VITAL SPIRIT set release date for VENDETTA / HIDDENT TRIBE debut album, reveal first track – features members of WORMWITCH and SEER

Vendetta Records, in conspiracy with Hidden Tribe, is proud to present Vital Spirit‘s highly anticipated debut album, Still as the Night, Cold as the Wind. The CD and cassette tape versions will be released on May 6th by Vendetta and Hidden Tribe, respectively, while the vinyl version will follow later this year via Vendetta.

Self-described as “Saccharine Black Metal of the West,” Vital Spirit began life as a special collaboration between two scene veterans: Kyle Tavares (Seer, Wormwitch) and Israel Langlais (Wormwitch). Riffs for their first recording were written during and between Wormwitch’s 2018 and 2019 American tours, influenced heavily by the land and history; demos were then completed while locked down during the early days of the COVID-19 pandemic. Finally released to widespread acclaim in August 2020, the band’s debut EP, In the Faith That Looks Through Death, indeed proved that Vital Spirit were presciently monikered.

Eager to return to the studio after completing that debut EP and Wormwitch’s Wolf Hex in 2020, Kyle and Izzy wrote and recorded their debut album during the spring of 2021. Aptly titled Still as the Night, Cold as the Wind, the band’s first full-length fully displays the array of Vital Spirit‘s mesmerizing vision. In addition to the familiar influences of the preceding EP – Ennio Morricone, Taake, Dissection, Drudkh, Inquisition, and Wovenhand – the duo incorporated elements of “cowboy psychedelia” or “saccharine underground” of the ’60s, resulting in a sound that’s dazzling and daring in equal measure, both acutely focused and furiously unbound. The work of Lee Hazelwood was particularly impactful, as the album’s title is taken from Sanford Clark’s “Still as the Night,” which was written and produced by Hazelwood. With preternatural deftness, Vital Spirit here also leaned into their neofolk side, especially on “Saccharine Sky,” the band’s first fully non-metal track to date.

Helping flesh out that vision are cellist Christopher Brown (Kakophonix), whose work with Osi and the Jupiter caught the ear of Vital Spirit. Likewise vital to the vision of Still as the Night, Cold as the Wind is the production of Tim Creviston (who produced the band’s first EP) and mixing courtesy of Wormwitch bandmate Colby Hink.

Of course, equally vital to Vital Spirit‘s vision is their lyrical content, which here covers the American Indian wars of the Southwest, spanning over a hundred years from the mid-18th century to the late 19th century. Seven of the eight tracks on the record detail conflicts from the period: “Blood and Smoke,” Destruction of San Saba Mission; “Bad Hand,” Battle of Blanco Canyon; “Dawn of Liberty,” Taos Revolt; “The Long Walk,” Long Walk of the Navajo; “Withering Fire,” Battle of Walker’s Creek; “White Eyes,” Bascom Affair; and “Lord of the Plains,” Red River War. Completing the totality is the album’s cover art, depicting the Taos Pueblo church, an important architectural feature of the 1847 Taos Revolt.

Literally breathtaking, brilliantly expansive, and effortlessly unique, Vital Spirit illuminate and invigorate the spirit with Still as the Night, Cold as the Wind.

In the meantime, hear the brand-new track “Dawn of Liberty”  here:

Preorder info can be found HERE. Aforementioned cover art and tracklisting are as follows:

Tracklisting for Vital Spirit’s Still as the Night, Cold as the Wind
1. Blood and Smoke
2. Bad Hand
3. Dawn of Liberty
4. The Long Walk
5. Withering Fire
6. Saccharine Sky
7. White Eyes
8. Lord of the Plains

MORE INFO:
www.vitalspirit.bandcamp.com

www.vendettarecords.de
www.facebook.com/vendettacult

APARTHIVA RAKTADHARA set release date for IRON BONEHEAD debut album, reveal first track

Today, Iron Bonehead Productions announces May 20th as the international release date for Aparthiva Raktadhara‘s highly anticipated debut album, Adyapeeth Maranasamhita (আদ্যাপীঠ মরণসংহিতা), on CD, vinyl LP, and cassette tape formats.
 

সত্য সর্ব ধৰ্মাতিত এবং তাহা সর্বদা অনির্বচনীয় ও পারমার্থিকরূপে শূন্য !

