Death Metal

PROSCRITO set release date for MEMENTO MORI debut, reveal first track

In their endless quest to push and support current underground acts that perpetuate the odor of vintage death metal, on January 27th, 2020, Memento Mori is proud to present Proscrito‘s striking debut album, Llagas y Estigmas.

Proscrito was born from the ashes of the sloppier incarnation known as Calvario in 2016, paying homage to the too-doomed-to-be-dead/too-dead-to-be-doomed parts of releases like Satanic Rites, Erupted Evil, The Dying Truth, Embrace the Death, Mental Funeral, Lost Paradise, Into Darkness, Worship Him, or Reflections of the Solstice, crafting slow & churning tracks that were to be (not really) perfected with the band’s debut EP, El Calvario, in 2017: a release filled with an all-encompassing passion for decay and rottenness, from the penitent and flagellant opening track “Via Crucis” to the closing instrumental mantra that is “Puteado,” pounding caveman percussion, thundering bass, and wah-soloing frenziness in between.

After three days of morbid delirium at Moontower Studios (Ataraxy, Graveyard, Oniricous, Teitanblood), once again under Javier Felez’s supervision, Proscrito‘s follow-up to the debut EP took form with some more echoes to the days of yore, as a full-length frontal assault titled Llagas y Estigmas (“Sores and Stigmata”), featuring five disgruntled litanies of blood, sweat, and no-tears imagery reminiscent of Robert E. Howard and Cormac McCarthy, muscular riffage, vomit and mucus. Tracks like “Marcado por la Pezuña,” “Tronos de Oprobio” or their (scato)logical outcome “Pantalgia” truly persist with that tradition of primitiveness, putting the stress both in the DEATH and the METAL, for doom has always been the band’s destiny, its powers and wisdom.

Any way you describe it, the dense ‘n’ sulfurous rumble this Spanish power-trio creates can cause tectonic shifts as ably as it can rot your soul. There’s an almost uncomfortably carefree, laissez faire approach to Proscrito‘s ritualistic plod, as if the band is indifferently acting as a conduit for supernatural frequencies only they can sense. It’s not often that Memento Mori dips its toes into the doomier end of death metal, but when it does, be fucking sure that it’s for good reason! And indeed, Llagas y Estigmas is one bad-ass GOOD REASON!

The first Bad-Ass Good Reason can be found with the brand-new track “Persistiendo” here:
Cover and tracklisting are as follows:
Tracklisting for Proscrito’s Llagas y Estigmas 1. Persistiendo [9:21] 2. Tronos de Oprobio [7:05]
3. Exequias [5:37]
4. Marcado por la Pezuña [7:18]
5. Pantalgia [11:07]
MORE INFO:
www.facebook.com/proscritoyolvidado
www.proscritoyolvidado.bandcamp.com
www.memento-mori.es
www.facebook.com/memento.mori.label

Bestial black/death commando Human Agony stream Invictus debut album

Today, bestial black/death commando Human Agony stream the entirety of their highly anticipated debut album. Set for international release today via Invictus Productions, hear Human Agony‘s Putrescence of Calvary in its entirety here.
Since forming in 2016, Human Agony have cast an outsized shadow. Having released just a handful of demos and splits, Human Agony‘s catalog is sparse but strong, corroborated by the band’s devastating live performances on recent tours. With this debut full-length, Putrescence of Calvary, Human Agony display the full might of their weaponry.

Comparisons to Conqueror, Revenge, and Black Witchery are inevitable, and indeed, Human Agony are among the few elite bands deserving of such comparisons. That the band hails from Victoria, B.C.—known for the infamous Ross Bay Cemetery and a longstanding history of Satanic and occult activity—naturally also draws attention to the profound influence of Blasphemy. But Human Agony offer more than rote regurgitation of the bestial black/death and war metal tropes.

