On May 24th internationally, Dying Victims Productions will release the highly anticipated sixth album of Germany’s Lucifuge, Hexensabbat, on CD and vinyl LP formats. And today, they premiere the new track “Into Eternal Sleep.” Hear Lucifuge‘s “Into Eternal Sleep” in its entirety here:
Since 2016, Germany’s Lucifuge have been steadily perfect an addicting style of blackened speed metalpunk, all guided by the iron fist of mainman Equinox. Come 2021’s fourth full-length Infernal Power, Equinox expanded Lucifuge to a full lineup, and it paid off in spades: the band’s first album under the banner of Dying Victims capped this signature sound with power and aplomb, exuding a new professionalism that somehow sounded dirtier than ever.
However, it was 2023’s Monoliths of Wrath where Lucifugefurther spit-shined their sound and took it in a newer but no-less-parallel direction: classic, ripping-FAST thrash of ‘80s gods Sodom, Kreator, Exodus, and of course Slayer. Thankfully, Lucifuge keep that sonic shift going with their sixth full-length, Hexensabbat. Ditching more its predecessor’s complex song structures, Hexensabbat heaves toward the gates of Hell with a greasy gallop that brings back a bit of the black while honoring the nether-realms of still-stuck-in-the-‘80s thrash and speed metal. True, those aforementioned gods still hold a place in Lucifuge’s current sound, but more so can one detect the likes of Exciter, Razor, Iron Angel, and even later ‘80s Gang Green, the Exploited, and Crumbsuckers. Put another way, if Monoliths of Wrath was spiritually akin to a Combat Records release, then Hexensabbat would definitely come out on Combat Core, so straightforward and rancorous is its all-pistons-pumping surge. Plus, more than a bit of Lucifuge’s old-school grit is back in full force, which makes the album’s slightly melodic-yet-malevolent riffing sound majestic – and, most importantly, not render Hexensabbat a total retro retread.
Leaner, meaner, and keeping the 1987 faith alive, Lucifuge command you to honor the Hexansabbat!
Cover artwork, courtesy of Kerbcrawlerghost, and tracklisting are as follows:
Tracklisting for Lucifuge (Germany)’s Hexensabbat 1. Gates of the Eternal Night 2. Hexensabbat 3. The Court of the Profane 4. No Sun Shall Rise 5. Into Eternal Sleep 6. The Sign of Cain 7. An Oath of Blood and Fire 8. Enter the Realms of Death 9. They Come in Legions 10. Cursed to Eternity 11. The Destruction of the Sword
Steel yourself, trailblazers of the avant-garde! THY CATAFALQUE, the innovative auditory blacksmith who bridged black metal and the avant-garde, is set to grace Europe with 10 exclusive dates across the mainland with The Answer Lies In The Black Void opening the show. We invite you on a journey toward the unexplored realms of musical expression, guided by Tamás Kátai — THY CATAFALQUE‘s visionary and the relentless rebel in the world of metal.
Experience the sonic magic, the defying conventions, and mind-bending dance of aggression and artistry, as we retread paths of musical evolution. Cherish the echoes of the past as the trailblazer forges forward!
2024 Europe Tour w/ The Answer Lies In The Black Void 29th March: Vienna, AT @ Szene 30th March: Prague, CZ @ Kasárna Karlín 31st March: Munich, DE @ Dark Easter Metal Meeting – SOLD OUT! 1st April: Colmar, FR @ Le Grillen 2nd April: Oberhausen, DE @ Kulttempel 3rd April: Kortrijk, BE @ DVG Club 4th April: Eindhoven, NL @ Effenaar 5th April: Rotterdam, NL @ Baroeg 6th April: Copenhagen, DK @ Stengade 7th April: Hamburg, DE @ Martkthalle-Marx
In the spirit of reawakening ears and minds, Season of Mist also proudly presented the official reissues of THY CATAFALQUE‘s first four albums – reborn, revived and ready to evoke sonic revolutions. Immerse in the meticulously crafted blend of black metal tones and detailed synth overlays that gave birth to Thy Catafalque. From the genesis marked by Sublunary Tragedies, the left-field exploration in Microcosmos, the varied directional growth touched upon in Tűnő idő tárlat, to the avant-garde masterpiece Róka hasa Rádió, every album is a testament to the evolution of this extraordinary project.
