RAVENOUS DEATH

Today, Mexican death metal cult Ravenous Death premiere the new track “Portals to Non-Existence”. The track is the second to be revealed from the band’s highly anticipated second album, Visions From the Netherworld, set for international release on January 24th, 2022 via Memento Mori. Hear Ravenous Death‘s “Portals to Non-Existence” in its entirety here:

Hailing from the vast death metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation, and Death’s Forsaken. The band’s embryo was brought forth in 2016 during the recording of Remains’ third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a death metal band influenced by Vomitory, Torture Division, and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled “The Ravenous Dead.” 

Fast forward to October 2016, and the recording of Ravenous Death‘s debut demo/EP, Ominous Deathcult, is finalized (although not released as a Bandcamp download until March 2017), including five songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, somber ambience, and fierce intensity, with the lyrical themes revolving around death, occultism, blasphemy, and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion, two new members were recruited – namely, bass player Alejandro Mendez and guitarist Diego Gomez – leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. 

Emboldened by this patient momentum, and featuring new vocalist Victor Mercado, Ravenous Death at last released their debut album, Chapters of an Evil Transition, in 2019 courtesy of Memento Mori. Aptly titled, Chapters of an Evil Transition indeed displayed the band’s transition into an evil death metal juggernaut. The album found great favor among the death metal faithful, for it absolutely bled the molten-yet-mildewed essence of ’90s Metal of Death. 

Now Ravenous Death are back to fuck fashion and especially fickle tastes with the longer and stronger Visions From the Netherworld. Not for nothing is the album titled as such: Visions From the Netherworld is an epic 63 minutes, and conveys a moodiness perfectly suited to these slicing ‘n’ sluicing songs. The atmosphere is hideous, EVIL as ever but without any cloying “cavernous” touches; the production is professional and powerful, skillfully balancing gleam and grime; the leads are more prominent, and blackened to a crisp; and the songwriting itself twists and turns and twists some more, opening infinite labyrinths but always with a (crooked) direction in sight. Whereas the previous full-length displayed trace elements of Mexican forebears Shub Niggurath as well as Sadistic Intent, Seance, old Grave, ’90s Immolation, ’90s Vader, Finland’s Demigod, and of course Vomitory, here do Ravenous Death strike upon new-yet-old ground that can only be qualified as OMINOUS ROTTEN DEATH METAL. And as its epic length suggests, Visions From the Netherworld is indeed a concept album as always; the cover art, once again by the masterful Mörtuus, represents all the twisted visions that the band have about Hell, the underworld, and punishment, etc.

Enclosed in era-authentic mastering courtesy of Loïc Fontaine at Krucyator Studio, France, Ravenous Death have eclipsed their momentous debut with their Visions From the Netherworld!

Behold the first vision with the previously revealed “Gore Vault Dismemberment” HERE at Memento Mori‘s official YouTube channel. Aforementioned cover art and tracklisting are as follows:

Tracklisting for Ravenous Death’s Visions From the Netherworld
1. Intro – Trail of Horrors
2. Caverns of Freezing Torture
3. Plethora of Blood
4. Kingdom of Æternal Flames
5. Gore Vault Dismemberment
6. Hydra Dungeon
7. Path of the Spawn Dogs
8. Burnt Children of Moloch
9. Serpents of Wretchedness
10. Portals to Non-Existence
11. The Ascending Chasm

 MORE INFO:
www.facebook.com/ravenousdeathofficial
www.ravenousdeath.bandcamp.com

www.memento-mori.es

In their endless quest to push and support current underground acts that perpetuate the odor of vintage death metal, on January 24th, 2022, Memento Mori is proud to present Ravenous Death‘s highly anticipated second album, Visions From the Netherworld. 

Hailing from the vast death metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation, and Death’s Forsaken. The band’s embryo was brought forth in 2016 during the recording of Remains’ third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a death metal band influenced by Vomitory, Torture Division, and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled “The Ravenous Dead.” 