Whereas many, if not most, bands that attempt to play this subgenre tend to be style over substance, Human Agony demonstrate an intense dedication to writing songs that are complex and captivating. While the musicianship on these tracks is undeniably impressive, it is the strength of the songwriting that truly set Human Agony apart. Each track contains a procession of riffs, precisely pieced together, with the collection of songs strategically sequenced to highlight the compositional arc of the album as a whole.

Significantly, the production showcases the instrumentation while maintaining the natural cacophony the band cultivates. The guitars stand out just enough to give voice to the riffs, as the frenzied, violent pulse of the drums bludgeons the listener. The unhinged solos and precise cutaways add a degree of unpredictability to the songs, while the wretched vocals lend a feral element to the recording. Interspersed among the tracks are occasional unsettling interludes and extraneous noise to disorient the listener before being propelled back into the fray. Bookending the album are an intro and outro performed by harsh noise musician Striations, who has toured with and collaborated with Human Agony in the past.

In every way, Putrescence of Calvary is the fulfillment of the promise of Human Agony‘s earlier work—the blood-drenched blossom of war’s carnage. Finally, the cover illustration by the skilled and highly regarded Finnish artist Heidi Kettunen, known for contributing cover art for Ride For Revenge, superbly complements Human Agony‘s music and provides a fitting aesthetic for this debut album.

Order info can be found HERE at Invictus‘ Bandcamp.
Aforementioned cover art and tracklisting are as follows:
Tracklisting for Human Agony’s Putrescence of Calvary
1. Introduction
2. Corpse Womb of Antichrist
3. Unwilling Blood
4. Covering Cherubim
5. Doctrine of Cruelty
6. Mouth of Spears
7. …
8. Purity Withdrawn / Angelic Castration
9. Mastered on Crucifix
10. Eviscerated for Ritual
11. Putrescence of Calvary
12. Outro
www.invictusproductions.net www.facebook.com/invictusproductions

Beyond Creation announce European tour with Decapitated

BEYOND CREATION are now announcing new European tour dates together with the mighty death metal formation DECAPITATED! The rampage will kick off at the Lido venue in Berlin on the 6th of March and continues throughout 10 more countries in the weeks after. Support is taken care of by LORNA SHORE and VISCERA.
BEYOND CREATION
+Decapitated +Ingested +Lorna Shore +Viscera
06 Mar 20 Berlin (DE) Lido
07 Mar 20 Hamburg (DE) Bahnhof Pauli
08 Mar 20 Aarhus (DK) Voxhall
09 Mar 20 Hannover (DE) Bei Chéz Heinz
10 Mar 20 Oberhausen (DE) Kulttempel
11 Mar 20 Nijmegen (NL) Doornroosje
12 Mar 20 London (UK) ULU
13 Mar 20 Glasgow (UK) Slay
14 Mar 20 Manchester (UK) Club Academy
15 Mar 20 Birmingham (UK) Mama Roux’s
16 Mar 20 Bristol (UK) The Fleece
17 Mar 20 Southampton (UK) The Loft
18 Mar 20 Aarschot (BE) De Klinker Club
19 Mar 20 Paris (FR) La Trabendo
20 Mar 20 Aarau (CH) KiFF
21 Mar 20 Karlsruhe (DE) Weisse Rose
22 Mar 20 Milan (IT) Slaughter Club
23 Mar 20 Munich (De) Backstage
24 Mar 20 Vienna (AT) Viper Room
25 Mar 20 Budapest (HU) Dürer Kert
26 Mar 20 Prague (CZ) Nova Chmelnice
27 Mar 20 Wroclaw (PL) Pralnia
28 Mar 20 Dresden (DE) Puschkina