There is no Religion higher than The Truth which is NOT.
Hailing from Kalikshetra (or colloquially known as Kolkata), India’s Aparthiva Raktadhara burst into ultraviolent being with their debut demo, Agyat Ishvar, in 2018 under the auspices of Iron Bonehead. Surely a surprise given the band’s unique geography, the power-trio nevertheless destroyed all doubters with a swift 13-minute nuclear warhead of dread frequencies that somehow managed to sound hallucinatory. As the years passed, anticipation for an Aparthiva Raktadhara full-length compounded.

At last, it arrives, bearing the title Adyapeeth Maranasamhita (আদ্যাপীঠ মরণসংহিতা). Although the album is seeing release in 2022, as the band explains, “Adyapeeth Maranasamhita was received as a burning revelation of riktata, realized within our hearts as we meditated under a Bodhi tree by the Ganges in Chanak, Uttar Kalikshetra, in fall 2019.” Regardless of its origins, Aparthiva Raktadhara‘s first full-length fulfills the massive promise shown by its predecessor and then reaches far into realms previously unfathomed. What’s strikingly, immediately apparent is the album’s clean ‘n’ clear production, which nevertheless works in the band’s favor, sharpening their martial-and-mesmerizing attack to a katana-like degree. That their songwriting has become ever more dizzying whilst evincing a remarkable sense of focus makes Adyapeeth Maranasamhita an even-more-diabolical display of occult mathematics than its brash predecessor.

Aparthiva Raktadhara state that the lyrical themes explored on Adyapeeth Maranasamhita include Sunyata, impermanence, and Apophatic Theology. Indeed, the power-trio bring those heady topics to bear across the album’s six-song/35-minute runtime, twisting and turning a near-overwhelming amount of information into something that’s paradoxically single-minded and trance-inducing. Stultifyingly feral, absurdly complex: truly, there will be no other death metal record quite like this, this year or any other. Adyapeeth Maranasamhita is the grand celebration of Aparthiva Raktadhara‘s beginning…and your end.

Begin that end with the brand-new track “Gnostic Arousal of Shava Lingam” here:

Cover artwork, courtesy of Qayin Mandala Graphex, and tracklisting are as follows:

Tracklisting for Aparthiva Raktadhara’s Adyapeeth Maranasamhita (আদ্যাপীঠ মরণসংহিতা)
1. Noumenal Wings Of Uncreation Hover Over The Excrements of Sunyata [5:59]
2. Obsidian Noose Of Naag-Paash: Ominous Ophidian Astra [5:50]
3. Gnostic Arousal Of Shava Lingam [6:17]
4. Omnicidal Samshan-Pyre Of Kaalkutha [4:40]
5. Drowning Into The Vitriolic Waters Of Atavistic Nidra [5:24]
6. Nada of Creation Collapses Onto Primal Bindu [5:58]

APARTHIVA RAKTADHARA are:
Nahas – Oracular Trance 
Takshak – Shabda Usurpation 
V. Hydra – Antardrishti 

MORE INFO:
www.facebook.com/aparthivaraktadhara
www.aparthivaraktadhara.bandcamp.com


ALGAION to have classic debut album reissued by SHADOW RECORDS

Today, Shadow Records (distributed & marketed by Regain Records) announces April 22nd as the international release date for a long-overdue reissue of Algaion’s classic debut album, Oimai Algeiou, on CD and cassette tape formats. The vinyl LP version will be released on September 18th.

Formed in that fateful, fiery year of 1993, Sweden’s Algaion took a counter direction to their contemporaries. Right from the start, with their self-titled demo in ’93 and the following year’s Heosphoros Ho Proi Anatellon demo, the duo of Mårten Björkman and Mathias Kamijo created a strikingly different black metal sound that had far more in common with the emergent Greek scene led by the likes of Rotting Christ, Thou Art Lord, and Necromantia. But it was Algaion’s debut album, Oimai Algeiou, where that sound truly crystallized and etched itself into the hallowed halls of black metal legendry.

Released in 1995 by the pivotal Full Moon Productions, Oimai Algeiou was underground black metal for underground black metallers. Not kowtowing to increasingly trendy Scandinavian sounds, no “romance” or gothic or vampires, and definitely no mosh nor no fun: Algaion here created a surging and windswept landscape on which to paint dark desires and honor that Hellenic pantheon. It was a raw landscape, to be sure, but one contemporaneous with their Greek brethren and duly emitting a perhaps-colder atmosphere than the duskiness usually associated with that scene. However, above all, it was the songwriting itself which put Oimai Algeiou amongst that hallowed company, pulsing with a simple-yet-sublime melodicism and never-forgotten heavy metal spirit, all dusted with just the right amount of melancholy and the subtlest hint of synth.

