Steve Bruder Des Lichts

MARDOM set release date for PERSONAL RECORDS debut album, reveal first track

On October 4th internationally, Personal Records is proud to present Mardom‘s highly anticipated debut album, Dead Soul Age, on CD format.

Formed in 2019, Mardom are a new force in the always fertile Polish black metal scene. Despite their geography, the duo aren’t strictly “Polish black metal” by definition; a strong foundation in ’90s Scandinavian black metal underscores the grim & melancholic elements of their local tradition. Mardom are one of those rare new bands who bring the black metal atmosphere of the old days to life in such an authentic and natural way.

Mardom was initially planned as a project of guitarist Mogomir, but eventually became a band with vocalist Kres and others joining. Since then, the band have released two EPs, 2020’s The Path of No Return and 2022’s Longing for a New Dawn. Those two titles should doubtlessly state what sort of atmosphere Mardom are brewing.

Now, that cauldron boils over with their debut album, Dead Soul Age. Here, Mardom aesthetically bridge those two short-lengths, combing dynamic sound and aggression with more melancholic and nostalgic themes, and even a touch or two of (blackened) doom. On first blush, Dead Soul Age bears some passing semblance to the ever-thorny “depressive black metal” subgenre; listen further, and that semblance is superficial, for there’s far more energy and enveloping songwriting at work here. While the former pushes the latter forward with an almost understated grace, that songwriting soon shows its full depth: both simplicity and complexity weave into and out of each other, much in the way that the early Scandinavian trailblazers did, but arguably wrapped in a sympathetic production neither too polished nor too raw. Dead Soul Age thus becomes a dream-like journey through themes of emptiness and sorrow, as well as both hatred and love.   

True Polish black metal, especially of the underground variety, is nothing if not authentic: you hear it, and you KNOW it. Rarer still is depressive black done right, such as the cult likes of Wigrid, Krohm, and Raate. You can now add the humble name of Mardom to those rarefied ranks with the beginning of their Dead Soul Age.

In the meantime, hear the brand-new track “If Hate Now Reigned” here:

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Mardom’s Dead Soul Age

1. If Hate Now Reigned [6:13]
2. Spojrzenie [7:40]
3. Inverted Sun Darkness [6:31]
4. Buried in the Dust of Stars [7:02]
5. Unseen Dreams [6:58]
6. Dead Soul Age [5:55]

MORE INFO:
www.facebook.com/mardomband 

www.personal-records.com
personal-records.bandcamp.com
www.facebook.com/personalrecords666
Instagram.com/personalrecords666

CONCRETE WINDS reveal second track from new SEPULCHRAL VOICE album

Today, rabid black/death maniacs Concrete Winds reveal the new track “Subterranean Persuasion.” The track is the second to be revealed from the band’s highly anticipated third album, self-titled Concrete Winds, set for international release on August 30th via Sepulchral Voice Records. Hear Concrete Winds‘ “Subterranean Persuasion” in its entirety here:

To all death metal lunatics and black metal psychopaths left out there in this toothless and tamed scene, let us proclaim the word! Concrete Winds are back to push spikes, needles, and barbed wire into your flesh and ears.

Once again, the noise aggressors slit the veil from beyond and step into our world to pillage and hound to death all what was known, predictable, and comfortable in metal music. Their third album is self-titled for mandatory reasons and shows the band furthermore exploring the EXTREME in extreme metal. This truly is rabies set to music!

While their debut, 2019’s Primitive Force, was a beacon of strife in stretching and redefining the boundaries of unholy, grinding death metal, the successor, 2021’s Nerve Butcherer, pushed the limits even harder and set new standards in the world of audial bulldozing destruction and blitzin’ torment. 

With Concrete Winds, the band now open wide again the portals to the abattoir and continue right where Nerve Butcherer had left the listener helplessly in a sonic wasteland of scorched earth, barren soil, and sheer darkness. They manifest their will to tear the listeners’ drumheads out and to creep deep into souls black. As expected, the album is rooted in outrageous speed, heaviest trembling rhythm passages, abysmal croaked curses, turbulent breaks, and repulsive shrieking leads which let you drown in a maelstrom of insanity. But this time, new layers are also added to the pandemonic universe, as weird staccato riffing sections bleed into witching industrial scenarios.

