hear Midden‘s Demo 2023 in its entirety here:

Midden are a new entity hailing from the West Coast of the United States. They feature within their ranks guitarist Draak, whose prior bands include Tare, who released a tape via Eternal Death in 2014, during the early days of the label. 

Naturally for Eternal Death, Midden play harsh & raw black metal in the purest manner: no hope, no light. The band’s first public recording, Demo 2023 features six songs within 28 minutes of cold & cruel obsidian. True to their word, Midden is an ode to the remnants of the human blight. It looks both inward and outward, infatuated with the destruction of self and the crumbling of the scourge that is collective humankind. Demo 2023 swiftly accomplishes that, with sounds at once hammering and desolate, spiraling out of control into the abyss and austerely navigating its orbit. True ancient-days BLACK METAL, not for trendy ears – herald the beginning of Midden!

Preorder info can be found HERE at Eternal Death‘s Bandcamp. Cover and tracklisting are as follows:

Tracklisting for Midden’s Demo 2023
1. III
2. IV
3. VII
4. VIII
5. XI
6. V

www.eternal-death.com
eternaldeath.bandcamp.com

CRAFT announce string of tour dates for 2023

Swedish black metal masters CRAFT have announced a new string of festival dates for May and June 2023. The announcement includes appearances at the prestigious Ascension Festival in Reykjavik Iceland and a small Mexican run! A full list of confirmed shows can be found below.

CRAFT comment: “This week, from May 4-7th, CRAFT will cross the pond to deliver darkness and chaos in Mexico for the very first time. We expect nothing but sheer dedication from what we hear is some of the best crowds in the world. This may also be the first time we play something from the new album being recorded this summer…
 
Attendance is mandatory, cabrónes!

CRAFT‘s latest release “White Noise and Black Metal” can be found via the official Season of Mist YouTube channel HERE.

CRAFT Festivals 2023
19 May 23 Reykjavik (IS) Ascension Festival
17 Jun 23 Grod Rycerski w Byczynie (PL) Black Silesia Festival
30 Jun 23 Friesack (DE) Under The Black Sun Festival
21 Jul 23 Volyne (CZ) Etaf Festival

CRAFT Mexico
04 May 23 Monterrey (MX) Café Iguana
05 May 23 Guadalajara (MX) Foro Independencia
06 May 23 CDMX (MX) HDX Circus Bar
07 May 23 León (MX) Rock Station

CRAFT will be playing in support of their latest album “White Noise and Black Metal”. The amazing cover, which has been created by renowned Polish artist Zbigniew Bielak, can be viewed together with the album details below.

Track-list
1. The Cosmic Sphere Falls (4:56)
2. Again (4:15)
3. Undone (6:39)
4. Tragedy of Pointless Games (6:27)
5. Darkness Falls (4:50)
6. Crimson (4:49)
7. Shadow (5:40)
8. White Noise (4:42)
Total: 42:18

By dry definition, white noise denotes a random signal having equal intensity at different frequencies, giving it a constant power spectral density. It has been commonly employed in electronic music and denotes for instance the sound of a non-existent radio station, while searching through the spectrum for a signal. For black metal it denotes the yin to the yang of the will to shape forms and patterns of melodies and rhythms and as such has a constant presence.

CRAFT have chosen their title as a perfect description of this symbiotic relationship into which the seeming contrast and contradiction of black and white enters. With ‘White Noise and Black Metal’, the Swedes return to strength after a long hiatus following the release of previous full-length, ‘Void’ (2011). The forthcoming album combines the vitriolic virtues of ‘Terror Propaganda’ (2002) with an updated songwriting that is as mature and intelligent as it is razor-sharp. The fast and furious of extreme metal contrasts with dark and depressive passages with added undertones of black ‘n’ roll

CRAFT embodies the black metal virtue of raw spiritual energy expressed through violent, ripping guitar-work and unholy rhythms enhanced by demonic vocals. The Swedes have long enjoyed a massive cult status within underground circles, yet also gained strong acclaim and recognition by mainstream metal media and critics.