  In celebration of the tour, drummer Philippe “Tyrant” Boucher has shared an elaborate drum play-through for the track “Surface’s Echoes”. The video can be seen here:
BEYOND CREATION will be touring in support of their latest release ‘Algorythm’ which can be heard in full here.
The cover artwork can be viewed together with the album details below.
Track-list1. Disenthrall (1:44)
2. Entre Suffrage Et Mirage (4:20)
3. Surface’s Echoes (6:54)
4. Ethereal Kingdom (5:19)
5. Algorythm (7:40)
6. À Travers Le Temps Et L’Oubli (1:48)
7. In Adversity (3:19)
8. The Inversion (7:26)
9. Binomial Structures (6:32)
10. The Afterlife (5:37)
Bonus tracks
11. Surface’s Echoes (Instr) (6:53)
12. The Afterlife (Instr) (5:37)
Total playing time: 1:03:09
Feel the onrush of sweeping arpeggios, crushing waves of fretless bass, complex rhythmical patterns and erupting scales peppered with jazzy feeling and masterful execution under the mark of ‘Algorythm’, which names the third full-length of BEYOND CREATION.
 
The French part of Canada is home to a vibrant culture of technical Death Metal fostered by outstanding acts such as GORGUTS, CRYPTOPSY, MARTYR, and NEURAXIS. This illustrious family tree has produced many sprouts in the past, yet none of them are as brilliant as Quebec’s amazing scion: BEYOND CREATION!

BEYOND CREATION saw the light of day in 2005 in Montreal, Canada but it wasn’t until 2010 that the band was ready to hit the stage with their original line-up consisting of Simon Girard, Kevin Chatré, Guyot Bégin-Benoît and Dominic ‘Forest’ Lapointe. A year later, the band self-released their debut full-length album ‘The Aura’ (2011), which quickly became a highlight in the genre. Since then, BEYOND CREATION has been known as the progressive, innovative and exciting new metal sound of their homeland, Quebec.
 
In late 2012, the band had Philippe Boucher (Ex-FIRST FRAGMENT, INCADESCENSE, CHTHE’ILIST, DÉCOMBRES) take Guyot’s place on drums and things started moving at a faster pace in 2013, when they joined Season of Mist, re-releasing ‘The Aura’ and touring North America and Japan. In 2014, BEYOND CREATION released their second masterpiece ‘Earthborn Evolution‘.
 
After the addition of Hugo Doyon-Karout (BROUGHT BY PAIN, EQUIPOISE, CONFLUX) on bass, the band focused on touring as much as possible on the ‘Earthborn Evolution’ album cycle compiling 3 North American tours, 3 European tours, countless shows in Canada, appearances in Mexico, Colombia and Dubaï, sharing the stage with heavy weights like ARCH ENEMY, HATE ETERNAL, MISERY INDEX, DYING FETUS, PSYCROPTIC and OBSCURA. They also took part in multiple large-scale music festivals such as Hellfest (FR), 70 000 Tons of Metal (US), UK Tech-Fest, Montebello Rockfest (CA), Heavy MTL (CA) and Damnation Fest (UK).
 
In 2018, BEYOND CREATION recorded their highly-anticipated third album ‘Algorythm’ at The Grid Studio in home land Canada, which is set for release on October 12th, 2018. With the new album, BEYOND CREATION delivers a ferocious blend of technicality, melody, and brutality aided by fang-filled growls, which is interwoven with beautiful progressive interludes. Prepare for the lightning evolution of the progressive technical death metal revolution!

Current line-up
Simon Girard: Vocals & Guitars
Kevin Chartré: Guitars & Back Vocals
Hugo Doyon-Karout: Bass
Philippe Boucher: Drums

www.beyondcreationofficial.com
www.facebook.com/BeyondCreationOfficial

ANGELBLAST set release date for EDGED CIRCLE debut EP – features members of Sweden’s EXCRUCIATE and DARKENED

Today, Edged Circle Productions announces December 20th as the international release date for AngelBlast‘s striking debut EP, Rotting Paradise, on 7″ vinyl and digital formats.

