Darkness. Experimentation. Heaviness. Artistic integrity. A band that is born as a tribute to swiss titans Celtic Frost should have all these concepts as a basic reference when working on their own music. Formed in 2014 by three “off-road” musicians with a vast experience in metal, rock, and hardcore bands of Asturias (Spain), TOTENGOTT raises in the middle of the self-indulgent metal scene in order to claim the importance of evil and morbidity of compositions above technique, rawness above demonstration. An obsolete but effective speech.
It wasn’t long when their setlist, initially formed by classics (and “not-too-classics”) from Celtic Frost, started giving way to their own songs. Songs in which, although the “Warrior universe” touch is undeniable, we can also hear other influences like the space madness of Voivod, the sonic gravity of Conan, the experimentation of early Pink Floyd albums, the riffing mastery of Candlemass, or the atonality of Kryzstof Penderecki. Occult metal with obvious doom / death influences, but as we say, these are not the only ones: thrash, ambient, gothic… TOTENGOTT avoids limitations in the way they understand music.
In less than three years, they have managed to form a solid base of fans in the metal underground scene of their area. They have already shared stages with bands like Sodom, Entombed AD, Minsk, Holy Moses, Angelus Apatrida, Horn of the Rhino, Bodybag, Kowloon Walled City, and Wolvserpent, and they preached their musical philosophy widely in the north of Spain. This ode to darkness was depicted in the self-released Demo 2016, a three-song / 43-minute-long recording that served as an introduction to TOTENGOTT. The band sold more than 200 copies of this demo and gathered a good number of praising reviews in the Spanish extreme metal scene.
TOTENGOTT is now set to release worldwide Doppelgänger, their first album, on the 11th of July through XTREEM MUSIC / Burning World Records (label managed by Roadburn Records). The album was recorded, produced, and mixed by the band during late 2016 / early 2017 at Anglagard Recording Studios (Grao, Spain), and was mastered by James Plotkin (well known for his work with bands like Conan, Electric Wizard, Isis, Amenra, Jesu et al).
TOTENGOTT lineup
Chou Saavedra – guitar/vocals
Nacho Void – bass
José Mora – drums
The second full-length album by recluse industrial black metal/harsh noise abusers american (which the band stylizes lowercase). american were one of the earliest ever bands Sentient Ruin records ever worked with back in 2014 (their fourth ever “signing” to be exact), and their debut album Coping With Loss – was a cornerstone point of no return for the label, and probably the first release to make the SR name surface out of complete obscurity, and which first realistically circulated the label’s vision among total strangers for the first time ever.
Hailing from Richmond, Virgina, and with influences ranging from The Body, Leviathan, Ministry, and Skinny Puppy, to Craft, Godlflesh, and Blut Aus Nord, american play a disembodied, torturous and completely fucking annihilated blend of sludge, black metal, industrial, and harsh noise – creating a wall of face-tearing noise that oozes of almost implausible negativity. In recent years the likes of Noisey/Vice have claimed that american’s noisy industrial black metal “takes you into a world of pain”, and makes you “beg to whoever you believe in to kill you”, with CVLT Nation explaining that their music “advocates suicide”, and Invisible Oranges further elaborating that their music “is blessed with a haunting aura thick with loathing”.
Now the band present us with ten new wretched tracks of astonishing sonic abuse that knows no end. A work of absolutely magnificent sonic abhorrence that coerces together the abyssal darkness of black metal bands like Leviathan and Ash Borer, the earth-shaking noise abuse of Bastard Noise and The Body, and the glacial magnificence of blackened noise sound sculptors like Sutekh Hexen, Locrian, and Wold.
Today, reinvigorated black metal infamists Nargaroth stream the entirety of their highly anticipated seventh album, Era of Threnody. Set for international release on May 16th via Inter Arma Productions, hear Nargaroth’s Era of Threnody in its entirety exclusively HERE.
Nargaroth needs no introduction. German black metal’s longest-running and most prolific band, Nargaroth has built a canon of work that’s as infamous as it is legendary in the underground. Led as always by the peerless vision of vocalist/multi-instrumentalist Ash, the Nargaroth aesthetic has spanned the many extremes of black metal as an artform, but always done with bravado and self-belief, purity of intent and purity of purpose. Now, with the band’s first full-length in a long eight years, Era of Threnody has arrived to mark a glorious new epoch for Nargaroth.