Although Algaion would continue thereafter with a similar but more-polished sound, Oimai Algeiou inarguably stands as the perfect snapshot of a truly special time. Out of print for decades and only ever released on CD, this reissue of Oimai Algeiou features remastering by Devo Andersson at Endarker Studios and will be henceforth available on all formats. The past is forever alive!

Preorder info can be found HERE at Regain Records‘ Bandcamp. Cover and tracklisting are as follows:

Tracklisting for Algaion’s Oimai Algeiou
1. Venenum Homonitatis (intro)
2. Natrices Educati
3. Heosphoros
4. In Aede Dolorium
5. On the Reach of Zaphonia
6. Kratos
7. The Last Delusion

www.shadowrecords.se
www.regainrecords.se
www.facebook.com/shadowrecords.se

ZEMIAL to have classic debut EP reissued by THE SINISTER FLAME and DARK DESCENT

On March 31st internationally, The Sinister Flame and Dark Descent Records are proud to present the 30th anniversary edition of Zemial‘s legendary Sleeping Under Tartarus on CD and 12” vinyl EP formats.

Whenever the golden trinity of Necromantia, Rotting Christ, and Varathron of the early Greek black metal scene is brought up, one should add one more name… and that is Zemial. Whereas the meandering path of the band has encompassed diverse styles during the last few decades, ranging from raw black/thrash metal and epic heavy metal to progressive rock and avant-garde art music, Zemial‘s early beginnings were about black metal exclusively – and indeed, Sleeping Under Tartarus, the band’s very first release dating back to 1992, is the prime testimony of that.

With Sauron (Rotting Christ) on drums, Magus (Necromantia) on keyboards, and the mastermind Vorskaath being largely responsible for Varathron’s His Majesty at the Swamp released a year later, it is only fair to say that Sleeping Under Tartarus emerged from the very core of the aforementioned golden trinity.

Originally released as a 7” EP by obscure labels Torched Records and Gothic Records, the EP was reissued in 1994 by Gothic Records, then run by brothers Rick and Bay Cortez of Sadistic Intent. Since then, both versions have become collector’s items and the recording has not been reissued thereafter.

To correct this grave injustice, Sleeping Under Tartarus is now brought to life again, precisely 30 years after its birth. Featuring the original 1992 intro, with the sound restored and remastered from the original tapes, this definitive edition of Sleeping Under Tartarus is pressed on single-sided 180g 12” vinyl while the B-side is etched with the original Zemial logo, making it an absolute must for every black metal collection.

May the ancient gods of the night reign again! Cover and tracklisting are as follows:

Tracklisting for Zemial’s Sleeping Under Tartarus
1. Intro [1:16]
2. Sleeping Under Tartarus [4:53]
3. Falling Into the Absu [3:36]
4. The Scourge of the Kingdom [2:33]


MORE INFO:
www.facebook.com/zemialofficial

www.thesinisterflame.com
www.facebook.com/thesinisterflame

ABBATH release lyric video for “The Book of Breath”

Norwegian metal titans ABBATH are now releasing a brand new lyric video for the song “The Book of Breath”, taken from the upcoming record ‘Dread Reaver’.  The video is now streaming here:

‘Dread Reaver’ will be released via Season of Mist on March 25. Pre-orders are available in the shop HERE. Pre-save the album HERE.  

ABBATH has recently a brand new co-headlining tour with Swedish black metal outfit WATAIN in September and October 2022. Check a full list of shows below.