Concrete Winds have always gone further than any recent extreme metal outfit and leave out everything that’s established in music, cut off what became comfortable in metal, and blow away what still feels “appropriate” in extreme metal. It seems that this once-urgent attitude to explore limits finally has a new helmsman. Nevertheless, they stay ever loyal to the elder originators of bloody metal mayhem, but evolve those inspirations taken from masters like Morbid Angel, Necrovore, and Repulsion to a very unique and nearly “reference-less” hellwitchin’ sound.

No less than Lawrence Mackrory – with the help of Matti Mäkelä – recorded, mixed, and mastered this cacophonic eruption mostly at Rorysounds Studios in Uppsala, Sweden. All of it is bound together in nine signature two-word-titled songs that altogether does not exceed the 27-minute mark. Calculators may wrongly estimate it as “short,” but measured in CW units, it has the perfect length to die a thousand deaths. 

Concrete Winds have never been for the faint-hearted. They always killed any scent of entertaining characters straight from the seed. It’s easy not to understand them; it’s easy not to comprehend them; it’s easy not to love them. But it should not be easy to confuse entertainment with art: true art must hurt.

However, this is Concrete fucking Winds‘ third album! And it will definitely not leave anyone untouched, no matter in which way – PERIOD.

Also hear the previously revealed “Infernal Repeater” HERE, also at Sepulchral Voice‘s official YouTube channel. Cover and tracklisting are as follows:

Tracklisting for Concrete Winds’ Concrete Winds
1. Permanent Dissonance
2. Virulent Glow
3. Daylight Amputations
4. Infernal Repeater
5. Subterranean Persuasion
6. Hell Trance
7. Systematic Distortion
8. Demented Gospels
9. Pounding Devotion

MORE INFO:
www.facebook.com/aggressivenoisetorment
www.concretewinds.bandcamp.com

www.sepulchralvoice.de
www.facebook.com/sepulchralvoicerecords

FÖRGJORD set release date for new WEREWOLF album, reveal cover & tracklisting

Today, Werewolf Records announces September 13th as the international release date for Förgjord‘s highly anticipated seventh album, Perkeleen Weri, on CD format. The vinyl LP version will follow later.

For years one of Finnish black metal’s best-kept secrets, in recent times have Förgjord sprung to prominence among the adventurous as practitioners of a strangely alluring sort of obsidian. Although existing since the mid ’90s and patiently parceling out their recordings in an almost-clandestine manner, the upswing in activity began with Förgjord‘s third album (and first with Werewolf), Uhripuu, in 2017 and was followed by the equally challenging Ilmestykset in 2019, the comparatively more rockin’ Laulu kuolemasta a year later, and the draw-everything together Ruumissaarna Pt. 1 in 2022. Among those four full-lengths, the Finnish trio solidified and strengthened their strident aesthetic – malodorous melodicism, hypnotically rendered through a ripped-raw soundfield, making their strangely hummable ruminations on triumph & tragedy sound all the more alien, each album unified yet unique within that aesthetic – and made it all seem effortless. Finally, it seemed that the name Förgjord was no longer a “secret.”

As such, it makes total sense for Förgjord to strike back with inarguably their most-direct and least-tweaked album yet: Perkeleen Weri. The band’s seventh full-length, Perkeleen Weri is definitely – and immediately – recognizable as Förgjord, maintaining mostly all those above characteristics and chiseled into new-yet-familiar shapes. However, the distinct difference here is that the band have dialed down the atmosphere for the sake of the almighty RIFF. Indeed, Perkeleen Weri is rife with riffs…riff after riff after riff after RIFF, all of them rough and rowdy and catchy and cantankerous. It’s a sonic / psychic move back to ancient times, primordial “regression” of a most ’80s manner (or, at the very least, the very early ’90s) that’s symbolic of both youth and older age. While nostalgic in essence, the burning-black flame here strides forward, ready to burn past, present, and future; suitably, the execution and especially recording feel almost clearheaded in context, or at least Förgjord‘s most crystalized attack yet. Melodicism abounds, of course, but there’s a murderous edge to Perkeleen Weri that’s never been this fully explored. Add to that palpitating attack a tasteful dose of organ and some chorus FX and you have a black metal record that’s simultaneously traditional and nuanced.