Prepare to rediscover THY CATAFALQUE‘s avant-garde magic as Season of Mist brings back these four transformative albums. Immerse yourself in the timeless artistry of Tamás Kátai and witness the evolution of a visionary musical project. The reissues of Sublunar Tragedies, Microcosmos, Tűnő idő tárlat, and Róka Hasa Rádió are set to captivate both seasoned and new fans alike.
The albums are now available as special edition reissues on 2×12″ Vinyl Gatefolds in various colours or as CD Deluxe Digipaks with new artwork!
THY CATAFALQUE is a metamorphic entity that’s constantly evolving, showcasing musical ingenuity that’s as limitless as it is daring. Meaning “The Great Plains,” ‘Alföld’ is grounded in the Avant Garde project’s heavy beginnings. While the record takes a cue from THY CATAFALQUE’s early days, mastermind Tamás Kátai’s modern progressive instincts shine through, elevating the record beyond the realm of metal as-you-know-it and once again creating a cutting-edge sound that’s far ahead of its time.
“‘Alföld’ is the most straight forward and classic extreme metal album the project ever recorded,” says mastermind Tamás Kátai. “This time I just wanted to do metal without any innovation or progression, focusing on songs and riffs rather than experimenting and breaking new grounds. Had to let the old ideas out, so I did it with enjoyment. Alföld means The Great Plains, a massive flat part of South-East Hungary where I was born and raised and we shot the video for ‘Néma vermek’ in the middle of the barren lands, in Makó-Bogárzó.”
Originally, THY CATAFALQUE emerged as a black metal band founded by singer/keyboard player Tamás Kátai with the aid of guitarist/bassist János Juhász. Following their joined debut ‘Sublunary Tragedies’ (1999), the Hungarians evolved into quite different directions, but steadily gaining more followers in the process through the following albums, ‘Microcosmos’ (2001) and the self-released ‘Tűnő idő tárlat’ (2004).
On their fourth full-length, ‘Róka hasa Rádió’ (2009), THY CATAFALQUE invited Ágnes Tóth from neo-folk outfit THE MOON AND THE NIGHTSPIRIT and Attila Bakos to add their haunting vocals. With fifth album ‘Rengeteg’ (2011), Tamás Kátai finally went solo with the help of guest musicians that again included Ágnes Tóth an Attila Bakos. Dubbing his eclectic musical amalgamation avant-garde metal, the Hungarian explored new sonic possibilities with ‘Sgùrr’ (2015). The sixth full-length turned out to be slightly more complex than its successor, ‘Meta’ (2016), which returned to a more direct approach without losing the steadily growing sonic diversity. In 2018, THY CATAFALQUE continued this path with the release of ‘Geometria’. THY CATAFALQUE delivered another spectacular musical mosaic with their ninth full-length entitled ‘Naiv’, inspired by the “Naïve Art” movement.
In 2021, THY CATAFALQUE return with ‘Vadak’. Meaning “Wildlings” in Hungarian, the album title is a deliberate clue to the exotic and feral essence of ‘Vadak.’ Like seedlings scattered throughout the forest by the mere forces of nature, THY CATAFALQUE’s imaginative sound grows with an organic sense of whimsy, cultivated within the vast influences of our megacosm. Thematically, ‘Vadak’ is a foreboding lesson in mortality. Emphasizing the fragility that is shared by man and beast alike, the record explores our Freudian life instincts, in which we inherently fear and run from the ultimate goal of existence: death.
Now, the visionary is looking to the past as it journeys onward and upward with its latest opus, which is just as familiar as it is forward-thinking, certain to mesmerize a vast swath of metal enthusiasts across all genres.
