Crippled Black Phoenix release second track of new album ‘Great Escape’

CRIPPLED BLACK PHOENIX are now premiering the second track of their forthcoming new album ‘Great Escape’, which is slated for release on September 14th, 2018.

Mastermind Justin Greaves comments on the track: “Given the fact that both Belinda and myself are huge animal lovers and animal rights supporters, it has always seemed the right thing to do to make songs about the animals. We did it with our “other” band Se Delan, so when i gave her the demos for Great Escape songs, Belinda got straight back to me with this burning need to write a song for the animals. It completes the song and fits into the thread of the album.

Vocalist Belinda Kordic adds: Often i’m referred to as a “closed book”, which is true I guess, but when it comes to animals and their well-being, I’ll rip my heart out and serve it on a plate. I know we can’t bare the weight of the worlds evil on our shoulders, and we can’t save all of them, the unloved, abused and neglected animals of the world. But I have a tendency to want to do just that and its hard to cope with at times. This song is for them.”

On the album, Justin Greaves comments: “Sometimes we want to escape from the dark and make a positive change in our life… and yet…Sometimes we simply want to escape this world. Because we’re tired and we’ve had enough… This is what ‘Great Escape’ is. Some parts it’s pure escapism from real life, longing to just shoot straight up and off this planet…. Other parts are born out of frustration at the unjust world we live in. It is.. Escaping from your own broken mind, or from society, or animals escaping from abuse. It’s the escape from the mainstream thought patterns and engrained social conditioning that perpetuates mans destruction of nature. We can be our own ‘Great Escape’ if we want, and it can be however you want to it to be. If you’re not happy then you don’t have to conform, you don’t have to carry on ‘playing the game’.”

CRIPPLED BLACK PHOENIX have previously revealed the artwork for ‘Great Escape’, which can be viewed together with the album details below.

Track-list ‘Great Escape’
1. You Brought It Upon Yourselves (3:43)
2. To You I Give (9:22)
3. Uncivil War (pt I) (2:50)
4. Madman (4:51)
5. Times, They Are A’Raging (11:58)
6. Rain Black, Reign Heavy (5:58)
7. Slow Motion Breakdown (4:34)
8. Nebulas (5:35)
9. Las Diabolicas (3:49)
10. Great Escape (pt I) (7:36)
11. Great Escape (pt II) (13:03)

‘Great Escape’, this beautiful touch of darkness comes hardly as a surprise, when taking into account that CRIPPLED BLACK PHOENIX mastermind Justin Greaves has previously gone public about his personal fight against severe depression. Similar dark themes and traits have already been a hallmark of the UK rockers’ latest full-length, ‘Bronze’ (2016).

CRIPPLED BLACK PHOENIX have always confounded critics trying to pin their style down ever since founder Justin Greaves recorded his first ideas in 2004 – which earned them tagging attempts ranging from “stoner prog” through “freak folk” to “psychedelic doom”. Despite the wide range of musical leanings within their albums, there are a unifying dark streak and somber melancholy running through the songs. Greaves had already made himself a name as drummer for IRON MONKEY and ELECTRIC WIZARD among others. When the multi-instrumentalist finally decided to stand on his own musical feet, CRIPPLED BLACK PHOENIX was born. This involves a changing cast of musicians and live set-ups which mirrored the ever-ongoing evolution of the band, and the fact that the songs were mostly not composed with a live performance on mind.

Between 2007 and 2014, CRIPPLED BLACK PHOENIX released a string of five critically highly acclaimed studio albums – namely ‘A Love of Shared Disasters’ (2007), ‘The Resurrectionists’ (2009), ‘Night Raider’ (2009), ‘(Mankind) The Crafty Ape’ (2012), and ‘White Light Generator’ (2014). This was complemented by EPs ‘I, Vigilante’ (2010), ‘No Sadness or Farewell’ (2012), and ‘Oh’ Ech-oes’ (2015), the live recording ‘Live Poznan’ (2013), and the ‘200 Tons of Bad Luck’ compilation (2009). Their ‘New Dark Age Tour EP 2015 A.D.’ was the band’s first release on Season of Mist and came with an extensive homage to PINK FLOYD. The strong influence of the UK rock giants could also be felt on ‘Bronze’ (2016), yet while CRIPPLED BLACK PHOENIX never denied their roots, this outstanding act has long created their own sonic cosmos.

