Steve Bruder Des Lichts

BLASPHAMAGAGOATACHRIST set release date for NUCLEAR WAR NOW! debut, reveal first tracks

These guys win the award for best band name ever!

Continuing its longstanding mission to propagate the most unrelenting manifestations of bestial black metal, on June 14th, Nuclear War Now! Productions presents Black Metal Warfare, the highly-anticipated first tactical strike from Blasphamagoatachrist.

Consisting of members from the revered cults of Blasphemy, Goatpenis, and Canada’s Antichrist, Blasphamagoatachrist boasts several decades of collective experience in aural combat, which it brings to bear in this inaugural demo. However, unlike many so-called “supergroups,” who often suffer from a lack of cohesive vision and execution in their ranks, this unit has instead harnessed the individual strengths of each constituent and has combined them into a singularly focused entity that transcends the sum of its parts.

As implied by the choice of moniker, Blasphamagoatachrist has chosen the most direct path in its nihilistic mission, thus forsaking any false adornments that might dilute its potency. There is no curtain of indiscernible noise behind which the instruments are obscured, as is sometimes the case in this style of black metal. Led by the lethal riffs and occasional solos of Virrigus Apocalli, which deliver the pinpoint ballistic strikes from above, the devastating bass of Sabbaoth and battery of T. Antichrist simultaneously decimate the battlefield below. Immersed in the fray, the war commands are performed by none other than Nocturnal Grave Desecrater and Black Winds, whose delivery remains as powerful as ever.

These seven tracks of nuclear assault metal represent the best in the tradition of bestial black metal and portend ominous things to come in the future from these mercenaries, who appear to have now only skimmed the surface of their unquenchable bloodlust. Hear for yourself the first two opening strikes, “Ze Blasphamagoatachrist Machine” and “Tyrannic Empire,” HERE .

Cover and tracklisting are as follows:

Tracklisting for Blasphamagoatachrist’s Black Metal Warfare
1. Ze Blasphamagoatachrist Machine
2. Tyrannic Empire
3. Blasphamagoatachrist
4. Black Metal Warfare
5. Fire Demons of Blokula
6. The Final Blood Orgy
7. Ravens Soaring Over Ross Bay

www.nwnprod.com
www.facebook.com/pages/Nuclear-War-Now-Productions/114864651994141

Craft unleash third new track from upcoming album

CRAFT are unleashing the third crushing track taken from their forthcoming new album, ‘White Noise and Black Metal’, which will hit stores on June 22nd, 2018.

The Swedish black metal underground veterans are now streaming “Again”

Guitarist Joakim comments: “‘Again’ will serve as the third and final preview before ‘White Noise and Black Metal’ lands in a few weeks. With some distance put between us and the creative process, I experience in this track some kind of musical continuation of the ‘Fuck the Universe’ spirit. The groove is strong in this one. Here’s one of my personal favorite tracks of the album!”

CRAFT have previously released the amazing cover of ”White Noise and Black Metal”, which has been created by renowned Polish artist Zbigniew Bielak and can be viewed together with the album details below.

Track-list
1. The Cosmic Sphere Falls (4:56)
2. Again (4:15)
3. Undone (6:39)
4. Tragedy of Pointless Games (6:27)
5. Darkness Falls (4:50)
6. Crimson (4:49)
7. Shadow (5:40)
8. White Noise (4:42)
Total: 42:18

By dry definition, white noise denotes a random signal having equal intensity at different frequencies, giving it a constant power spectral density. It has been commonly employed in electronic music and denotes for instance the sound of a non-existent radio station, while searching through the spectrum for a signal. For black metal it denotes the yin to the yang of the will to shape forms and patterns of melodies and rhythms and as such has a constant presence.

CRAFT have chosen their title as a perfect description of this symbiotic relationship into which the seeming contrast and contradiction of black and white enters. With ‘White Noise and Black Metal’, the Swedes return to strength after a long hiatus following the release of previous full-length, ‘Void’ (2011). The forthcoming album combines the vitriolic virtues of ‘Terror Propaganda’ (2002) with an updated songwriting that is as mature and intelligent as it is razor-sharp. The fast and furious of extreme metal contrasts with dark and depressive passages with added undertones of black ‘n’ roll.

CRAFT embodies the black metal virtue of raw spiritual energy expressed through violent, ripping guitar-work and unholy rhythms enhanced by demonic vocals. The Swedes have long enjoyed a massive cult status within underground circles, yet also gained strong acclaim and recognition by mainstream metal media and critics.