THY CATAFALQUE is :
Tamás Kátai – Guitars, Bass, Synths, Programs & Vocals
In the vanguard of the black metal sphere, MERRIMACK returns with their most ambitious and riveting album to date, Of Grace and Gravity. This latest tome from the Parisian conjurors of darkness is a relentless dive into the esoteric, where the lines between sacrilege and sanctity blur in a maelstrom of fervent guitars, thunderous drums, and howling vitriol.
Of Grace and Gravity is a testament to MERRIMACK‘s quarter-century dedication to the black metal art form. With its foundation deeply rooted in the unyielding soil of black metal tradition, the album dares to gaze into the abyss, offering a gripping narrative spun from the threads of heresy and rebellion.
Of Grace and Gravity is out March 8 on Season of Mist.
“Behold! Sulphurean Synods not merely plays; it enchants, drawling listeners into a realm where celestial despair and infernal defiance converge.” From the first piercing note, it’s apparent this is no ordinary song. The lyrics, a tapestry of desolation and defiance, echo the overarching theme of a cosmos teetering on the edge of oblivion and rebirth. Musically, the track stands out with its intricate guitar work and atmospheric elements, creating a hauntingly beautiful soundscape. It’s a song that evokes a profound sense of longing, a clarion call to those who find beauty in darkness, resonating deeply with listeners who traverse the shadows.
Track-list 1. Sulphurean Synods (6:42) [WATCH] 2. Sublunar Despondency (7:07) 3. Dead and Distant Clamors (5:35) [LISTEN] 4. Wounds that Heal (6:44) 5. Starving Crowns (8:05) 6. Under the Aimless Spheres (7:01) [LISTEN] 7. Embalmer’s Wine (6:59) Total runtime: 48:13
MERRIMACK are back with their new album ‘Of Grace and Gravity’. Their third release for Season of Mist arrives after the re-print of their long sold-out debut ‘Ashes of Purification’, which followed the sizeable impact that their last album, ‘Omegaphilia’, had on the Black Metal Scene.
MERRIMACK can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.
Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), MERRIMACK closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.
After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, MERRIMACK were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.
The ensemble now presents their latest album ‘Of Grace and Gravity’, an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. MERRIMACK, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.
Today, doomed death metallers Wrektombpremiere the new track “Unexpected Encounters With Nature”. The track is the second to be revealed from the band’s highly anticipated debut album, Bovine Mockeries of Human Posturing, set for international release on April 5th via Personal Records. Hear Wrektomb‘s “Unexpected Encounters With Nature” in its entirety here:
The sarcophagus has cracked, releasing the sulfuric putrefaction of Wrektomb‘s first full-length recording after one EP, Bovine Mockeries of Human Posturing. Nick Krostoff and his faithful companion Vera Kätzin bring warnings from the next realm that oblivious and prideful humans must not overestimate their place in the cosmic hierarchy while Dieter Itis sets the cadence as this dire procession marches back into the earth from which it came.
With Krostoff as crypt-keeper, each song tells a gory and depraved tale: human deviants engaged in self-mutilation to feel something other than apathy and disdain. With crushing force, the Red Heifer, the Divine bovine, tramples temples and pulverizes the pride of arrogant, unsuspecting victims for their misplaced worship. Time travel through the multiverse is exploited by an impulse to sire linage across time and space. Modernity’s zeitgeist ruled by indoctrination with vapid values of the psychopath’s all-consuming black hole of derangement – unable to satiate the hunger for carnage and the carnal – culminating in a reflection on defeat, finding the meaning of life in the decomposition of the flesh: the height of human achievement in transforming into feed for the corvids and carrion-eaters of the sky.
At times an ornate marble mausoleum, at times a spartan gravel grave mound, meditate on the melodies of doom before they are once again lost to the underworld.
Hear the previously revealed “Gored Into Reality” HERE at Personal Records‘ Bandcamp. Preorder info can be found HERE. Cover artwork, courtesy of Misanthropic-Art, and tracklisting are as follows:
Tracklisting for Wrektomb’s Bovine Mockeries of Human Posturing
1. Gored Into Reality [7:29] 2. Unexpected Encounters with Nature [9:10] 3. Quantumcreep [9:01] 4. Society Supported Psychopaths [6:15] 5. This Decay of Me [10:35]
Today, Signal Rex announces May 1st as the international release date for Mons Veneris‘highly anticipated sixth album, Ascent Into Draconian Abyss, on CD, vinyl LP, and cassette tape formats.