With last year’s ‘Horrific Honorifics’ offering, the band elegantly payed tribute to great artists and classic songs while making those tracks their own in sound and spirit without compromising the integrity of the original masterpieces.

Now with ‘Great Escape’, CRIPPLED BLACK PHOENIX take you on their new adventure and let you explore their sonic cosmos even further, and where all its emotions are reflected on to this earth. From the angry “Rain Black”, to the unnerving “Madman” and forgiving “Nebulas”, CRIPPLED BLACK PHOENIX arise once more.

www.facebook.com/CBP444

EADEM set release date for IRON BONEHEAD debut, reveal first track

Today, Iron Bonehead Productions sets October 19th as the international release date for Eadem’s striking debut mini-album, Luguber, on CD and 12″ vinyl format.

Shrouded in platonic madness, Eadem emerged in 2009 under a chaotic, dirty, and ritualistic atmosphere by the hands of Stramonivm. Later one night, T. joined in, driven by a psychotropic dementia and spiritual quest. Malfiore appeared one evening draped in scarlet somewhere in 2012.

Musically, among other influences and genres, Eadem play something that could be labelled as traditional “free jam” black metal. Lyrically, the trio deal with sorcery, occultism, superstitions, depraved poetry, and alchoholism.

Eadem’s first demo recording, In Vino Veritas, was self-released in 2014 with the participation of Stramonivm (guitar, vocals, and lyrics), Malfiore (bass and vocals), and T. (guitar and effects); the session drums were done by Iunus (Ab Imo Pectore, Monte Penumbra). The band’s second demo, Hekserij, was invoked through the participation of Stramonivm (guitar, drums, vocals, lyrics), Malfiore (bass, vocals), and T. (guitars, effects) and was self-released September 21, 2015 to celebrate the autumn equinox.

With that experience behind them, it is now to the mini-album Luguber to portray the full strength of Eadem’s provocative vision. In many ways parallel to their native Portugal’s raw black metal scene and yet perpendicular all the same, Luguber takes the listener on a warped, wobbly ride deep into the depraved depths of Eadem’s subconscious. Within that realm exist shadows that devour other shadows, each one more menacing than the next, but all seemingly moving with deceptive delicateness – forceful, for sure, but always with an elusiveness/aloofness that’s stultifyingly out of one’s grasp. Clanging chords and mesmerizing melodies, akimbo shapes thrown by obscene structures, all amidst a soundfield that’s incredibly dynamic, even within such ghostly rawness: Luguber is truly hallucinogenic, and daringly so.

For this recording, the Eadem cult consists of Stramonivm, Malfiore, and Tiúval (Israthoum, etc). Lyrically and musically, they approach an entity in its spiritual decay, in madness and asylum – the need for the ultimate ritual for her own survival, her own chaos or the lack of peace.

Enter the stark and desolate catacombs of Eadem’s Luguber and emerge enlightened…or utterly empty. If you are not a false, entry can be found with the new track “Delusions of Grandeur” HERE

Cover and tracklisting are as follows:

Tracklisting for Eadem’s Luguber
1. Consecutive Dementia
2. Restrained by an Old Rite
3. Delusions of Grandeur
4. Acute Scarlet Melancholia
5. Head Held Up
6. Outro of Dementia (hidden track)

MORE INFO:
www.facebook.com/Eadem-777971238890775

PROPHECY PRODUCTIONS ANNOUNCES U.S. EXPANSION & PROPHECY FEST USA

August 1, 2018 – Los Angeles, CA – Following two decades of acclaimed success, with revered releases from some of the most prolific and groundbreaking acts in eclectic heavy music, Germany based Prophecy Productions has officially announced their expansion to North America with a division of the label now established in Los Angeles.

Further affirming their presence, Prophecy has unveiled the first edition of Prophecy Fest USA, which will take place at The Knitting Factory in Brooklyn, NY on November 2nd and 3rd. The inaugural event will feature performances by Alcest, Xasthur, November’s Doom, So Hideous and more. Those who purchase tickets to the Fest will receive a special edition 2xCD Prophecy Compilation. Two day tickets are available now at http://us.prophecy.de/prophecy-fest/prophecy-fest-us-ticket.html.

