Month: October 2023

Sadistic Force Release Video For “Midnight Assassin”

Austin-based blackened speed metal band SADISTIC FORCE have unveiled a bloodcurdling video for “Midnight Assassin”. Taken from their latest album Midnight Assassin, the trio are inspired by true crime and 80s slasher films.

“Midnight Assassin is a record steeped in blood and terror,” Oliver says of the release. This comes as no surprise considering the source material. With songs inspired by serial killers, stalkers, and necrophiliacs, SADISTIC FORCE will transport listeners into a dark and twisted sonic arena that exposes the harsh realities of human depravity and violence.

Watch the video for “Midnight Assassin” here:

SADISTIC FORCE is a three-piece blackened speed metal band hailing from Austin, Texas. Formed in 2020 by lead vocalist and guitarist, James Oliver, the band serves as an outlet for the members to create proper, traditional heavy metal. The band doesn’t stop there, however. Combining the subgenres of speed metal, black metal, and thrash metal, SADISTIC FORCE synthesizes a singular auditory experience that feels both familiar and original. 

In early 2021, SADISTIC FORCE released their first EP, Pain, Sex, and Rapture. The effort features founding member James Oliver and a mysterious percussionist known only as Hell Troll. Soon after, the duo would team up again for the band’s sophomore EP, Black Moon Sadism, and the digital single, “Lagoon of Doom.” Following these releases, Oliver scoured the Austin music scene for like-minded individuals to join his cause.

Soon after, bassist Blaine Dismukes and drummer Jose Alcaraz joined the project. Now a fully-fledged band, SADISTIC FORCE went on to record their first full-length album, Aces Wild. The effort was praised by metal outlets, with Metal Forces Magazine calling it “frenzied, scathing… all that heavy metal should be about.”  Just four months later, the three-piece combined their talents with Tijuana-based band HELLROT on an exciting 4-song split, aptly titled Sadistic Rot. The band then decided to take their impressive show on the road, performing everywhere from California to Scotland, before returning home to begin work on their second full-length studio album.

Connect With SADISTIC FORCE:

Apple Music
Spotify
Bandcamp
YouTube
Instagram
Facebook
Website

Track Listing: 
1. The Unseen Force
2. Corpsewood Curse
3. Speeding Black Leather Hell
4. Midnight Assassin
5. Nuremberg Nights
6. The Butcher’s Apron
7. Marked For Death
8. Campaign of Sin
9. Howl of the Horde

SUICIDE CIRCLE set release date for new OSMOSE album – features MÜTIILATION member

Today, Osmose Productions announces December 29th as the international release date for Suicide Circle‘s highly anticipated second album, Bukkake of Souls, on CD and vinyl LP formats.

Suicide Circle is back with a new opus called Bukkake of Souls. Suicide Circle is the suicide side project of Meyhna’ch from Mütiilation. Meyhna’ch and Kham are the current main line-up. However, some guests appeared for the bukkake such as Maxime Taccardi, Obskuritatem, and Zoldier Noiz.

First track premiere to be revealed on November 27th. Preorder info can be found HERE. Presave link can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Suicide Circle’s Bukkake of Souls

1. The Star Spawn [6:49]
2. The Highest Spheres [6:27]
3. The Advent [6:58]
4. Bukkake of Souls [8:21]
5. For Nothing [5:20]
6. The Prince of Darkness [7:07]
7. Any of You [6:17]


MORE INFO:
www.facebook.com/meyhnachrats

www.osmoseproductions.com

Great White North death metallers Cruel Fate premiere new track

Today, Great White North death metallers Cruel Fate premiere the new track “Descente aux Enfers”. The track is the second to be revealed from the band’s highly anticipated second album, Destin Cruel, set for international release on November 17th via Personal Records. Hear Cruel Fate‘s “Descente aux Enfers” in its entirety here:

Conjured in 2015 in the frozen landscapes of Canada, Cruel Fate released their first demo soon after their inception, followed by a full-length in 2019 (A Quaternary of Decrepit Night Mares), a split album in 2021 with fellow Canuck death-dealers Expunged, and the Live Necropsy live tape in 2022. As impious apostles of the old vanguard, Cruel Fate worships at the altar of ’90s greats such as Unleashed, Grave, Benediction, and Bolt Thrower, while lacing the chalice’s blood with their own blend of ferocious, stomping death metal. 