ABBATH/WATAIN co-headline
+TRIBULATION +BÖLZER
15.09.2022 – FR – Paris – Elysee Montmartre 
16.09.2022 – DE – Oberhausen – Turbinenhalle 
17.09.2022 – DE – Munich – Backstage  
18.09.2022 – IT – Milan – Live Club 
20.09.2022 – FR – Toulouse – Le Bikini  
22.09.2022 – PT – Lisbon – Lisboa Ao Vivo 
23.09.2022 – ES – Madrid – La Riviera 
24.09.2022 – ES – Barcelona – Apolo  
25.09.2022 – FR – Lyon – Transbordeur  
27.09.2022 – CH – Zurich – Komplex 457 
28.09.2022 – DE – Filderstadt – Filharmonie 
29.09.2022 – NL – Tilburg – 013  
30.09.2022 – UK – London – Earth 
02.10.2022 – BE – Antwerp – Trix 
04.10.2022 – DE – Hamburg – Markthalle  
05.10.2022 – DK – Copenhagen – Amager Bio 
06.10.2022 – NO – Oslo – Rockefeller 
07.10.2022 – SE – Stockholm – Fallan 
09.10.2022 – FI – Helsinki – Vanha

ABBATH will be playing in support of their upcoming album ‘Dread Reaver’, which will be released on March 25, 2022. The cover artwork, which was created by Bjørn Stian Bjoarvik and Francisco Munoz, and further album details can be found below

Tracklist
1. Acid Haze (04:51)
2. Scarred Core (03:29)
3. Dream Cull (04:15) WATCH HERE
4. Myrmidon (04:33)
5. The Deep Unbound (04:05)
6. Septentrion (04:30)
7. Trapped Under Ice (03:59)
8. The Book of Breath (04:35) WATCH HERE
9. Dread Reaver (04:43) WATCH HERE
10. Make my day (04:16) 

The ravens gaze ominously from above. The seas roar in anticipation. The mountains creak yet again. ABBATH’s remarkable new album, Dread Reaver, is upon us all. Two years in the making, ABBATH’s third full-length is the culmination of everything before it. A fusion of debut Abbath (2016) and follow-up Outstrider (2019), the aptly titled Dread Reaver extends its fantastical fangs outward and drives its cloven hooves onward. Indeed, there’s nothing like an ABBATH record. This is the darkest metal for epic journeys and ancient battles. Comprised of eight riveting tracks and a red-hot cover of METALLICA’s “Trapped Under Ice,” Dread Reaver shows ABBATH triumphing over all trials and tribulations, riding hard into merciless glory as the one and only “Lemmy of black metal.”

ABBATH was formed by Olve Eikemo (aka Abbath) in Bergen, Norway, in 2015. After splitting with vaunted extreme metallers IMMORTAL, the beguiling frontman and storied songwriter only had one path: ABBATH. Years before, he had proven that venturing out of the IMMORTAL constellation was not only plausible but doable with the I project, a short-lived, one-album (Between Two Worlds) band featuring notable musicians from IMMORTAL, ENSLAVED, and GORGOROTH. Indeed, once Eikemo was free of IMMORTAL’s ’s shackles, he was able to assemble a cadre of like-minded conspirators for his solo debut album, Abbath. So crucial was Abbath that the Norwegian Embassy in the UK ran a music/culture piece, while in Norway, the album was nominated for a Spellemannprisen (Norwegian Grammy). Metal Hammer Germany even gonged Abbath with its Best Debut award. Follow-up album, Outstrider, was equally lauded. Billboard’s coverage sent shockwaves through the rock/metal scenes, while Kerrang! labelled it “dominating and creative,” awarding it 4Ks. Decibel also heaped praise on Outstrider, giving it the Best New Noise trophy. The new album Dread Reaver will yet again lionize ABBATH as leader of the frost-bitten pack.

Powered by Abbath’s creative musical imagination, Dread Reaver runs riotously out of the gate. The album’s edifice affords tracks like “Acid Haze,” “Scarred Core,” “The Deep Unbound,” and the album’s closing title track ample room to champion the extremes of black metal, heavy metal, and hard rock. While there are nods to NWOBHM greats, thrash metal’s luminaries, and black metal icons, Dread Reaver is unmistakably ABBATH. There is no other fingerprint. Paired with thought-provoking lyrics based on the historical figure of Othryades, ABBATH’s third album not only shouts exultant but reads like an ancient pyrrhic tale steeped in violence, sorrow, and grit. The idea of a Dread Reaver—a fearless duelist—can also be read as a metaphor for life’s actions and subsequent struggles. Be warned: Dread Reaver is ABBATH at his most menacing and accomplished.

