Month: September 2024

SHAARIMOTH set release date for new W.T.C. album, reveal first track

On October 31st internationally, W.T.C.Productions is proud to present Shaarimoth‘s highly anticipated third album, Devildom, on CD and vinyl LP formats.

Formed in 2004 but tracing its origins back to 1998, Shaarimoth emerged from the then-barren Norwegian death metal underground, and along with it, so did new incantations of darkness, death, and destruction. Both dark and ecstatic, furious and violent, defying genres, but at the same time paying tribute to its predecessors of the black arts, Shaarimoth‘s goals were firm from the very beginning.

To date, Shaarimoth have released two albums, a full 12 years apart: 2005’s Current 11 and 2017’s Temple of the Adversarial Fire. Indeed not ones to rush things, the Norwegians maximize “delayed gratification” and embrace bold & brazen reinvention. Such was the case for the universally celebrated Temple of the Adversarial Fire, which saw Shaarimoth evoking the album’s namesake: a wholesale stripping-down their aesthetic to its barest essentials, only to be rebuilt into an incendiary, black-smoke-billowing monolith of blackened death metal majesty. Rarely in the nowadays metal underground will one hear a death metal record this pure and reverential in its intent whilst being so suffused with the blackest of blood…that is, until the arrival of Devildom.

Almost elegantly simple in its title, Devildom nevertheless reveals the fullest depth(s) of Shaarimoth‘s ever-entrancing vision. The template remains unyielding and limitless – technical Morbid Angel-esque death metal given unique twists in texture, ambience, and authentically occult lyrical content – but the execution of such is taken, impossibly, up to yet another level. Devildom delves into themes of darkness, death, rebellion, and the acosmic forces of the infernal, guiding the listener on a journey through the boundless abyss, beyond the illusions of creation. It reveals a path to transcendence, returning to the true darkness from which all things arise and to which they will eventually return. Grounded in esoteric philosophies and dark spiritual doctrines, the music acts as a conduit to an otherworldly domain where reality’s limitations are cast aside to embrace the forbidden light of the dark gods. More than just a collection of songs, Devildom offers a ritualistic experience meant to invoke the Devil’s presence and power, immersing the listener in a realm of liberating madness. This journey celebrates the sinister and the spiritual, inviting exploration of the shadow self and crossing the boundaries between the mundane and the mystical to confront the darker aspects of existence.

Thankfully, a dozen years were not necessary for Shaarimoth to continue the glorious new epoch they ushered in with Temple of the Adversarial Fire. Patiently and painstakingly crafted all the same, Devildom soundly cements Shaarimoth‘s status as the Devil’s Death Metal ELITE.

In the meantime, hear the brand-new track “The Midnight Sentinel” here:

Cover artwork, courtesy of Vamperess Imperium, and tracklisting are as follows:

Tracklisting for Shaarimoth’s Devildom
1. Call To Prayer
2. The Midnight Sentinel
3. Blood Covenant
4. Into Everlasting Darkness
5. The Voiceless Call
6. Apotheosis
7. Blade Of Malediction
8. The Impulse Of Rebellion
9. When Blood Becomes Fire
10. For His Eyes Of Judgement Are Forever Upon You

MORE INFO:
www.facebook.com/shaarimoth

www.w-t-c.orgwww.facebook.com/W.T.C.Productions

TOUR D’IVOIRE stream ANTIQ debut – features members of VÉHÉMENCE, GRYLLE, CERCLE DU CHÊNE, HANTERNOZ+++

Today, French black metallers Tour d’Ivoire stream the entirety of their highly anticipated debut album, self-titled Tour d’Ivoire. Set for international release today via Antiq, hear Tour d’Ivoire‘s Tour d’Ivoire in its entirety here:

Tour d’Ivoire is an atmospheric black metal project created by Hyver (Véhémence, Grylle, Hanternoz) and La Griesche (Grylle, Cercle du Chêne) in early 2023. The atmosphere of this first eponymous album is thick and mysterious as a twilight fog: extreme vocals emerging from hypnotical riffs, synthesizer melody, and spectral choirs. The French lyrics treat, with a fatalistic view, the contemplation of landscapes and architectures out of mystical dreams, as depicted by Sperber Illustrationen for the album’s cover art.