Although a brand-new entity, AngelBlast hold a wealth of experience within their ranks, featuring members from old-school Swedeath cult Excruciate as well as fellow labelmates Darkened. And one listen to the swift ‘n’ slaying Rotting Paradise is proof enough of those deeply entrenched Metal of Death values: throttling and propulsive, winding and dynamic, clear yet crushing, malevolently melodic, and with mind-melted solos to literally die for, AngelBlast rip through two tracks (plus eerie outro) with a passion and possession that simply cannot be denied. References to be made include ’90s Morbid Angel, Dissection, Necrophobic, Malevolent Creation, and Unanimated, but on evidence of Rotting Paradise, AngelBlast are well on their way to etching an infernal circle all their own. Suitably, this opening salvo features amazing artwork by Juanjo Castellano Rosado (Unleashed, Revel in Flesh, Gates of Ishtar).

Be on the lookout for a debut album through Edged Circle next year, and step into AngelBlast‘s Rotting Paradise in the meantime! Aforementioned cover art and tracklisting are as follows:
Tracklisting for AngelBlast’s Rotting Paradise
1. Rotting Paradise
2. Descending of the Immortals
3. Incarnation of the Fallen
MORE INFO: www.edgedcircleproductions.com

Finnish death metal magickians Blooming Carrions stream new Iron Bonehead EP

Today, Finnish death metal magickians Blooming Carrions stream the entirety of their highly anticipated new EP, Sisters in Blooming Flesh. Set for international release on November 28th via Iron Bonehead Productions, hear Blooming Carrions‘ Sisters in Blooming Flesh in its entirety here:
Blooming Carrions was founded during the deadly summer of 2014 by EvM, who possessed a desire to create dark and primitive death metal, and to channel visions about decomposing hallucinations, cryptic dreams, and love for beauty of death and decay. The first offering, Sparkling Rotten Dreams, was released in summer 2017 by Iron Bonehead, and it introduced the band in it rawest form, with all essential Blooming Carrions weapons: twisted, cavernous riffs, eerie guitar melodies, pounding drums, and brutal and cryptic vocals. New material headed into darker and more distant territories, and the second demo came out soon after, titled Necrosis Twilight – again released by Iron Bonehead – offering two songs that were more atmospheric, crushing, and majestic.

But that was just a small glimpse of what was on the horizon for Blooming Carrions. During melancholic nights of autumn 2017 and winter 2018, new material was crafted, and during summer and autumn 2018, Sisters in Blooming Flesh was recorded by EvM and new member PkE, who joined Blooming Carrions to handle bass obscurities. What we have here is three songs of eerie, majestic, and brutal blackened death metal, blooming in rotting bliss and vulturous hallucinations. Truly titled, Sisters in Blooming Flesh is indeed the rotten, blossoming bouquet of Blooming Carrions.

Cover and tracklisting are as follows:
Tracklisting for Blooming Carrions’ Sisters in Blooming Flesh
1. Sisters in Blooming Flesh
2. Enchantment of Slaughtering
3. Lehto
MORE INFO:
www.bloomingcarrions.bandcamp.com
www.facebook.com/IronBoneheadProductions

Reborn ÆVANGELIST reveal first track from new HELLS HEADBANGERS album – also cover and tracklisting

Reborn ÆVANGELIST reveal first track from new HELLS HEADBANGERS album – also cover and tracklisting

Today, the reborn Ævangelist reveal the nearly-18-minute new track “The Origin and End of All: Pain of the Fallen.” The track hails from the band’s forthcoming rebirth album, Nightmarecatcher, which will be released by Hells Headbangers during the first quarter of 2020 on CD format. Hear Ævangelist‘s “The Origin and End of All: Pain of the Fallen” in its massive entirety HERE:
Now residing in Finland, Ævangelist has been in existence since 2010 and was created/authored by Matron Thorn. Joining Thorn on Nightmarecatcher is ex-Anorexia Nervosa vocalist Stéphane Gerbaud. As such, this is to be considered the official lineup of the true Ævangelist.