Ever aptly titled, Era of Threnody burns with rage and repose – a war cry from a battlefield long forgotten, a remembrance of sorrows past, present, and future. Across its 65-minute landscape, the 10 songs which comprise Era of Threnody paint a portrait of Nargaroth at its most dynamic: nearly every unique era of the band is represented, but executed with a startling sense of professionalism. But let it be known that “professionalism” in no way should be conflated with mainstream ambitions, for this is still pure ‘n’ pristine BLACK METAL in all its monochromatic grandeur. More accurately, perhaps, Era of Threnody is the sound of Nargaroth at the height of its powers, well rested from the studio hiatus and eager ‘n’ emboldened by an upcoming European tour with Absu and Hate (dates after the jump). The time of reckoning is at hand, and it is indeed the Era of Threnody!
Stream Nargaroth’s Era of Threnody at Inter Arma Productions’ Bandcamp HERE. Cover and tracklisting are as follows:
Tracklisting for Nargaroth’s Era of Threnody
1. Dawn of Epiphany
2. Whither Goest Thou?
3. Conjunction Underneath The Alpha Weel
4. …As Orphans Drifting In A Desert Night
5. The Agony Of A Dying Phoenix
6. Epicedium To A Broken Dream
7. Love Is A Dog From Hell
8. Era Of Threnody
9. TXFO
10. My Eternal Grief, Anguish Neverending
Full “Crusade of Threnody” tour dates with ABSU and HATE, as well as poster art for the tour, are as follows:
“Those who flee the hammer, shall abide the forge”
Death Ordinance is set in a future ravaged by 30 years of war, global societies have collapsed into anarchic warfare between tribal bands. Following nuclear warfare and EMP’s, remnants of technology are repurposed solely for conflict. Regression becomes progress as oppression and power struggle with natural law and imminent extinction.
What remains of humanity struggles in the vestiges, the final lineage impotent and malformed, for the scraps of a dying world. The album documents the twilight of existence through three movements the onset as “Consecrating Fire” and concluding with “Desert of Ash”.
Each song is deliberate with serving a purpose compositionally as well as with the lyrical narrative.
“Senses heightened, survival preceeds morality…”
Track list:
Consecrating Fire
Storming Upon Knaves
Harbinger
Ruination
The Yoke
Iron Harvest
Lupine Epoch
Righteous Upsurgence
Desert of Ash
Death Ordinance was recorded by V.V. in early 2017 and mixed and mastered by C. Sinclair in the Temple of Sol. Artwork for the album was done by Mistanthropic-Art.
ORDOXE make their Horror Pain Gore Death Productions debut with new album Towards Eternity. Formed in 1989, ORDOXE hail from Quebec (Canada) and perform melodic Black Metal with elements of Thrash, Death and Doom Metal. Towards Eternity is the fourth album in the ORDOXE catalog and delivers a fierce, judicious mix of dark arts, bliss, grim moods and evil ambiences.
For fans of BEHEMOTH, CRADLE OF FILTH, DARK FUNERAL, DESTROYER 666, DISSECTION, ENTHRONED, GOD DETHRONED, NAGLFAR, ROTTING CHRIST, and SATYRICON.
Track List:
1. We Are Eternal
2. The Auspicious One
3. Trépas I
4. Your Sorrow, My Sorrow
5. Sword Of Damocles
6. Soyez Illuminés
7. A Passage In Time
8. Trépas II
9. The Essence Of Life
10. Trépas III
The brand new Neige et Noirceur ALBUM “Verglapolis” will take you into the coldest and most desolate part of your essence.
Every track is a continuous flow between the most oppressive and cold black metal and melodies that seem to come from unknown and repetitive realities.
Slow-motion rhythms and haunting vocal melodies seemed to be emanated from some bleak cavernous subterranean chambers and create unique hypnotic atmospheres. Waves of disorienting sampling come and go, dotted with dragging beats and the harrowing integration of a choir’s howl.
This is pure despair just like the winter that cyclically holds us in.