CRAFT were spawned by guitarist Joakim, who was joined by a friend on drums in late 1994. Lead guitarist John was added to the roster in 1996 but left in 1998 only to return about a year later. A demo entitled ‘Total Eclipse’ hit the world in 1999, which led to a first record deal. During the recording of their crushing debut ‘Total Soul Rape’ (2000), the Swedes were reinforced by vocalist Nox. This misanthropic album captured the ear of SHINING’s Niklas Kvarforth, who released sophomore opus ‘Terror Propaganda’ in 2002 on his own label. With their extremely dark music the group gained much acclaim by critics and fans alike. CRAFT continued to build and expand their typical hateful and destructive style by adding ‘Fuck the Universe’ (2005) and ‘Void’ (2011) to the list of their albums. Meanwhile bass player Alex had joined and with their completed line-up the band finally became a live entity in September 2014. 

Now CRAFT are ready to take a giant step in their career with the extremely strong, ‘White Noise and Black Metal’. This is misanthropic Swedish black metal honed to perfection.

www.facebook.com/craftblackmetal
www.instagram.com/craftblackmetal
https://craftofficial.bandcamp.com


Current line-up
Joakim: guitars, electronics
Nox: vocals
John Doe: guitars
Alex: bass

ROTTEN UK reveal first track from new HELLS HEADBANGERS album – features MIDNIGHT’s Athenar

Today, dark metalpunk mavericks Rotten UK reveal the new track “Decolonization.” The track is the first to be revealed from the band’s highly anticipated second album, Age of Chaos, which should see release this summer via Hells Headbangers on CD, vinyl LP, and cassette tape formats. Featuring Midnight’s Athenar, hear Rotten UK‘s “Decolonization” in its entirety here:

When Rotten UK made their long-awaited full-length debut, That Is Not Dead, in 2016, it seemed like quite the surprise coming from HELLS HEADBANGERS. Although pure punk rock is a rarity the label, the form Rotten UK played on that celebrated debut – and proceeded to uniquely twist to their own design, with power and personality, across its 14 anthemic tracks – is actually a variety that inspired many early speed metal and thrash bands: commonly known as UK82, this subgenre was indeed a strain of early ’80s UK punk that synthesized the anthemic Oi! style before it with the nascent harder/faster style pioneered by the likes of Discharge, The Exploited, and GBH. But UK82 wasn’t the only thing lurking in Rotten UK‘s cauldron; other stated influences included early Finnish legends like Kaaos and Riistetyt as well as England’s Disorder and Broken Bones. Of course, trainspotters will know frontman James von Sinn from Japanese-style metalpunks Blüdwülf.

And, in many ways, von Sinn carries on that cult band’s too-long-dormant legacy with Rotten UK‘s back-from-the-dead second album, Age of Chaos. Although some seven years separate the two albums, Age of Chaos carries forward the sound of its predecessor with renewed vigor and a wider ‘n’ wilder palette. Not for nothing does the 46-minute album comprise a full 15 songs: exhibiting both staggering variety and finely honed focus, Rotten UK‘s second full-length sweeps across throttling metalpunk, hammering anarcho-punk, and even early goth, as it evolved from punk and into deathrock, with effortless aplomb. Thus, one will find influences from the aforementioned Broken Bones but also Amebix, Rudimentary Peni, and even Hellhammer, all rendered in Rotten UK‘s engaging ‘n’ enigmatic style. The Exploited play a prominent influence, too, both their paradigmatic thrashing style as well as their goth-tinged classic Horror Epics; other early goth touchstones here include UK Decay, Screaming Dead, and the early works of Christian Death and T.S.O.L. But even with these spidery dynamics integrated, Rotten UK‘s second album surges with a heaviness only hinted at earlier, with the crush coming from a firm UKHC foundation of early Sacrilege, English Dogs, Onslaught, Warfare, and especially later Anti-Cimex. And while the songwriting is superlative, the production of Age of Chaos is both authentically vintage and remarkably clear & cutting, courtesy of recording at Vanik’s Mercinary Studios. The Midnight link continues with guest vocals by mainman Athenar on a track and guest vocals by Ho99o9’s Eaddy on both a track and a bonus track.