Ever restless, Nightmarecatcher sees Matron Thorn exploring an exquisitely lurking dread, patiently simmering his psychedelic death metal delirium to a hallucinogenic boil, bringing forth a miasmic meltdown. Daunting and daring to say the very least, Nightmarecatcher is one epic 53-minute composition comprising three equally epic chapters, all threaded together with unsettling ease. Also uniquely, the album is Ævangelist‘s first proper live studio recording, created entirely in the recording space of Oranssi Pazuzu and drums recorded in the recording space of Barathrum & Sielunvihollinen. Not for nothing is the album graced with malevolent & mesmerizing artwork courtesy of the masterful Jef Whitehead.

Form meeting content, then, Nightmarecatcher is the sound Ævangelist at is most naked. No less dense and multi-layered than Matron Thorn’s vast body of work under this moniker, the shimmering Nightmarecatcher stretches Ævangelist to a skeletal breaking point, a gross ‘n’ garish carcass on which Thorn dangles flickering  afterimages of disconnection. Exposed and rotten yet no less resilient, this sonic iteration of Ævangelist retains Thorn’s characteristically nightmarish alchemy, but disposes of obfuscation and obtuseness; after recent muddling events, only a clearly aimed fist of hazy horror accomplishes the directive. Rising to the challenge, Gerbaud’s truly disturbing vocals ritualistically recite a litany of horrors both tangible and otherworldly, leading the listener into the craggiest catacombs of the self.

Atmosphere reigns supreme, as it always has in Ævangelist, and comprehension of its infinitely writhing tendrils begins in the title itself. Nightmarecatcher is the grand rebirth of the true Ævangelist – past, present, future, all ripped asunder and reinvigorated in search of The Truth.

Further truth can be found HERE in this extensive interview with the Rauta YouTube channel, where Matron Thorn explains the background behind Ævangelist‘s rebirth.

Release date and preorder info to be announce shortly.
Aforementioned cover art and tracklisting are as follows:
Tracklisting for Ævangelist (Finland)’s Nightmarecatcher
1. The Origin and End of All: Pain of the Fallen [17:34]
2. Ceremony of Decomposition of Bodies [12:39]
3. In the Womb of Chaos, Source of Life Energy [22:24]
MORE INFO:
www.facebook.com/thetrueaevangelist
www.aevangelist.bandcamp.com

Russia’s PYRE sign with MEMENTO MORI – to release second album next year

In their endless quest to push and support current underground acts that perpetuate the odor of vintage death metal, Memento Mori are extremely thrilled to announce a new signing: Pyre, from Russia.   Rising from the sewers of Saint Petersburg in 2011, and consisting of some hyperactive musicians who are/were members of other underground Russian acts such as Teitanfyre, Drama, Ulvdalir, Internal Damage, Blazing Rust, Chamber Of Torture, and others, Pyre‘s unholy sledgehammer of rotting and caustic music is DEATH fuckin’ METAL  right down to its genes, as genuine and convincing as it can possibly get, focusing on the traditional and raw sound reminiscent of greats such as Asphyx, Grave, Morgoth, Nihilist/early Entombed, Death, Unleashed, Autopsy, Repugnant, Obituary, Dismember, and Pestilence, and rivalling most of its recent peers trying to do the same thing. After a number of previous releases and lots of gigs under their belt, in and out of their motherland, Pyre are now ready to bust through their second opus, which will offer something new and unique, darker, more hypnotic and cryptic, creating an atmosphere way more sinister than ever before, and evincing that the second strike is deadlier indeed!   Memento Mori will unleash the CD version of their sophomore full-length album in 2020.

Further details to follow in the coming months. For more info, consult the links below.  

MORE INFO:
www.facebook.com/pyredeathmetal
www.pyredeathmetal.bandcamp.com

SIJJIN to release debut demo, distributed by SEPULCHRAL VOICE – includes NECROS CHRISTOS members+++

Sepulchral Voice Records is proud to distribute Sijjin‘s striking debut demo, Angel of the Eastern Gate, on cassette tape format.