Dread Reaver was produced by Endre Kirkesola, ABBATH, and Dag Erik Nygaard at Dub Studio in Kristiansand and Bergen Lydstudio, respectively. Kirkesola and Nygaard also engineered. Mixing was performed by ABBATH and Kirkesola, while the mastering was done by maestro Maor Appelbaum (FAITH NO MORE, ROB HALFORD) at Maor Appelbaum Mastering in Los Angeles. The goal was to field a storming production that sat firmly at the crossroads of Abbath’s heroes KISS, MOTÖRHEAD, MANOWAR and BATHORY. From the anthemic thrust of opener “Acid Haze” and the epic pound of “Dream Cull” to the rampaging “The Book of Breath” and the wicked cover of METALLICA’s “Trapped Under Ice,” Dread Reaver sounds as massive as Norwegian mountain and as fiery as the depths of Hell. Truly, the recording line-up of Abbath (guitar, bass, vocals), Ukri Suvilehto (drums), Ole André Farstad (guitars), and Mia Wallace (bass) found their sonic muse.

If “Ace of Spades” catapulted MOTÖRHEAD to fame and notoriety, then Dread Reaver will find ABBATH atop the metal’s gigantic heap, the spoils of icy blood, scorching sweat, and steely tears at his feet. As “Myrmidon” states, “Die with a smile, stare glassy-eyed up / At boiling skies! / Valkyries descend to gore-caked fen / Fallen warriors arise!” Lightning strikes thrice with ABBATH’s incredible Dread Reaver!

Recording line-up: 
Abbath – Guitar, bass & vocals
Ukri Suvilehto – Drums
Ole André Farstad – Lead & acoustic guitars
Mia Wallace – Bass on Acid Haze, Scarred Core, The Deep Unbound & Dread Reaver

Links:
www.facebook.com/abbathband
www.abbath.net
www.instagram.com/abbath_official

MORTUUS INFRADAEMONI premiere new track – features ex-members of LUNAR AURORA

Today, ancient German black metallers Mortuus Infradaemoni premiere the new track Abhominog. The track is the second to be revealed from the band’s long-awaited third album, Inmortuos Sum, set for international release on March 25th via Iron Bonehead Productions. Hear Mortuus Infradaemoni‘s “Abhominog” in its entirety here:

Mortuus Infradaemoni are a duo hailing from Germany. Both members – Profanatitas (drums, bass, vocals) and Nathaniel (guitar, vocals) – played at various time, in the darkest past, with the legendary Lunar Aurora. Mortuus Infradaemoni recorded an unpublished rehearsal demo in 2005 and then followed with two albums, 2007’s Daemon Qui Fecit Terram and 2009’s Imis Avernis, on the cult Cold Dimensions label before fading into blissful nothingness…

As if the past decade – or, more accurately, past decades – of black metal hadn’t happen, Mortuus Infradaemoni return with a surprise full-length to transport the faithful back to the mid ’90s. Indeed, the fire burning across this third album is quintessentially 1994 in sound and aspect – truly, contemporaneous Darkthrone and especially Gorgoroth’s early work looms large here – but the duo evince an unsettling weirdness here that’s thankfully never belabored. Ghoulish and gurgling sounds seemingly come from every direction, with songs surging and then disintegrating at will, all before righteously headbanging parts crop up and then also disappear like vapor. Above all, the razor-wire attack is thoroughly and threateningly BLACK METAL in its original, olde-worlde incarnation – unorthodoxy is celebrated, and the madcap artistry is almost incidental. But make no mistake: steeped in the ancient Mortuus Infradaemoni may be, Inmortuos Sum is not an exercise in trite retro posturing; this is the work of revitalized deviants, dragged into the present. Those around “back in the day” will understand…

Topping an hour in duration, Inmortuous Sum is Mortuus Infradaemoni‘s long-brewing nightmare made manifest.

Begin witnessing that nightmare with the previously revealed “Ossuarium of the Black Earth” HERE at Iron Bonehead‘s Soundcloud. Cover and tracklisting are as follows:

Tracklisting for Mortuus Infradaemoni’s Inmortuos Sum
1. Insepultus
2. Madness Rides With The Star-Winds
3. Omne Vitae In Tenebras Mergit
4. Abhominog
5. Ossuarium Of The Black Earth
6. Der Todten Tantz
7. Burning Time And Space
8. Inmortuos Sum

MORE INFO:
www.mortuusinfradaemoni.bandcamp.com


ARCHGOAT new album – first song disclosed

Intimately tied to their roots, ARCHGOAT‘s coming mini album channels the rawness and devastation of the debut EP “Angelcunt” (1993) in four gruesome new compositions. “All Christianity Ends” is a brutally-focused reminder that while the infamous Finnish Black Metal legends continue to evolve, develop and even refine their hellish sound over recent full-lengths, the elemental building blocks of classic ARCHGOAT remain sequenced in their DNA.