Fast forward to October 2016, and the recording of Ravenous Death‘s debut demo/EP, Ominous Deathcult, is finalized (although not released as a Bandcamp download until March 2017), including five songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, somber ambience, and fierce intensity, with the lyrical themes revolving around death, occultism, blasphemy, and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion, two new members were recruited – namely, bass player Alejandro Mendez and guitarist Diego Gomez – leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. 

Emboldened by this patient momentum, and featuring new vocalist Victor Mercado, Ravenous Death at last released their debut album, Chapters of an Evil Transition, in 2019 courtesy of Memento Mori. Aptly titled, Chapters of an Evil Transition indeed displayed the band’s transition into an evil death metal juggernaut. The album found great favor among the death metal faithful, for it absolutely bled the molten-yet-mildewed essence of ’90s Metal of Death. 

Now Ravenous Death are back to fuck fashion and especially fickle tastes with the longer and stronger Visions From the Netherworld. Not for nothing is the album titled as such: Visions From the Netherworld is an epic 63 minutes, and conveys a moodiness perfectly suited to these slicing ‘n’ sluicing songs. The atmosphere is hideous, EVIL as ever but without any cloying “cavernous” touches; the production is professional and powerful, skillfully balancing gleam and grime; the leads are more prominent, and blackened to a crisp; and the songwriting itself twists and turns and twists some more, opening infinite labyrinths but always with a (crooked) direction in sight. Whereas the previous full-length displayed trace elements of Mexican forebears Shub Niggurath as well as Sadistic Intent, Seance, old Grave, ’90s Immolation, ’90s Vader, Finland’s Demigod, and of course Vomitory, here do Ravenous Death strike upon new-yet-old ground that can only be qualified as OMINOUS ROTTEN DEATH METAL. And as its epic length suggests, Visions From the Netherworld is indeed a concept album as always; the cover art, once again by the masterful Mörtuus, represents all the twisted visions that the band have about Hell, the underworld, and punishment, etc.

Enclosed in era-authentic mastering courtesy of Loïc Fontaine at Krucyator Studio, France, Ravenous Death have eclipsed their momentous debut with their Visions From the Netherworld!

Behold the first vision with the brand-new track “Gore Vault Dismemberment”  here:

Aforementioned cover art and tracklisting are as follows:

Tracklisting for Ravenous Death’s Visions From the Netherworld
1. Intro – Trail of Horrors
2. Caverns of Freezing Torture
3. Plethora of Blood
4. Kingdom of Æternal Flames
5. Gore Vault Dismemberment
6. Hydra Dungeon
7. Path of the Spawn Dogs
8. Burnt Children of Moloch
9. Serpents of Wretchedness
10. Portals to Non-Existence
11. The Ascending Chasm

 MORE INFO:
www.facebook.com/ravenousdeathofficial
www.ravenousdeath.bandcamp.com

www.memento-mori.es

Today, Mexican death metal cult Ravenous Death premiere the new track The Sinister Being” . The track hails from the band’s striking debut album, Chapters of an Evil Transition, set for international release on January 21st via Memento Mori. Hear Ravenous Death‘s “The Sinister Being” in its entirety here: Hailing from the vast death metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation, and Death’s Forsaken. The band’s embryo was brought forth in 2016 during the recording of Remains’ third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a death metal band influenced by Vomitory, Torture Division, and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled “The Ravenous Dead.” Fast forward to October 2016: the recording of Ravenous Death‘s debut demo/EP, Ominous Deathcult, is finalized (although not released as a Bandcamp download until March 2017), including five songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, somber ambience, and fierce intensity, with the lyrical themes revolving about death, occultism, blasphemy, and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion two new members were recruited – namely, bass player Alejandro Mendez and guitarist Diego Gomez – leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. Emboldened by this patient momentum, at last arrives Ravenous Death‘s full-length debut, aptly titled Chapters of an Evil Transition. Indeed displaying the band’s transition into an evil death metal juggernaut, the album absolutely bleeds the molten-yet-mildewed essence of ’90s Metal of Death. Fucking fashion and trends and especially fickle tastes, Chapters of an Evil Transition is a guts fucking time-warp to the days when death metal was supposedly “dead,” lost in favor of black metal or power metal or (worse) ill-fated sellout fantasies. In this landscape did many a raw ‘n’ righteous mini-classic get birthed, and suitably do Ravenous Death continue the proud legacy of Vomitory and Mexican forebears Shub Niggurath, but also especially Sadistic Intent, Seance, old Grave, ’90s Immolation, ’90s Vader, and Finland’s Demigod. No more but definitely no less, this is DEATH METAL by and for death metal MANIACS: no bullshit, and no sellout! Completed by stark artwork courtesy of Mörtuus and mastering by the esteemed Javier Felez at Moontower Studios, allow Ravenous Death to read you Chapters of an Evil Transition! Continue reading with the new track “The Sinister Being” here:

Cover and tracklisting are as follows:

Tracklisting for Ravenous Death’s Chapters of an Evil Transition 1. Prelude to Evilness 2. Doomed to Exist 3. Harvesting Hate 4. Evil Dementia (The Voices of the Nobodies) 5. Awakening of the Damned 6. Cursed Origin 7. Initiation Ritual 8. The Sinister Being 9. Massacre Cult 10. Soul Consumed by the Occult MORE INFO: www.facebook.com/RavenousDeathOfficial www.ravenousdeath.bandcamp.com

Today, Mexican death metal cult Ravenous Death premiere the new track “Evil Dementia (The Voices of the Nobodies) . The track hails from the band’s striking debut album, Chapters of an Evil Transition, set for international release on January 21st, 2019 via Memento Mori. Hear Ravenous Death‘s “Evil Dementia (The Voices of the Nobodies)” in its entirety here: Hailing from the vast death metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation, and Death’s Forsaken. The band’s embryo was brought forth in 2016 during the recording of Remains’ third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a death metal band influenced by Vomitory, Torture Division, and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled “The Ravenous Dead.” Fast forward to October 2016: the recording of Ravenous Death‘s debut demo/EP, Ominous Deathcult, is finalized (although not released as a Bandcamp download until March 2017), including five songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, somber ambience, and fierce intensity, with the lyrical themes revolving about death, occultism, blasphemy, and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion two new members were recruited – namely, bass player Alejandro Mendez and guitarist Diego Gomez – leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. Emboldened by this patient momentum, at last arrives Ravenous Death‘s full-length debut, aptly titled Chapters of an Evil Transition. Indeed displaying the band’s transition into an evil death metal juggernaut, the album absolutely bleeds the molten-yet-mildewed essence of ’90s Metal of Death. Fucking fashion and trends and especially fickle tastes, Chapters of an Evil Transition is a gutsfucking time-warp to the days when death metal was supposedly “dead,” lost in favor of black metal or power metal or (worse) ill-fated sellout fantasies. In this landscape did many a raw ‘n’ righteous mini-classic get birthed, and suitably do Ravenous Death continue the proud legacy of Vomitory and Mexican forebears Shub Niggurath, but also especially Sadistic Intent, Seance, old Grave, ’90s Immolation, ’90s Vader, and Finland’s Demigod. No more but definitely no less, this is DEATH METAL by and for death metal MANIACS: no bullshit, and no sellout! Completed by stark artwork courtesy of Mörtuus and mastering by the esteemed Javier Felez at Moontower Studios, allow Ravenous Death to read you Chapters of an Evil Transition! Continue reading with the new track “Evil Dementia (The Voices of the Nobodies)”  HERE . Begin reading with the previously revealed “Harvesting Hate” >HERE Cover and tracklisting are as follows:

Tracklisting for Ravenous Death’s Chapters of an Evil Transition 1. Prelude to Evilness 2. Doomed to Exist 3. Harvesting Hate 4. Evil Dementia (The Voices of the Nobodies) 5. Awakening of the Damned 6. Cursed Origin 7. Initiation Ritual 8. The Sinister Being 9. Massacre Cult 10. Soul Consumed by the Occult MORE INFO: www.facebook.com/RavenousDeathOfficial www.ravenousdeath.bandcamp.com