CRAFT were spawned by guitarist Joakim, who was joined by a friend on drums in late 1994. Lead guitarist John was added to the roster in 1996 but left in 1998 only to return about a year later. A demo entitled ‘Total Eclipse’ hit the world in 1999, which led to a first record deal. During the recording of their crushing debut ‘Total Soul Rape’ (2000), the Swedes were reinforced by vocalist Nox. This misanthropic album captured the ear of SHINING’s Niklas Kvarforth, who released sophomore opus ‘Terror Propaganda’ in 2002 on his own label. With their extremely dark music the group gained much acclaim by critics and fans alike. CRAFT continued to build and expand their typical hateful and destructive style by adding ‘Fuck the Universe’ (2005) and ‘Void’ (2011) to the list of their albums. Meanwhile bass player Alex had joined and with their completed line-up the band finally became a live entity in September 2014.

Now CRAFT are ready to take a giant step in their career with the extremely strong, ‘White Noise and Black Metal’. This is misanthropic Swedish black metal honed to perfection.

www.facebook.com/craftblackmetal

Current line-up
Joakim: guitars, electronics
Nox: vocals
John Doe: guitars
Alex: bass

Recording line-up
Joakim: guitars, electronics
Nox: vocals
John Doe: guitars
Alex: bass
Daniel Moilanen: session drums

Recording: Studio Gröndahl, Stockholm, Sweden and self-recording
Producer: Karl Daniel Lidén for drums and Joakim for everything else
Mix & mastering: Karl Daniel Lidén at Tri-Lamb Studios
Cover art: Zbigniew M. Bielak

MALTHUSIAN set release date for INVICTUS / DARK DESCENT debut

Today, Invictus Productions, in conspiracy with Dark Descent Records, sets September 7th as the international release date for Malthusian’s highly anticipated debut album, Across Deaths. Dark Descent will handle the album’s North American release, while Invictus will handle the rest of the world.

Since their fateful first demo, MMXIII, in 2013, Ireland’s Malthusian have been a study in strident refinement and maverick poise. No move is ever out of place, nor any possibility unexplored; chaos may be waiting in the wings, but it is resisted and never fully/remotely sought. The hydra-headed quartet started on enviably firm footing from the very beginning – trace elements of bestial black metal, morbid death metal, and languorous doom, all mangled and minced with poetic ease – but what sprouted from that first demo and especially the subsequent Below the Hengiform EP two years later was something extraordinary indeed. This was black/death/doom ART taken to hallucinatory extremes…and Malthusian were only just beginning.

True, Across Deaths will be a “beginning” for many listeners otherwise new to Malthusian, but for those already well versed in the band’s vortextural musings, the album-length format opens their world even wider. Peer inside and the visions of bottomless doom are writ large; obscene forms writhe and resist, each psychological tendril twisting to ever-beckoning infinity. That Malthusian can harness these sensations should be no surprise – both short-length predecessors seemed massive at the time (and still are) – but the sheer fact (not to mention the sheer audacity) that a band can so effortlessly take angular, largely atonal DEATH METAL and make it a seemingly cinematic experience should compel naysayers to finally investigate this malodorous of artforms. Naturally, for however adventurous their visions continue to be, Malthusian above all believe in the alternately damning/redemptive powers of heavy metal: diversity of expression comes from within, not without.

Further verbiage is simply wasted – the experience is all. No time like the present, then, to travel Across Deaths with Malthusian. Begin the perilous journey with the new track “Remnant Fauna” HERE

Cover and tracklisting are as follows:

Tracklisting for Malthusian’s Across Deaths
1. Remnant Fauna
2. Across the Expanse of Nothing
3. Sublunar Hex
4. Primal Attunement – The Gloom Epoch
5. Telluric Tongues (Roaring Into the Earth)

MORE INFO:
www.facebook.com/malthusianDM

DRAWN AND QUARTERED: Veteran Death Metal Trio Reveals Artwork & Track-list Of New Album “The One Who Lurks”


Seattle based death metal overlord DRAWN AND QUARTERED began life under the moniker of Plague Bearer (which is currently a side project of the guitarist Kelly) in 1992. A year after the creation, Plague Bearer started to breath fire under the formidable name Drawn and Quartered. It will be injudicious to play down their prolific career — consisting six acclaimed full lengths and numerous EPs and demos — by only considering the absence of wide-ranging recognition of their niche musical landscape. Unconventional and grotesque structured song-writings have earned them an invincible and invulnerable position in the death metal underground. Drawn and Quartered has always pushed the boundaries of traditional death metal by infusing technically complex riffs and at the same time retaining the dreadful and raw environs with dexterity, a hallmark that is highly unnoticeable among the torchbearers of modern death metal acts who only gives priority to metamorphose themselves in a sea of technical showboating.

