Month: September 2024

Chile’s INVOCATION stream new IRON BONEHEAD album

Today, Chilean black/death cult Invocation stream the entirety of their highly anticipated debut album, The Archaic Sanctuary (Ritual Body Postures). Set for international release on September 20th via Iron Bonehead Productions, hear Invocation‘s The Archaic Sanctuary (Ritual Body Postures) in its entirety here:

It was but the early autumn of 2018 when Invocation released The Mastery of the Unseen EP through Iron Bonehead. Although only two songs, The Mastery of the Unseen was presciently titled, for the Chilean power-trio made masterful strides since their debut CDR in 2016 and the extremely promising Seance Part. I demo released later that year. Exhibiting the same sulfurous energy as the first works but now displaying a uniquely feral poise, that two-song salvo set the stage for yet another presciently titled work in early 2020: Attunement to Death, again released by Iron Bonehead. Indeed with this mini-album did Invocation reach a hellish harmony with their classic South American diabolism, but on Attunement to Death did they imbue it with an ever-deeper – and ever-more-unique – aspect that bountifully displayed their authentic grounding in the occult. 

At long last, nearly a decade after their formation, Invocation unleash their full-length debut: The Archaic Sanctuary (Ritual Body Postures). Upon first blush, thankfully, very little has changed in the Chileans’ sound; restless, roiling, and most definitely RIPPING, their teeth-gnashing gnarliness is squarely situated between black metal and death metal, with no compromise nor fence-sitting to be found. But, where the mini-length predecessor saw the trio exhibiting confidence to spare, The Archaic Sanctuary utterly EXPLODES with it. Tight yet loose, wild yet locked-in, primitive constructions played with flowing finesse – Invocation‘s songwriting and execution have mostly stayed the same but somehow grown to enviable proportions, punishing mind and body with oft-overwhelming and yet always-mesmerizing METAL brewed in the cauldrons of the ancient and occult. No more but definitely no less, this is exactly the sort of debut album Invocation needed to deliver: canvassing past, present, and future and fittingly framing it with another gritty analog recording rich with sulfurous fire and sepulchral echoes.

It was only a matter of time before Chile’s Invocation delivered a debut album to capitalize on the massive potential they displayed on their short-lengths. With The Archaic Sanctuary (Ritual Body Postures), they now can enter the hallowed ranks of fellow cult countrymen Unaussprechlichen Kulten, Force of Darkness, Slaughtbbath, and the sorely missed Hades Archer for standard-bearers of classic South American madness.

Cover and tracklisting are as follows:

Tracklisting for Invocation (Chile)’s The Archaic Sanctuary (Ritual Body Postures)
1. Ecstatic Trance
2. The Serpent of Faardal
3. Opium Thebiacum (Somniferum)
4. Metamorphosis
5. Horn of Colima
6. The Psicopompos
7. Venus of Laussel
8. Hypnosis

MORE INFO:
www.facebook.com/INVOCATIONChile 



www.facebook.com/IronBoneheadProductions

DEATHLESS VOID stream new IRON BONEHEAD album

Today, Dutch black metallers Deathless Void stream the entirety of their highly anticipated debut album, The Voluptuous Fire of Sin. Set for international release on September 20th via Iron Bonehead Productions, hear Deathless Void‘s The Voluptuous Fire of Sin in its entirety here:

Hailing from the resurgent Dutch black metal scene, the then-mysterious Deathless Void made their public debut with a self-titled EP in early 2022, released by Iron Bonehead. Across its three-song / 15-minute runtime was a vacuum of violent, post-modern death energy. Their foundation was undoubtedly black metal, but their vision was not blinkered by the past; if anything, the jet-stream of crushing chaos across Deathless Void was futuristic, albeit a ruined vision of such. 