1. Le monde est une foret noire
2. L’hiver de force
3. Nordet – Les premieres neiges
4. Pluie verglacante et brouillard de glace
5. Energie noire
6. Ruines electriques
New North Carolina/New Jersey Black Metal studio project, DECREPIT THRONE has released debut album Traitor’s Grave. Guitarist/multi-instrumentalist and North Carolinian Gregory Maupin joins New Jersey vocalist Ron Kaiser (BLASPHEMOUS) in offering seven iniquitous tracks of blackened fury wth influences inclusive of DISSECTION, DRUDKH, EMPEROR, DEATH, CELTIC FROST, and many others.
Maupin started DECREPIT THRONE after his last band mysteriously and abruptly came to an end. The focus is making dark music, rather than the drama in which so many local musicians drown themselves. Vocalist Ron Kaiser was kind enough to perform and write lyrics for DECREPIT THRONE.
The CD version of Traitor’s Grave will be available on April 10.
This week I spoke with the dudes from Florida Black Metal band the Noctambulant – if you are like me and love Melodic Black Metal do yourself a favor and check the band out – music video and streaming below!
Hey guys first off congrats on the album – I really love your style of black metal raw and full of energy but at the same time remaining very melodic
Thank you , very much . We take great pride in how our music shapes up.
* You guys are a lil older than some of the bands we speak to (like me, ha ha) How did you first get into black metal? Were you guys into stuff like Dio and Ozzy before Black metal came along?
Lars and D have been in the metal/punk scene since the 90s, so they have been rooted in heavy metal and early black metal .
Bathory, Venom , etc . Along with classics like Ozzy, Ratt, Voivod, etc
I (E.) Discovered black metal in the late 90s after being raised on classical music and 70s rock like Zepplin.
* I saw on your facebook page you guys name check bands like the Fields of Nephilim (one of Nergal from Behemoth’s favorite bands) and Sisters of Mercy.. do you think they accounts for your sense of melody in your music?
Definitely. Goth rock/post punk has had a huge influence on my song writing. Sisters of Mercy, the cure, fields of the nephilim all create melody and atmosphere with an almost minimalist approach. Really showing that sometimes less is more.
“The Florida black metal scene has some very strong bands. Black witchery , kult ov azazel , promethian horde”
* You guys are from Jacksonville Florida right? How’s the black metal scene down there? Why do you think Florida is such a stronghold for metal for the last 30+ years?
Jacksonville itself has a small, but reliable metal scene. The largest metal scenes are in Miami and Tampa, of course. So , while small, the Florida black metal scene has some very strong bands. Black witchery , kult ov azazel , promethian horde , etc .
* I know you guys have done a bit of touring so far? What’s been your favorite out of state place to play and why?
Grants pass, Oregon and Eureka , California have been some of the best shows. Small markets , but the best crowds. So much energy and passion.
* What are your thoughts on bands that tour as a full time job versus bands like Darkthrone who will probably never tour?
Each band has a different set of priorities and goals .What works for one , may not work for the other . So, while we would all love to tour full time and make a living at it, it doesn’t always work out .
* Have you guys played any of the major European metal festivals yet? If not what ones would you kill to play at?
Not yet. We are aiming to start breaking into the festival market this year. We’ve signed on with DSE marketing and have our sights set on Europe .
And of course the holy grail would be to play WACKEN. It’s been a goal since I started playing music
* I loved your video for the song Goddess – who shot that for you guys? Although the internet might have ruined the music business, the technology also made it far easier for smaller bands to make their own videos , what’s the feedback for the video been like so far?
Sam Farmer at Chance in Hell productions shot the video for us at Wolf’s museum of mystery in St. Augustine. He is a very talented videographer and I highly recommend him. As for the response, it’s been very positive . We have people bring it up at almost every show.
“Yes, we are tube purists at heart. We prefer to record on vintage fenders and hiwatt amps,”
* How did you record your latest album? Did you go to a pro studio or use a home set up which many bands prefer these days? What’s your take on digital recording technology? Digital amps etc or are you guys old school and still prefer tube amps, etc.
We recorded it in D’s home studio , and with today’s technology, it almost makes more sense for a smaller band .
And yes, we are tube purists at heart. We prefer to record on vintage fenders and hiwatt amps, though we have certainly used digital amps in the studio and on the road . The digital technology nowadays has really progressed to the point it’s a viable option.