Balefully titled upcoming opus “The One Who Lurks” sees no discernible turnaround in the already established signature sound. However, it surely sees the long serving death metal trio to vengefully and ravenously hone the level of ferocity and profanity in an unadulterated way. The eight tracks, containing maelstrom of bizarre riffs, repulsive vocals, and cavernous drumming, individually act as an entryway to unfurl the lurking terror that is maliciously aiming to flay its victim alive.

Upon re-issuing Drawn and Quartered’s “Feeding Hell’s Furnace” (on tape) and ”Hail Infernal Darkness” (on vinyl), French label Krucyator Productions will present the highly anticipated seventh full length “The One Who Lurks” on July 27, 2018.

Gabriel T Byrne has executed The hideous artwork of this album. The Tucson, Arizona based artist has limned the cover of every Drawn and Quartered full lengths.The label owner Loic F. (Autokrator, N.K.V.D.) has undertaken the duty of the layout, mixing, mastering and the production.

Drawn and Quartered is confirmed to perform in this year’s Asakusa Deathfest, Japan. They will also perform in other local and international gigs to support the forthcoming album.

TRACT-LIST:
1. Nefarious Rites
2. Ravage The Cadaver
3. Horned Shadows Rise
4. Deliverance to the Worms
5. Temples of Arcane Devotion
6. Carnal Transmigration
7. The One Who Lurks
8. Portals of Communion

PRE-ORDER :
BANDCAMP: https://goo.gl/W22DwM
SHOP: https://goo.gl/LMHe4s
DIGITAL: smarturl.it/lurks

DRAWN AND QUARTERED:
Facebook: https://www.facebook.com/drawnandquartered
Bandcamp: https://drawnandquartered1.bandcamp.com
Spotify:
https://open.spotify.com/artist/4jlcNzFcMcpogfpyoaXFyt
https://open.spotify.com/artist/2p6lv19FRrVoKEL52qm99e

DEIPHAGO complete new HELLS HEADBANGERS album – reveal cover art, tracklisting

Legendary black metal band Deiphago – arguably the most violent band on the planet, as well as one of the most envelope-pushing – have completed recording for their highly anticipated fifth album, to be titled I, The Devil. Set for international release later this year via Hells Headbangers, I, The Devil was recorded May 13-18 at Godcity Studios with esteemed producer Kurt Ballou (Converge). Mastering will be done by Brad Boatright (Audiosiege), and the legendary Joe Petago returns to do the album’s cover art.

Featuring eight songs in approximately 38 minutes, I, The Devil sees Deiphago taking their ever-singular “Experimental Hyper-speed Satanic Bestial Metal” down avenues both more violent and more angular. No other nowadays metal band sounds this extreme – extreme violence, extreme progressiveness, extreme EXTREMITY – and I, The Devil shall prove, once again, that Deiphago are truly in a league all their own. If the Colin Marston-produced predecessor Into the Eye of Satan displayed a band aiming for the most atonal and challenging ends of the black/death spectrum, then I, The Devil will prove that Deiphago have crossed their Rubicon – and they’ve left everyone behind, cowering in their conservatism.

Says founding vocalist/bassist V.666, “This album is a celebration of our 30 years of existence, a cultivation of all our experiences since the band started in 1989. We have worked hard on this album and is the best music we have ever released, filled with dark moods and reeking of destruction. We present to you the essence of pure black metal as it was meant to be like in the early ’90s, when bands didn’t sound the same. This is our magnum opus that will be revered right next to the groundbreaking black metal albums of the early ’90s.”

Continuing, V.666 promises, “This will surpass everything not just in the bestial black/death genre, but the whole black metal scene as a whole. This album stands on its own as diverse and unconventional, filled with monstrous dissonances and intolerable cacophony. It is perfecting the uncontrolled chaos. Kurt Ballou has done a great job as producer, engineer, and mixer, capturing our evil intensity. Normal people will not understand the music, as we have put such a high standard over all the typical trends of today. Beware the release of I, The Devil.”