Antiq is a label dedicated to the fully coherent concept of making music through sound, image, video, and attitude. They have been putting their entire existence into it since 2009. Over the years, Antiq have been identified as producers of not only perfectly coherent lyrics and themes through music, but also conceptual art and, of course, the manufacturing of beautiful objects. The label tries as much as it can to work with French creators, and if possible, with the smallest and most serious structures.

Aforementioned cover artwork and tracklisting are as follows:

Tracklisting for Tour d’Ivoire’s Tour d’Ivoire
1. La Tour [8:34]
2. Brouillard [9:09]
3. Forteresse de Marbre [7:54]
4. Givre [7:44]

www.antiqrecords.com
www.facebook.com/antiq.label 
www.antiqofficial.bandcamp.com 

HORNA reveal second track from new W.T.C. album

Today, legendary Finnish black metallers Horna reveal the new track “Hymni V.” The track is the second to be revealed from the band’s highly anticipated 11th album, Nyx – Hymnejä Yölle, set for international release on September 13th via W.T.C. Productions. Hear Horna‘s “Hymni V” in its entirety here:

Horna need no introduction. Formed in 1994 when they were but teenagers, the band soon began creating a vast, prolific catalog – and, since the early 2000s, began asserting considerable influence over the black metal underground both in their native Finland and abroad. And while there are three distinct eras of Horna – the Nazgul-fronted version during the late ’90s to early 2000s, then the feverish Corvus-fronted years from 2003 to 2009, and finally, the Spellgoth-fronted lineup that began the 2010s and which has seen a few lineup shifts but has patiently parceled out recordings ever since – stellar songwriting and impassioned playing have always been their hallmarks. Their sound may’ve undergone subtle shifts of texture throughout those many years, but Horna‘s vision of unapologetic BLACK METAL has never faltered: proud and pure, familiar yet unique, and undeniably eerie and emotive.

Fitting for their 30th anniversary, Horna now unveil a new full-length that bridges past, present, and future: Nyx – Hymnejä Yölle. While the preceding Kuoleman Kirjo challenged with its sheer length – then again, so did 1999’s classic Haudankylmyyden Mailla, which retroactively wielded influence on that album and this next one – it nevertheless comprised 13 mostly-compact rippers emblematic of the Spellgoth era: nightsky melodicism conjured forth by founding guitarist Shatraug and longstanding six-string foil Infection, with the new rhythm section of drummer LRH and bassist VnoM creating blistering speed that was somehow swinging. That lineup carries forward to Nyx, and largely does that songwriting schematic. But whereas its predecessor touched upon a moodier aspect, on Nyx do Horna expand upon that in conjunction with longer tracks; six songs in 44 minutes should be easy math for most people. However, the album’s structure is unique in that the first five tracks are Roman numeral variations of “Hymni,” and thus fit a framework of crisp, mystical black metal both nostalgically ancient yet somehow surprisingly “modern.” Then comes “Kuoleva Lupaus,” which features former bassist (and currently Kryptamok mainman) Hex Inferi. Solemn and stripped back unlike anything else in their extremely deep discography, this nine-minute closer is essentially neofolk, but unmistakably done the Horna way. A haunting end to a majestic catharsis…

Of especial note is the production across Nyx: arguably the “cleanest” production Horna have yet had, it only heightens said mysticism and adds a palatable sheen to these raging wraiths of song – the latent emotion brought to a boil, the hypnotism pulling heartstrings in magickal collusion. It speaks to the strength of their songwriting, once again, which somehow manages to become ever more focused yet varied as time marches on. And although nods to the Nazgul era are noticeable – the Corvus era stands cold ‘n’ alone in its righteous, ragged filth – this synthesis of peak performance and professionalism with spectral songwriting becomes its own new “era,” in effect. Or, simply, it’s Horna. Their legendry continues to be written…

Hear the recently revealed video “Hymni I” HERE, also at W.T.C.‘s official YouTube channel. Cover artwork, courtesy of Dhomth, and tracklisting are as follows:

Tracklisting for Horna’s Nyx – Hymnejä Yölle
1. Hymni I [8:46]
2. Hymni II [7:46]
3. Hymni III [6:08]
4. Hymni IV [7:32]
5. Hymni V [5:00]
6. Kuovela Lupaus [8:46]

MORE INFO:
www.facebook.com/hornablackmetal 

www.w-t-c.orgwww.facebook.com/W.T.C.Productions

America’s BLASPHEMOUS set release date for new ADIRONDACK BLACK MASS album, reveal first track

On October 25th internationally, Adirondack Black Mass is proud to present the highly anticipated fourth album of America’s Blasphemous, To Lay Siege and Conquer, on CD format.