Reprising two of those EP tracks, The Voluptuous Fire of Sin becomes the penultimate first statement from Deathless Void. Much of that foundation is fortunately still in place – palpitating physicality mutated into cold, cutting, gleaming-yet-bloodstained steel – but the now-quartet have excised some of the noisier crags of that EP in favor of a more organic soundfield, which exceptionally amplifies the latent nightsky melodicism of their black metal. In terms of that EP, one could point to later Katharsis or Antaeus or especially turn-of-the-millennium Thorns as touchstones; on The Voluptuous Fire of Sin, there’s a palpably late ’90s feel in both songwriting and production, such that one could psychically slot the album among the No Fashion Records roster back then. Still, said EP whipped forth its own dread and delirium, and Deathless Void duly maximize that sensation here. The riffs and rhythms may attack in a somewhat-familiar manner, but coursing through their bloodstream is a haunting aspect that hovers both above and below, each texture daubed in nightmarishly psychedelic color – all emanating from BLACK. Not for nothing does the record (violently) begin with “Psychedelic Warfare” on to “Purple Triad,” with “The Ecstasy of Sin” able to be tasted when “Crossing the Threshold” until, finally, there’s a “Curse Upon You”… 

The start of THE END begins again: Deathless Void‘s The Voluptuous Fire of Sin!

Cover and tracklisting are as follows:

Tracklisting for Deathless Void’s The Voluptuous Fire of Sin
1. Psychedelic Warfare
2. Vortex Climax
3. The Shattered Realms Of Man Become The Abyss
4. The Ecstasy Of Sin
5. Iside
6. Burning Shapes Without Form
7. Crossing The Threshold
8. Purple Triad
9. Curse Upon You

MORE INFO:
www.facebook.com/Deathless-Void-103576735546776



www.facebook.com/IronBoneheadProductions

HYVER stream new ANTIQ EP – features members of VÉHÉMENCE, GRYLLE, HANTERNOZ, PASSÉISME+++

Today, French black metallers Hyver stream the entirety of their highly anticipated new EP,  Fonds de Terroir. Set for international release today via Antiq, hear Hyver‘s Fonds de Terroir in its entirety here:

Hyver comes back this autumn with a new EP called Fonds de Terroir. After Sorcier Hibou (dungeon synth – 2023) and Noirceur Mystique d’Autrefois (sympho / dungeoned black metal – early 2024), Fonds de Terroir brings us to the deep countryside of France. Melodious synth meets energic riffs, heavily supported by a creative bass-guitar played by KK (Passéisme) and groovy drums by Summun Algor (Agnus Dei). Hyver‘s rough voice is joined by strong choirs and two guests: Sans Visage (Prieuré) and M (Krasseville). With cover artwork by Joanna Maeyens (Paysage d’Hiver, Ruynn), Fond de Terroir tells us about journeys through France between muddy fields, old stone villages, ancient abbeys, and haunted swamps, in a musical spirit close to Horn, Satanic Warmaster, early Finntroll, and Hanternoz. The focus here is the link between black metal spirit and road-trip adventures – being “en route” to the unknown.

Antiq is a label dedicated to the fully coherent concept of making music through sound, image, video, and attitude. They have been putting their entire existence into it since 2009. Over the years, Antiq have been identified as producers of not only perfectly coherent lyrics and themes through music, but also conceptual art and, of course, the manufacturing of beautiful objects. The label tries as much as it can to work with French creators, and if possible, with the smallest and most serious structures.

Aforementioned cover artwork and tracklisting are as follows:

Tracklisting for Hyver’s Fonds de Terroir
1. Lanterne des Morts [4:11]
2. La Vieille près du Lavoir [6:39]
3. Frère Jean-Théophane [4:18]
4. Terroir Terreur [4:47]

www.antiqrecords.com
www.facebook.com/antiq.label 
www.antiqofficial.bandcamp.com 

GRYLLE set release date for new ANTIQ album, reveal first track – features members of VÉHÉMENCE, HANTERNOZ, PASSÉISME, HYVER+++

On November 10th internationally, Antiq is proud to present Grylle‘s highly anticipated second album, Egrotants, Souffreteux, Cacochymes, Covidards.

Grylle is a band formed in 2013 in France. As soon as the first songs were published on the mesmerizing demo Monstres et Merveilles in 2014, the band claimed a radical style: medieval music (flutes, lute, medieval drums) with black metal vocals. 

No use of synthesizers nor samples, neither any guitar: modern instruments are all banned. The lyrical theme of Grylle finds inspiration in the current social and political situation to write chronicles of our time through a medieval approach and a satirical point of view.

Following the demo came an album literally making the consensus: Les Grandes Compagnies in 2019. Black metal howled in French, played on lute and drummed with a metal drumkit. After a couple of years working with talented musicians and traditional artists, Grylle finally reveals its long-awaited new album: Egrotants, Souffreteux, Cacochymes, Covidards. 