Release date, first track sample, and preorder info to be announced shortly.

Cover art – by Joe Petagno – and tracklisting are as follows:

Tracklisting for Deiphago’s I, The Devil
1. Intro: Decimation
2. Quantum Death
3. Neuro-Satanic Circuit
4. 11:4:6
5. Deus Alienus
6. Chaos Protocols
7. Anti-Cosmic Trigger
8. I, The Devil

MORE INFO:
www.facebook.com/deiphago

ILL OMEN set release date for new IRON BONEHEAD mini-album, reveal first track

Today, Iron Bonehead Productions sets August 10th as the international release date for a special mini-album from Ill Omen, The Grande Usurper, on CD and 12″ vinyl formats.

A prolific force within the Australian black metal underground, Ill Omen has built a canon of enviably massive proportions – and not just “massive” in size, but rather in the heights/depths to which mainman IV aims. Much like he has in his death metal-oriented vehicle Temple Nightside, IV scours the murk with single-minded intent, but with Ill Omen, he pursues a vision of black metal that’s ceremonial and sinuous, often slowly drifting like fog lingering across an empty grave. Such was the case with 2016’s massive Æ.Thy.Rift – arguably, IV’s perfection of slo-mo blackdoom – and here, he returns with his first recording since that critically acclaimed third album.

And yet, The Grande Usurper is a grand break from the gooey, stretched-out expanses of Æ.Thy.Rift. No less murky, instead, IV sends the listener on a wild ride through the most bestial recesses of the characteristic Ill Omen sound. Across its four-song/25-minute runtime, The Grande Usurper roils and revels among the filth, pulsing with barely contained rage, as mind-melting solos yawn slowly up from the crypt, invoking that same sense of delirium as Æ.Thy.Rift but faster. Altogether, it’s a record that consolidates all the gnarled ‘n’ gnarling weapons within the Ill Omen arsenal, but wields them in obscene and horrifyingly new ways. Hideous energy, slipstreaming songwriting, coffin-bound atmosphere crushed: here is revealed The Grande Usurper.

The first track to be revealed from The Grande Usurper is “The Ruinous Drear,” and it can be heard HERE.

Cover and tracklisting are as follows:

Tracklisting for Ill Omen’s The Grande Usurper
1. The Ruinous Drear
2. Sentenced Suffering
3. An Eld Living Darkness
4. A Thousand Yawning Graves

MORE INFO:
www.illomenvoid.bandcamp.com

MONGREL’S CROSS set release date for long-awaited HELLS HEADBANGERS album

Today, Hells Headbangers sets August 3rd as the international release date for the highly anticipated second album of Mongrel’s Cross, Psalter of the Royal Dragon Court, on CD and vinyl LP formats.

Hailing from the extreme metal hotbed of Australia, Mongrel’s Cross are one of the best-kept secrets Down Under. Mind you, the band – now pared down to a duo – have been quiet since the release of their Hells Headbangers debut album, The Sins of Aquarius, in 2012, but those years away from the prying eyes of the metal public have paid off in spades on Psalter of the Royal Dragon Court. Here, these hooligans take everything that made The Sins of Aquarius so grimily gratifying – the widescreen span of filthy thrashing, down-tempo war-marches, and epic metal grandeur alike – and render it all the more terrifying and triumphant through clear ‘n’ cutting production. It’s the age-old axis of form meeting content, and rarely has a metal record this cleanly produced sounded so threatening, which simply underlines the powerful panache to the band’s strong songwriting.

Taken another way, with Psalter of the Royal Dragon Court, Mongrel’s Cross step deeper into territory that’s entirely their own. Not for them the over-generalization of “Australia = war metal” nor the simplistic connotations associated with such; no, the duo are at the height of their compositional powers and are now truly a great extreme METAL entity. All the drama and danger, legendry and lawlessness, power and poison, and essential OTT abandon of this artform otherwise known as heavy metal: everything is played out with a palpably physical poetry across Psalter of the Royal Dragon. Suitably, its lyrical themes range a rich panoply of occultism – among others, such titles as “Vessel of Shar On,” “Neurian Transformation,” and “Derkesthai – Initiation (to see clearly)” should suggest plenty – making this a thoroughly engrossing experience deserving of the band’s elevated standards.

When so much metal aims so low, for such no-hope ghettoization, it’s down to true mavericks like Mongrel’s Cross to lead the intrepid to illumination. Hereby, open the Psalter of the Royal Dragon Court!