“Perkeleen Weri is an album which is dedicated to glory days of black metal,” explains founding guitarist / bassist Valgrinder, “when things were pure and albums were built more on guitar riffs and not just atmosphere, when songs themselves weren’t hidden behind hellish tempos or under huge production. Perkeleen Weri is a pure, naked, and shameless album, for both good and bad – nothing more, nothing less.”

As always, a carefully cultivated lyricism informs Förgjord‘s latest work. Valgrinder again: “Lyrically, it is a compilation of small stories from our part of Savo area, stories that were told from one generation to the next. Whispered secrets, well-known tragedies, and horror stories that were told to children to keep them safe; memories from old days when brother stood against his brother – the untold sins of Finland’s civil war, wounds that never healed properly. It’s about hard times, when depression took over the lands and charlatans tried to exploit the common man – when the blood of Perkele was running and people did whatever they had to, just to survive. We are here not to judge, but to speak their stories.”

In the meantime, see & hear the recently revealed video for “Käärmeenkieli” here:

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Förgjord’s Perkeleen Weri
1. Silmäinkääntäjä
2. Käärmeenkieli
3. Neljäs Lapsi Saatanalle
4. Loukatun Kunnia
5. Kalm
6. Raskas Veden Taakka
7. Pettävä Suo

MORE INFO:
www.facebook.com/forgjord

+ WEREWOLF RECORDS temple +
www.werewolf.fi
www.facebook.com/werewolf.rex

FIRTAN reveal second video from new AOP RECORDS album

Today, German black metallers adventurists Firtan reveal the new video “Komm herbei, schwarze Nacht.” The track is the second to be revealed from the band’s highly anticipated fourth album, Ethos, set for international release on September 13th via AOP Records . See & hear Firtan‘s “Komm herbei, schwarze Nacht” video in its entirety here:

For nearly 15 years now, Firtan have been a relentless force in the German extreme metal scene, captivating audiences with their dynamic performances across Europe. Inspired by the raw energy of the ’90s black metal scene, their sound has evolved into a unique, more progressive entity, shedding eclectic influences for a multifaceted and innovative approach.

At the core of Firtan‘s music stands an increasingly aggressive and frenetic sound characterized by powerful guitars and intense, visceral vocals. The haunting presence of the acoustic and electric violin weaves through their compositions with melancholic, experimental, and evocative tones. The incorporation of other acoustic instruments, such as the dulcimer, as well as analogue synthesizers, adds layers of depth. This blend creates a unique tension and complexity, enhancing the band’s intricate riffing and unexpected musical shifts.

With three albums and two EPs to their name, Firtan‘s discography showcases a clear and audible progression. Now, they unveil their fourth album, Ethos, once again through AOP Records. A work that promises to be their deepest, rawest, and heaviest yet, Ethos delves into serious existential themes in an abstract manner, contrasting decline and opportunity within an ambivalent context. This juxtaposition is reflected in the music itself, confronting listeners with the harshness and sonic tension between harmony and dissonance, revealing the meaning and emptiness of existence.

Ethos follows Firtan‘s critically acclaimed Marter from 2022, and stands as a testament to the vibrant dynamics within the German black metal scene. The album will feature guest performances from J.J. (Harakiri for the Sky, Karg) and L.G. (Ellende). Expect to be immersed in a world where melody and chaos collide, where unapologetic riffing and haunting melodies guide you through the shadows of the human condition.

Also see & hear the previously revealed video “Wermut hoch am Firmament” featuring guest vocals from Ellende‘s L.G. HERE at AOP Records‘ official YouTube channel.