* The name The Noctambulant is really cool – how did you guys come up with this name?
I took Latin for many years in school , and when I started listening to Immortal , they use the term noctambulant alot in their music . I love the imagery of the night walker (the noctambulant is Latin for night walker ) and the name took off.
* You guys sing about the occult a lot are any of the band practicing pagans – if so what path? Any strange experiences you care to share?
For some members of the band, it’s an academic interest. For others , it’s a calling and a path . We have certain pre show rituals that were started as an experiment to see what we could use to enhance our performance and our show. But after we performed it , every time after if we didn’t, something went wrong . Strings broke. Technical issues. Etc .
So now it’s a must . The demons must be satisfied.
“We have a philosophy . If you aren’t making progress , you’re going backwards. And we refuse to go backwards.”
* What can we expect from The Noctambulant for the rest of 2017?
We have a new album in the works now , in a addition to talks of a south American and European tour. We have a philosophy . If you aren’t making progress , you’re going backwards. And we refuse to go backwards.
* Any final words?
We genuinly appreciate everyone who enjoys our music , comes to our shows and helps us create the experience we strive to share.
Born on the ashes of a previous obscure project, LVX HÆRESIS began in MMXIII with DH (Vocals and Guitars) and W (Bass). Quickly the duo progressed into as same spiritual and artistic path as the former project. Later, N (Drums) joins the covenant, and with this line-up they released a self-produced Single limited to 200 pieces. This single received good returns consulting the path that the horde took.
Six months later, V (Guitars) and III (Guitars) joined the band and took part on the composition of the next album, retreating themselves in studio to record their future LP “Descensŭs Spīrĭtŭs“, scheduled to be released under Atavism Records.
The coven played their first gig on the 13th of May (2016) with Temple of Baal and Déluge. Since then, Lvx Hæresis shared the stage with bands like Regarde les Hommes Tomber, Svart Crown and Malepeste. And very recently on 13th april, they opened the gig for Dark Funeral.
The band is oriented in a ritualistic and hypnotic Black Metal devoted to the occult worlds in the vain of artists such as Mortuus, Ondskapt or Funeral Mist. The formation is a strong entity of one only soul, driven in the same direction. Black metal has magnificently developed in terms of both music and spiritual direction over the last decade, and Lvx Hæresis is great addition amongst those very few bands who are precisely having strong spiritual path as well as phenomenal musicianship. Organic production, devilish vocal, appropriate drumming, dark bass tone, death evoking riffs — existence of these feature showcase the caliber of the musicianship.
SHINING have released a video teaser for an arthouse documentary feat. Niklas Kvarforth, entitled “Cold Void”. The notorious founder of the Swedish black metal act is the focal point of a new movie. The documentary tries to capture a personal portrait of Niklas Kvarforth, who has made headlines that have involved addiction, suicide and self-destruction, bipolar disorder, schizophrenia, passion, and exceptional musicianship. The project was undertaken by arthouse producer Claudio Marino and his film production company Artax Film.
“Cold Void” is scheduled for release in autumn. More information about Artax Film can be found at this link: www.artaxfilm.com
Claudio Marino states that “Cold Void” is a film for anyone interested in life stories, and was not made with the intention of pandering to SHINING’s fans. It is very much a personal journey, bringing a much-needed clarity and lack of sensationalism to the subject of Niklas Kvarforth.
He also comments: “I’ve known about Niklas and his music for a long time. His story interested me and I wanted to know more about him as a person. I did some research and we got in contact. I showed him my documentary trilogy ‘Blood and Spirit’ and he was interested in working with me. We got along from the start and he proved to be very cooperative. He was brutally honest, and never left any of my questions unanswered.”