For those who know and truly understand actual underground black metal, Mons Veneris require no introduction. For over 20 years now, this shadowy and insanely prolific Portuguese cabal have pursued a uniquely vile vision with an unquenchable thirst. From hammering primitivism to medieval melancholy, volcanic drone to chaotic oblivion, nods to the French Black Legions to frequencies far outside of metal, there’s never any guarantee of how Mons Veneris‘ vision will manifest itself – only that they’ll explore a darkness few have the constitution to tread.
Witness their Ascent Into Draconian Abyss, which was teasingly released in an extremely limited tape version for those who had the good fortune of attending the most recent Signal Rex-curated Invicta Requiem Mass festival and witnessing their crimes in the flesh. As the duo forecasted with the recent maxi-single Excesses of Perpetual Gloom, their muse only becomes thirstier and more miserable. Mons Veneris are always surprising, yet always uncompromising and always themselves, as testified by Ascent Into Draconian Abyss: the opening 20-minute title track is a harrowing descent into lunacy, and the ghoulishness only intensifies on the album’s successive three tracks. More monkish vokills come forth, haunting like nothing else as their buzzing belligerence winds through craggy corridors of mondo-primitivism, all before the hall-of-mirrors madness of closer “Chant to the Unknown.” Mons Veneris will fuck you on your Ascent Into Draconian Abyss!
Get fucked by the brand-new track “…of Perversion and Evil”
Cover and tracklisting are as follows:
Tracklisting for Mons Veneris’ Ascent Into Draconian Abyss 1. Ascent into Draconian Abyss [21:50] 2. Whisperers of the Plague [7:23] 3. … of Perversion and Evil [9:05] 4. Chant to the Unknown [5:15]
Today, Amor Fati Productions announces April 30th as the international release date for Dauþuz‘s highly anticipated fifth album, Uranium, on CD and vinyl LP formats. The band will be self-releasing the cassette tape version on the same date.
Since their bolt-from-the-blue debut In finstrer Teufe in 2016, Germany’s Dauþuz have created a rich and vibrant catalog. Their black metal is proud and purist but by no means blinkered; the ancient ways are revered, for sure, but new vistas of the imagination open up when Dauþuz commit their stories to tape. And those stories largely focus on mining, both across their native land and the whole of Europe, further enriching their olde-worlde appeal.
Now, two years after the special Vom schwarzen Schmied: Bergkgesænge – a clean-vocalled version of their widely celebrated fourth album, 2021’s Vom schwarzen Schmied – along comes new curses from the Dauþuz mine in Uranium. Tellingly titled, Uranium deals with a relatively young and destructive area of mining: the former uranium mining in East German areas. From the dangerous mining under the pressure of the Soviets to the radiant, deadly harvest of what was created, the titular Uranium spreads wide a dread landscape full of despair both sonic and spiritual. Despite the seeming “newness” of subject matter, Dauþuz sound as olde-worlde as ever with their characteristic Mining Black Metal, indeed mining amongst deeper and more ancient caverns of sound and texture; uncompromising and epic and especially melodic, here do the duo exude a desperation (or at least passion) that harkens back to their very earliest roots, with the oft-piercing vocals in particular raising the hackles and firmly driving the point home that Uranium is deadly, deadly business.
Rarely does an aesthetic stay so firmly etched yet yield consistently compelling sagas as it does with Dauþuz. Radiate to the eerie glow of Uranium!