Philadelphia’s Blasphemous formed in 2003 with one intention: to write and record blackened death metal. A lot has changed in the past 21 years, but one thing has remained: the band’s sense of passion and willingness to persevere despite lineup changes, a hiatus, and the shifting of the music industry. Returning later this year with To Lay Siege and Conquer, their first LP since 2018, Blasphemous are a reminder that death and darkness will always prevail. 

Led by founding member Ron “RK” Kaiser and steeped in influence from Morbid Angel, Deicide, Watain, Angelcorpse, and Immortal, Blasphemous have always been uncompromising in their approach to writing and recording. The band’s first incarnation released their first demo, Storm of Chaos, in 2005. Quickly establishing themselves as a force to be reckoned with live and in the studio, BLASPHEMOUS released their first album, Incineration of the Cult, in 2008. They quickly followed it up with a second album, Bearer of the Darkest Plagues, but lineup instability brought things to a close in 2013…for a time. 
Feeling that there was more to be said, RK reformed Blasphemous in 2016, assembling a new lineup that included Engulf guitarist Hal Microutsicos, lead guitarist Steve Shreve, bassist Josh Guinter, and drummer Mark Vizza. Signing to Horror Pain Gore Death Productions, that lineup released the third Blasphemous album, Emerging Through Fire. It revealed a band more energized, more creative, and more ready for domination than ever before, leading to a number of short tours and one-off live performances. 

Guinter departed the band and was replaced by bassist Dan Lee in 2020, during a time when live performances ceased. Forging ahead, Blasphemous wrote and recorded the Eternal Misanthropy EP, which saw release in 2022, supported by physical releases from Unchained Tapes and Born for Burning. With a solid foundation finally established, Blasphemous are once again prepared to make their mark on the underground when To Lay Siege and Conquer is released October 25th on Adirondack Black Mass.

In the meantime, hear the brand-new track “Son of the Forsaken” here:

Cover and tracklisting are as follows:

Tracklisting for Blasphemous (USA)’s To Lay Siege and Conquer
1. To Lay Siege and Conquer [5:16]
2. Son of the Forsaken [4:22]
3. Martyr Complex [3:50]
4. Spiritual Enslavement [3:20]
5. Dead and Still [4:20]
6. Curse of the Witchchrist [4:25]
7. Neverborn [4:11]

MORE INFO:
www.facebook.com/blasphemousmetal
www.blasphemousphilly.bandcamp.com 


www.adirondackblackmass.com
www.adirondackblackmass.bandcamp.com 

DIABLATION reveal first track from new / final OSMOSE album

Today, French black metallers Diablation reveal the new track “Eternel.” The track is the first to be revealed from the band’s third and final album, Irrévérence, set for international release on September 27th via Osmose Productions. Hear Diablation‘s “Eternel” in its entirety here:

After experiencing a journey into the depths of despair, Diablation imagine the future of a newly elected people saved from the emerging apocalypse. They depict this future in great detail in their new transcendent opus, consisting of seven tracks mixed and mastered by Seb BST.

The tracks evoke violence and epic emotions, inspiring courage, honor, and adoration towards the Architect of this world. The metallic anthems crafted by VOA are supported by incantations chanted tirelessly, backed by a martial, heady rhythm driven at a frantic pace by Rémi Serafino (drums) and Max (bass).

The final work of the group features the last words of their martyr singer Arkames, who is now doomed to silence. The work symbolizes irreverence, counter-revolution against modernism and liberalism, and the desire for a restoration of His Reign. The closing words of the work are “Oh God, I rely on you, that we can one day become King again.” May this sentiment guide us until our last breath.