Here on Egrotants, Souffreteux, Cacochymes, Covidards, we talk about plague, diseases, and strange afflictions: themes that still nowadays sow panic through their constant walk of death, depicted through the medieval point of view that made Grylle one of a kind. Expect nothing less than black metal as it would have been made in the Middle Ages after the Great Plague fear: brutal, inventive, and without compromise. Nevertheless, elegance and majesty shine on this album, as depicted by the beautiful illumination of the cover created by the medievalist painter Miho Kuroyanagi. The musicians and guests take medieval black metal to the highest level of authenticity and creativity.

Musically, the base is that of a power-trio: fast and bizarre lute melodies by Hyver (Véhémence, Hanternoz), swinging and inventive bass with a ’70s prog approach by KK (Passéisme, Paroxysm Unit), and flamboyant and luxurious drums led by Cadavre (Cantique Lépreux, Mêlée des Aurores, Forteresse live). Above it, some strange and uncommon instruments are psalterions, flutes and pipes, Sarrazin guitar (or citole), and brass sections. And then, harsh vocals as you know Grylle‘s Hyver and La Griesche are capable of, enhanced by rare-but-angelic choirs.

Antiq is a label dedicated to the fully coherent concept of making music through sound, image, video, and attitude. They have been putting their entire existence into it since 2009. Over the years, Antiq have been identified as producers of not only perfectly coherent lyrics and themes through music, but also conceptual art and, of course, the manufacturing of beautiful objects. The label tries as much as it can to work with French creators, and if possible, with the smallest and most serious structures.

 In the meantime, hear the brand-new tracks “Grande Marche des Covidards” and “Mauvais Sang” here:

Aforementioned cover artwork and tracklisting are as follows:

Tracklisting for Grylle’s Egrotants, Souffreteux, Cacorhymes, Covidards
1. Grande Marche des Covidards
2. Mauvais Sang [3:27]
3. Moribon Flétri d’Orgueil [4:59]
4. Réservement de Confortale Présence [7:00]
5. Le Tropique du Cancer [3:58]
6.  Queresle des Diables sur la Savance du Mort [7:16]
7. Le Triomphe de la Mort [6:16]

www.antiqrecords.com
www.facebook.com/antiq.label 
www.antiqofficial.bandcamp.com 

CHAOS INVOCATION set release date for new AOP RECORDS album, reveal first track

Today, AOP Records announces November 8th as the international release date for Chaos Invocation‘s highly anticipated fifth album, Wherever We Roam….

The journey of Chaos Invocation started in the fourth year of this millennium. Ever since the beginning, it has been the intention to manifest the members’ beliefs and experiences in Satanic music. As a trident lineup, Chaos Invocation released three full-length records: In Bloodline With The Snake (2009), Black Mirror Hours (2013), and Reaping Season, Bloodshed Beyond (2018). Shortly before the release of the latter, Omega (drums) and Tumulash (bass guitar) joined the founding members A. (guitars) and M. (vocals) and enriched the band with another spearhead. As a four-piece, Chaos Invocation recorded Devil, Stone & Man (2022): a wild, fierce, and challenging ride into the more sepulchral and dangerous realms of the black metal genre and a sonic monument of Satanic worship and sheer metallic fury. Devil, Stone & Man also marked the first collaboration with V. Santura at Woodshed Studio, with whom they also recorded their latest output.

Titled Wherever We Roam…, Chaos Invocation‘s fifth full-length looks to the past to see the trails to blaze ahead. Where Devil, Stone & Man maintained an incredibly direct aspect – arguably, the German’s most straightforwardly aggressive material to date, all grime and gnarl suiting the dark times in which it was birthed – Wherever We Roam… sees Chaos Invocation bringing back their burning-black melodicism, which heightens the authentically second-wave vibes intrinsic to their enduring aesthetic. Still serpentine and sinuous, their songwriting has continued to focus on expressions of a direct nature rather than busy themselves with overbearing complexity. Put another way, the quintet have focused on the more dynamic currents of Reaping Season, Bloodshed Beyond and simply sharpened them to a judicious degree, all given nightsky flight through the crisp & clean production – wholly organic, wholly powerful – as well as the oft-soaring leads.