In the meantime, hear the brand-new track “Wüst die Heimat” here:
Cover and tracklisting are as follows:
Tracklisting for Dauþuz’ Uranium
1. Pechblende (Gedeih und Verderben) [9:54] 2. Radonquell 1666 [8:49] 3. Wüst die Heimat [5:41] 4. Ein Werkzeug des Todes [10:00] 5. Wismut »Justiz« [5:16] 6. Uranfeuer 55 [9:52]
Today, ancient metallers Armagh premiere the new track “Rapid Str!de”. The track is the third to be revealed from the band’s highly anticipated third album, Exclamation Po!nt, set for international release on March 15th via Dying Victims Productions. Hear Armagh‘s “Rapid Str!de” in its entirety here:
Formed in 2012, Armagh are a heavy metal force based in Satanic City Warsaw and Necropolis Navis. Mixing classic heavy metal from the ’70s and ’80s with proto-black metal, Armagh are the creators of First Wave Only movement, which unites several Polish bands delivering old-school metal – among them, labelmates Gallower and Sexmag but also Torpor, Wielki Mrok, and R.I.P. – with primal severity in their sound and message.
Truly, Armagh are a maniac maniac’s band, idiosyncratic mainlining such noble influences as Thin Lizzy, Led Zeppelin, Black Sabbath, Motörhead, KISS, Manilla Road, early Slayer and Megadeth, W.A.S.P, Bathory, Dissection, Running Wild, KAT, and the NWOBHM in general into something authentically rustic and effortlessly unique. But it was their second album, Serpent Storm – originally self-released in 2022, but then released on vinyl the next year by Dying Victims – where they had their breakout moment. A true record collector’s record, Serpent Storm displayed its power and personality at every turn, coming from an alien place – one where Battle Cry, Another Perfect Day, Haunting the Chapel, Chinatown, Under the Sign of the Black Mark, and Born Again all simultaneously play in perfect, hellish harmony – but evincing a wild and weird but never belabored alchemy that was simply peerless.
Now, two years later, Armagh stir up their cauldron once again with their third album, Exclamation Po!nt. This record features a wholly reconstructed lineup, with founding frontman/guitarist Galin Soulreaper now joined by fellow guitarist Vikk Vandall, bassist Tom CultCommander, and drummer Al Atom Smasher. As such, it’s a far more collaborative effort than the largely Soulripper-written Serpent Storm, with each new member adding their own fiery flair to an altogether less-immediate but much-more-mysterious album: Tom CultCommander’s spacey & hypnotic bass work (a Hawkwind influence is detectable across the record, as is a faint whiff of Rush), Vandall’s impulsive & spring-loaded leads, and the jazzy, Bill Ward-esque drumming of Atom Smasher. Less is indeed MORE here!
Just as wild and weird as its mighty predecessor but perhaps eating subtler, sweeter fruits, the deliberately demonstrative Exclamation Po!nt dives deeply into moodier and mustier waters, sounding impossibly older than even Serpent Storm. It’s all unmistakably Armagh, but if LP#3 proves anything (and loudly), it’s that these Polish maniacs are operating at the height of their powers – and, again, as a full band this time. No dynamic is too severe, no construct too off-kilter, no speed shunned: with greater emphasis on harmony vocals and Soulreaper’s lonely-warlock tones guiding the listener into a misty, mystical wonder-world, Exclamation Po!nt weaves a plaintive-yet-powerful spell that traverses the whole spectrum of human experience. And perhaps it’s there that Armagh in general and Exclamation Po!nt in particular excels – that it’s undeniably human in construction and execution, but its journey (and destination) is otherworldly to the splendorous extreme. Or, cutting out the fancy words, what we have here is heartfelt, handmade heavy metal: no modern, no trends, no way!
No longer the “sleeper hit of the year,” Armagh are prepared to punctuate “best of 2024” conversations already with Exclamation Po!nt!
Also hear the previously revealed “The Portal” exclusively HERE, courtesy the NWOTHM YouTube channel, as well as the previously revealed “Masters of Time” exclusively HERE, courtesy of Deaf Forever magazine. Cover and tracklisting are as follows:
Tracklisting for Armagh’s Exclamation Po!nt 1. Rough Edges 2. Masters of Time 3. Aftermath 4. Between the Sides 5. The Portal 6. Rapid Str!de 7. This !s New A 8. Enough for Now
On May 3rd internationally, Personal Records is proud to present Ossilegium‘s highly anticipated debut album, The Gods Below, on CD format.