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Diablation’s Irrévérence
1. 144000 [1:23]
2. Eternel [6:38]
3. Purification [8:46]
4. Par La Haine [5:24]
5. Chrysanthèmes Au Nouveau Monde [7:43]
6. Ad Universum [5:49]
7. Le Dernier Roi [6:26]

MORE INFO:
www.facebook.com/diablation

www.osmoseproductions.com
www.facebook.com/osmoseproductions

SPITER to tour the United States in November

This November, True Vampyric Metal Punks Spiter will embark on a tour of the American East Coast. Joining them as support will be New Hampshire deathpunks Diabolus. Full list of confirmed dates as well as poster art are as follows:

11/1 Worcester, MA @ Ralph’s Diner
11/2 Jersey City, NJ @ Black Pearl
11/3 Richmond, VA @ Cobra Cabana
11/5 Atlanta, GA @ Boggs Social
11/6 Stuart, FL @ East Ocean Pub
11/7 Orlando, FL @ The Conduit
11/8 Pensacola, FL @ Subculture
11/9 New Orleans, LA
11/10 Memphis, TN @ The Hi Tone
11/12 Louisville, KY @ Portal
11/13 Asheville, NC @ Eulogy
11/14 Raleigh, NC @ The Pour House
11/15 Brooklyn, NY @ Meadows
11/16 Philadelphia, PA at Fotoclub

It was but the summer of 2022 when Spiter burst from the fucking grave with their debut album for Hells Headbangers, Bathe the Babe in Bats’ Blood. Featuring members of labelmates Shitfucker and Devil Master, the power-trio made plain – and vulgar – their infernal & infectious True Vampyric Metal Punk: a raw-yet-anthemic blend of cult blackthrash, obscure hardcore punk, and even the wildest deathrock. The album sowed its seeds of sanguine depravity and Spiter took their madness on the road, cementing their cult status immediately.

Now, the deviants of Spiter return with a ripping new mini-album, Enter the Gates of Fucking Hell. This six-song / 26-minute recording sees the lineup scaled back to vocalist / guitarist / songwriter Richard Spider (Daemon Bitch of Shitfucker) and drummer Snake (Disjawn) – they continue to be a trio for live purposes – and remarkably shows even more fire and focus than that not-inconsiderable debut album. Somehow, those six(-six-six) songs sound shorter and more epic simultaneously, with Spider showing his songwriting chops between wild & winding mania and ghoulish catchiness. The production, in kind, is colder and harsher but clearer and heavier, assaulting the listener with arguably more undead energy than said debut. And then, over before it began, you’re again possessed to press “play” and enter those fucking gates over and over…again, until it fucking hurts.

Stream Spiter‘s Enter the Gates of Fucking HellHERE at Hells Headbangers‘ Bandcamp. Order info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Spiter’s Enter the Gates of Fucking Hell
1. Enter The Gates Of Fucking Hell
2. Drowning In Darkness
3. Tears Of Blood
4. The Creeping Serpent Psychosis
5. 666 On The Crucifix
6. Reflection Of The Vampire

MORE INFO:
www.spiter.bandcamp.com

“When you need metal, go to hell!”

www.hellsheadbangers.com
www.facebook.com/hellsheadbangers 

SILHOUETTE set release date for ANTIQ debut album, reveal first video

On October 20th internationally, Antiq is proud to present Silhouette‘s highly anticipated debut album, Les Dires de l’Ame.

Born in 2019 in Montpellier, the French sextet of Silhouette were able to make a name for themselves with the debut EP Les Retranchements, released in 2022 by Antiq, and build up a strong live experience at several events in France. With their incisive, post-metal-tinged black metal and the strength of their two singers, Ondine and Yharnam, the band invites introspection and tackles the theme of dreams, nightmares, and lost ones. 

Now, two years after that celebrated EP, Silhouette will release their debut album, Les Dires de l’Ame. Taking listeners on a long, dreamlike journey, the band’s first full-length spans extremes of sound – beauty to darkness, violence to repose – and shows Silhouette masterfully combining a black metal base with the skyscraping melodicism of shoegaze and the deft textural shifts of post-rock. Although comprising ten songs across 46 minutes, the album feels far more epic than that conventional construction may suggest;  Silhouette‘s songwriting simply stuns with its acute balance of drama and flow, hypnotizing and dazzling at every turn. The same can be said for the layered dual vocals of Ondine and Yharnam, working a stronger spell that’s at times almost crushingly beautiful. But to call Les Dires de l’Ame a “black metal” record or especially a “post-metal” one misses the point: while the destination is no less important, that journey the band take you on is, in essence, the “destination.” Either way, Silhouette now come strongly recommended to fans of Alcest, Sylvaine, Cult of Luna, Amenra, and Darkher.