As a first devilish evocation, Debemur Morti Productions present the opener ‘Ascension Towards The Promethean Fire‘. Listen to the track via Bandcamp or here:

Tracklist:

01. Ascension Towards The Promethean Fire
02. Crown Cloaked With Death
03. Nightside Prayer
04. The Semen Of Anti Mastery

All Christianity Ends” was recorded between June 4th and 6th, 2021 and sound engineered by Teemu Velin. Ritual Butcherer is responsible for the production. The cover art was, as tradition demands, created by Chris Moyen (Thorncross Design), while the layout was done by Kontamination Design.

The mini album will be released on CD, vinyl (including an exclusive DMP edition) and digitally, accompanied by high-quality merchandise, on April 22nd. Pre-orders are possible via the label’s EU, US and Bandcamp shops.

ARCHGOAT crawled from the deepest pits of hell to form in 1989, a demonic trio consisting of the brothers Ritual Butcherer and Lord Angelslayer on guitars and vocals/bass respectively, as well as Blood Desecrator on drums. After a pair of demo tapes, ARCHGOAT shook the Black Metal world in 1993 with the release of their debut EP “Angelcunt (Tales of Desecration)“, showcasing a relentless and bestial blend of Black and Death Metal. With a growing dissolution with the Black Metal scene at large, and a disagreement with their then record label Necropolis Records over the terms of their debut record, ARCHGOAT vanished from scene in late 1993.

In 2004 the gates reopened anew. ARCHGOAT returned to finally release their long-lost material the following year, and then their first official full-length, “Whore of Bethlehem“, in 2006. Since then they have released two more albums, “The Light-Devouring Darkness” in 2009 and “The Apocalyptic Triumphator” in 2015 under Debemur Morti Productions, as well as a series of splits, EPs, and compilations. Between releases they have carved out a reputation for their malevolent live rituals, storming the shores of Europe, the United States, and Mexico alongside bands such as BEHEXEN, BLACK WITCHERY, and HELL MILITIA.

2018 saw ARCHGOAT unleash their satanic opus “The Luciferian Crown“, their second full length under Debemur Morti. An ungodly black sacrament of a kind that only ARCHGOAT can craft, “The Luciferian Crown” is a testament to what Black Metal should be, bestial, unrelenting, and unholy. Black Metal changed, ARCHGOAT did not, and it is their capable hands that shall carry the black flame forward for years to come.

In 2020, the live album “Black Mass XXX” adequately captured the angelslaying chaos present during their gig in Paris in September 2019. The recorded concert was part of ARCHGOAT‘s 30-year anniversary gig series and a worthy addition to their discography. With “Worship The Eternal Darkness” (out November 2021), the Finnish Black Metal band will cement their well-earned reputation for being one of the most consistent bands the scene has ever seen. ARCHGOAT‘s fifth album is, once again, a unique synthesis of occult Finnish Black/Death Metal, harsh Punk, primal Thrash and Grindcore.

|| Debemur Morti Productions ||

Website | EU shop | US shop Facebook | Bandcamp | Youtube | Instagram

German black metal vanguard Chaos Invocation premiere new track

Today, German black metal vanguard Chaos Invocation premiere the new track “Curses Upon You”. The track is the second to be revealed from the band’s highly anticipated fourth album, Devil, Stone & Man, set for international release on March 24th via W.T.C. Productions. Hear Chaos Invocation‘s “Curses Upon You” in its entirety here:

By now, Chaos Invocation should require little introduction. Formed in 2004 and releasing three increasingly celebrated full-lengths via W.T.C., Chaos Invocation have steadily become a pillar of Germany’s long-potent black metal underground. Their last album, 2018’s Reaping Season, Bloodshed Beyond, was an iron-fisted smash through more dynamic corridors, with their sinuous and serpentine black metal taking on a more heightened (but no less muscular) melodic aspect. As the world has fully turned to shit, Chaos Invocation thus cover that iron fist with a grime unfathomably dark and dreadful. Indeed, Devil, Stone & Man is the record deserving of these times – or rather, vice versa.