Now wielding the French language as a bludgeoning battle axe, Cruel Fate unleashes their second full-length, Destin Cruel. Cleanly produced yet cold & crushing, Cruel Fate‘s sophomore album is a tour de force of classic death metal songcraft, comprising rolling-tank grooves, judiciously parceled bouts of speed, slipstreaming breakdowns, and a haunting lead or five. Nothing fancy or flashy, nor does it need to be: simply, Destin Cruel quickly makes its point in a half-hour and gets out, devastating the listener in the process. This release is sure to tighten the quartet’s steel grip on the throat of maniacs worldwide.

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Cruel Fate’s Destin Cruel

1. Triomphe de la Mort
2. Vampire Boréal
3. Destin Cruel
4. Transit Sidéral
5. Descente aux Enfers
6. Feu Christique
7. L’Usurpateur

MORE INFO:
www.facebook.com/cruelfateottawa 

www.personal-records.com
personal-records.bandcamp.com
www.facebook.com/personalrecords666

Germany’s DETHRONED set release date for new DOMINANCE OF DARKNESS album, reveal first track – 30th anniversary

On December 1st internationally, Dominance of Darkness Records is proud to present the highly anticipated second album of Germany’s Dethroned, A Bridge to Eternal Darkness, on CD, vinyl LP, and cassette tape formats.

Dethroned are one of the most cult entities in the rich (yet often overlooked) history of German black metal. The band’s roots stretch back to 1991, with the band Mysticism, who released but one demo. From Mysticism’s ashes came Dethroned in 1993, founded by the trio of Barkayal, BSoD, and Morgoth. Over the course of the next three years, the band would release a half-dozen demos, faithfully exuding the spirit of the mid ’90s black metal scene. In 1998, Dethroned would release a live tape, Christentod, which would include a couple bonus tracks that were from an aborted 7″ EP. They would retreat to the shadows for a full decade before emerging with Promo 2008, soon followed by the Dominance of Darkness-released In the Sign of the Pentagram, a retrospective compilation covering their ’90s works. Another hiatus ensued until 2016, which saw Dethroned release a split album joined by fellow German hordes Sacrilegious Rite and Goatblood. At long last, in 2017 did they release their first full-length, Bluotrunst, thankfully sounding very much like the ’90s never ended.

And so it goes (and, as expected, after some years of silence) with Dethroned‘s second album, A Bridge to Eternal Darkness. Something of a 30th anniversary release for the Germans, A Bridge to Eternal Darkness is truly titled: 47 minutes of trend-free olde-worlde black metal, serving as a portal to mysteries and mysticism beyond the mien of mortals. Like the mythical era from which they sprang, Dethroned here maintain a curious contrast between stark monochromatism and borderless songwriting – a throwback to the days when you immediately knew you were experiencing BLACK METAL, but each band offered unique twists in its make-no-mistake presentation. As such, A Bridge to Eternal Darkness is a deceptively dynamic listen. Aggression is certainly accounted for, but so is melancholia, and often within the same song; songwriting largely sticks to mid-tempos at once triumphant and sashaying, martial and reposed. Guitars are sharp and cold, of course, but actual bass guitar pushes those dynamics forward; foggy synths linger where they may, intermittent but always with powerful purpose. The production is superlative in its balance between effervescent rawness and crystalline clarity, altogether highlighting the very real (and very impassioned) playing across the album. Concluding in a manner most fitting is a cover of the scene-legendary Grausamkeit, ​honoring both tradition as well as BSoD and Barkayal’s years in Dethroned.

Keeping matters DIY, guitarist John Never handled all artwork (exterior and interior) for A Bridge to Eternal Darkness. To celebrate this anniversary, Dominance of Darkness will concurrently reissue Bluotrunst as a six-panel digipack CD with alternate cover art. Hate, riot & blasphemy since 1993: Dethroned strike a blow against modernity!
 
In the meantime, hear the brand-new track “Come to Me” here:

Aforementioned cover artwork and tracklisting are as follows:

Tracklisting for Dethroned (Germany)’s A Bridge to Eternal Darkness

1. Come to Me
2. Vinum Creaturae
3. Disciple of the Elders
4. Colour Out of Space
5. Void
6. Ewig Fäulnis
7. Ruf der Tiefe
8. Descent
9. A Bridge To Eternal Darkness
10. Im Zeichen Des Bösen (Grausamkeit cover)

MORE INFO:
www.facebook.com/dethroned1993

www.dod-records.de 

Luciferian black metallers Nahasheol premiere new track

Today, Luciferian black metallers Nahasheol premiere the new track “Bringer of Divine Ecstasy”. The track is the second to be revealed from the band’s highly anticipated debut album, Serpens Abyssi, set for international release on November 3rd via Wolves of Hades and Argento Records. Hear Nahasheol‘s “Bringer of Divine Ecstasy” in its entirety here:

From the haunted shores of purgatory, a spectral entity cryptically summoned as Nahasheol rose from a cauldron of ominous shade carrying a will of draconian fire. With an inception dating back to last year, the enigma twisted waves under the sign of Kaaosoth, a three-song tome bursting with sinister ecstasy and sheer darkness. Now, a new vortex has been carved, a pathway into the realms of timeless chaos is unchained. Enter Serpens Abyssi! From the first moments of the belligerent opening “Arcanum Mortuus,” Nahasheol set the pathway to its journey, crafted from the nether regions with a blazing ardor of black metal devilry. Whether through fast impending rages of visceral wrath or alluring melodic strokes, a scorching ordeal of unholy riffing engraves a spiritual trail to the Luciferian mysteries with a poisonous drive, destructive electrical compulsions which permeate the whole record, ever hardening and potent, as varied as reeking with the essence of black metal tradition.
 
Organic and dynamic, the utterly brilliant sonic alchemy, courtesy of Daniel Souza and Tore Stjerna, focuses on atmosphere, energy, and metallic venom in equal measures. An overall compelling sound showcases a charismatic rhythmic section forged by pulsating impulses of percussive excellence, backing magnetic six-string gifts to the unlimited underworld while an enigmatic voice hails the chthonic revelations, narrating the aetheric void with fearless momentum. Such words of sacred meaning encounter a striking parallel on the magnanimous visual traits, meticulously crafted graphics, channeling the Promethean Fire, reflections of the magickal meaning and spiritual cadence behind Nahasheol’s expression.
 
Released by Wolves of Hades & Argento, Serpens Abyssi takes the listener on a treacherous and unforgiving journey into the sacred Luciferian trails, a ceremonial cast of abyssal emanations, pledged to be carved in black blood in the very heart of its enthralled disciple. 

Hear the previously revealed “Arcanum Mortuus” HERE at Wolves of Hades‘ Bandcamp. Cover artwork, courtesy of Cayo Farias, and tracklisting are as follows:

Tracklisting for Nahasheol’s Serpens Abyssi

1. Arcanum Mortuus
2. The Aetheric Void
3. The Awakening
4. Bring Of Divine Ecstasy
5. Mambah Maa
6. Devan Thanatha

MORE INFO:
www.facebook.com/NAHASHEOL-107778595139006

www.wolvesofhades.myshopify.com

APHELIUM AETERNUM set release date for long-awaited DOMINANCE OF DARKNESS debut album – features members of DRUDENSANG, PESTNEBEL, AURO+++

On December 1st internationally, Dominance of Darkness Records is proud to present Aphelium Aeternum‘s long-awaited debut album, Dark Interstellar Mysteries, on vinyl LP format.

Hailing from Bavaria, Aphelium Aeternum is a recreation of an old abandoned project called Aphelium Eternal, founded in 1995 by T. Voidgänger (back then called Azazel) before he joined the band Sorcerer. Other members were Bael and Nachtmahr, both members of Sorcerer. After only six months, the band was laid to rest. In 2019, T. Voidgänger finally went back to reanimate the band, as the name fit the songs that were composed in a more symphonic black metal style, changing the second part of the name from Eternal to Aeternum. New members were found in Dragg (Auro, Drudensang), Peryton (Pestnebel, Nigrum Tenebris), Krampn (Drudensang), and M. P.

With that lineup in place, it took Aphelium Aeternum over three years to finish the recordings of their first album. A demo was made with rough mixes, but was also delayed. Meanwhile, Krampn left the band to focus on other projects. But the journey of Aphelium Aeternum has just begun: at long last, their full-length debut arrives in Dark Interstellar Mysteries. Almost too perfectly titled, Dark Interstellar Mysteries creates a cosmic canvas like few others these days. Modernity is ditched for the cryogenic, vast void of outer space, where dramatic and densely layer symphonic black metal weaves a sumptuous, splendorous spell that’s immersive to the extreme. Aphelium Aeternum spare no extravagance nor detail here; kaleidoscopic and 3D, this album is far, FAR removed from shitty fake-raw “black metal” clogging up Bandcamp nowadays. Indeed, the band are old spirits, and display as much across Dark Interstellar Mysteries, invoking the likes of Emperor, Limbonic Art, Obtained Enslavement, and Norway’s Troll, Covenant, and Odium – times when black metal was exclusively veiled in mystery.

