HULDER set release date for IRON BONEHEAD debut album, reveal first track

Today, Iron Bonehead Productions sets January 22nd, 2021 as the international release date for Hulder‘s highly anticipated debut album, Godslastering Hymns of a Forlorn Peasantry, on CD, vinyl LP, and cassette tape formats.

One of the black metal underground’s best-kept secrets, Hulder formed in 2018 as the sole work of the selfsame Hulder. A native of Belgium but currently residing in the United States, she quickly went to work on Hulder‘s first demo, Ascending the Raven Stone, released during the summer of 2018. Ancient and regressive but with no shortage of technicality, Ascending the Raven Stone set forth a rigorous discipline that Hulder would expound upon with the more dungeoned Rehearsal 8/13/18.

Word began to build about the band, and successive tape editions as well as the De oproeping van middeleeuwse duisternis compilation a year later ensured Hulder‘s momentum was worth reckoning. Arguably, it was the release of the Embraced by Darkened Mysts EP where Hulder crystalized her aesthetic, both in sheer sonics as well as visuals: full-color cover art featured her in medieval warrior regalia surrounded by a dense forest – classically black metal in its composition, sword included – neither emphasizing her femininity nor denying it. Along the way, Hulder piqued the ears of Iron Bonehead, who first released De oproeping van middeleeuwse duisternis on vinyl and then collected that as well as the two demos onto digipack CD.

Now aligned with Iron Bonehead, Hulder make their boldest statement yet: Godslastering Hymns of a Forlorn Peasantry, the band’s full-length debut. Just like debut albums properly should, Godslastering Hymns of a Forlorn Peasantry straddles both Hulder‘s past as well as unearthing new paths. Within the eight songs comprising the 40-minute record, Hulder spans myriad generations and idioms of black metal, but all deeply rooted in ’90s classicism: from the paganisms of earliest Enslaved, Ulver, Isvind, and Kampfar to the hypnotizing grit of classic Judas Iscariot and Grand Belial’s Key, on to the mystical majesty of unsung Greeks like Zemial and Kawir and even over to the woodland wonder of old Opera IX. Which is all to say that Hulder here not so much mimic their forebears so much as meld the idiosyncrasies inherent to each into a masterclass in all-caps BLACK METAL songwriting: dynamic, engaging, nuanced, and transportive, but undeniably physical in its pulsing vistas of darkness and mystery. Likewise, Godslastering Hymns of a Forlorn Peasantry is structured like a true album, with Side 1 kicking in an utterly feral manner and cresting along to vicious wanderlust and ending on the eerily restrained near-ambient hymn “De Dijle,” and then Side 2 furthering the synth mysticism and maintaining a more triumphant aspect, with the closing magickal march of “From Whence an Ancient Evil Once Reigned” sounding not unlike a lost relic from Grieghallen circa 1994. And all this is encased in a production that’s rich, robust, and rounded; only the rawness of the performances bleed into the soundfield, a clear division from Hulder‘s earlier demo days.

The past is alive because the present is dead. With the glorious birth of Godslastering Hymns of a Forlorn Peasantry, long live Hulder!

Witness the first birth with a video for the brand-new track “Upon Frigid Winds” here:

Cover and tracklisting are as follows:

Tracklisting for Hulder’s Godlastering Hymns of a Forlorn Peasantry
1. Upon Frigid Winds [3:22]
2. Creature of Demonic Majesty [3:33]
3. Sown in Barren Soil [4:43]
4. De Dijle [6:33]
5. Purgations of Bodily Corruptions [4:23]
6. Lowland Famine [5:26]
7. A Forlorn Peasant’s Hymn [6:03]
8. From Whence an Ancient Evil Once Reigned [5:07]

MORE INFO:
www.hulder-official.com

Interview with Hulder – Belgian/American One Woman Black Metal.

In case you’ve been asleep at the wheel the last 2 years Hulder has been on a mission to take the metal underground by storm, over the span of a mix of DIY releases and a full length on Iron Bonehead Productions she’s succeeding. We caught up with her this week to find out what she is all about – read on!

  • So are you from Belgium and moved to the USA right? What’s the story here?
    I was born in Duffel, and spent the majority of my formative years in Mechelen, Belgium. I moved to the USA a little over ten years ago. After spending time all over California I relocated to Oregon and have been enjoying the many splendors of its mountain ranges and vast forests.
  • If from Belgium now living here what bought you here? the music scene? family?
    The move was purely circumstantial. Not a decision I would have made at that time, but seeing as I was quite young, I did not have a say in the matter. That being said, I am quite pleased with where I have nested for the time being.

  • What has been the biggest cultural difference living in the USA vs Europe?
    Besides many political differences I do not care to discuss.. I would have to say the unnecessary abundance of everything. I’m fairly certain the bigger and better mentality is not something I will ever get used to. There is also a lack of ritual through home cooking, and time spent at a table as opposed to in front of electronics. These examples may have struck me as stark differences due to the fact I grew up in rural farm surroundings.

The fact that it is dreary most of the year

  • What are your favorite things about living in Oregon?
    It’s dense woods and grey coast. The fact that it is dreary most of the year, and there are plenty of shady hideaways along glacier runoff on the off-day when it gets too warm. The city is currently very accessible if the urge strikes, but I plan to make my return to more rural settings when the time is right.

My passion only grows.

  • How did you get into Black metal? What was your “gateway” band so to speak?
    I was introduced to bands like Satyricon, Summoning, Darkthrone, Burzum, Moonsorrow, and Dissection in my early teenage years. Someone quite a few years my senior left me with some cassettes and an old CD binder, enough study material for a few years at least. It was my first passion, and I knew fairly shortly thereafter it would stick with me forever. I eventually worked my way backwards to a lot of first wave bands and other extreme metal. My passion only grows.

  • Were you playing any instruments before you got into Black metal?
    I have been playing guitar since I was 10. I played in multiple punk bands in my youth, and always had solo projects simultaneously, though never made public.
  • How did your deal with iron Bonehead come about? Are you happy with the promotion they have done so far?
    IBP reached out to me shortly after the first run of the “Embraced..” EP was out. So far I am very pleased with our collaboration, and look forward to what the future holds.

I am only concerned with furthering the consciousness of the self.

  • If I am not mistaken Hulder is the name of mother of Odin – are you an Odinist at all? If not what faith do you practice/follow?
    I am not aware of any mythology referring to Hulder as the mother of Odin nor do I practice a faith of any kind. I am only concerned with furthering the consciousness of the self.
  • Have you played live before and if so how was it for you?
    HULDER has made one live appearance. It was a satisfactory experience, but only a small glimpse into what is to come for those who got to witness it.

  • Are there any plans to play live?
    I absolutely plan on live performances. Things are quite uncertain at this point due to the plague of our time, but hopefully circumstance will allow for a tour within the next year or so.
  • What can we expect from Hulder in 2020 and beyond?
    A full length, some unspoken announcements to accompany said release, and of course more Dark Medieval Black Metal at full force.
  • Any final words?
    Your questions and interest are much appreciated. Gezondheid to you and anyone reading this.

More Info:

Hulder Bandcamp

Hulder Merch

Hulder Instagram