Completing the totality of this momentous record, Age of Chaos features stunning cover artwork courtesy of THE legendary Frank Frazetta, officially licensed from his family. Songs of revenge, revolution, and the Apocalypse, with magic and the occult swirling all about – Rotten UK return into an Age of Chaos!

Release date, aforementioned cover art, and tracklisting for Age of Chaos to be revealed shortly. For more info, consult the links below.

MORE INFO:
www.facebook.com/rotten.uk

www.hellsheadbangers.com

SYSTEMIK VIØLENCE set release date for multi-label second album, reveal first video

On June 30th, Systemik Viølence will release their highly anticipated second album, Negative Mangel Attitude. RSR Records will release the vinyl LP version, Doomed Records and Ragingplanet will release the CD version, and Regulator Records and Ring Leader will release the cassette tape version.

Deported from the depths of Japanese hell with a stopover in Scandinavia, Systemik Viølence arrived in Portugal in 2016 with their demo in hand, Fuck as Punk. After demolishing some festival stages and leaving half the scene pissed off with their incendiary gigs, they attacked back in 2017 with two splits, with Rajoitus from Sweden and Dokuga from Oporto, as well as a full-length presentation, Satanarkist Attack. The Dis-GISM-Cimex worship continued in 2018 with the EP Anarquia-Violência, the fastest, most aggressive release by the band yet. 

Now, after three years of silence, Systemik Viølence are back with a new lineup and a new album titled Negative Mangel Attitude. Encompassing ten tracks in a swift ‘n’ explosive 23 minutes, Negative Mangel Attitude unloads raw hardcore punk-metal pollution, spitting in the face of modern “punk” and uninspired metal. And yet, for however raw that attack is – in the sense of real, RAW emotion and urgency (no fake punch-in shit allowed here!) – Systemik Viølence‘s second album is actually quite well-recorded for the form, allowing all that crushing grit & grime to decisively bury the listener. It’s a payoff that works in spades, much as later Anti-Cimex proved with such classics as Absolut Country of Sweden and especially Scandinavian Jawbreaker. In fact, those legends serve as a handy reference for the rarified ground Systemik Viølence are plowing here, as do Disgust, Warcollapse, Avskum, Uncurbed, and the almighty Driller Killer. “Into Dis-belief” you go – no posers allowed!

In the meantime, see & hear the brand-new video “Uncivil Disobedience” here:

Cover and tracklisting are as follows:

Tracklisting for Systemik Viølence’s Negative Mangel Attitude
1. Self Reliance
2. Uncivil Disobedience
3. Extinta Raiva (featuring Paulo Rui – Besta/Redemptus)
4. Moral Stabbing
5. Intellectual Prolapse
6. Into Dis-belief
7. Laws of the Purge
8. Ego is the Bastard
9. We are the Grave ot the Posers
10. Scene Stomper

SYSTEMIK VIØLENCE lineup 2023
Ujï Kiråi – vocals
J. Yagï – guitar/backing vocals
Zëusu Bäsuku – bass
Izākåya Tatsushima – drums

www.facebook.com/systemikviolence
www.instagram.com/systemikviolence
systemikviolence.bandcamp.com

SARVEKAS reveal second track from SOULSELLER debut album

Today, Finnish black metallers Sarvekas reveal the new track “Of Bloodlust & Nightside Sorceries.” The track is the second to be revealed from the band’s highly anticipated debut album, Woven Dark Paths, set for international release on May 26th via Soulseller Records. Hear Sarvekas‘ “Of Bloodlust & Nightside Sorceries” in its entirety here:

Sarvekas are a black metal duo from Southern Finland, formed in late 2018. Their style is mostly melodic and epic, yet crushing and furious. The atmospheres in their music range from harsh, dark and desolate, cold and yet hauntingly beautiful feelings to raging moments of pure fury. Sarvekas combine all this to a momentum of sinister and epic black metal, woven with heathenry, Scandinavian mythology, and devotion to the dark.    