Perhaps as a counterreaction or at least parallel development to that dynamic predecessor, Devil, Stone & Man is inarguably Chaos Invocation‘s most direct and aggressive album to date, and one give horrific power through its massive & molten production, which handily challenges those naysayers who claim true black metal can’t palatably possess “professional” recording. Its ultraviolence twists and turns but ever moves forward, downward, diving across dazzling depths and heights with the ease of masters. Truly, Chaos Invocation‘s already-sturdy songwriting has been given an uptick in detail and nuance here, sounding sweeping and ceremonial as it does teeth-gnashingly harsh and harrowing. A whirlwind, a vortex, both and beyond: Chaos Invocation have been qualified as these before, but now one can add world-eating dreadnought to that list, as well, with Devil, Stone & Man.

Gaze deeply into Devil, Stone & Man‘s stark cover artwork – courtesy of BMS Illustration – and one will begin to understand where Chaos Invocation are coming from, and where they are going. Will you follow them to The End?


Begin following with the previously revealed “Strike of the Dominator’s Fist” HERE at W.T.C. Productions‘ official YouTube channel. Aforementioned cover and tracklisting are as follows:

Tracklisting for Chaos Invocation’s Devil, Stone & Man
1. Strike Of The Dominator’s Fist
2. A Stranger’s Pale Hand
3. Diabolical Hammer
4. Odonata Fields
5. Where We Have Taken The Cross
6. Triple Fire
7. Curses Upon You
8. The Revolting Abyss


MORE INFO:

www.facebook.com/chaosinvocation

www.w-t-c.org

Swedish black metal stalwarts Ultra Silvam stream new Shadow album

Today, Swedish black metal stalwarts Ultra Silvam stream the entirety of their band’s highly anticipated second album, The Sanctity of Death. Set for international release on February 25th via Shadow Records (distributed & marketed by Regain Records), hear Ultra Silvam’s The Sanctity of Death in its entirety here:

It was but March 2019 when Sweden’s Ultra Silvam displayed the full furl of their powers with the debut full-length The Spearwound Salvation. In a mere deadly 28 minutes, the power-trio swiftly ‘n’ succinctly asserted their identity, proudly upholding their home country’s history of melodic black metal during the glorious ‘90s but driving toward something uniquely their own – and VIOLENTLY so. In fact, Ultra Silvam’s execution alone was palpitating: every ringing chord, every bashed drum, and every slaughtered tongue bled an authenticity that was refreshing to behold. The fact that they lock-welded such unsafe (and unsterile) execution to dazzling ‘n’ dynamic songwriting made The Spearwound Salvation all the more impressive.

A daunting task, indeed, but Ultra Silvam return to eclipse that feat with their second full-length, The Sanctity of Death. As suggested by its title, The Sanctity of Death bears a more regal aspect to the band’s undulating coils of coruscating violence…but “regal” is only relative here. For Ultra Silvam let loose with a whole host of more wholly HEAVY METAL moves that are turned into tornado-like torrents of black metal classicism. Verily, The Sanctity of Death slices and swaggers with addicting aplomb, the band seemingly drunk on their own power as they dole out teeth-gnashing screeds of sin, salvation, and swallow-your-soul darkness. It’s more immediately memorable and more incredibly finessed, as that crazed execution of yore remains but has been tightened up ever so slightly, allowing these eight bangers & clangers to create an all-enveloping atmosphere of delirium and dementia. You’ll be winded after the album’s over, perhaps, but emboldened by bountiful visions of a dread future – and one worth returning to again, and again, and again.

Possession guaranteed, then, The Sanctity of Death is the natural follow-up to The Spearwound Salvation, brewing in the minds of Ultra Silvam ever since. Featuring recording by Devo Andersson (Marduk) in Endarker Studio, Norrköping, and mixing & matering by Marco S. Vermiglio at The Forge Music Production and completed by compelling cover art by Samuel E. Thomas (Set33), The Sanctity of Death is Ultra Silvam’s grandest strike yet!