As such, Wherever We Roam… feels anthemic, boundless, and wholly tailor-made for the stage, where Chaos Invocation have considerable experience; since their first live appearance in 2009, they’ve embarked upon several European tours as well as playing several smaller tours and festivals all over the European continent. “Our journey is far from being over,” state the band, and “we cannot wait to raise our banners at places we have yet not visited.” If there’s a record to slay that way forward, then surely it’s Wherever We Roam…

In the meantime, hear the brand-new track “Ideal Sodom” here:

Cover artwork, courtesy of Khaos Diktator, and tracklisting are as follows:

Tracklisting for Chaos Invocation’s Wherever We Roam…
1. Wherever We Roam
2. Ideal Sodom
3. Golden Gates And Terrene Light
4. Bridges Aflame
5. No Throne Withstands
6. This World Wants Us Dead
7. Only In Darkness
8. Engravings Of The Quivering Pedestal

Lineup
A. – lead guitar, vocals*
M. – vocals
LS – rhythm guitars
RK – bass guitar
Omega – drums

*lead vocals on “Ideal Sodom” and “Bridges Aflame,” all clean vocals

MORE INFO:
www.facebook.com/chaosinvocation 

www.aoprecords.de
www.facebook.com/aoprecords

THYRATHEN set release date for new FLOGA album, reveal first track – features members of VARATHRON, MACABRE OMEN, KATAVASIA, FUNERAL STORM+++

On November 1st internationally, Floga Records is proud to present Thyrathen‘s highly anticipated second album, Lakonic, on CD, vinyl LP, and cassette tape formats. In lieu of this announcement, the first track “Η Πόλις (the Philosophical Poem)” is premiered here:

Formed in 2011 but not making their public debut until ten years later, Thyrathen nevertheless are a vanguard for ancient Hellenic black METAL. That debut, the full-length ThanatOpsis, featured a godly lineup – drummer Corax S. (ex-Nocternity and Jackal’s Truth), guitarist A.Z. (ex-Kawir and Obsecration), and vocalists Stefan Necroabyssious (Varathron, Funeral Storm, Katavasia) and Alexandros (Macabre Omen, The One) – and the results were, unsurprisingly, godly. Here was that classic Greek sound, given deeper and darker drama through a framework of both fantasy and philosophy, but looking within for inspiration rather than without. Put another way, Thyrathen slotted well into the lineage its principal members helped shape, but ThanatOpsis was entirely its own creation. A Mount Olympus to eclipse, as it were…

Somehow, Thyrathen have scaled that mount once again, and indeed have eclipsed the feat with their second album. Titled Lakonic, the band’s sophomore full-length stays true to their noble foundation, but goes bigger and bigger and BIGGER. Thyrathen here create a vast and epic landscape that’s poetic and philosophical in equal measure, illuminated by the torch of That Classic Greek Sound but skillfully maximizing the METAL aspect of black metal. Once again, neither keys nor synths have been used. Instead, as on the debut, ancient lyre and choirs & voices constitute the lyrical part of Thyrathen‘s music, giving an impossibly rich texture to their heavy metal hymns that’s solemn, ceremonial, and simply stunning. The lineup sees the return of Corax S., Stefan Necroabyssious, and Alexandros, and also the arrival of Noch from Greece’s Black Winter on guitar, bass, and choirs and Thanasis Kleopas on ancient lyre and voices. Together, these men weave a tapestry of sound that engages upon first listen and then works an ever-more-entrancing spell as successive spins seduce the listener. 

Both counterpart to and continuation of ThanatOpsis, Lakonic goes one step further and consolidates the unique character & music style of Thyrathen as “diachronic, lyrical black metal,” in their own words. With seven songs in 47 minutes, this second album is a coherent, poetic-epic, and theatrical journey: it creates images, it flows joyfully in its entirety, and it adds further to the brilliant canon Thyrathen are building.

Cover and tracklisting are as follows:

Tracklisting for Thyrathen’s Lakonic
1. The Throne of Micro-Cosmos (Foolishness) [5:45]
2. Religious Agonies [5:13]
3. Matter, Void, Sperm [6:29]
4. De Rerum Natura [5:51]
5. Η Πόλις (the Philosophical Poem) [7:49]
6. Void, Matter, Sperm [6:51]
7. Scales & Sword (the Fall of Justice) [7:16]

MORE INFO:
www.facebook.com/thyrathen.band
www.thyrathen.bandcamp.com 


www.flogarecords.com 
www.facebook.com/floga.records 
www.flogarecords.bandcamp.com 

BLACK CURSE set release date for new SEPULCHRAL VOICE album, reveal first track

Behold, ye disciples of sepulchral darkness! With utmost pride, Sepulchral Voice Records annunciates Black Curse‘s sophomore album, Burning in Celestial Poison, to be released internationally on October 25th.