Following the release of Ethos, Firtan will embark upon a tour with Bucovina, Sojourner, Finsterforst, and Countless Skies. Full list of dates as well as poster art follow after the jump. Cover artwork, courtesy of Nona Limmen, and tracklisting are as follows:

Tracklisting for Firtan’s Ethos
1. Hrenga (feat. guest vocals of J.J. [Harakiri For The Sky / Karg])
2. Zores
3. Contra Vermes
4. Arkanum
5. Wermut hoch am Firmament (feat. guest vocals of L.G. [Ellende])
6. Moloch
7. Ruakh
8. Komm herbei, schwarze Nacht
9. Wenn sich mir einst alle Ringe schließen

September 26 – München, Germany @ Backstage Halle*
September 27 – Erfurt, Germany @ From Hell*
September 28 – Fensch Viking Fest, France @ Complexe de Bétange*
September 29 – Berlin, Germany @ Orwohaus Halle*
September 30 – Hamburg, Germany @ Logo*
October 1 – Oberhausen, Germany @ Resonanzwerk*
October 2 – Arnhem, Netherlands @ Willemeen*
October 3 – Manchester, UK @ Rebellion*
October 4 – London, UK @ The Underworld*
October 6 – Nantes, France @ Le Ferrailleur**
October 8 – Lyon, France @ Rock’n’Eat**
October 10 – Timisoara, Romania @ M2**
October 11 – Vienna Metal Meeting Warmup, Austria @ Viper Room**
October 12 – Praha, Czech Republic @ Storm Club**
October 13 – Krakow, Poland @ Zascianek,**

(*with Finsterforst | **with Sojourner)

Tickets: https://linktr.ee/firtan_tickets

MORE INFO: www.facebook.com/firtanofficial 

www.aoprecords.de

www.facebook.com/aoprecords

MOURNERS LAMENT stream new PERSONAL RECORDS album

Today, doom-death titans Mourners Lament stream the entirety of their band’s highly anticipated second album, A Grey Farewell. Set for international release on August 2nd via Personal Records, hear Mourners Lament‘s A Grey Farewell in its entirety here:

Formed in 2004, Mourners Lament are a doom-death metal band hailing from Viña del Mar, Chile. During their first years, they released a demo in 2004 and then an EP, Unbroken Solemnity, in 2008. Those two recordings launched the quintet onto numerous gigs within the Chilean doom scene, some of them with classic bands like Poema Arcanus and Mar de Grises. 

Lineup changes followed during the next handful of years, as Mourners Lament underwent a minor period of silence while preparing what would be their debut album. Titled We All Be Given, the band’s first full-length would first be released in 2016 by esteemed national label Canometal Records, and then later the next year internationally through Hammerheart Records. Between the two editions, Mourners Lament established themselves as a considerable new(er) name in the wider doom-death scene.

After the debut album’s initial release, Mourners Lament continued playing live shows in their native Chile, climbing to a higher position in the national doom scene. Later on, two new members took over drums and vocal duties, and a new lineup was established in 2019, which continues to this day. This new-look Mourners Lament brought fresh sounds and spirit to the band, resulting in the new EP Grieving at a Distance in 2022 and their first adventure in European territory that same year. 

After the Euro tour, which included an appearance at the renowned Dutch Doom Days festival, the band started the process of a new album. At last here, A Grey Farewell easily eclipses its not-inconsiderable full-length predecessor. Here, Mourners Lament erect a towering monument to misery: six songs in nearly 65 minutes, the album is an emotional and DARK journey across a majestic & melancholic landscape. Undoubtedly, it’s pure DOOM-DEATH by definition – riffs crush and then reverberate, rhythms lumber before nearly disappearing into darkness, guttural vocals either meld with both or play counterpart, and icy, almost-sensual synths flow with subtlety and a quiet power – but Mourners Lament prove to be masterful songwriters, patiently building arcs that unfold dark drama and bittersweet emotion, and then seamlessly threading the whole experience together as one unified work that’s equally spacious and suffocating. That there’s a bit more polish here only makes A Grey Farewell that much better, particularly given the band’s penchant for dynamic quietude.