Preorder info can be found HERE at Regain Records‘ Bandcamp. Aforementioned cover art and tracklisting are as follows:

Tracklisting for Ultra Silvam’s The Sanctity of Death
1. Dies Irae
2. Sodom vises himlafärd
3. The Sanctity of Death
4. Tintinnabuli Diaboli
5. Förintelsens andeväsen del II: Den deicidala transsubstantiationens mysterium
6. Black Soil Fornication
7. Incarnation Reverse
8. Of Molded Bread and Rotten Wine

MORE INFO:
www.facebook.com/ultrasilvam

www.shadowrecords.se
www.regainrecords.se
www.facebook.com/shadowrecords.se

IN APHELION premiere new video – features members of NECROPHOBIC

Today, black/death titans In Aphelion premiere the new video “Requiem” here:

. The track is the third to be revealed from the band’s highly anticipated debut album, Moribund, set for international release on March 11th via Edged Circle Productions.

“The song ‘Requiem’ is all about letting the dead in,” says the band. “To embrace the memory of those we have lost. To listen to their voices that echoes through time. To never forget. It’s about letting life go and death come. We will ring the bells, we will mourn, and eventually we will follow.” About the video, “To make a video clip for such a somber and serious song, we could think of no other way than filming our yearly visit to Skogskyrkogården in Stockholm where most of our relatives and friends rest. The video led us to Quorthon and L.G. Petrov’s final resting place, among others. It’s a tribute to those we hail and those we will never forget.”

A veritable treasure trove of Swedish black/death royalty, In Aphelion are a power-trio originally formed in 2020 by longtime Necrophobic guitarist Sebastian Ramstedt on vocals, guitar, and bass with prolific drummer Marco Prij. In 2021, with the advent of their debut demo, fellow Necrophobic guitarist Johan Bergebäck joined, making the unholy trinity complete. An impossibly auspicious first start, In Aphelion‘s first demo – despite being limited to a mere 50 copies – landed the band a deal with Edged Circle, first resulting in the teaser-length EP Luciferian Age and now a grandiose hour-long debut album, Moribund.

Indeed, while the spectre of classic blackened death metal for which Sweden is known looms large over In Aphelion, it must be stressed that these gentlemen are THE grand architects of that incredibly influential and ever-enduring sound. And not ones to rest on their laurels, with In Aphelion do both Ramstedt and Bergebäck unfurl new vistas of the imagination whilst respectably remaining within that noble tradition. Simply put, this is timeless HEAVY METAL might painted in purple-blue hues but beaming with brilliant colors beyond.

Point proof is In Aphelion‘s first full-length recording, Moribund. While two tracks – “Luciferian Age” and “Draugr” – were forecasted on the aforementioned Luciferian Age EP, Moribund majestically displays the full bounty of In Aphelion‘s seemingly infinite powers. Longer, stronger, more deathly, more blackened, more METAL, more of literally everything: Moribund is a veritable monolith of awe-inspiring songwriting and impassioned performance. Breathtaking opener “World Serpent (Devourer of Dreams)” lives up to its namesake – and then some – and duly sets the stage for all that follows for the next 59 minutes. Rise, fall, rise even higher, marching and racing and spiraling and dazzling with every step: In Aphelion exercise a wealth of texture and nuance across these ten tracks, all whilst remaining razor-sharp and as finessed as it comes. It’s not hyperbole here to suggest that In Aphelion in general and Moribund in particular handily challenge the sacred tomes of the ’90s – again, it must be reiterated that two of those architects are in this band – but the epic-yet-effervescent manner in which this timeless black/death is rendered puts both in rarefied territory, and refreshingly so. And, just like the swift & satisfying Luciferian AgeMoribund is likewise given a grippingly powerful mix & mastering by Unleashed’s Frederik Folkare.

Luciferian Age teased with its truncated makeup, but now Moribund grandly declares the arrival of In Aphelion as kings!

Also see & hear the previously revealed video for “World Serpent (Devourer of Dreams)” exclusively HERE, courtesy of InvisibleOranges.com. Also hear the previously revealed “Draugr” HERE at Edged Circle‘s Bandcamp, where the album can be preordered. Cover and tracklisting are as follows:

Tracklisting for In Aphelion’s Moribund
1. World Serpent (Devourer of Dreams)
2. Draugr
3. Let the Beast Run Wild
4. Luciferian Age
5. This Night Seems Endless
6. He Who Saw the Abyss
7. Moribund
8. The Origin
9. Sorrow, Fire & Hate
10. Requiem

IN APHELION lineup
Sebastian Ramstedt – vocals & lead guitars
Johan Bergebäck – rhythm guitars
Marco Prij – drums

MORE INFO:
www.facebook.com/inaphelion


www.edgedcircleproductions.com