Prophecy Productions emerged in 1996, quickly earning worldwide regard for high quality releases and a selective, eclectic roster. Beginning as a self-run mail order, Prophecy owner & founder Martin Koller released Empyrium’s 1996 debut, A Wintersunset… To this day, he has continued to nurture and develop artists he loves, resulting in a staggering roster which sports artist such as Alcest, Khôrada, Bethlehem, Lantlôs, Falkenbach, etc.

With growing awareness of the vast differences and growing possibilities in the US metal community, Koller chose to expand into the US by opening a North American division. In 2017, Koller moved to California to explore new possibilities in the American market, establishing a diverse, talented and dedicated American team, consisting of Rayshele Teige (ex-Century Media and Osmose), Kay Shelton (ex-20 Buck Spin & Wolves in the Throne Room, Northwest Terror Fest), and Matt Bacon (Metal Injection, Dropout Media).

With Prophecy in the USA, this powerhouse team aims to enrich and expand the Prophecy roster, uncovering and cultivating fresh artists and supporting icons alike. So far, the US roster reads eccentric, eclectic and nicely unpragmatic; US black metal pioneers Nachtmystium and Xasthur, highly speculated and anticipated supergroup Khôrada (ex-Agalloch, Giant Squid), blackened-sludge abyss Eye of Nix, Oakland surrealists Silence in the Snow, black metal/noise crossover superstar Crowhurst, and brute-doom experimentalists Year of the Cobra.

To read more about the history and philosophy behind Prophecy Productions, here is an in-depth article by writer Jon Wiederhorn: http://us.prophecy.de/prophecy-productions-philosophy/

Follow the label at the links below for additional news and information.

http://en.prophecy.de/
https://www.facebook.com/prophecyproductions/
https://www.instagram.com/prophecypro/
https://twitter.com/ProphecyProd
https://www.youtube.com/user/prophecyBC

DEATHHAMMER set release date for new HELLS HEADBANGERS album,

Today, Hells Headbangers sets October 5th as the international release date for Deathhammer’s highly anticipated fourth album, Chained to Hell, on CD, vinyl LP, and cassette tape formats.

By now, Deathhammer should need no introduction. For 13 years, this insatiable Norwegian duo have been at the forefront of the burgeoning blackthrash movement. Though blackthrash has seen intermittent surges in popularity over the last few decades, for sole members Sadomancer and Sargeant Salsten, this is a way of life – not a trend. Deathhammer proved as much as with their cult debut album, Phantom Knights, in 2010 and then proved it yet further and more fully – and more furiously and filthily – with 2013’s Onward to the Pits and 2015’s Evil Power, both of which were released by Hells Headbangers to widespread international acclaim. And yet, through it all, the duo kept their wits about them, simply being Deathhammer and taking their irresistible (and irresistibly evil) charm to stages worldwide, including a command performance at Hells Headbangers’ Hells Headbash 2 in 2015.

With the stage set thusly, Chained to Hell is a statement of intent for Deathhammer: this is who they are, eternally, and there’s no turning back. Everything that’s endeared the duo to legions worldwide – bursting-at-the-seams energy, forever-forward momentum, coiling-yet-catchy songwriting, and that strangely clean ‘n’ clanging guitar tone that’s somehow dirtier than most other blackthrash out there – is here, both in a state that’s blood-red raw and sagely mature. It’s a unique duality that Deathhammer so unselfconsciously exude here, that youthful enthusiasm somehow remaining intact but simultaneously imparting an aeons-old wisdom, the entirety of classic metal history run through a rusty blender. Of course, the firmest foundation still remains that fateful year of 1985, when when Sodom and especially Destruction were releasing their respective, undeniably classic debut EPs – but also of course, Deathhammer possess that elusive charisma that elevates Chained to Hell from lazy pastiche to a crucial component in that blackthrashing continuum.

Some bands age like fine wine, while others are mostly remembered for their early, exuberant energy. With Chained to Hell, Deathhammer prove you can do both!

Hear for yourself with the new track “Rabid Maniac Force” HERE

Cover and tracklisting are as follows:

Tracklisting for Deathhammer’s Chained to Hell
1. Rabid Maniac Force
2. Satans Hell
3. Black Speed Inferno
4. Threshold of Doom
5. Tormentor
6. Into the Burning Pentagram
7. Chained to Hell
8. Evil

MORE INFO:
www.facebook.com/deathhammerofficial