Released on CD in September, now Dark Interstellar Mysteries fittingly receives a vinyl treatment. The stargate opens and there stand Aphelium Aeternum, surveying their kingdom cold!

Cover and tracklisting are as follows:

Tracklisting for Aphelium Aeternum’s Dark Interstellar Mysteries
1. The Stargate Opens 2. Dark Interstellar Mysteries
3. Spiritual Journey to the Arcane Cosmos
4. Voidgänger
5. Event Horizon
6. Where Creation Ends
7. Into the Timeless Abyss
8. Nocturnal Dimensions Unfold
9. Dead Eyes Stare into the Nightsky
10. Outro

www.dod-records.de 

HAGATIZ stream AMOR FATI debut – features members of DAUÞUZ, HÄXENZIJRKELL, ABYTHIC, HAIMAD+++

Today, Teutonic black metallers Hagatiz stream the entirety of their highly anticipated debut album, Cursed to the Night. Set for international release on October 11th via Amor Fati Productions, hear Hagatiz’s Cursed to the Night in its entirety here:

Hailing from Germany, Hagatiz are a new formation of old souls: Dauþuz‘s Semgoroth, Häxenzijrkell‘s MK, and the ever-profilic Odium Aeternum (Abythic, Haimad, Lunar Chalice, Mysteria Mystica Aeterna et. al.). Together, these scene veterans reveal Cursed to the Night, Hagatiz‘s first public recording. 

Fully formed, as to be expected from such a stellar lineup, Hagatiz‘s debut album comprises pure, uncompromising BLACK METAL steeped in the ancients: no more, but definitely no less. The point is not to “be” anything other than authentically old-school black metal in the best ’90s tradition, from Scandinavia and across to Germania and even on to the Eastern Bloc. Raw without being ineffectual, dark and haunting yet brimming with just enough melody, Cursed to the Night is a work of total passion and spirit; that Hagatiz make it seem so effortless is perhaps unsurprising, but it’s remarkable nevertheless. There is no “thinking” involved in this experience, only feeling – and such was the way it was as the ’90s drew to a close and pure hearts heeded the call to head deeper underground. It’s not inaccurate to say that Hagatiz could’ve been released ​on such era-embodying vanguards as Sombre, Drakkar, or Solistitium, so authentic is this essence and atmosphere…but again, ​only FEELING Cursed to the Night is real.

 Cover and tracklisting are as follows:

Tracklisting for Hagatiz’s Cursed to the Night
1. The Gathering
2. Demimonde
3. Echoes from the Afterlife
4. Everlast in darkest Night
5. Scourge beneath the Skin
6. Drown in Darkness
7. Necrovoid

www.amor-fati-productions.de 
www.amorfatiproductions.bandcamp.com

WARCOE set release date for new HELTER SKELTER album, reveal first tracks

Today, Helter Skelter Productions (distributed & marketed by Regain Records) announces December 15th as the international release date for Warcoe’s highly anticipated second album, A Place for Demons, on CD and vinyl LP formats.

Warcoe are a power-trio hailing from Italy, that land rich in doomed materials. Naturally, Warcoe honor their national identity with a ’70s-entrenched vision of pure DOOM METAL as first laid out by Ozzy-era Black Sabbath. In fact, in vocalist/guitarist Stefano Fiorelli, you will not find a more uncanny Ozzy doppelganger.

Warcoe began their journey in 2021, first with a couple digital singles and then an EP, all of which coalesced into their debut album, The Giant’s Dream. Likewise released digitally, The Giant’s Dream was also self-released on CDR and tape in true DIY fashion. So smitten with these authentically vintage vibes, Helter Skelter released The Giant’s Dream on CD and vinyl right before the summer, with hopes of spreading the Warcoe name far and wide.

Wasting no time – and, indeed, sure to spread that name further and wider – Warcoe return with their second full-length, A Place for Demons. Aptly titled, A Place for Demons is prime olde-world DOOM, steeped in Sabbathian tones and proto-metal vibes. However, Warcoe possess an enviable amount of charisma, and their songwriting soon becomes a thick ‘n’ heady potion of hard-rocking heaviness, warm in tone but definitely supernatural in aura. Much like they did on its full-length predecessor, the power-trio manage to massage new sensations from that eternal archetype whilst staying reverent; if anything, there’s a pronounced swagger to A Place for Demons that suggests star-power in the making. But beware: the closing nine-minute epic “Buio” is one of the most stultifying boulders of sound you’ll hear this year, sealing your grave with cold, cruel certainty.