In the meantime, hear the previously revealed new tracks “The Thirteenth Card” and “Neurian Transformation” HERE.

Cover and tracklisting are as follows:

Tracklisting for Mongrel’s Cross’ Psalter of the Dragon Court
1. King of the Beasts
2. Neurian Transformation
3. The Thirteenth Card
4. Khara
5. From Transylvania to Tunbridge Wells
6. Derkesthai – Initiation (to see clearly)
7. Trail of the Serpent
8. Vessel of Shar On

MORE INFO:
www.facebook.com/MongrelsCross

DIVINE ECSTASY set release date for IRON BONEHEAD debut, reveal first track

Today, Iron Bonehead Productions sets August 10th as the international release date for Divine Ecstasy’s striking debut mini-album, Strange Passions, on CD and 12″ vinyl formats.

Hailing from the darkest and dingiest recesses of Detroit’s metal underground, Divine Ecstasy are a sonic embodiment of all that post-apocalyptic city’s grit and grime, simply taken to a black metal extreme. This filthy foursome are unapologeticaly raw and regressionist, hailing the most ancient, trend-free days of early BLACK fucking METAL. Such gods as pre-Viking Bathory, Mayhem, Root, Bulldozer, and Master’s Hammer are indeed hailed – as well as later torch-carriers like early Ulver, Dodheimsgard, Judas Iscariot, and Hades (Norway) – and then desecrated in a most salacious manner, so sick and sickening is the heart that beats black blood through Divine Ecstasy. Indeed, Strange Passions is aptly titled, for perversion and Bacchanalia guide these six mini-anthems as surely as devil worship and the invoking of demons – and it’s all done with a Loki-like sense of wrongness. Truly, these Strange Passions are so wrong, they’re right…right inside the depths of Divine Ecstasy!

Take the first step with the new track “Lost in the Catacombs” HERE .

Cover and tracklisting are as follows:

Tracklisting for Divine Ecstasy’s Strange Passions
1. Eternally Scarred
2. Lost in the Catacombs
3. Sands of Time
4. Great Cataclysm
5. Prophets of Madness
6. Taste the Demon Seed

MORE INFO:
www.divineecstasy.bandcamp.com

Heilung announce more European festival dates

HEILUNG have added more festival appearances on their roster for this summer. The Danish band will kick of their festival tour at the Graspop Metal Meeting in Dessel (BE) on June 21, and continue performing their mind-blowing live show at festivals such as Hellfest (FR), Roskilde (DK) and Wacken Open Air (DE). The band already announced new dates for 2019 as well, including the mighty Roadburn Festival (NL).

A list of all currently confirmed dates including festivals can be viewed below.

HEILUNG festival 2018
21 Jun 18 Dessel (BE) Graspop Metal Meeting
23 Jun 18 Clisson (FR) Hellfest
29 Jun 18 Yekaterinburg (RU) Ural Music Nights
05 Jul 18 Roskilde (DK) Roskilde Festival
01 Aug 18 Wacken (DE) Wacken Open Air
16 Aug 18 Dinkelsbühl (DE) Summer Breeze Open Air
18 Aug 18 Ryma, Albaiulia (RO) Dark Bobastic Evening
23 Aug 18 Leiria (PT) Entremuralhas
25 Aug 18 Sarasu (LT) Menuo Juodaragis
13 Oct 18 Copenhagen (DK) DR Koncerthuset

HEILUNG festival 2019
22 Feb 19 Wacken (DE) Wacken Winter Nights (Exact date TBC)
13 Apr 19 Tilburg (NL) Roadburn Festival (Exact date TBC)

HEILUNG will be playing in support of their debut full-length, ‘Ofnir’ (2015) which was recently re-released by Season of Mist. Cover artwork and album details of ‘Ofnir’ can be viewed below.

Track-list

1. Alfadhirhaiti (6:48)
2. Krigsgaldr (8:58)
3. Hakkerskaldyr (2:10)
4. Schlammschlacht (5:50)
5. Carpathian Forest (2:34)
6. Fylgija Ear (8:34)
7. Futhorck (10:45)
8. In Maidjan (12:32)
9. Afhomon (13:41)

Total playing time: 1:11:52

When HEILUNG self-released ‘Ofnir’ in 2015, the Danish band could hardly have anticipated the breakthrough success of their debut album. Spectacular live shows, strong critical acclaim, and a massive underground buzz added to the constantly high demand for this full-length are the reason why their new label Season of Mist does not hesitate to re-issue ‘Ofnir’ in several collector’s edition formats.