Sarvekas signed a worldwide record deal in 2020 with Soulseller Records, and the band’s first release, the Of Atavistic Fury & Visions EP, was released in December 2020. The reception and the reviews were good, and the band immediately started to compose new songs for their full-length debut. Now, in May, Sarvekas will release that first full-length, Woven Dark Paths, via Soulseller. The 8-song/48-minute album is about delving into dark ancient rites, bloodletting for the forefathers, and true Nordic spirit as well as philosophy through ancient Nordic beliefs. With preternatural ease, Sarvekas transport the listener to ancient times: both the glorious 1990s, with their incredibly era-authentic style, and more so the times long, long before that, visual and violent in equal measure. References to be made include the cult likes of Isvind, Norway’s Perished, Mithotyn, and equally early Kampfar and Thyrfing – but already, upon evidence of Woven Dark Paths, Sarvekas are well on their way to etching their own legendry. Currently, they are focusing on making live performance possible while at the same time composing new music.

Hear the previously revealed “The Scryer of Bones” HERE, also at Soulseller‘s official YouTube channel. Preorder info for world can be found HERE while preorder info for the Americas can found HERE. Cover artwork, courtesy of Roni Ärling, and tracklisting are as follows:

Tracklisting for Sarvekas’ Woven Dark Paths

1. Rite Of Transcendence
2. The Scryer Of Bones
3. Of Bloodlust & Nightside Sorceries
4. Embers Of Pagan Fire
5. Woven Dark Paths
6. The Austerity Of The Northern Lands
7. Soaring Over The Battlefields
8. The Great Winter

MORE INFO:
www.facebook.com/sarvekas

www.soulsellerrecords.com 
www.facebook.com/soulsellerrecords


KAAL AKUMA stream new NUCLEAR WINTER EP

On April 28th internationally, Nuclear Winter Records will release a brand-new EP from Kaal AkumaTuriya, on CD and cassette tape formats. And today,they stream the EP in its entirety. Hear Kaal Akuma‘s Turiya in its entirety here:

Kaal Akuma are a death metal band from the crypts of Dhaka, Bangladesh. Formed in late 2018, the power-trio lean towards a more atmospheric approach to the music while keeping their OSDM influences intact. Their lyrical philosophy includes personalized philosophy in the way of psychological horror, Mayan mythology, misanthropy, death, and darkness. Since their formation, they’ve performed in several live gigs throughout the country, where their evil ambietic sound gained a cult following. 

During the spring of 2021, Kaal Akuma released their celebrated debut album, In the Mouth of Madness, and now follow that up with a swift-yet-satisfying EP titled Turiya. Picking up where that full-length left off, the three-song/21-minute Turiya sees the hydra-headed trio continuing to explore epic song lengths whilst keeping the energy at suffocating levels. Their attack hammers and slithers with equal aplomb, and even when rhythms get twisted into angular shapes, their forward propulsion punishes the listener with no small amount of crush and cruelty. Here, Kaal Akuma have become especially adept at eerie, oft-hypnotic breakdowns that instill a tantalizing sense of repose that heightens the tension before the next shapeshifting onslaught of sound. Best of all, perhaps, Turiya retains an earthy, authentically analog sound, proving that Kaal Akuma are truly cut from an ancient cloth.

Cover and tracklisting are as follows:

Tracklisting for Kaal Akuma’s Turiya
1. Ego Death [8:22]
2. Tiyanak [4:49]
3. Ignorance is Bliss [7:47]

MORE INFO:
www.facebook.com/kaalakuma 

www.nuclearwinterrecords.com
www.nuclearwinterrecords.bandcamp.com
www.facebook.com/martyrdoomproductions