So, take Warcoe’s hand and enter A Place for Demons: your “new” old-doom trip continues here!

Start that trip with the brand-new tracks “Pyramid of Despair,” “Boys Become Kings,” and the title track “A Place for Demons” here:

Cover artwork, courtesy of Shane Horror, and tracklisting are as follows:

Tracklisting for Warcoe’s A Place for Demons

1. A Place for Demons
2. Pyramid of Despair
3. Rune Dweller
4. Leaves
5. Ishkur
6. Boys Become Kings
7. Wounds Too Deep to Heal
8. Buio

MORE INFO:
www.facebook.com/warcoeband 

www.helterskelterproductions.se
www.facebook.com/helterskelterproductions

STRIGOI release first single ‘Bathed in A Black Sun’

Strigoi were already plenty unsettling on their debut album. But the UK death-doom band’s follow-up pushed their grinding asphyxiations to such vile extremes, that it produced an abundance of putridity.

‘Bathed In A Black Sun’ includes four unreleased or exclusive songs from ‘Viscera’. Get re-acquainted with the pure, unadultered filth of the title track, which is slimed with sludge riffs and a crusty drum groove. 

Watch the horrifying new video for “Bathed In A Black Sun” here:

The ‘Bathed In A Black Sun’ EP comes out 3 November.

Pre-order: https://shop.season-of-mist.com/list/strigoi-bathed-in-a-black-sun
Pre-save: https://orcd.co/strigoibiabspresave

“We are pleased to finally do this, as ultimately ‘Bathed In A Black Sun’ as a track is lamentably all the more relevant today than it was when it was written”, says bassist Chris Casket. “We also wanted to release this EP as a companion to the album ‘VISCERA’, so finally all the tracks recorded during that studio session are available for all to ‘enjoy’ the extra cuts of raging spite and cold despair.”

Greg Mackintosh already had one side project from his main gig as the guitarist for Paradise Lost. But when Vallenfyre ran its course, he started Strigoi with bassist Chris Casket in hopes of dragging death and doom metal even further afield. 

‘Bathed In A Black Sun’ proves that Strigoi can mold nasty blackened death doom from anything – even their own remains

Track-list
1. Bathed in A Black Sun (4:19) [WATCH VIDEO]
2. The Grotesque (2:56)
3. Beautiful Stigmata (00:41)
4. A Spear of Perfect Grief (04:14)
5. The Construct of Misery (01:33)
Total runtime: 12:63

When Paradise Lost guitarist Greg Mackintosh put to rest his Vallenfyre side project in 2018, he closed a difficult, but ultimately cathartic period in his life. Created as a tribute to his father John, who passed away in 2009, Vallenfyre originally served as a sounding board for Greg’s grief, but then delved into his nihilistic take on the world. Vallenfyre’s brief existence was intentional — the band always knew they could go no further than the three studio albums that bore their name.

A mere few days after Vallenfyre played its last live show in September 2018, Mackintosh announced the formation of a brand-new band with Vallenfyre bassist Chris Casket (Ex. Extreme Noise Terror), Strigoi. The English twosome released their debut album Abandon All Faith on 22nd November 2019 which was met by widespread critical acclaim and support. From this success, the band began preproduction to take the project live, recruiting to the line-up drummer Guido Zima (Ex Implore / The Secret) and live guitarist Sam Kelly-Wallace (Ex Vallenfyre) to begin spreading their foreboding gospel throughout the European festival circuit.

Unfortunately, due to the global pandemic that hit Spring 2020 Strigoi were unable to perform live as planned, and realising this situation was going to be a long-term constraint Greg and Chris decided to begin writing for a second album. This 18-month process culminated in Strigoi signing to Season Of Mist records, then heading to Orgone Studios UK to track 14 brand new songs under the watchful eye of award winning producer Jamie Gomez Arellano.

The bands line up, now set with the addition of guitarist Ben Ash (Satyricon / Ex. Carcass) completed the recording of the album ‘Viscera’ in October 2021, subsequently mixed by Kurt Ballou at GodCity Studios and mastered by Brad Boatright at Audiosiege Studios. ‘Viscera’ represents the further evolution of Strigoi as a band, a concept fully realised as a statement of terror, malaise, and ultimately a record representing what Greg and Chris wanted to achieve from the band’s inception.