Antiq is a label dedicated to the fully coherent concept of making music through sound, image, video, and attitude. They have been putting their entire existence into it since 2009. Over the years, Antiq have been identified as producers of not only perfectly coherent lyrics and themes through music, but also conceptual art and, of course, the manufacturing of beautiful objects. The label tries as much as it can to work with French creators, and if possible, with the smallest and most serious structures.

In the meantime, see & hear a short film for the track “L’Éveil” here:

Cover and tracklisting are as follows:

Tracklisting for Silhouette’s Les Dires de l’Ame
1. L’Appel
2. Catalepsie
3. Dialecte Onirique
4. Silhouette
5. Adoubée des Étoiles
6. Les Dires de l’Âme
7. Une Lame Éprise
8. Litanie contre la Peur
9. Dysthymie
10. L’Éveil

MORE INFO:
www.facebook.com/SilhouetteBM 
www.silhouettebm.bandcamp.com 

www.antiqrecords.com
www.facebook.com/antiq.label 
www.antiqofficial.bandcamp.com 

DESTRUKTOR set release date for new HELLS HEADBANGERS album, reveal first track

Today, Hells Headbangers Records announces October 18th as the international release date for Destruktor‘s long-awaited third album, Indomitable, on CD and cassette tape formats. The vinyl LP version will follow later.

Since 1997, Destruktor have been proudly flying the flag for Australian extreme metal. While quite often do their recordings come within large gaps of time – their second album, Opprobrium, was released back in 2015 – these Aussie tyrants have been patiently honing a sound that seethes with the war-metalled fire their homeland’s world renowned for, yet over the years finessed with an acute attention to propulsive, immediately memorable songcraft. Black metal, death metal, thrash, “war metal,” whatever: Destruktor are their own paradigm by now, and it is eternal.

Such is the case with their long-awaited third album, Indomitable. All-too-perfectly titled, Indomitable sounds like it could’ve come at any point in Destruktor‘s quality-over-quantity career: eight stout tracks of scathing, surging, no-nonsense extreme metal. Indeed, founding vocalist / guitarist Glenn Destrukor and longtime drum-tornado Jared maintain the same, singed-black rage that have made their two full-lengths and two EPs such touchstones of Down Under extremism, but here they are joined by old friend / new addition Chris on bass, who exhibits the best low-end work on any Destruktor recording and fully complements their characteristic chaos vs. control dynamic. Lean and mean at 34 minutes just like its predecessor, Indomitable continues the band’s proverbial sharpening of blades; their fury still walks that fine line between chaos and control – neither too blackened, nor too deathly, nor “thrashing” in any cliche way – but the clear-yet-crushing production (at Melbourne’s renowned Toyland Studio) amplifies tenfold their scabrous assault, making it somehow grittier and more gleaming in equal measure. It’s impossible not to get inexorably swallowed by the album’s slipstream: Indomitable is death in sonic format, bereft of belief, joy, and light. 

And yet, Destruktor can still surprise, for Indomitable features the band’s darkest and most personal lyrics to date, fully committed to the concept of death in many forms. And, if we are to read into the lyrics of climactic closer “The Path to Lucifer,” there’s an allusion to returning to dust, but rest easy: after delivering undoubtedly their best work after 30 years of existence – truly, an exception to rule of metal bands wimping out or worsening as the years slog on – Destruktor are in no danger of disbanding anytime soon.

Riff after riff, blast after blast, death after death, Indomitable is catchy-yet-unrelenting dark extreme metal for the dark and the darker. Destruktor are truly eternal.

In the the meantime, hear the brand-new track “Speaking With the Dead” here:

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Destruktor’s Indomitable
1. Speaking With the Dead
2. Holy Orgy
3. Writhe In Pain
4. Indomitable
5. Better Off Aborted
6. Beyond The Bleakness
7. Reap What You Sow
8. The Path to Lucifer

MORE INFO:
www.facebook.com/destruktorofficial

www.hellsheadbangers.com
www.facebook.com/hellsheadbangers