Claudio Marino is known for his documentary “Blood and Spirit”, a trilogy about three different artists who live for their art, a tattoo artist, an mixed martial arts fighter, and a Satanist, who happened to be Erik Danielsson from WATAIN
SHINING are embarking on their first headlining tour in the US today. Co-headlining will be label mates REVENGE. All currently confirmed dates including a performance at Germany’s With Foll Force Open Air can be viewed below
SHINING US Tour
+REVENGE
05 May 17 Baltimore, MD (US) Sparta Inn
06 May 17 Trenton. NJ (US) Backstage at Championship Bar
07 May 17 Quebec (CA) L’anti Bar
08 May 17 Montreal, QC (CA) Theatre Fairmount
09 May 17 Toronto, ON (CA) The Garrison
10 May 17 Detroit, MI (US) Harpo’s
11 May 17 Chicago, IL (US) Reggie’s
12 May 17 Kansas City, MO (US) Riot Room
14 May 17 Boise, ID (US) The Shredder
15 May 17 Vancouver, BC (CA) The Red Room (without Revenge)
16 May 17 Seattle, WA (US) Studio Seven
17 May 17 Portland, OR (US) Tonic Lounge
18 May 17 Oakland, CA (US) Metro Opera House
19 May 17 Las Vegas, NV (US) Adrenaline
20 May 17 Los Angeles, CA (US) Complex
21 May 17 Phoenix, AZ (US) Joe’s Grotto
23 May 17 Austin, TX (US) Grizzly Hall
24 May 17 Fort Worth, TX (US) Rail Club
SHINING are more than just a band. In fact each release, every concert and interview becomes a bloody battleground, on which Niklas Kvarforth struggles with his inner demons. The frontman and only remaining original member has never been shy to let the world know about his mental afflictions, which seem to complement or even spark his outstanding talent as a composer and musician. His ninth album, ‘IX – Everyone, Everything, Everywhere, Ends’ is another excellent example of Niklas’ genius. Reaching back to their black metal roots, SHINING simultaneously melt eclectic influences from progressive rock, jazz, even pop and more into deeply emotional laments from the dark side of the soul. Niklas’ vocals come in an even greater variety of expressions which few would suspect in a singer coming from the extreme metal scene. Moments of pain and confusion turn into insane outbursts of anger. Despair shifts into melancholy and an eerie sense of timeless beauty permeates all. Lacking any tolerance for false tuning, technical flaws and lack of ambition, Niklas has literally beaten any weakness out of his band, which demonstrates its remarkable prowess far beyond any average on this record. Founded in 1996 by Kvarforth, SHINING self-released ‘Submit to Self-Destruction’ in 1998 and spawned the term “suicidal black metal” with this debut 7″. A couple years after first full-length ‘I – Within Deep Dark Chambers’ (2000) and sophomore album ‘II – Livets Ändhållplats’ (2001) had cut deep marks into the underground scene, Niklas replaced his whole crew and started a continuous cycle of changing his line-up. With MAYHEM drummer Hellhammer on board, ‘III – Angst’ (2003) and ‘IV – The Eerie Cold’ (2005) began to gather major metal press attention. SHINING then focused on bringing their vision and often controversially received live performances to Europe. Yet Kvarforth’s mental health led to cancelled tours, physical and psychological fights within the band, and finally a break-up. Not content to let things rest after the breakdown, the restless singer returned with new members and the massively successful album ‘V – Halmstad’ (2007). SHINING had reached headliner status and toured with big acts such as SATYRICON and MAYHEM. Several line-up changes later, the Swede once again entered studio and recorded two albums in one session. ‘VI – Klagopsalmer’ was released in 2009 and two years later ‘VII – Född Förlorare’ darkened the light of day. The band also received their first gold disc for the single ‘Förtvivlan, Min Arvedel’ in Sweden. After rotating more musicians in and out, SHINING returned with ‘Redefining Darkness’ (2012) and a less aggressive, yet more sinister sound. Before signing to Season of Mist, the band released the project ‘8 ½ – Feberdrömmar I Vaket Tillstånd’, which featured six of Kvarforth’s favourite vocalists. In August 2014, SHINING entered Andy LaRocque’s Sonic Train Studios to record their ninth album. ‘IX – Everyone, Everything, Everywhere, Ends’ is the sum of Niklas Kvarforth’s musical evolution and experience so far. And while nobody expects the Swede to deliver a record to booze and sing along to, the charged word “art” enters the mind unbidden. This masterpiece should interest lovers of music far beyond the narrow confines of extreme metal. Plug your headphones in and find out for yourself!
Current line-up
Niklas Kvarforth – vocals
Peter Huss – guitars
Euge Valovirta – guitars
Marcus Hammarström – bass
Jarle Byberg – drums