Forever Lost to the Boundless Force of Death. Crossing all Forbidden Realms. Ride the Darkness to Reach the Eternal Ends.
In the days of antiquity, after the embers of a funeral pyre had died, the bones of the deceased would be gathered together in a funerary box and given a place of reverence to withstand the ravages of time. Ossilegium stand upon these burnt offerings of the past while forging onward into new realms of darkness, where even light fears the eventual entropy of universal death.
One of the best-kept secrets of the Chicago metal scene, Ossilegium is the creation of Exhul (Empyreus, Kommandant, Withering Soul) and Valr (Amongst the Fallen, Blackened Temple, Kommandant). Together, the duo build upon extensive influences from the worlds of heavy & extreme metal along with influences from literature, sci-fi, and fantasy gaming.
Initially formed as Empyreus from 2009-2019, Ossilegium debuted in 2020 after extensive lineup changes. Largely inspired by the ’90s black metal scenes of Sweden and Norway, Ossilegium bring forth their own style of Blackened Metal of Death with their long-awaited debut album, The Gods Below. Indeed, the record is aptly titled, for the alternately ice-cold / burning-hot majesty the duo unleash here reinvigorates noble old tropes – namely, the days when melody was married to death metal crunch and when leathery black wings enclosed it, flying far and free across a landscape of blue-purple emotion. To say that The Gods Below could’ve been released on No Fashion, Black Sun, or Wrong Again Records back in the day is not to suggest there’s “retro” pastiche at play; rather, Ossilegium truly LIVE this style of metal and prove it with incredibly dynamic songwriting and impassioned performance. Hearing is believing, and buttressed by haunting acoustic passages, the duo’s debut album becomes an all-immersive experience no matter the decade.
On evidence of The Gods Below, Ossilegiumdeserve to be included in the conversation of classic works by Necrophobic, Sacramentum, Unanimated, Gates of Ishtar, and Sweden’s Dawn and Naglfar. The past is alive, and it’s only just begun!
In the meantime, hear the brand-new track “Nightborn” here:
Preorder info can be found HERE. Cover and tracklisting are as follows:
Tracklisting for Ossilegium’s The Gods Below
1. Nightborn 2. Serpentine Shadows 3. The Winds of Astaroth 4. Beyond the Clandestine 5. The Heart of Darkness 6. To Reach The Eternal Ends 7. Constellationrise 8. The Gods Below 9. Planar Nexus
Today, Iron Bonehead Productions announces May 3rd as the international release date for the striking debut EP from France’s Profanation, Skull Crushing Violence, on CD and 12″ vinyl formats.
Hailing from France’s ever-thriving death metal scene, Profanation are a new band of old souls. Many will recognize lead guitarist Kev Desecrator from Deströyer 666, but he also maintains labelmates Venefixion – with whom vocalist Profane Alex has recently been added as a live member – as well as Sépulcre and Scumslaught, and fellow guitarist A.M. also plays in Regarde les Hommes Tomber. Along with drummer Sinistre, the quartet create vile, ultraviolent DEATH METAL in a most ancient manner.
Of course, their debut recording says it all on the tin: Skull Crushing Violence, which is exactly what you get for 20 terrorizing minutes. Like the unholy offspring of Hadez and Necrovore with more than a hint of the eldritch grind of Terrorizer and England’s Doom, Profanation whip forth a fury like few others. Everything here on Skull Crushing Violence goes into the red – as it SHOULD, to honor the promise of its title – and the intensity suitably takes on an otherworldly aspect as it flits between abyss-ward blast and grave-shoveling D-beat. Meanwhile, utterly OTT solos shoot across the record like missiles flying across a war-torn landscape.
Want 666% ARRRGGGHHH?!? Profanation give it to you with Skull Crushing Violence!
In the meantime, hear the brand-new track “Global Terror” here:
Tracklisting for Profanation (France)’s Skull Crushing Violence 1. Profanation 2. Global Terror 3. Modern Sickness 4. Graveyard Stomp 5. No Surrender 6. Skull Crushing Violence