HEILUNG means “healing” in the German language and this also describes the core of the band’s sound. The listener is supposed to be left at ease and in a relaxed state after a magical musical journey that is at times turbulent.

HEILUNG reach far back in time to the Northern European iron age and Viking period to create their sound experience. The band utilises many means in their songs: from running water via human bones, reconstructed swords and shields up to ancient frame drums as well as bronze rings.

HEILUNG’s lyrics contain original texts from rune stones, preserved spear shafts, amulets, and other ancient artefacts. Furthermore, the band uses poems, which either deal with historical events or are translations and interpretations of the original texts.

Any attempt to link the band with or bring their music into a modern political or religious context is pointless, since HEILUNG try to connect their listeners with a time before the coming of Christianity and modern political ideologies.

Line-up
Kai Uwe Faust
Christopher Juul
Maria Franz

www.facebook.com/amplifiedhistory

TUNJUM set release date for DUNKELHEIT debut, reveal first track

Today, Dunkelheit Produktionen sets July 23rd as the international release date for Tunjum’s highly anticipated debut album, Deidades del inframundo, on CD format. The vinyl LP version shall see release on August 1st.

Hailing from Lima, Peru, Tunjum began in 2007 as an all-female project playing pagan-themed death metal. Their first promo tape arrived in 2011, to be followed by another promo in 2014, and later that year the Sagrado tiempo de caos EP and the Muerte ancestral demo. Though the lineup changed during these years, Tunjum remained committed to their primary influences – Death, Massacre, Autopsy, Treblinka, Nocturnus, VON, Nihilist, Insulter, Grotesque, Asphyx, Expulser, and Genocidio among others – but always endeavored to etch their own uniqueness within such exquisite rawness and darkness. And while that lineup has since ceased to be an all-female one, founding drummer (and now also vocalist) Kultarr continues to guide the band, and her vocals lend a particularly diabolic aspect to Tunjum’s proudly traditional attack.

Since the beginning, Tunjum’s themes have largely revolved around the ancient Moche culture, which reigned over eastern Peru from about 100 AD to 800 AD. Through Tunjum’s music, the listener is drawn into the Moche mythology, which is strongly based on blood: sacrificing the blood of a beheaded enemy to the gods strengthened their reign over the world. Also, there were many voluntary sacrifices, because the bloodshed was seen as a cleansing of the soul that linked the victim to the ancestors and thus made him holy. The name Tunjum itself is also rooted in the Moche language, and is taken from the combined verb for killing and dying. This hallows the ritual of blood and death, which was the only way of communicating with the gods, in times when the gods only lusted for blood and war.

Indeed, across the 42 minutes comprising Deidades del inframundo, the listener is dragged deeply down into Tunjum’s deadly vortex of blood, sacrifice, and total DEATH METAL. Tunjum’s attack is at once unapologetically primitive and expertly nuanced, which is not surprising considering their current lineup is completed by members of such respected cults as Grave Desecration and Putrid. The hammering surge strips everything down to its barbaric basics, but within that almost-hypnotizing rush of crude ‘n’ rude Metal of Death lays a keen understanding of what makes this artform so enduring – songwriting that literally possesses the listener immediately, and proceeds to guide each listener into the darkest bowels of the imagination (and beyond…). And it’s a totality that Tunjum pound and punish and pound and punish across each of these eight tracks, with Kultarr’s world-eating vocals, in particular, acting like an instrument unto itself; simply, there is no escape.

Completed by suitably ominous artwork courtesy of Alan Corpse, Tunjum make a grand, garish entry onto the world stage with Deidades del inframundo. The question remains, then: will you return from their thrall? Tempt fate with the new track “Difunta Señora Soberana” HERE

Cover and tracklisting are as follows:

Tracklisting for Tunjum’s Deidades del inframundo
1. La Venganza De La Bestia
2. Difunta Señora Soberana
3. Antiguo Dios De La Noche
4. La Maldición De La Bruja
5. Destino De Los Cautivos
6. Demonios De La Tierra
7. Rebelión Del Inframundo
8. Retorno Al Orígen

TUNJUM lineup 2018
Kultarr – drums and ancestral voices
Saj – lead guitar and ritualistic bass
Evil Avatar – guitar of sacrifice

www.dunkelheit.cc
www.facebook.com/dunkelheitprod