The raw-yet-rich emotion of the earliest days of the Peaceville Three – Paradise Lost, My Dying Bride, and Anathema, altogether THE eternal template for doom-death metal – can still be a fertile field for inspiration. It would not be hyperbole to suggest that A Grey Farewell is perhaps one of the best modern examples of pure doom-death that imparts its own personality. Some 20 years after their formation, Mourners Lament have truly arrived!

Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Mourners Lament’s A Grey Farewell

1. Towards Abandonment [10:58]
2. Changes [13:27]
3. Ocaso [7:26]
4. The Clear Distance [12:29]
5. In A White Room [9:18]
6. Mass Eulogy [10:22]

MORE INFO:
www.facebook.com/mournerslament.official 

www.personal-records.com
personal-records.bandcamp.com
www.facebook.com/personalrecords666
Instagram.com/personalrecords666

AGRYPNIE reveal second video from new AOP RECORDS album – features GROZA member

Today, German black metal institution Agrypnie reveal the new video “Blut.” The track is the second to be revealed from the band’s highly anticipated seventh album, Erg, set for international release on September 13th via AOP Records. Featuring PG of labelmates Groza, see & hear Agrypnie‘s “Blut” video in its entirety here:

Founded in 2004 by songwriter Torsten H., who is also active in the bands Nocte Obducta, Theotoxin, and Suel as well as other musical projects, Agrypnie have developed into a significant force in the black metal scene over the years. What began as a solo project was expanded into a full band to enable live performances in 2007, a year after the release of the debut album F51.4.

With nine releases, including six albums, Agrypnie have created an extensive discography that reflects the variety and depth of their musical universe. Over time, Agrypnie have completed numerous tours and festival as well as club performances, captivating their audience with their intense stage presence and powerful performances.  And as of 2024, with the planned release of their seventh album, Erg, drum recordings for the eighth album are already completed.

The album Metamorphosis, released in 2021, was Agrypnie‘s first under the renowned label AOP Records and reached #29 on the official German album charts. Additionally, it was named one of the top five black metal releases of 2021 by the German Metal Hammer. These recent successes, along with past achievements, highlight the band’s continuous development.

And that development arguably reaches its apex with Erg. In one sense, Erg is Agrypnie‘s most aggressive album to date; every instrument attacks from every angle, almost overwhelmingly so if not for the clear & cutting recording and the band’s enviously sharp execution. In another sense, Erg displays considerable daring and depth; while “black metal” in foundation, the album’s songwriting crests and crashes with kaleidoscopic wonder and cathartic urgency alike. That Agrypnie manage to make these eight compositions (“Blut” is a two-part suite) a forever-unfolding adventure that reveals ever-deeper truths the more one listens to it is a testament to their power and prowess as both songwriters and musicians. Rich sonically and in emotion, majestic even when plumbing the depths of melancholy, Erg is a tour de force of wide-screen BLACK METAL regardless of “progressive” or “post-” appellations. 

Currently, along with Torsten, drummer Flo – songwriter for labelmates Theotoxin, drummer for Schirenc Plays Pungent Stench, and live drummer for bands such as Benighted and Schammasch – is the only permanent studio musician. The live musicians Lykanthrop (Batushka, guitar), Chris (Perchta, guitar), and Andi (ex-Paul Di’Anno Band, bass) complete  Agrypnie.

Also hear the previously revealed “Aus rauchlosem Feuer” featuring Phil Jonas of Secrets of the Moon HERE, also at AOP Records‘ official YouTube channel. Cover artwork, courtesy of syn2 / Marco Klein, and tracklisting are as follows:

Tracklisting for Agrypnie’s Erg
1. Aus rauchlosem Feuer
2. Meer ohne Wasser
3. Sturm
4. Blut
5. Entität
6. Stunde des Wolfes
7. Geister
8. Unter Sandessen und verscharrt

MORE INFO:
www.facebook.com/agrypnie.official

www.aoprecords.de
www.facebook.com/aoprecords

DIABLATION set release date for final OSMOSE album

Today, Osmose Productions announces September 27th as the international release date Diablation‘s third and final album, Irrévérence, on CD and vinyl LP formats.