Although a brand-new entity in name, Sijjin actually includes a wealth of experience within their ranks: both vocalist/bassist Malte Gericke and drummer Iván Hernández hail from underground legends Necros Christos, while fleet-fingered guitarist Ekaitz Garmendia has a long history of thrash with Spain’s Extinction, Legen Beltza, and The Great Wound. Together, under the moniker of Sijjin – Hell is Sijjin / Sijjin is in Hell – the power-trio transcend their past with a powerful iteration of timeless, thrashing death metal.

With Gericke handling the lyrics with his customary aplomb and the whole band writing everything together, it’s no wonder that Angel of the Eastern Gate is a neckbreaking whirlwind of epic deathrash. Sijjin‘s execution here is literally sharp – like, RAZOR-fucking-SHARP – and their songwriting suitably surges and sidesteps with malicious intent. Mind-melted solos divebomb with devilish delight, and often. Atop, Gericke’s throat of Hell heralds the hordes onward like the lord of all fevers and plagues.

References to be made include classic Necrovore, The Eyes of Horror-era Possessed, and Blackfire-era Sodom but most especially early Incubus and ’80s Morbid Angel. However, far from being a “blast from the past,” Sijjin recast this noble foundation in the present, seeking hellish victory – which is most undoubtedly assured once Sepulchral Voice releases Angel of the Eastern Gate on CD and vinyl in the coming year. Talks have commenced regarding the label releasing the band’s imminent debut album, but that doom shall dawn some other day…

In the meantime, stream the entirety of Angel of the Eastern Gate at Sijjin‘s Bandcamp here:
Cassette cover and tracklisting are as follows:
Tracklisting for Sijjin’s Angel of the Eastern Gate
1. Introcantation
2. Vorago Of Adullam
3. Trine Immersion
4. Angel Of The Eastern Gate
5. Remnants Of Cambrian Evil
MORE INFO:
www.facebook.com/pages/category/Musician-Band/Sijjin-102605617799602

Defiled reveal first track and details of forthcoming album

Death metal maniacs DEFILED are now unveiling the first brand new track taken from their forthcoming new masterpiece, ‘Infinite Regress’. The album is scheduled for release on January 24th, 2020 via Season of Mist
The Japanese  cult death metal act are now streaming “Tragedy”
DEFILED comment: “The day has finally come! We are so incredibly proud to announce our new record “Infinite Regress”. The album will be out on 24th Jan 2020 via our home Season of Mist. Please give a listen to our first official  premier song “Tragedy” and we hope you guys enjoy it. Cheers!“
DEFILED are furthermore releasing the artwork of ‘Infinite Regress’, which has been created by Wes Benscoter, and can be viewed together with the album details below.
Track-list
1. Intro (00:23)
2. Divide and Conquer (02:30)
3. Tragedy (05:21)
4. Systematic Decomposition (02:33)
5. So Blind (02:48)
6. Legacy (01:58)
7. Masses in Chaos (02:01)
8. Centuries (04:17)
9. Aftermath (03:02)
10. Invisible War (01:45)
11. Ignorant (02:28)
12. Slaverobot (02:57)
13. Infinite Regress (02:48)
14. Outro (00:33)
Total playing time: 35:24
DEFILED come yet again, barging in like some crusty Godzilla made out of the stuff polished tech death nightmares are made from. The revered Samurai of death metal crush through the spiral ganglion with a sound rawer than shark sushi that still bites. 

This time it took the Japanese three years to deliver a follow-up to the critically acclaimed ‘Towards Inevitable Ruin’ (2016) which was not pretty, nor pretending to be. Instead, they reduced death metal to the bare bones and with this, showing its naked brutality.