Four years have passed since Endless Wound left stigmatas on mankind, but be sure, the quartet will cut even deeper now. Burning in Celestial Poison is not only a statement and lesson in audio-violence, it is a 44-minute-long manifest of radical DEATH metal causing mental lacerations and chaos!

A record supposed to shock, because of its ecstatic ruthlessness and massive fanatical malevolence, hovering deep below the compositions. It opens the doors to a world that is so unbelievably vast that you risk losing yourself in it; its depths defy exegesis.

Four curses are woven into four hymns of utter death-magic, which will lead you into the black abyss of the grand divine.

Burning in Celestial Poison truly is an agonized infernal within, shattered and re-jointed into the darkness of the physical. Extreme intensity pointed cruelly towards the soul to extinguish the spirit.

The album was again produced by master Arthur Rizk, who cuts through all expectations with extraordinarily dense and destructive fidelity and production. Burning in Celestial Poison sounds like it was created with the magick, formulas, codes, and keys of a world beyond.

In order to understand the dark sublimity of this album, maybe other perspectives must be considered, which are not yet defined properly. In our world, it will be considered ugly and oppressive by those who are not able to succumb to its glorious depths. Intentionally breaking with modern listening habits (and avoiding all rules of song length and structure), it achieves the best result when experienced in darkness and at maximum volume.

Burning in Celestial Poison meanders and finishes with a prophetic roaring sound that surely comes from the world we have to face, which is the world in fire. MORTE MORTE MORTE.

In the meantime, hear the brand-new track “Trodden Flesh” here:

Cover and tracklisting are as follows:

Tracklisting for Black Curse’s Burning in Celestial Poison
1. Spleen Girt With Serpent [10:51]
2. Trodden Flesh [11:47]
3. Ruinous Paths… [7:09]
4. … to Babylon [4:13]
5. Flowers of Gethsemane [11:09]


MORE INFO:
www.blackcurse-svr.bandcamp.com 

MORE INFO:
www.sepulchralvoice.de
www.facebook.com/sepulchralvoicerecords

Sweden’s SEID set release date for new DE TENEBRUM PRINCIPIO album, reveal first track – features members of CRAFT+++

On October 18th internationally, De Tenebrarum Principio – a division of ATMF – is proud to present the highly anticipated fifth album of Sweden’s Seid, Hymns to the Norse.

Hymns to the Norse – the new album from Seid, active since 2009 and purveyors of proud pagan black metal in the ancient tradition – takes great inspiration from the old folk music of the Scandinavian region. In many ways, this album is more of a concept album than 2022’s preceding Svart Sól was. The sejd drum intro “Hymn To Ivar” opens it up in an even-more-traditional fashion, but then you get brass sections and the sound develops more and more throughout the album towards something more recognizably black metal. “Hymn to the North” closes the album, referring to the fact that all the songs you just heard were hymns: previously untold but, in our common ancestry, deeply buried.

With Seid‘s raw, lo-fi sound, eerie vocals, sejd drum, Hammond organs, and haunting atmospheres, this album pushes the boundaries of black metal while exploring the Norse roots. Hymns to the Norse takes you to the past…and brings the past into you.

In the meantime, hear the brand-new track “My Kingdom Rise” here:

North American preorder info can be found HERE; European preorder info can be found HERE. Cover artwork, courtesy of Frank Dicksee (1873), and tracklisting are as follows:

Tracklisting for Seid (Sweden)’s Hymns to the Norse
1. Hymn To Ivar
2. The End Of Days
3. My Kingdom Rise
4. White Beast From Hel
5. Nordmænnens Raseri
6. Light Up The Sky
7. Allfadir
8. Hymns To The North

Lineup
Seiðr – vocals, organ, guitars 
Osgilliath – bass 
Pär Johansson – drums (also in Craft) 
Herjann – guitars 
Reynir – guitars

MORE INFO:
www.norseblackmetal.com 


www.atmf.net 

Japan’s IMMORTAL DEATH stream WEREWOLF debut demo – features members of SEX MESSIAH+++