After experiencing a journey into the depths of despair, Diablation imagine the future of a newly elected people saved from the emerging apocalypse. They depict this future in great detail in their new transcendent opus, consisting of seven tracks mixed and mastered by Seb BST.

The tracks evoke violence and epic emotions, inspiring courage, honor, and adoration towards the Architect of this world. The metallic anthems crafted by VOA are supported by incantations chanted tirelessly, backed by a martial, heady rhythm driven at a frantic pace by Rémi Serafino (drums) and Max (bass).

The final work of the group features the last words of their martyr singer Arkames, who is now doomed to silence. The work symbolizes irreverence, counter-revolution against modernism and liberalism, and the desire for a restoration of His Reign. The closing words of the work are “Oh God, I rely on you, that we can one day become King again.” May this sentiment guide us until our last breath.

First track premiere to be revealed on September 3rd. Preorder info can be found HERE. Cover and tracklisting are as follows:

Tracklisting for Diablation’s Irrévérence
1. 144000 [1:23]
2. Eternel [6:38]
3. Purification [8:46]
4. Par La Haine [5:24]
5. Chrysanthèmes Au Nouveau Monde [7:43]
6. Ad Universum [5:49]
7. Le Dernier Roi [6:26]

MORE INFO:
www.facebook.com/diablation

www.osmoseproductions.com
www.facebook.com/osmoseproductions

COLDCELL stream new AOP RECORDS album in its entirety – features members of SCHAMMASCH

Today, Swiss black metallers ColdCell stream the entirety of their highly anticipated fifth album, Age of Unreason. Set for international release today via AOP Records, hear ColdCell‘s Age of Unreason in its entirety here:

ColdCell were founded in 2012 in Basel, Switzerland and released their first album, Generation Abomination, during the following year. ColdCell are rooted in the Swiss underground black metal scene and have always been eager to deliver dark and atmospheric live shows. And although drummer aW concurrently plays in Swiss icons Schammasch, ColdCell put forward their own unique approach that melds both old and new schools of black metal, making for a highly personal expression both timeless and modern.

The impressions of the dark, eerie, and extreme are expressed within ColdCell‘s successive albums like Lowlife (2015), Those (2017), and The Greater Evil (2021). With their latest album, Age of Unreason,ColdCell now align with AOP Records and furthermore venture deeper into social abysses and explore the (un)reason of being. Their sound remains as challenging and unsettling as ever here, with equal emphasis placed on abyssal heft and ethereal atmosphere, slipstreaming violence and ominous trudge. While so many extreme metal albums trail off in a tide of unwavering familiarity, Age of Unreason reaches a crescendo at about the halfway point with “Meaningless,” which features bewitching guest vocals by Swiss chanteuse Ines Brodbeck (aka INEZONA), and continues to spiral into cathartic delirium with the closing combo of “Sink Our Souls” and “Discord.” During these three tracks in particular, the emotional core of ColdCell is on dazzlingly display, darkly exploring those corridors of the soul few dare to tread. In 47 minutes, Age of Unreason rips asunder and rearranges the template of orthodox black metal.

Cover artwork, courtesy of Gian Andrea Signorell, and tracklisting are as follows:

Tracklisting for ColdCell’s Age of Unreason
1. Hope and Failure [7:32]
2. Dead to the World [8:04]
3. Left [5:56]
4. Solidarity or Solitude [5:46]
5. Meaningless feat. INEZONA [6:11]
6. Sink Our Souls [8:28]
7. Discord [4:52]

MORE INFO:
www.facebook.com/coldcell


www.aoprecords.de
www.facebook.com/aoprecords

MAYHEMIC stream SEPULCHRAL VOICE debut in its entirety

Today, Chilean thrash cult Mayhemic stream the entirety of highly anticipated debut album, Toba. Set for international release today via Sepulchral Voice Records, hear Mayhemic‘s Toba in its entirety here:

Over 70,000 years ago, an event of horrific proportions brought earth’s life to the edge of existing. Known as the Toba eruption, a monstruous super-volcano spat forth brimstone and fire and put the world under the fangs of a massive volcanic winter. Here and now, writing the year 2024, we finally get the audiomantic equivalence to this catastrophe absolute.