‘In Crisis’ (2011), which came out eight years after ‘Divination’ (2003) shook the world awake to the band from the Land of the Rising Sun. DEFILED climbed to the top of Asia’s death metal scene with the release of their self-financed EP ‘Defeat of Sanity’ (1994) two years after their inception. Founded in Tokyo, they quickly combined the brutal and technical aspects of this mad metropolis into their own unique sound. Their first album ‘Erupted Wrath’ (1999) was mixed by genre legend Jim Morris in Tampa, Florida, who returned to work on sophomore opus ‘Ugliness Revealed’ (2001) as well as third full-length ‘Divination’. The Japanese opened for extreme metal legends such as CANNIBAL CORPSE, MORBID ANGEL and toured with INCANTATION and MAYHEM to name but a few.

DEFILED are back with a bang. ‘Infinite Regress’ is not for the faint of heart or intended for easy listening, but when giving the new monster some spins, the apparent fragments start to drift together once more– starting from a catchy fill, riff or grating grunt that morph into a strange hook relentlessly driving its spike into the brain.

www.defiled.info
www.facebook.com/defiled

Line-up
Shinichiro Hamada: vocals, guitar
Yusuke Sumita: guitar
Takachika Nakajima: bass
Keisuke Hamada: drums

Greek death metal cult Vultur premiere the new track “Postmortem Lividity”

Greece’s VULTUR premiere new track at NoCleanSinging.com

Today, Greek death metal cult Vultur premiere the new track “Postmortem Lividity”.
The track is the title track to the band’s highly anticipated second album, Drowned in Gangrenous Blood, set for international release on October 31st via Memento Mori.

Hear Vultur‘s “Postmortem Lividity” in its entirety here:
Spawned from the sick brain cells of several past and current members of other deadly Hellenic entities (Ectoplasma, Resurgency et. al.) back in 2013, Vultur have been exhibiting an unquenchable thirst for sanguine death metal fluids ever since, revealed in all its putrid and vicious glory both in their Vulture’s Beak demo (2016) and their Entangled in the Webs of Fear debut album (2018). Theirs is a timeless ilk of bludgeoning death metal that’s stuffed with assorted tempos that go from relentless eruptions of savagery to torturous and doomed-out passages replete with morbid harmonies and through mid-paced onslaughts of sheer heaviness, influenced by the likes of Morbid Angel, Gorguts, Monstrosity, Immolation, Brutality, Suffocation, Morpheus Descends, and Incantation.

Salaciously titled Drowned in Gangrenous Blood, Vultur‘s sophomore strike sees them sticking to that crushing course – and indeed drowning the hapless listener in gangrenous blood! No compromise, no quarter, no progression: Drowned in Gangrenous Blood is 100% undiluted DEATH METAL spawned from the most righteous of eras, the very beginning of the ’90s. Even down to its bassy, shit-thick production – courtesy of Haris Vougiantzis, of Embrace Of Thorns fame, who also handles the mixing & mastering here – Vultur‘s second album reeks of totally thorough authenticity. Its songwriting is creepy, lurking, and most definitely SICK, spewed by diseased minds who LIVE FOR THIS. And it’s also further proof that Greece’s death metal underground is criminally unsung, but soon shall devour unbelievers…

And what better way to garnish utter sickness than the literally viscous cover art courtesy of Gargoylekelly? Vultur have wasted no time in eclipsing their cult debut album – drink up!

Also sip the previously revealed title track “Drowned in Gangrenous Blood” HERE, courtesy of MetalBite.com, as well as the previously revealed “Groans of Excruciating Terror” HERE at Memento Mori‘s official YouTube channel.

Aforementioned cover and tracklisting are as follows:
Tracklisting for Vultur (Greece)’s Drowned in Gangrenous Blood
1. Groans of Excruciating Torture
2. Drowned in Gangrenous Blood
3. High on Adrenochrome
4. Return to Soil
5. Rigorous Voices
6. Devirginized, Butchered and Eaten
7. Crushing the Ribcage
8. Postmortem Lividity
MORE INFO:
www.facebook.com/vulturathens