On September 13th internationally, Werewolf Records will release the debut demo of Japan’s Immortal Death, self-titled Immortal Death, on CD and cassette tape formats. And today, they stream the demo in its entirety. Hear Immortal Death‘s Immortal Death in its entirety here:

Emitting the sick stench of the ancients, Immortal Death play savage, Satanic DEATH METAL as if the last couple decades of “death metal” didn’t exist. A mysterious entity, it is known that at least one member hails from the esteemed Sex Messiah, but that is where the parallels end: one listen to Immortal Death‘s eponymous debut demo is enough to convince the diehard – or offend those of delicate sensibilities. Howling and harrowing and hulking in its ragged, rabid physicality, Immortal Death mangles both mind and body with its sulfurous rehearsal-room intensity, skillfully moving between primitive blasting and ominous trudge, with UNGODLY riffs being bullet-belted out right and left. And after a mere 14 minutes, you’re left with absolute devastation.

So impressed by its sheer audacity and merciless battery, Werewolf steps forward to release Immortal Death on a worldwide scale, on all formats. Maniacs of Necrovore, the pre-Deicide Amon, America’s Infester, Pissgrave, or the late / great Deathchurch, prepare for reckoning with Immortal Death.

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Immortal Death (Japan)’s Immortal Death
1. Intro
2. Impaled by Horn
3. Stigmatized
4. Romance Of Corpse
5. Death of the Immortality
6. Outro

MORE INFO:
immortaldeathog.bandcamp.com

 + WEREWOLF RECORDS temple +
www.werewolf.fi
www.facebook.com/werewolf.rex

BARATHRUM reveal second track from new HAMMER OF HATE album

Today, legendary Finnish black metallers Barathrum reveal the new track “Dark Sorceress 3 (Spring Siege).” The track is the second to be revealed from the band’s highly anticipated tenth album, Überkill, set for international release on October 11th via Hammer of Hate. Hear Barathrum‘s “Dark Sorceress 3 (Spring Siege)” in its entirety here:

Barathrum should need no introduction. Formed in 1991, the band remain one of Finland’s very first black metal bands – and, more importantly, one of the longest-running. While Finland’s history of black metal often revolves around Beherit, Impaled Nazarene, and Archgoat during the ’90s and then Horna, Satanic Warmaster, and Behexen at the dawn of the millennium, during all this have Barathrum remained steadfast in their vision of bulldozing, bass-heavy black metal that indeed features TWO bass guitars. The band’s first two albums – Hailstorm and Eerie, both released in 1995 – remain absolute classics of dark & unsettling art, but thereafter did the band take on a rowdier, more concertedly METAL aspect that’s made that vision all the more unique and their legacy all the more enduring. And while they more or less went on hiatus following 2005’s Anno Aspera, Barathrum returned rougher and rowdier than ever with 2017’s gutted ‘n’ glorious Fanatiko.

Alas, seven years pass, but the Barathrum sound & vision are eternal, and they return to prove it once again with Überkill. Here, previous-bassist / now-guitarist Ruttokieli (also mainman of Sielunvihollinen and White Rune) composed all but one of the songs on this, amazingly the band’s tenth album; drummer Vendetta makes his composition debut with the telltale, scene-setting opener “Death by Steel.” As always, founding frontman Demonos Sova wrote all the lyrics, and his signature full-throated rasp leads with devilish glee these alternately stomping / surging anthems, all with equally telltale titles like “Mountain of Bones,” “Dark Sorceress 3 (Spring Siege),” “Black Magick Rites,” and perhaps best of all, “Spark Plugs of Purgatory.” And yet, for as much as Barathrum are very much (still) a pure & proud black metal band, Überkill proves that the Finns are, above all, a very great heavy metal band – just one that’s jet-black, asskicking, and bass-driven as fuck. Simple-yet-sublime pleasures, now and forever: again, Barathrum are eternal!

Hear the previously revealed title track “Überkill” HERE, also at KVLT‘s official YouTube channel. Cover and tracklisting are as follows:

Tracklisting for Barathrum’s Überkill
1. Death by Steel
2. Mountain of Bones
3. Spark Plugs of Purgatory
4. Black Magick Rites
5. Ritual Murder
6. White Red Black and Pale
7. Denial of God
8. Dark Sorceress 3 (Spring Siege)
9. Überkill

MORE INFO:
www.facebook.com/barathrumofficial

WWW.KVLT.FI