As if the most glorious days of thrash metal never had ceased to exist, Chilean aggressors Mayhemic come up with a debut combining utmost power and speed, intertwined with incredible musicianship and songwriting of sheer brilliance.

The young quartet has pushed it hard since the beginning with numerous live shows – sharing stages with names like Marduk and Krisiun, among others – countless rehearsals, and an evolution which can be only labeled as stunning. From the well-produced and -structured No-Life demo up until the total speed mayhem and maniacal fury of the Mortuary Feast of Skeletons EP and the “Volcanic Blast” single, the time is now for Mayhemic‘s first full-length madness.

Comparisons do mostly suck, but for those unfamiliar with their earlier output, imagine the ravage of old Sodom, the speed kill of Merciless and old Sepultura, all combined with Kreator’s best moments of high-class thrash as on Pleasure to Kill till Extreme Aggression. Big words without doubt, but listen to Toba and the rest is self-explanatory.

If you need your dirty white high-tops, skinny jeans, and leather jackets as sharp as in the ’80s, this is the perfect soundtrack to bang your heads to Hell.

Cover and tracklisting are as follows:

Tracklisting for Mayhemic’s Toba
1. Kollarbone Crushed Neanderthal
2. Extinction & Mystery
3. Valley Of The Thundra
4. Triumph Portrait
5. Eschatological Symphony
6. Hazardous Prowler
7. Olduvai’s Lullaby
8. Toba

MORE INFO:
www.mayhemic.bandcamp.com
www.facebook.com/people/Mayhemic/100036174441864

www.sepulchralvoice.de
www.facebook.com/sepulchralvoicerecords

HYVER set release date for new ANTIQ EP – features members of VÉHÉMENCE, GRYLLE, HANTERNOZ, PASSÉISME+++

On September 17th internationally, Antiq is proud to present a brand-new EP from Hyver, Fonds de Terroir.

Hyver comes back this autumn with a new EP called Fonds de Terroir. After Sorcier Hibou (dungeon synth – 2023) and Noirceur Mystique d’Autrefois (sympho / dungeoned black metal – early 2024), Fonds de Terroir brings us to the deep countryside of France. Melodious synth meets energic riffs, heavily supported by a creative bass-guitar played by KK (Passéisme) and groovy drums by Summun Algor (Agnus Dei). Hyver‘s rough voice is joined by strong choirs and two guests: Sans Visage (Prieuré) and M (Krasseville). With cover artwork by Joanna Maeyens (Paysage d’Hiver, Ruynn), Fond de Terroir tells us about journeys through France between muddy fields, old stone villages, ancient abbeys, and haunted swamps, in a musical spirit close to Horn, Satanic Warmaster, early Finntroll, and Hanternoz. The focus here is the link between black metal spirit and road-trip adventures – being “en route” to the unknown.

Antiq is a label dedicated to the fully coherent concept of making music through sound, image, video, and attitude. They have been putting their entire existence into it since 2009. Over the years, Antiq have been identified as producers of not only perfectly coherent lyrics and themes through music, but also conceptual art and, of course, the manufacturing of beautiful objects. The label tries as much as it can to work with French creators, and if possible, with the smallest and most serious structures.

First track to be revealed on August 13th. Aforementioned cover artwork and tracklisting are as follows:

Tracklisting for Hyver’s Fonds de Terroir
1. Lanterne des Morts [4:11]
2. La Vieille près du Lavoir [6:39]
3. Frère Jean-Théophane [4:18]
4. Terroir Terreur [4:47]

www.antiqrecords.com
www.facebook.com/antiq.label 
www.antiqofficial.bandcamp.com