Their new ‘Bathed in Black Sun’ EP includes five unreleased songs from the recording sessions for ‘Viscera’. The title track is pure, unadulterated filth, slimed with sludge riffs and a crusty drum groove.

Recording Studio: Oregon Studios
Producer/Sound engineer: Jamie Gomez and Strigoi
Additional recording and production: Gregor Mackintosh at Black Planet Studios
Mixing studio/engineer: Kurt Ballou – Godcity Studios
Mastering studio/engineer: Brad Boatright – Audiosiege

Recording line-up:
Greg Mackintosh: Vocals and Guitar
Chris Casket: Bass
Guido Zima: Drums
Ben Ash: Guitar

Ross White – Guitar (Live)

Cover artwork: Brian Sheehan – Legerdemain Art

Pre-order: https://redirect.season-of-mist.com/BathedInABlackSun
Pre-save: https://orcd.co/strigoibiabspresave

Follow Strigoi
https://music.apple.com/us/artist/strigoi/1477641031
https://strigoiofficial.bandcamp.com/album/viscera
https://www.facebook.com/strigoibandofficial/
https://www.instagram.com/strigoi_official/?hl=en
https://open.spotify.com/artist/6BUcX21YlCyGOUKXrNutei
https://www.youtube.com/channel/UCTUjPPERTRxYCMOYDbzMSAA
https://twitter.com/OfficialStrigoi

Formats:
CD Digipack
Digital Download

HINSIDES set release date for new SHADOW album, reveal first tracks – features members of ULTRA SILVAM

Today, Shadow Records (distributed & marketed by Regain Records) announces December 15th as the international release date for the highly anticipated second album of Sweden’s Hinsides, Hinsides hörs djävulsklockans urklang, on CD, vinyl LP, and cassette tape formats.

Released during the summer of 2021, Hinsides‘ Under Betlehems brinnande stjärna debut LP was a firestorm of freezing filth. Undeniably necrotic as per the earliest birth-pangs of Scandinavian black metal, peer within that piercing sound and you will have found a wealth of fascinating and fearless twists to ancient black metal tropes. Here, Hinsides revealed themselves to be more melodic and magisterial than they hinted at on their earlier split with comrades Monstraat, but nevertheless kept the attack fucking FERAL and utterly unreal in sum effect. Perhaps all this was unsurprising given that the band is the sole work of M.A. from the esteemed Ultra Silvam…but either way, a new (and harrowing) horde worth reckoning had arrived with acidic aplomb.

Now Hinsides return with an even-stronger (and -stranger) work in Hinsides hörs djävulsklockans urklang. The band’s second full-length titularly translates to “From beyond the ancient chime of the devil bell is heard,” and a more apt approximation of Hinsides‘ ever-expanding sound cannot be found. Joined by Ultra Silvam drummer L.A., M.A. brings back the church bells of the preceding album and goes gonzo with them; at nearly every (crooked) turn, there tolls a bell of doom, summoning dread powers from that Beyond. More concretely, those sinuous peals of eeriness provide complementary / contrapuntal color to Hinsides‘ most rippling ‘n’ roiling black metal yet. But heed the METAL aspect of “black metal” here: the duo devilishly construct dark headbangers that soon whip forth into a state of possession, with starkly melodic leads flying fast and free, altogether creating a (dark, devilish) narrative flow that’s exceptionally unique for something so necro. Underlining that Devil’s Heavy Metal aspect of Hinsides hörs djävulsklockans urklang is the guest appearance of Jonas Hansson from olde-worlde hard rockers Silver Mountain, dropping a solo into “I nekromisantropisk harmoni.” Bringing that aspect to a boil is the cover of the Plasmastics’ “The Damned,” which Hinsides malevolently make their own (and which can only be found on physical copies of the album).

The bells of doom toll even louder with the splendor of archaic witchcraft and devil worship: Hinsides‘ Hinsides hörs djävulsklockans urklang concludes the year with frightening finality!

In the meantime, hear the brand-new tracks “Djävulshymn” and “I nekromisantropisk harmoni” here:

Cover and tracklisting are as follows:

Tracklisting for Hinsides (Sweden)’s Hinsides hörs djävulsklockans urklang
1. Hinsides hörs djävulsklockans urklang
2. För dödens storhet
3. Djävulshymn
4. I nekromisantropisk harmoni
5. 666 stötar mot himmelens port
6. En stympad människa
7. The Damned (Plasmatics cover) !!ONLY ON PHYSICAL COPIES!!

www.shadowrecords.se
www.regainrecords.se
www.facebook.com/shadowrecords.se